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Elsewhere

Cooperstown and the Hood

Glimmerglass Festival continues its string of world premiere youth operas with a wholly enchanting production of Ben Moore and Kelly Rourke’s Robin Hood.

Glimmerglass Oklahoma: Yeow!

Director Molly Smith knew just how to best succeed at staging the evergreen classic Oklahoma! for Glimmerglass Festival.

An Invitation to Travel: Christiane Karg and Malcolm Martineau at the Proms

German soprano Christiane Karg invited us to accompany her on a journey during this lunchtime chamber music Prom at Cadogan Hall as she followed the voyages of French composers in Europe and beyond, and their return home.

Schoenberg's Gurrelieder at the Proms - Sir Simon Rattle

Prom 46: Schoenberg's Gurrelieder with Simon Rattle and the London Symphony Orchestra, Simon O'Neill, Eva-Maria Westbroek, Karen Cargill, Peter Hoare, Christopher Purves and Thomas Quasthoff. And three wonderful choirs - the CBSO Chorus, the London Symphony Chorus and Orfeó Català from Barcelona, with Chorus Master Simon Halsey, Rattle's close associate for 35 years.

Le Siège de Corinthe in Pesaro

That of Rossini (in French) and that of Lord Byron (in English, Russian, Italian and Spanish), the battles of both Negroponte (1470) and of Missolonghi (1826) re-enacted amidst massive piles of plastic water bottles (thousands of them) that collapsed onto the heroine at Mahomet II's destruction of Corinth.

Dunedin Consort perform Bach's St John Passion at the Proms

John Butt and the Dunedin Consort's 2012 recording of Bach's St John Passion was ground-breaking for it putting the passion into the context of a reconstruction of the original Lutheran Vespers service.

Collision: Spectra Ensemble at the Arcola Theatre

‘Asteroid flyby in October: A drill for the end of the world?’ So shouted a headline in USA Today earlier this month, as journalist Doyle Rice asked, ‘Are we ready for an asteroid impact?’ in his report that in October NASA will conduct a drill to see how well its planetary defence system would work if an actual asteroid were heading straight for Earth.

Joshua Bell offers Hispanic headiness at the Proms

At the start of the 20th century, French composers seemed to be conducting a cultural love affair with Spain, an affair initiated by the Universal Exposition of 1889 where the twenty-five-year old Debussy and the fourteen-year-old Ravel had the opportunity to hear new sounds from East Asia, such as the Javanese gamelan, alongside gypsy flamenco from Granada.

John Joubert's Jane Eyre

Librettists have long mined the literature shelves for narratives that are ripe for musico-dramatic embodiment. On the whole, it’s the short stories and poems - The Turn of the Screw, Eugene Onegin or Death in Venice, for example - that best lend themselves to operatic adaptation.

Hibiki: a European premiere by Mark-Anthony Turnage at the Proms

Hibiki: sound, noise, echo, reverberation, harmony. Commissioned by the Suntory Hall in Tokyo to celebrate the Hall’s 30th anniversary in 2016, Mark-Anthony Turnage’s 50-minute Hibiki, for two female soloists, children’s chorus and large orchestra, purports to reflect on the ‘human reverberations’ of the Tohoku earthquake in 2011 and the devastation caused by the subsequent tsunami and radioactive disaster.

Through Life and Love: Louise Alder sings Strauss

Soprano Louise Alder has had an eventful few months. Declared ‘Young Singer of the Year’ at the 2017 International Opera Awards in May, the following month she won the Dame Joan Sutherland Audience Prize at the BBC Cardiff Singer of the World.

Janáček: The Diary of One Who Disappeared, Grimeborn

A great performance of Janáček’s song cycle The Diary of One Who Disappeared can be, allowing for the casting of a superb tenor, an experience on a par with Schoenberg’s Erwartung. That Shadwell Opera’s minimalist, but powerful, staging in the intimate setting of Studio 2 of the Arcola Theatre was a triumph was in no small measure to the magnificent singing of the tenor, Sam Furness.

Khovanshchina: Mussorgsky at the Proms

Remembering the centenary of the Russian Revolution, this Proms performance of Mussorgsky’s mighty Khovanshchina (all four and a quarter hours of it) exceeded all expectations on a musical level. And, while the trademark doorstop Proms opera programme duly arrived containing full text and translation, one should celebrate the fact that - finally - we had surtitles on several screens.

Santa Fe: Entertaining If Not Exactly (R)evolutionary

You know what I loved best about Santa Fe Opera’s world premiere The (R)evolution of Steve Jobs?

Longborough Young Artists in London: Gluck's Orfeo ed Euridice

For the last three years, Longborough Festival Opera’s repertoire of choice for their Young Artist Programme productions has been Baroque opera seria, more specifically Handel, with last year’s Alcina succeeding Rinaldo in 2014 and Xerxes in 2015.

A Master Baritone in Recital: Sesto Bruscantini, 1981

This is the only disc ever devoted to the art of Sesto Bruscantini (1919–2003). Record collectors value his performance of major baritone roles, especially comic but also serious ones, on many complete opera recordings, such as Il barbiere di Siviglia (with Victoria de los Angeles). He continued to perform at major houses until at least 1985 and even recorded Mozart's Don Alfonso in 1991, when he was 72.

Emalie Savoy: A Portrait

Since 1952, the ARD—the organization of German radio stations—has run an annual competition for young musicians. Winners have included Jessye Norman, Maurice André, Heinz Holliger, and Mitsuko Uchida. Starting in 2015, the CD firm GENUIN has offered, as a separate award, the chance for one of the prize winners to make a CD that can serve as a kind of calling card to the larger musical and music-loving world. In 2016, the second such CD award was given to the Aris Quartett (second-prize winner in the “string quartet” category).

Full-throated Cockerel at Santa Fe

A tale of a lazy, befuddled world leader that ‘has no clothes on’ and his two dimwit sons, hmmmm, what does that remind me of. . .?

Santa Fe’s Trippy Handel

If you don’t like a given moment in Santa Fe Opera’s staging of Alcina, well, just like the volatile mountain weather, wait two minutes and it will surely change.

Santa Fe’s Crowd-Pleasing Strauss

With Die Fledermaus’ thrice familiar overture still lingering in our ears, it didn’t take long for the assault of hijinks to reduce the audience into guffaws of delight.


OPERA TODAY ARCHIVES »

Reviews

Francesca Zambello, Glimmerglass Festival Artistic & General Director
22 Aug 2017

Cooperstown and the Hood

Glimmerglass Festival continues its string of world premiere youth operas with a wholly enchanting production of Ben Moore and Kelly Rourke’s Robin Hood. »

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28 Dec 2004

Schnittke's Gesualdo — Another View

Staatsoper: Neuer Versuch mit dem Kindsmord VON WILHELM SINKOVICZ Alfred Schnittkes "Gesualdo" wieder auf dem Spielplan: exzellent besetzt, aber nach wie vor problematisch. Das Stück wird nicht besser, wenn man es bis in die kleinsten Rollen mit edelsten Stimmen besetzt,... »

27 Dec 2004

Schnittke's Gesualdo at the Wiener Staatsoper

Gesualdo Vienna State Opera By Larry L Lash Published: December 27 2004 02:00 | Last updated: December 27 2004 02:00 In a house where world premieres are rare and successful ones even rarer, I suspect the Vienna State Opera feels... »

27 Dec 2004

Il trovatore at Munich

Gefahr für die Luftröhre Staatsoper: Neu besetzter "Troubadour" Eine Produktion mit Hustenreiz-Garantie. Denn wenn sich der Vorhang zum hochgradig verstaubten Staatsopern-"Troubadour" öffnet, dann sträuben sich in der Luftröhre die Flimmerhärchen. Für Stars auf der Durchreise taugt das müde Arrangement allemal:... »

26 Dec 2004

Hoffmann at Marseille

Tales of Hoffmann, Opéra de Marseille By Francis Carlin Published: December 23 2004 02:00 | Last updated: December 23 2004 02:00 We have surely not heard the last word on Offenbach's attempt to get back into the world of grand... »

24 Dec 2004

Haydn's The Creation at The Sage, Gateshead

Haydn’s Creation couldn’t have been a more appropriate choice for the opening concert at The Sage Gateshead complex, although it must have felt more like “paradise found” for the Northern Sinfonia than Paradise Lost, the Milton poem on which the oratorio is based. In the performances of the uninhibited soloists – Geraldine McGreevy, Thomas Walker and Michael George (placed, perhaps unwisely, behind the orchestra) – there was a sense of the architectural accomplishment and, more obviously, the human joy contained in Haydn’s great work. The one artistic achievement matched the other splendidly. »

23 Dec 2004

Shostakovich's The Nose at Théâtre Graslin, Nantes

The Nose/Angers-Nantes Opéra, Théâtre Graslin, Nantes By Francis Carlin Published: December 22 2004 13:05 | Last updated: December 22 2004 13:05 Now merged with nearby Angers, Nantes is still flying the flag of artistic courage and digging out overlooked jewels.... »

22 Dec 2004

ROSSINI: Zelmira

Zelmira Gioachino Rossini, music and Andrea Leone Tortola, libretto ORC 27 Scottish Chamber Orchestra Maurizio Benini, conductor Besides its Opera in English series on Chandos, Peter Moore's Foundation has sponsored the recording of many a fine bel canto rarity on... »

21 Dec 2004

Carmen at De Vlaamse Opera

The sigh of relief was almost audible during the short love duet after “La fleur que tu m’avais jetée”. Carmen started to strip down, fumbled a little bit with José’s pants and both started their love making. So after all, Bieito’s signature tune was being played. In reality apart from the many lewd gestures, both singers remained firmly and fully clothed. The only full nude was a male dancer during the prelude to the third act and even he was lighted in clair-obscur. Another Bieito-feature, horrible violence, was also somewhat muted. Granted, José gutted Carmen in the finale of the opera in plain sight and in the well-known way Islamists treat those poor people they can lay their hands on and therefore it was a bloody affair but still everybody knows “this is theatre”. »

20 Dec 2004

Kata Kabanova at the Met

Janacek’s Kata Kabanova began this year’s run at the Met on Friday night with a very new cast including two important and highly successful debuts. This is Janacek late in his career, writing on a Russian subject by the playwright Ostrovsky. His admiration for Russian culture and literature may also have led him to follow Anton Chekhov’s example — Kata moves swiftly with the sense that any extraneous word or note has been rigorously pruned away — it is an opera that speaks directly and powerfully to its audience. Last night’s audience — the Met was at least 90% full — reacted with enthusiasm that bordered on delirium when the final curtain rose again for beloved Finnish soprano Karita Mattila’s pride-of-place first solo bow. »

20 Dec 2004

Das Rheingold at Covent Garden

THE slightly unsettling fervour of Wagner adepts as they look forward to the start of another Ring cycle is matched by a religious hush as we sit in the dark waiting — for a good 30 seconds — for the thing to begin. And then it does, soft, impossibly deep rumblings emerging from the void to become the longest E flat chord in history, and a single light lost in the blackness of the stage. You think: this better be good. »

19 Dec 2004

Carmen at Semperoper

Kein Urweib, keine femme fatale – eine “ganzheitliche” Frau mit einem unbändigen Freiheitsdrang soll diese Carmen sein. So stellt sie sich Regisseurin Konstanze Lauterbach laut Programmheft vor. Was man auf der Bühne von Peter Schubert sieht, sind Genreszenen in einem faschistischen Land. Das Eröffnungsbild schon zeigt einen Marktplatz, auf dem es vor lungernden Soldaten nur so wimmelt. Kinder sitzen in dem lindgrün-ockerfarbenen Geviert auf dem terrakotta-farbenen Steinfußboden für ihren Auftritt bereit. Gruppen von schwarz gekleideten Lorca-Frauen huschen über die Bühne. »

18 Dec 2004

Man and Boy: Dada

Schwitters Agonistes: Opera Takes on a Radical By ANNE MIDGETTE Kurt Schwitters. Merz Picture 32A (The Cherry Picture). 1921. Cloth, wood, metal, fabric, cut-and-pasted papers, cork, gouache, oil, and ink on cardboard, 36 1/8 × 27 3/4" (91.8 × 70.5... »

17 Dec 2004

AMOR: Richard Strauss — Opera Scenes and Lieder

French soprano Natalie Dessay sings three roles, all quite different in character and personality -- from Zerbinetta in "Ariadne" to Zdenka in "Arabella" and Sophie in "Rosenkavalier." It is a delicious way to sample the pleasures of this great singer.... »

17 Dec 2004

Andromeda liberata in London

Andromeda liberata, Barbican Hall, London By Richard Fairman Published: December 16 2004 02:00 | Last updated: December 16 2004 02:00 In his prolific career Vivaldi wrote about 38 solo cantatas, 20 motets and 45 operas, of which 21 survive more... »

16 Dec 2004

Rodelinda at the Met

Brilliant, Starlit Night Metropolitan Opera's 'Rodelinda' grants Handel his due By JAMES JORDEN The Metropolitan Opera can be a pretty dreary place when presenting an under-cast and under-rehearsed revival. But their new production of Handel's "Rodelinda" on December 6 was... »

16 Dec 2004

Il ritorno di Ulisse in patria a Brescia

Una spiaggia di sabbia, due muri ai lati, l'ingresso monumentale alla reggia di Itaca sul fondo. E' incredibile come questa scena fissa semplicissima sia riuscita a reggere per le tre ore e mezza di spettacolo, ma non solo, a renderlo... »

15 Dec 2004

Hercules in Paris

Hard luck trails Hercules By David Stevens International Herald Tribune Wednesday, December 15, 2004 Handel opera falls short in Paris From left: Toby Spence, Joyce DiDonato and Malena Ernman in ''Hercules.'' (Eric Mahoudeau) PARIS Hercules had a lot of bad... »

15 Dec 2004

Another View of A Wedding

Bolcom's music humanizes Altman's sardonic 'Wedding' Movie-turned-opera by U-M composer William Bolcom opens in Chicago. By Lawrence B. Johnson / Detroit News Music Critic Image CHICAGO -- Think of the human condition as images in a funhouse -- where individual... »

14 Dec 2004

Falstaff at Strasbourg

Falstaff, Opéra du Rhin, Strasbourg By Francis Carlin Published: December 14 2004 15:54 | Last updated: December 14 2004 15:54 The posters dotted around Strasbourg showed a figure trussed up in pillows and mattresses, to add more protuberance to waist... »

14 Dec 2004

Die tote Stadt at the Wiener Staatsoper

Kritik Staatsoper: Sie war doch nur scheintot VON WILHELM SINKOVICZ Wie Erich Wolfgang Korngolds einstiger Sensationserfolg "Die tote Stadt" zum Repertoirestück wird. Wiederbelebungsversuche startet man seit geraumer Zeit mit vie len Werken, die unter der ära des Nationalsozialismus als "entartet"... »

14 Dec 2004

Rossini's La Pietra del Paragone at Opéra de Fribourg

LA PIETRA DEL PARAGONE (La pierre de touche) Melodramma giocoso en deux actes de Gioacchino Rossini Livret de Luigi Romanelli (1751-1839) Créé à la Scala de Milan le 26 septembre 1812 Le comte Asdrubal est entouré de trois femmes qui... »

14 Dec 2004

Kurt Weill's One Touch of Venus

One Touch of Venus, Grand Theatre, Leeds By Richard Fairman [Financial Times] Published: December 13 2004 02:00 | Last updated: December 13 2004 02:00 It is no surprise that Kurt Weill's One Touch of Venus was one of his bigger... »

14 Dec 2004

Le Monde Reviews First Encounter

Sélection CD L'osmose de deux timbres rares LE MONDE | 13.12.04 | 15h33 First Encounter: Angelika Kirchschlager & Barbara Bonney Classique "Il y a très longtemps, raconte Barbara Bonney, que je fis connaissance avec Angelika Kirchschlager. Ce fut un dimanche... »

13 Dec 2004

Elektra at the Oper Duisburg

Elektra in der Oper Duisburg: Ein Leben für den Tod Rheinoper: In Duisburg zeigen Stein Winge und Johannes Schütz Richard Strauss` "Elektra" in einer Welt, die Kopf steht. Duisburg. Alles ist erfüllt von den Abwesenden. An die Wände hängt Elektra,... »

13 Dec 2004

Lavinia fuggita at Modena

Lavinia la turca Lavinia fuggita Opera da camera in un atto di Matteo D'Amico libretto di Sandro Cappelletto, liberamente tratto dall'omonimo racconto di Anna Banti prima rappresentazione: Modena, Teatro Comunale 12 dicembre 2004 Teatro Comunale via del Teatro 8 Modena... »

13 Dec 2004

A Wedding in Chicago: Two Reviews

Altman opera a fitting renovation By Bill Gowen Daily Herald Classical Music Critic Posted Monday, December 13, 2004 It's rare that a film director has an opportunity for a do-over. But Robert Altman is no ordinary director, having created several... »

13 Dec 2004

Rossini's La Cenerentola at Dallas

Singer is entrancing in a demanding role By Wayne Lee Gay Star-Telegram Classical Music Critic After a weak start with Bizet's Carmen and a strong comeback with Janacek's Jenufa, Dallas Opera was on track for Rossini's La Cenerentola, or Cinderella,... »

12 Dec 2004

Anna Netrebko in Leipzig

Anna Netrebko: Vom Aschenputtel zur Operndiva VON Tobias D. Höhn, 10.12.04, 12:30h Leipzig - Für viele ist sie die zweite Maria Callas. Wenn die russische Opernsängerin Anna Netrebko wie eine Ballerina über die Bühne schwebt, mit einem Lächeln und glockenheller... »

12 Dec 2004

OSBORNE: The Opera Lover's Companion

Every CD collector faces the day (or days, in the case of the truly dedicated collector) when denial no longer suffices — the shelves are sagging and overflowing, and the time has come to purchase yet another storage unit. Perhaps others have done what I did once to forestall that day — I removed all the booklets from my opera sets (and cover boxes as well, of course) and stored them on that increasingly archaic furniture item, a bookshelf. »

12 Dec 2004

Das Weihnachtsoratorium in der Thomaskirche

Alle Jahre wieder - Das Weihnachtsoratorium in der Thomaskirche, mit den Thomaner, dem Gewandhausorchester und Gästen Weihnachtsoratorien sind auch eine Jahrgangsfrage: Frei von der Diskussion um die Herrlichkeit Bachscher Noten, fixiert auf die individuelle Interpretation. Insofern ist Thomaskantor Georg Christoph... »

12 Dec 2004

Don Carlo a Firenze

Firenze, teatro Comunale. Si rappresenta il Don Carlo nell'edizione in cinque atti, con la ricostruzione dello storico allestimento di Luchino Visconti. A metà del secondo atto il sipario si chiude per il cambio di scena. Mezze luci in sala, Zubin... »

10 Dec 2004

Don Carlo at Teatro del Maggio Musicale Fiorentino

With all of the festivities surrounding the reopening of La Scala, the production of Don Carlo at Teatro del Maggio Musicale Fiorentino was left in the shadows. The company is producing both the four-act and five-act editions, the latter being... »

10 Dec 2004

Vita con un idiota at Russkij Festival, Rome

Altro che idiota! Vita con un idiota opera in due atti di Alfred Schinittke libretto di Viktor Erofeev Russkij Festival Auditorium Parco della Musica - Sala Petrassi Viale Pietro De Coubertin Roma 0680241281 10 dicembre 2004 Non è solo un... »