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Elsewhere

Glyndebourne’s first production of Dialogues des Carmélites to open Glyndebourne Festival 2020

Glyndebourne’s first production of Poulenc’s Dialogues des Carmélites will open Glyndebourne Festival 2020, it was announced today. The opera house unveiled its 2020 plans at an event in its recently built Production Hub, hosted by Glyndebourne’s new senior leadership team, Artistic Director Stephen Langridge and Managing Director Sarah Hopwood, who jointly replace the former position of General Director.

Peter Sellars' kinaesthetic vision of Lasso's Lagrime di San Pietro

On 24th May 1594 just a few weeks before his death on 14 June, the elderly Orlando di Lasso signed the dedication of his Lagrime di San Pietro - an expansive cycle of seven-voice penitential madrigale spirituali, setting vernacular poetry on the theme of Peter’s threefold denial of Christ - to Pope Clement VIII.

Garsington Opera Announces 2020 season and 2019 Paris Performance

Garsington Opera is delighted to announce the 2020 season that will open on 28 May, featuring three new productions - Verdi’s Un giorno di regno, Mozart’s Mitridate, re di Ponto, Dvořák’s Rusalka and a revival of John Cox’s legendary production of Beethoven’s Fidelio.

Karlheinz Stockhausen: Donnerstag aus Licht

Stockhausen was one of the most visionary of composers, and no more so than in his Licht operas, but what you see can often get in the way of what you hear. I’ve often found fully staged productions of his operas a distraction to the major revelation in them - notably the sonorities he explores, of the blossoming, almost magical acoustical chrysalis, between voices and instruments.

David McVicar's Andrea Chénier returns to Covent Garden

Is Umberto’s Giordano’s Andrea Chenier a verismo opera? Certainly, he is often grouped with Mascagni, Cilea, Leoncavallo and Puccini as a representative of this ‘school’. And, the composer described his 1876 opera as a dramma de ambiente storico.

Glyndebourne presents Richard Jones's new staging of La damnation de Faust

Oratorio? Opera? Cantata? A debate about the genre to which Berlioz’s ‘dramatic legend’, La damnation de Faust, should be assigned could never be ‘resolved’.

Jean Sibelius: Kullervo

Why did Jean Sibelius suppress Kullervo (Op. 7, 1892)? There are many theories why he didn’t allow it to be heard after its initial performances, though he referred to it fondly in private. This new recording, from Hyperion with Thomas Dausgaard conducting the BBC Scottish Symphony Orchestra, soloists Helena Juntunen and Benjamin Appl and the Lund Male Chorus, is a good new addition to the ever-growing awareness of Kullervo, on recording and in live performance.

Hampstead Garden Opera presents Partenope-on-sea

“Oh! I do like to be beside the seaside! I do like to be beside the sea!” And, it was off to the Victorian seaside that we went for Hampstead Garden Opera’s production of Handel’s Partenope - not so much for a stroll along the prom, rather for boisterous battles on the beach and skirmishes by the shore.

Henze's Phaedra: Linbury Theatre, ROH

A song of love and death, loss and renewal. Opera was born from the ambition of Renaissance humanists to recreate the oratorical and cathartic power of Greek tragedy, so it is no surprise that Greek myths have captivated composers of opera, past and present, offering as they do an opportunity to engage with the essential human questions in contexts removed from both the sacred and the mundane.

Un ballo in maschera at Investec Opera Holland Park: in conversation with Alison Langer

“Sop. Page, attendant on the King.” So, reads a typical character description of the loyal page Oscar, whose actions, in Verdi’s Un ballo in maschera, unintentionally lead to his monarch’s death. He reveals the costume that King Gustavo is wearing at the masked ball, thus enabling the monarch’s secretary, Anckarstroem, to shoot him. The dying King falls into the faithful Oscar’s arms.

Martin Duncan directs the first UK staging of Offenbach's Fantasio at Garsington

A mournful Princess forced by her father into an arranged marriage. A Prince who laments that no-one loves him for himself, and so exchanges places with his aide-de-camp. A melancholy dreamer who dons a deceased jester’s motley and finds himself imprisoned for impertinence.

Thomas Larcher's The Hunting Gun at the Aldeburgh Festival: in conversation with Peter Schöne

‘Aloneness’ does not immediately seem a likely or fruitful subject for an opera. But, loneliness and isolation - an individual’s inner sphere, which no other human can truly know or enter - are at the core of Yasushi Inoue’s creative expression.

Actress x Stockhausen Sin {x} II - a world premiere

Is it in any sense aspirational to imitate - or even to try to create something original - based on one of Stockhausen’s works? This was a question I tried to grapple with at the world premiere of Actress x Stockhausen Sin {x} II.

The London Handel Festival and The Royal Opera announce a co-production of Handel’s Susanna starring members of The Royal Opera’s Jette Parker Young Artists Programme

The London Handel Festival and The Royal Opera today [14 May 2019] announced a co-production of Handel’s oratorio Susanna as part of the 2020 London Handel Festival. The new production, performed in English in the Linbury Theatre [5 - 14 March 2020], will star members and Link Artists from The Royal Opera’s Jette Parker Young Artists Programme. Handel’s Susanna was written for Covent Garden and had its premiere on the site in 1749, but has not been performed at Covent Garden since.

Royal Opera House announces 17 new productions for its 2019/20 Season

The Royal Opera House today launches its 2019/20 Season, unveiling an exciting range of new commissions, world premieres and much-loved revivals, supported by a diverse range of ticketed and free daytime events, activities and festivals for people of all ages. In the first full Season since the completion of the Royal Opera House’s three-year Open Up renovation, The Royal Opera Company unveils a host of innovative new work, with 13 new productions, including two world premieres, in the Season ahead.

The BBC Singers and the Academy of Ancient Music join forces for Handel's Israel in Egypt

The biblical account of the Exodus of the Israelites from Egypt is the defining event of Jewish history. By contrast, Handel’s oratorio Israel in Egypt has struggled to find its ‘identity’, hampered as it is by what might be termed the ‘Part 1 conundrum’, and the oratorio has not - despite its repute and the scholarly respect bestowed upon it - consistently or fully satisfied audiences, historic or modern.

Measha Brueggergosman: The Art of Song – Ravel to John Cage

A rather charming story recently appeared in the USA of a nine-year old boy who, at a concert given by Boston’s Handel and Haydn Society, let out a very audible “wow” at the end of Mozart’s Masonic Funeral Music. I mention this only because music – whether you are neurotypical or not – leads to people, of any age, expressing themselves in concerts relative to the extraordinary power of the music they hear. Measha Brueggergosman’s recital very much had the “wow” factor, and on many distinct levels.

In interview with Polly Graham, Artistic Director of Longborough Festival Opera

What links Wagner’s Das Rheingold, Donizetti’s Anna Bolena, Mozart’s Don Giovanni and Cavalli’s La Calisto? It sounds like the sort of question Paul Gambaccini might pose to contestants on BBC Radio 4’s music quiz, Counterpoint.

World premiere of Cecilia McDowall's Da Vinci Requiem

The quincentennial of the death Leonardo da Vinci is one of the major events this year – though it doesn’t noticeably seem to be acknowledged in new music being written for this.

Mahler: Titan, Eine Tondichtung in Symphonieform – François-Xavier Roth, Les Siècles

Not the familiar version of Mahler's Symphony no 1, but the “real” Mahler Titan at last, as it might have sounded in Mahler's time! François-Xavier Roth and Les Siècles present the symphony in its second version, based on the Hamburg/Weimar performances of 1893-94. This score is edited by Reinhold Kubik and Stephen E.Hefling for Universal Edition AG. Wien.


OPERA TODAY ARCHIVES »

Reviews

24 May 2019

Peter Sellars' kinaesthetic vision of Lasso's Lagrime di San Pietro

On 24th May 1594 just a few weeks before his death on 14 June, the elderly Orlando di Lasso signed the dedication of his Lagrime di San Pietro - an expansive cycle of seven-voice penitential madrigale spirituali, setting vernacular poetry on the theme of Peter’s threefold denial of Christ - to Pope Clement VIII.  »

Recently in Reviews

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07 Sep 2007

JANÁČEK: Katja Kabanowa

A series of historic recordings comes from Profil/Edition: Günter Hänssler, and from those a subset of Staatskapelle Dresden performances brings opera fans a remarkable document. »

07 Sep 2007

Teresa Berganza Live in Concert

Here's another in a series of televised recitals from Lugano, Switzerland to have appeared on DVD. »

07 Sep 2007

Kiri Sings Karl: Songs of Mystery & Enchantment

Alban Berg's Wozzeck takes almost two hours to induce a sense of soul-crushing nausea and despondency. Kiri Sings Karl achieved that for your reviewer in a couple minutes, and then went on with terrifying, torturous efficiency for almost another hour. »

07 Sep 2007

VERDI: Otello

Director Willy Decker's outstanding Traviata from Salzburg, with Anna Netrebko and Rolando Villazon, is one of the great contemporary opera DVDs. »

07 Sep 2007

Aspen premieres forgotten Cavalli work

A husky baritone in Speedos on a motor scooter and a buxom, purple-wigged Dame Edna drag clone — the Aspen Opera Theater Company’s staging of Francesco Cavalli’s 1667 “Eliogabalo” was off to a start that promised to equal the program’s over-the-top staging of the composer’s 1649 “Giasone” two summers ago. (AOTC director Edward Berkeley raised the curtain on that Baroque potboiler to a biker Amor on a Harley.) »

06 Sep 2007

STRAUSS: Elektra

Among the available videos of Richard Strauss’s Elektra, the recently released DVD of the live broadcast from 16 February 1980 stands out for capturing the exciting of an all-star international cast that included the famous Birgit Nilsson in the title role. »

05 Sep 2007

Netherlands Opera — New Wine in Old Bottles

The unmistakable fanfare that opens Monteverdi’s seminal L’Orfeo rang out from the top of the crowded foyer of the Netherlands Opera in Amsterdam last Friday night to signal not only the start of the opera, but also the opening night of their celebratory 2007 Monteverdi Cycle. »

02 Sep 2007

The Pleasures of Presence — The Small Loudspeakers of Richard Sequerra

In the long ago, when the best source of music reproduction in the home was a handsome piece of furniture, fitted with hidden audio components, and usually called radio-phonographs, my family had one — from Avery Fisher I believe — that had among its controls a switch labeled ‘presence.’ »

28 Aug 2007

DONIZETTI: Anna Bolena

A career-making smash for Donizetti at its 1830 premiere, Anna Bolena eventually faded from the standard repertory. »

28 Aug 2007

BRUCKNER: Symphony no. 5

Recorded live at the Stiftsbasilika, St. Florian (Austrian) on 12 and 13 September 2006, this DVD offers a special performance of the famous Cleveland Orchestra outside its home at Severance Hall. »

28 Aug 2007

BERG: Wozzeck

Among the available DVDs of Alban Berg's opera Wozzeck, the recent release of the production Rolf Liebermann made into a film i the late 1960s stands out for various reasons. »

28 Aug 2007

The Dream of Gerontius Opens Elora Summer Festival

Written in 1900, Elgar’s Gerontius expresses the universal and existentialist struggle of death and rebirth. The allegorical significance of the piece touches on a need for faith, self-discovery, and acceptance of the world around us. »

28 Aug 2007

Faustina Bordoni: Faces of a prima donna

Opera singers today have become almost as famous and publicly worshipped as movie-stars; yet this has always been the case in operatic history. »

27 Aug 2007

Menotti’s “Saint” wears a dim halo

CENTRAL CITY, Colo. — A year ago, when the Central City Opera announced plans to conclude its 2007 75th anniversary season with Gian Carlo Menotti’s “Saint of Bleecker Street,” the composer was aged but alive. »

27 Aug 2007

New opera from China crosses national boundaries

It’s clear today that China’s Cultural Revolution has led to a cultural revolution that — in music at least — has made the country’s artists frontrunners on the international scene. »

27 Aug 2007

Glimmerglass Opera 2007 — An Overview

Glimmerglass Opera is in a watershed year. With the departure of Paul Kellogg, who had considerable success developing that annual festival, General and Artistic Director Michael Macleod has chosen to begin his tenure with a variation on the usual four-opera-season, namely a thematic collection of pieces based on the “Orpheus” legend. “Don’t look back” is the marketing catch phrase. »

27 Aug 2007

JANÁČEK: Jenůfa

In an evening brimming with sublime performances, Anja Siljja took grasp of her dramatic prowess and left us breathless, yearning for more. At the most sacred opera house in Italy, and perhaps the world, Janáček’s opera was thrillingly presented and is an example of our beloved genre at its finest. »

27 Aug 2007

Carlos Cogul: Introduction

Carlos Cogul is a London vocal coach and an appreciated baritone giving many a recital ……in the London Tube while commuters hastily pass by to catch their trains. Judging from the photo on this CD he is not a young man any more. »

27 Aug 2007

ROSSINI: Bianca e Falliero

The choice between this recording made at the Pesaro Festival in August 2005 and the Opera Rara recording of 2000 will partly be made for non-musical reasons. »

27 Aug 2007

Jan Neckers on Recently Reissued Historicals

Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori. »

20 Aug 2007

Unsuk Chin’s “Alice in Wonderland”

“Who in the world am I?” proclaimed the posters all over Munich, reducing Lewis Carroll’s famous conundrum to a sound-bite. »

16 Aug 2007

Katharina Wagner's Debut at Bayreuth

If you are in need of a Romantic, Alt-Nuernberg, Beloved-Old-Vaterland-As-It-(Never)-Was sort of production of “Die Meistersinger,” you would probably do well to wait for the Met revival, and stay far far away (actually, add another “far” to that) from the Bayreuth Festpiel’s latest “Skandal”-ripe interpretation. »

16 Aug 2007

Ohio Light Opera Festival

For twenty-eight years now the Ohio Light Opera Festival (OLO) has held forth in Wooster in the summertime, presenting no less than 99 different works (their big 100th comes next year), familiar and forgotten, by the likes of Gilbert and Sullivan, Rodgers and Hammerstein, Offenbach, Sigmund Romberg, Carl Zeller and Emmerich Kálmán — to refer only to the authors of the seven undertaken this year. »

16 Aug 2007

A Cloudy Mirror

“Tea: Mirror of the Soul” with book by Xu Ying and music by Tan Dun, revised from an earlier version first produced in Japan in 2002, was to have been the novelty of the present Santa Fe Opera season. Instead, it was dead on arrival. »

16 Aug 2007

Haydn’s L’Anima del Filosofo (Orfeo ed Eurydice) — A rare performance at Glimmerglass this summer, as part of their “Orpheus” 2007 Festival Season

On a cold winter’s day in Vienna, just before Christmas 1790, Mr. Haydn dined with Mr. Mozart for the last time. »

16 Aug 2007

Michael Maniaci Flies High as Orphée at Glimmerglass

The legend of Orpheus and Eurydice has come down through the centuries to us, on the way inspiring some sixty-four other known operas. »

16 Aug 2007

Monteverdi’s “L’Orfeo”, Glimmerglass 2007 — Slattery rises to Alden’s challenging concept

The first masterpiece in the history of opera. That’s a tall order to live up to for any company and for any band of singers, especially those at the beginning of their careers. »

16 Aug 2007

Madame Butterfly: The Search Continues

Over the past decade, there have been a plethora of works trying to identify the historical models for characters in Puccini’s famous opera Madama Butterfly. »

13 Aug 2007

Così fan tutte Deconstructed

W. A. Mozart’s Così fan tutte, heard on a stormy night July 11, proved a sorry exercise in deconstruction, something I never expected to endure at Santa Fe Opera. »

12 Aug 2007

Bieito Does La Fanciulla del West at Staatsoper Stuttgart

Staatsoper Stuttgart presented its new production of The Girl of the Golden West, directed by Calixto Bieito. And, well, it began with an added dialogue scene to establish the “concept.” »

07 Jul 2007

Love and death among battlements

In 2003, at Cagli’s Accademia del Teatro, Elisabetta Courir directed a compelling Così fan tutte, minimalist, sophisticated and low-budget; quite unlike Daniele Abbado, whose Lohengrin for Bologna’s Teatro Comunale integrated “hard” scenery, video projections and historically informed costumes into a dream-like pageant. »

04 Jul 2007

DONIZETTI: Don Pasquale

An ingenious and handsome staging, in the proper period and full of delicious color, fashion and furnishings, a production that honors the compatibility of tradition with good fun, and four singers who look their parts, play the farce, and are as easy on the ears as on the eyes — what more could you want from a Don Pasquale? »

04 Jul 2007

SZYMANOWSKI: Songs of a Fairy-tale Princess; Harnasie; Love Songs of Hafiz

The Polish composer Karol Szymanowski (1882-1937) is one of more engaging composers of the early twentieth century. »

04 Jul 2007

DONIZETTI: Dom Sébastien, roi de Portugal

When hearing the final work of a composer whose life was cut short, one can not help but wonder, “What if?” »

27 Jun 2007

BRUCKNER: Symphony no. 8 (rev. version, Nowak ed.)

Established in 1985 by the United Nations, the World Philharmonic Orchestra gave its inaugural concert on 12 December 1985 under the auspices of UNICEF and the Konserthus, Sweden. »

27 Jun 2007

ROSSINI: La Scala di Seta

La Scala di Seta, composed in Venice in 1812 (Rossini was 20; Tancredi and fame were a year off; Barbiere and immortality were four years down the road), shares the fortune of La Gazza Ladra: that is, until recently, the public knew the overture quite well but nothing else from the opera which, indeed, lacks the spectacular arias and hilarious ensembles that might have kept it on the boards. »

25 Jun 2007

WEBER: Der Freischütz

Produced by Rolf Lieberman and directed for television by Joachim Hess, this 1968 studio recording of Carl Maria von Weber’s Der Freischütz has much to recommend as a traditional production of the opera. »

25 Jun 2007

San Francisco underscores complexity of “Rosenkavalier”

Just whose opera is “Der Rosenkavalier” anyway? The title — to begin with the obvious — says it’s youthful Octavian, pinpointing his role as the bearer of the rose that is to seal the marriage contract of Ochs and child-like Sophie. »

24 Jun 2007

ROSSINI: Il Viaggio a Reims

Il Viaggio a Reims was a pièce d’occasion, part of the official tributes to Charles X of France on his coronation in 1825, but unlike most such creations – which tend to dreary platitudes of the Oscar speech variety – Viaggio has a cheeky personality and delicious music from Rossini at the top of his game, music he planned to recycle in subsequent operas – which he did. »

24 Jun 2007

STRAVINSKY: Histoire du soldat (Suite); Renard

As indicated in the copy on the CD, itself this is indeed a “unique collection of mostly short works” by Igor Stravinsky. »

24 Jun 2007

Sacred Music from Notre-Dame Cathedral

In charting the history of music in the West, the twelfth and thirteenth centuries in Paris loom large as a golden age of innovative polyphony, a golden age that is much the fruits of two composers, Leoninus and Perotinus. »

22 Jun 2007

Concilium musicum Wien on authentic instruments

This live concert recording assembles a trio of late eighteenth-century Viennese composers; the program is strong in evocation of time and place, but admittedly less so in substance. »

21 Jun 2007

Lully’s Psyché at Boston Early Music Festival

There’s not much point in presenting Lully’s Psyché (in its North American premiere no less) unless you’re going to give it something vaguely like the grandeur Louis XIV could command in 1678. »