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Elsewhere

Elgar Sea Pictures : Alice Coote, Mark Elder Prom 31

Sir Mark Elder and the Hallé Orchestra persuasively balanced passion and poetry in this absorbing Promenade concert. Elder’s tempi were fairly relaxed but the result was spaciousness rather than ponderousness, with phrases given breadth and substance, and rich orchestral colours permitted to make startling dramatic impact.

Berio Sinfonia, Shostakovich, BBC Proms

Although far from perfect, the performance of Berio’s Sinfonia in the first half of this concert was certainly its high-point; indeed, I rather wish that I had left at the interval, given the tedium induced by Shostakovich’s interminable Fourth Symphony. Still, such was the programme Semyon Bychkov had been intended to conduct. Alas, illness had forced him to withdraw, to be replaced at short notice by Vasily Petrenko.

Four countertenors : Handel Rinaldo Glyndebourne

Handel's Rinaldo was first performed in 1711 at London's King's Theatre. Handel's first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story. Robert Carsen's 2011 production of the opera for Glyndebourne reflected this with its tongue-in-cheek Harry Potter meets St Trinian's staging.

Santa Fe Opera Presents The Impresario and Le Rossignol

On August 7, 2014, the Santa Fe Opera presented a double bill of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol (The Nightingale). The Impresario deals with the casting of an opera and Le Rossignol tells the well-known fairy tale about the plain gray bird with an exquisite song.

Barber in the Beehive State

Utah Festival Opera and Musical Theatre has gifted opera enthusiasts with a thrilling Barber, and I don’t mean . . . of Seville.

Stravinsky : Oedipus Rex, BBC Proms

In typical Proms fashion, BBC Prom 28 saw Stravinsky's Oedipus Rex performed in an eclectic programme which started with Beethoven's Egmont Overture and also featured Electric Preludes by the contemporary Australian composer Brett Dean. Sakari Oramo,was making the first of his Proms appearances this year, conducting the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus.

Santa Fe Opera Presents a Passionate Fidelio

Santa Fe Opera presented Beethoven’s Fidelio for the first time in 2014. Since the sides of the opera house are open, the audience watched the sun redden the low hanging clouds and set below the Sangre de Cristo mountains while Chief Conductor Harry Bicket led the Santa Fe Opera Orchestra in the rousing overture. At the same time, Alex Penda as the title character readied herself for the ordeal to come as she endeavored to rescue her unjustly imprisoned husband.

Die Entführung aus dem Serail @ Hangar-7

We see the characters first in two boxes at an opera house. The five singers share a box and stare at the stage. But Konstanze’s eye is caught by a man in a box opposite: Bassa Selim (actor Tobias Moretti), who stares steadily at her and broods in voiceover at having lost her, his inspiration.

Rameau Grand Motets, BBC Proms

Best of the season so far! William Christie and Les Arts Florissants performed Rameau Grand Motets at late night Prom 17.

Adriana Lecouvreur, Opera Holland Park

Twelve years after Opera Holland Park's first production of Francesco Cilea’s Adriana Lecouvreur, the opera made a welcome return.

Back to the Beginnings: Monteverdi’s Il ritorno d’Ulisse in patria at Iford Opera.

The Italianate cloister setting at Iford chimes neatly with Monteverdi’s penultimate opera The Return of Ulysses, as the setting cannot but bring to mind those early days of the musical genre.

Schoenberg : Moses und Aron, Welsh National Opera, London

Once again, we find ourselves thanking an unrepresentable being for Welsh National Opera’s commitment to its mission.

Count Ory, Dead Man Walking
and La traviata in Des Moines

If you don’t have the means to get to the Rossini festival in Pesaro, you would do just as well to come to Indianola, Iowa, where Des Moines Metro Opera festival has devised a heady production of Le Comte Ory that is as long on belly laughs as it is on musical fireworks.

Janáček’s Glagolitic Mass, BBC Proms

Composed during just a few weeks of the summer of 1926, Janáček’s Slavonic-text Glagolitic Mass was first performed in Brno in December 1927.

Donizetti and Mozart, Jette Parker Young Artists Royal Opera House, London

With the conclusion of the ROH 2013-14 season on Saturday evening - John Copley’s 40-year old production of La Bohème bringing down the summer curtain - the sun pouring through the gleaming windows of the Floral Hall was a welcome invitation to enjoy a final treat. The Jette Parker Young Artists Summer Showcase offered singers whom we have admired in minor and supporting roles during the past year the opportunity to step into the spotlight.

Glyndebourne's Strauss Der Rosenkavalier, BBC Proms

Many words have already been spent - not all of them on musical matters - on Richard Jones’s Glyndebourne production of Der Rosenkavalier, which last night was transported to the Royal Albert Hall. This was the first time at the Proms that Richard Strauss’s most popular opera had been heard in its entirety and, despite losing two of its principals in transit from Sussex to SW1, this semi-staged performance offered little to fault and much to admire.

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year.


OPERA TODAY ARCHIVES »

Reviews

15 Aug 2014

Santa Fe Opera Presents an Imaginative Carmen

Santa Fe opera has presented Carmen in various productions since 1961. This year’s version by Stephen Lawless takes place during the recent past in Northern Mexico near the United States border. The performance on August 6, 2014, featured Ana Maria Martinez as a monumentally sexy Gypsy who was part of a drug smuggling group. »

Recently in Reviews

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08 Jan 2006

CILEA: L’Arlesiana

For a work that is known as a one-aria-opera, four official (this one included) recordings is not a bad record. And of course most opera-lovers have not only “E la solita storia” in their many tenor recitals but know the baritone aria “Come due tizzi” and the mezzo’s “Esser madre è un inferno” as well. »

08 Jan 2006

Operatunity Winners — Denise Leigh and Jane Gilchrist

When asked if I had any interest in reviewing the discs of “the Operatunity finalists,” I admit I was so ignorant of what Operatunity was that I had to make a quick web search to find out. »

06 Jan 2006

Dvořák und seine Zeit

Dvořák und seine Zeit – Dvořák and his Time – immediately conveys a singular perspective on some of the vocal music of Antonín Dvořák (1841-1904) in the context of his generation. Recorded on 17 August 2004, the music on this two-CD set is from the second of two programs that were given at the 2004 Salzburg Festspiel under the rubric of “Dvořák und seine Zeit.” »

06 Jan 2006

Natalie Dessay: Mozart Concert Arias

I wonder how Natalie Dessay would comment on this CD made more than 10 years ago when she was barely thirty? The lady is a dream for every interviewer. »

06 Jan 2006

BELLINI: La Sonnambula

What to do, what to do, with Bellini and Romani’s bel canto masterpiece, La Sonnambula? The exquisite music demands to be performed, so the opera continues to have an existence on the fringes of the standard repertory. »

06 Jan 2006

Ablaberdyeva/Korobeinikov at Wigmore Hall, London — Four Reviews

On 28 December 2005, soprano Alla Ablaberdyeva and pianist Andrei Korobeinikov presented a program of songs by Rachmaninov, Britten and Shostakovich. Here are four reviews. »

04 Jan 2006

Régine Crespin: Wagner and Berlioz Opera Arias

For those who want to possess every single TV appearance of Régine Crespin, this issue will not suffice. Only four items of the EMI DVD devoted to the soprano are to be found on the short DVD that is included with this CD. »

04 Jan 2006

CATALANI: La Falce

Although nothing is mentioned on the cover of the CD, I think this is the first official recording of the opera even if there are some pirates doing the rounds of the collectors (my copy is a Buenos Aires pirate). So this is not an unimportant issue of Catalani’s first opera. »

04 Jan 2006

L'Elisir d'Amore at the Met — Three Reviews

The Metropolitan Opera presented Donizetti's L'Elisir d'Amore (The Elixir of Love), which "tells of the peasant Nemorino who decides to take some magic elixir sold to him by a quack doctor, so that he can win the heart of a wealthy land-owner, who (to spite Nemorino) has announced her marriage to a sergeant." Here are three reviews: »

03 Jan 2006

Jonathan Lemalu: Love Blows as the Wind Blows

If one should believe British critics, especially English ones, Jonathan Lemalu is a major new bass; one of the greatest talents around whose qualities are widely proven by the fact this is already his third solo CD in a short time. »

02 Jan 2006

BRUCH: Das Lied von der Glocke

A century or so past, those simpler times without the internet, Desperate Housewives, and back-to-back sports and other activities that desperate parents feel they have to chauffeur their children to so they’ll be able to get into the higher levels of student loan debt, Americans joined choral societies and regularly presented well-known oratorios and cantatas: Elijah, The Seasons, maybe Christ on the Mount of Olives if they were really adventurous. »

02 Jan 2006

WEBER: Der Freischütz

This 1959 recording is one where the whole is bigger and better than the separate parts. It is the German equivalent to the Cetra recordings of the fifties. Those were maybe not the greatest recording of an opera but one felt that everybody was steeped in the Italian tradition. The same is happening here. »

02 Jan 2006

VERDI: La Traviata

One takes a look at the sleeve and one realizes the wheel has finally turned a full circle. It started to move with the Decca La Traviata (Gheorgiu as Violetta, conducted by Solti) in 1994. Downloading and pc-copies were still in the future but nevertheless sales of complete opera recordings were spectacularly falling off since the eighties. »

30 Dec 2005

Berg's Wozzeck at the Met — Three Reviews

The Metropolitan Opera presents Wozzeck, Alban Berg's "operatic version of Büchner’s play about a soldier who subjects himself to medical experiments to augment his pay." Here are two reviews. »

29 Dec 2005

Mario Del Monaco at the Bolshoi

Myto has the good sense to call a spade a spade. This is an issue exclusively meant for the Del Monaco-crowd and not for people wanting a Carmen or a Pagliacci. The set has one enormous quality: a brilliant natural sound that hides nothing and doesn’t change the balance of the voices. »

29 Dec 2005

SCHREKER: Christophorus oder “Die Vision einer Oper”

How easy it might be to overlook this lesser-known Schreker opera, composed in 1928 and dedicated to Schreker’s good friend Arnold Schoenberg, here in its recorded debut. It has a quite curious libretto, complex and multilayered, and Schreker moves between what are at times quite disparate styles. »

28 Dec 2005

SPITZER & ZASLAW: The Birth of the Orchestra — History of an Institution, 1650-1815

At a time when the press has made the public aware of the difficult circumstances that exist for the symphony orchestra in the United States, it is refreshing to find a book that demonstrates unequivocally the nature of that institution and, as a consequence, its power in culture. »

27 Dec 2005

SCHUBERT: Winterreise

Franz Schubert’s song cycle Winterreise has been performed by many fine singers, who keep the work alive in the repertoire and in the imagination of audiences. In recent years the work has been subject to a variety of interpretations, and with this recording, the well-known tenor René Kollo offers his perspective on the work, accompanied by the young pianist Oliver Pohl. »

27 Dec 2005

A Trio of New Year's Concerts

The first thing I saw when I opened the La Scala DVD was a notice on the back that track 5 plays “Va! Pensiero da: I vespri siciliani (1855).” One wonders if there is nobody at the La Scala Bookshop who has at least a bit of knowledge of one of the most popular pieces in the operatic repertoire that served Italy for more than hundred years as an unofficial anthem — the Venice DVD has it right, of course. »

22 Dec 2005

LUTOSLAWSKI: Twenty Polish Christmas Carols

Witold Lutosławski (1913-94) composed vocal works throughout his career, and recording collects several pieces that involve female voices. His set of Twenty Polish Christmas Carols for soprano, women’s choir and orchestra is a late composition compiled between 1985 and 1989 and given its premiere in 1990. »

21 Dec 2005

Christmas with Renée and Bryn

Though singers have always recorded some of these arias and songs, it was young Leontyne Price who first started a trend by devoting a whole LP to the genre more than 45 years ago. »

21 Dec 2005

RACHMANINOV: The Miserly Knight

In its 2004 season Glyndebourne put on a double bill celebrating avarice — Puccini’s Gianni Schicchi and the much-lesser known The Miserly Knight. »

21 Dec 2005

Giulini Conducts Mozart and Mahler

With the passing of Carl Maria Giulini (1913-2005) in June 2005, the music world lost one of its finest conductors. Among his legacy are some critical recordings, which represent the literature that Giulini chose to preserve. »

21 Dec 2005

Two Super Audio CD re-releases of Elly Ameling performances for Philips

I admit I jumped at the chance to review these SACD re-releases of performances that were on the very first classical vocal LP’s that I owned and overplayed on under-maintained equipment, to the point where I frankly shudder to even try to compare my vinyl versions with the digital. »

18 Dec 2005

WAGNER, S.: Der Heidenkönig

What an unjust fate for an aspiring opera composer to be born the son of Richard Wagner! Imagine a child of Albert Einstein who dreams of greatness in science, or the son of William Shakespeare sitting down to sketch out his first sonnet. Doubtless you would have a nagging suspicion that you would likely never better your father’s titanic accomplishments. »

18 Dec 2005

The legendary Magda Olivero

What is the difference between a lady who becomes a prima-donna and a prima-donna who becomes a lady? The last one has to be begged as she thinks she has to behave according to her rank. The first one is sure of herself and doesn’t need, well let’s call it to behave somewhat capriciously. »

18 Dec 2005

RAUTAVAARA: Rasputin

In fall 2003, Los Angeles Opera opened its season with Deborah Dratell’s Nicholas and Alexandra, with libretto by Nicholas von Hoffman. At that time, company director Placido Domingo, who took on the juicy role of Rasputin, announced that the production would be filmed and prepared for eventual DVD release. »

15 Dec 2005

Malena Ernman, Simon Rattle and OAE at the Barbican — Three Reviews

On 9 December 2005, Malena Ernman stepped in for an ailing Magdalena Kožená at the Barbican in London. Here are three reviews. »

15 Dec 2005

Rigoletto at the Met — Three Reviews

THE METROPOLITAN OPERA: Verdi considered Victor Hugo’s play Le Roi s’amuse “one of the greatest creations of the modern theatre”, and jumped at the opportunity to adapt it for Venice in 1851. »

14 Dec 2005

Sherrill Milnes - An All Star Gala

The former TV-producer in me tells me the following conversation took place between producer and director (in German as this is a GDR (East-Germany) product). »

13 Dec 2005

Stravinsky in San Francisco — Two Reviews

SAN FRANCISCO SYMPHONY: The San Francisco Symphony and Michael Tilson Thomas present two semi-staged theatrical performances: a double-bill featuring Stravinsky's rarely heard operas The Nightingale and Oedipus Rex. »

12 Dec 2005

GAY: The Beggar’s Opera

Benjamin Britten’s identity as a decidedly “national” composer is formed in part by his well-known engagement of pre-existent English music, old English texts, and subjects rich in the English legacy, as a glance at works like the Purcellian The Young Person’s Guide to the Orchestra, the Chester mystery play, Noyes Fludde, or the Elizabethan opera, Gloriana, all confirm. »

11 Dec 2005

Gwyneth Jones - In Concert

Sorry my friends, but since I retired as a TV-reporter I forgot a lot of technical know-how, which to be fair never interested me very much. »

11 Dec 2005

Edita Gruberová — The Queen of Belcanto Volume I

There are countless artists whose legend survives on their supposed fame, others leave a substantial legacy of their achievements. »

11 Dec 2005

On Christmas Day

Tastes in music for Christmas are quite personal. One individual’s beloved tradition may be another’s annoying jangling that just won’t go away. »

11 Dec 2005

STRAVINSKY: The Rite of Spring; The Nightingale

So much has been written about the notorious scandal of May 29, 1913, the scandal of the reception of the premiere of Igor Stravinsky’s ballet Le Sacre du Printemps, that it is easy to forget that the music itself was less the cause of the riotous activities than the subject, the décor, and the dancing. »

11 Dec 2005

The Art of Gérard Souzay

If anyone had played the soundtrack of those first numbers of the 1955 telecast, I would have looked up in surprise at first and would have wondered if an electronic wizard had cleaned up the acoustic recordings of that giant of French singing: Jean-Emile Vanni-Marcoux. »