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Elsewhere

A Donizetti world premiere: Opera Rara at the Royal Opera House

There may be sixty or so operas by Donizetti to choose from, but if you’ve put together the remnants of another one, why not give everyone a chance to hear it? And so, Opera Rara brought L’Ange de Nisida to the concert stage last night, 180 years after it was composed for the Théâtre de la Renaissance in Paris, conductor Sir Mark Elder leading a team of bel canto soloists and the Choir and Orchestra of the Royal Opera House in a committed and at times stirring performance.

A stellar Ariadne auf Naxos at Investec Opera Holland Park

Strauss’s Ariadne auf Naxos is a strange operatic beast. Originally a Molière-Hofmannsthal-Strauss hybrid, the 1916 version presented in Vienna ditched Le bourgeois gentilhomme, which had preceded an operatic telling of the Greek myth of Ariadne and Theseus, and replaced it with a Prologue in which buffa met seria as competing factions prepared to present an entertainment for ‘the richest man in Vienna’. He’s a man who has ordered two entertainments, to follow an epicurean feast, and he wants these dramatic digestifs served simultaneously.

PROM 5: Debussy’s Pelléas et Mélisande

Stefan Herheim’s production of Debussy’s magnificent 1902 opera for Glyndebourne has not been universally acclaimed. The Royal Albert Hall brought with it, in this semi-staged production, a different set of problems - and even imitated some of the production’s original ones, notably the vast shadow of the organ which somewhat replicates Glyndebourne’s 1920’s Organ Room, and by a huge stretch of the imagination the forest in which so much of the opera’s action is set.

Thought-Provoking Concert in Honor of Bastille Day

Sopranos Elise Brancheau and Shannon Jones, along with pianists Martin Néron and Keith Chambers, presented a thrilling evening of French-themed music in an evening entitled: “Salut à la France,” at the South Oxford Space in Brooklyn this past Saturday, July 14th.

Dido in Deptford: Blackheath Halls Community Opera

Polly Graham’s vision of Dido and Aeneas is earthy, vigorous and gritty. The artistic director of Longborough Festival Opera has overseen a production which brings together professional soloists, students from Trinity Laban Conservatoire of Music and Dance, and a cast of more than 80 south-east London adults and children for this, the 12th, annual Blackheath Halls Community Opera.

Summer madness and madcap high jinxs from the Jette Parker Young Artists

The operatic extracts which comprised this year’s Jette Parker Young Artists Summer Performance seemed to be joined by a connecting thread - madness: whether that was the mischievousness of Zerbinetta’s comedy troupe, the insanity of Tom Rakewell, the metaphysical distress of Hamlet, or the mayhem prompted by Isabella’s arrival at Mustafà’s Ottoman palace, the ‘insanity’ was equally compelling.

Mefistofele at Orange’s Chorégies

This is the one where a very personable devil tells God that mankind is so far gone it isn’t worth his time to bother corrupting it further.

Mascagni's Isabeau rides again at Investec Opera Holland Park

There seemed to me to be something distinctly Chaucerian about Martin Lloyd-Evans’ new production of Mascagni’s Isabeau (the first UK production of the opera) for Investec Opera Holland Park.

The 2018 BBC Proms opens in flamboyant fashion

Anniversaries and commemorations will, as usual, feature significantly during the 2018 BBC Proms, with the works of Leonard Bernstein, Claude Debussy and Lili Boulanger all prominently programmed during the season’s myriad orchestral, vocal and chamber concerts.

Banff’s Hell of an Orphée+

Against the Grain Theatre brought its award winning adaptation of Gluck’s opera to the Banff Festival billed as “an electronic baroque burlesque descent into hell.”

A Choral Trilogy at the Aix Festival

What Seven Stones (the amazing accentus / axe 21), and Dido and Aeneas (the splendid Ensemble Pygmalion) and Orfeo & Majnun (the ensemble [too many to count] of eleven local amateur choruses) share, and virtually nothing else, is spectacular use of chorus.

Vintage Audi — Parsifal, Kaufmann, Pape

From the Bayerisches Staatsoper Munich, Wagner Parsifal with a dream cast - René Pape, Jonas Kaufmann and Nina Stemme, Christian Gerhaher and Wolfgang Koch, conducted by Kirill Petrenko, directed by Pierre Audi. The production is vintage Audi - stylized, austere, but solidly thought-through.

Flight Soars High in Des Moines

Jonathan Dove’s innovative opera Flight is being lavished with an absolutely riveting new production at Des Moines Metro Opera’s resoundingly successful 2018 Festival.

Fledermaus Pops the Cork in Iowa

Like a fizzy bottle of champagne, Des Moines Metro Opera uncorked a zesty tasting of Johan Strauss’s vintage Die Fledermaus (The Bat).

A spritely summer revival of Falstaff at the ROH

Robert Carson’s 2012 ROH Falstaff is a bit of a hotchpotch, but delightful nevertheless. The panelled oak, exuding Elizabethan ambience, of the first Act’s gravy-stained country club reeks of the Wodehouse-ian 1930s, but has also has to serve as the final Act’s grubby stable and the Forest of Windsor, while the central Act is firmly situated in the domestic perfection of Alice Ford’s 1950s kitchen.

Down on the Farm with Des Moines’ Copland

Ingenious Des Moines Metro Opera continued its string of site-specific hits with an endearing production of Aaron Copland’s The Tender Land on the grounds of the Maytag Dairy farm.

Des Moines’ Ravishing Rusalka

Let me get right to the point: This is the Rusalka I have been waiting for all my life.

L'Ange de feu (The Fiery Angel)
in Aix

Prokofiev’s Fiery Angel is rarely performed. This new Aix Festival production to be shared with Warsaw’s Teatr Wielki exemplifies why.

Ariane à Naxos (Ariadne auf Naxos) in Aix

Yes, of course British stage director Katie Mitchell served up Richard Strauss’ uber tragic Ariadne on Naxos at a dinner table. Over the past few years Mme. Mitchell has staged quite a few household tragedies at the Aix Festival, mostly at dinner tables, though some on doorsteps.

The Skating Rink: Garsington Opera premiere

Having premiered Roxanna Panufnik’s opera Silver Birch in 2017 as part of its work with local community groups, Garsington Opera’s 2018 season included its first commission for the main opera season. David Sawer's The Skating Rink premiered at Garsington Opera this week; the opera is based on the novel by Chilean writer Roberto Bolano with a libretto by playwright Rory Mullarkey.


OPERA TODAY ARCHIVES »

Reviews

<em>L’Ange de Nisida</em>: Opera Rara at the Royal Opera House
19 Jul 2018

A Donizetti world premiere: Opera Rara at the Royal Opera House

There may be sixty or so operas by Donizetti to choose from, but if you’ve put together the remnants of another one, why not give everyone a chance to hear it? And so, Opera Rara brought L’Ange de Nisida to the concert stage last night, 180 years after it was composed for the Théâtre de la Renaissance in Paris, conductor Sir Mark Elder leading a team of bel canto soloists and the Choir and Orchestra of the Royal Opera House in a committed and at times stirring performance. »

Recently in Reviews

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15 Sep 2004

Le Figaro Reviews Pelléas et Mélisande at Palais Garnier

Debussy tout feu tout glace La critique de Jacques Doucelin [15 septembre 2004] Une salle qui tousse à gorge déployée en été, hors de toute épidémie de grippe, au mieux manque d'attention, au pire s'ennuie. Voilà le résultat du transfert... »

14 Sep 2004

FT: Ariadne auf Naxos, Welsh National Opera, Cardiff

Ariadne auf Naxos, Welsh National Opera, Cardiff By Richard Fairman Published: September 14 2004 03:00 | Last updated: September 14 2004 03:00 The Prologue to Ariadne auf Naxos is all about the backstage shenanigans before a performance - a bit... »

13 Sep 2004

NYT: Anne Midgette Reviews Katya Kabanova

CRITIC'S PICK | ANNE MIDGETTE A Star to Shed Light on Janacek's Bleak Operatic Landscape OPINIONS may differ as to what constitutes a highlight at the Metropolitan Opera these days, but few disagreed last season about Karita Mattila's performance as... »

10 Sep 2004

WSJ: The Comeback Composer

The Comeback Composer Opera World Taps Handel To Woo New Audiences; Cleopatra in Gold Lamé By HEIDI WALESON The last time Michael Goodman had season tickets to the Metropolitan Opera in New York City, Gerald Ford was president and pet... »

10 Sep 2004

FT: Martin Bernheimer reviews Daphne

Daphne New York City Opera By Martin Bernheimer Published: September 10 2004 03:00 | Last updated: September 10 2004 03:00 It took 66 years for Richard Strauss'sDaphne to reach a stage in New York. We must be grateful for belated... »

09 Sep 2004

FT: Orion/Saariaho, Bluebeard/Bártok BBC Proms, Royal Albert Hall, London

By David Murray Published: September 9 2004 05:00 | Last updated: September 9 2004 05:00 Jukka-Pekka Saraste conducted the UK premiere of Kaija Saariaho's grand new Orion followed by Bártok's Duke Bluebeard's Castle. Though the works have nothing in common,... »

09 Sep 2004

Simon Heighes Reviews L'Amfiparnaso

In the September 2004 issue of International Record Review, Simon Heighes reviews Orazio Vecchi's L'Amfiparnaso, a new DVD under the Chandos Chaconne label. Composed in 1597, L'Amfiparnaso is a realization of commedia dell'arte consisting of a prologue and three acts.... »

08 Sep 2004

Fanfare Reviews Die Loreley

PACIUS Die Loreley * Osmo Vänskä, cond; Cornelius Hauptmann (Hubert); Soile Isokoski (Lenore); Riikka Rantanen (Bertha); Raimo Sirkiä (Otto); Topi Lehtipuu (Reinald); Arttu Kataja (Leupold); Lahti SO; Dominante Ch * BIS-CD-1393/1394 (2 CDs: 125:02 &) Live: Lahti, Finland 9/2003 Fredrik... »

08 Sep 2004

Le Figaro: Charpentier en majesté

Charpentier en majesté Jacques Doucelin [08 septembre 2004] Bien avant d'imposer la victoire définitive de la vague baroque avec Atys, de Lully, William Christie s'était attelé à la redécouverte de Marc-Antoine Charpentier, son rival à la cour, dont le public... »

07 Sep 2004

NYT: Enough to Make Handel Reach for His Walkman

Enough to Make Handel Reach for His Walkman By ANTHONY TOMMASINI During the late 1720's Handel had two rival prima donnas in the London opera company he ran: Francesca Cuzzoni and Faustina Bordoni. From all reports both were superb sopranos... »

03 Sep 2004

Opera Japonica: Maria Nockin's Letter from America

Summer in Santa Fe The most difficult tickets to obtain at Santa Fe this summer were for Vincenzo Bellini's seldom performed opera, La sonnambula. It was a great pleasure to hear the sumptuous long melodies of this lyrical work, which... »

23 Aug 2004

The Scotsman: When modern dance meets the Underworld

When modern dance meets the Underworld KELLY APTER Orfeo ed Euridice by Opera North and Emio Greco WHEN International Festival director Brian McMaster invited Italian dancer Emio Greco to Edinburgh in 2000, he was squeezed into a late-night, post-opera slot... »