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Elsewhere

Garsington Opera Announces Extended Season: 1 June to 30 July 2017

For the first time in its history, this summer Garsington Opera will present four productions as well as a large community opera. 2017 also sees the arrival of the Philharmonia Orchestra for one opera production each season for the next five years.

Glyndebourne Festival 2017: White Cube artist Rachel Kneebone to exhibit new work

New work by the English artist Rachel Kneebone will be exhibited at Glyndebourne Festival 2017, which opens for public booking on 5 March. The London-based artist has created three new sculptures inspired by two of the operas being staged at the Festival this summer - Cavalli’s Hipermestra and a new opera based on Hamlet by composer Brett Dean and librettist Matthew Jocelyn.

Bartoli a dream Cenerentola in Amsterdam

With her irresistible cocktail of spontaneity and virtuosity, Cecilia Bartoli is a beloved favourite of Amsterdam audiences. In triple celebratory mode, the Italian mezzo-soprano chose Rossini’s La Cenerentola, whose bicentenary is this year, to mark twenty years of performing at the Concertgebouw, and her twenty-fifth performance at its Main Hall.

Winterreise : a parallel journey

Matthew Rose and Gary Matthewman Winterreise: a Parallel Journey at the Wigmore Hall, a recital with extras. Schubert's winter journey reflects the poetry of Wilhelm Müller, where images act as signposts mapping the protagonist's psychological journey.

Anna Bolena in Lisbon

Donizetti’s Anna Bolena, composed in 1830, didn’t make it to Lisbon until 1843 when there were 14 performances at its magnificent Teatro São Carlos (opened 1793), and there were 17 more performances spread over the next two decades. The entire twentieth century saw but three (3) performances in this European capital.

Oh, What a Night in San Jose

It is difficult to know where to begin to praise the stunning achievement of Opera San Jose’s West Coast premiere of Silent Night.

Billy Budd in Madrid

Like Carmen, Billy Budd is an operatic personage of such breadth and depth that he becomes unique to everyone. This signals that there is no Billy Budd (or Carmen) who will satisfy everyone. And like Carmen, Billy Budd may be indestructible because the opera will always mean something to someone.

A riveting Nixon in China at the Concertgebouw

American composer John Adams turns 70 this year. By way of celebration no less than seven concerts in this season’s NTR ZaterdagMatinee series feature works by Adams, including this concert version of his first opera, Nixon in China.

English song: shadows and reflections

Despite the freshness, passion and directness, and occasional wry quirkiness, of many of the works which formed this lunchtime recital at the Wigmore Hall - given by mezzo-soprano Kathryn Rudge, pianist James Baillieu and viola player Guy Pomeroy - a shadow lingered over the quiet nostalgia and pastoral eloquence of the quintessentially ‘English’ works performed.

A charming Pirates of Penzance revival at ENO

'Nobody does Gilbert and Sullivan anymore.’ This was the comment from many of my friends when I mentioned the revival of Mike Leigh's 2015 production of The Pirates of Penzance at English National Opera (ENO). Whilst not completely true (English Touring Opera is doing Patience next month), this reflects the way performances of G&S have rather dropped out of the mainstream. That Leigh's production takes the opera on its own terms and does not try to send it up, made it doubly welcome.

A Relevant Madama Butterfly

On Feb 3, 2017, Arizona Opera presented Giacomo Puccini’s dramatic opera Madama Butterfly. Sandra Lopez was the naive fifteen-year-old who falls hopelessly in love with the American Naval Officer.

Johan Reuter sings Brahms with Wiener Philharmoniker

In the last of my three day adventure, I headed to Vienna for the Wiener Philharmoniker at the Musikverein (my first time!) for Mahler and Brahms.

Gatti and the Royal Concertgebouw Orchestra Head to Asia

In Amsterdam legend Janine Jansen and the seventh Principal Conductor of the Royal Concertgebouw, Daniele Gatti, came together for their first engagement in a ravishing performance of Berg’s Violin Concerto.

Verdi’s Requiem with the Berliner Philharmoniker

I extravagantly scheduled hearing the Berliner, Concertgebouw Orchestra, and Wiener Philharmoniker, to hear these three top orchestra perform their series programmes opening the New Year.

Jeanne d'Arc au bûcher in Lyon

There is no bigger or more prestigious name in avant-garde French theater than Romeo Castellucci (b. 1960), the Italian metteur en scène of this revival of Arthur Honegger’s mystère lyrique, Joan of Arc at the Stake (1938) at the Opéra Nouvel in Lyon.

A New Look at Mozart’s Abduction from the Seraglio

On January 28, 2017, Los Angeles Opera premiered James Robinson’s nineteen twenties production of Mozart’s The Abduction from the Seraglio, which places the story on the Orient Express. Since Abduction is a work with spoken dialogue like The Magic Flute, the cast sang their music in German and spoke their lines in English.

Giasone in Geneva

Fecund Jason, father of his wife Isifile’s twins and as well father of his seductress Medea’s twins, does indeed have a problem — he prefers to sleep with and wed Medea. In this resurrection of the most famous opera of the seventeenth century he evidently also sleeps with Hercules.

Falstaff in Genoa

A Falstaff that raised-the-bar ever higher, this was a posthumous resurrection of Luca Ronconi’s masterful staging of Verdi’s last opera, the third from last of the 83 operas Ronconi staged during his lifetime (1933-2015). And his third staging of Falstaff following Salzburg in 1993 and Florence in 2006.

Traviata in Seattle

One of Aidan Lang’s first initiatives as artistic director of Seattle Opera was to encourage his board to formulate a “mission statement” for the fifty-year old company. The document produced was clear, simple, and anodyne. Seattle Opera would aim above all to create work appealing both to the emotions and reason of the audience.

When Performance Gets Political: A Brooklyn Concert Benefiting the ACLU

What’s an artist’s place in politics? That’s the question many were asking after actress Meryl Streep made a pointed speech criticizing President Trump at the Golden Globes. Trump responded directly to Streep, using his preferred communication medium of Twitter to call Streep “overrated.”


OPERA TODAY ARCHIVES »

Reviews

25 Feb 2017

Boris Godunov in Marseille

There has been much reconstruction of Marseille’s magnificent Opera Municipal since it opened in 1787. Most recently a huge fire in 1919 provoked a major, five-year renovation of the hall and stage that reopened in 1924.  »

Recently in Reviews

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12 Dec 2008

Der Fliegende Holländer — London Lyric Opera, Barbican Hall

Much has been promised of London Lyric Opera. The newest company on the capital’s opera scene, it will collaborate with the Royal Philharmonic Orchestra to specialise in full-scale concert performances with high-profile soloists.  »

11 Dec 2008

When Water Sprites Go Bad in Brussels

Brussels’ reliably excellent De Munt/La Monnaie Opera served up a Rusalka that was theatrically vivid, musically resplendent, and cheered to the rafters at its premiere.  »

08 Dec 2008

Elektra, Avery Fisher Hall, New York

Elektra begins with an explosion and remains, with a few lyric interludes, on that extreme pitch throughout its two hours.  »

07 Dec 2008

Glyndebourne on Tour — Theatre Royal, Plymouth

Glyndebourne Touring Opera has long been bringing its wares to the further reaches of the southern United Kingdom and its current package of Hansel und Gretel, Carmen and The Magic Flute has been drawing good crowds from Norwich in the east to Plymouth in the south-west. »

05 Dec 2008

Tristan und Isolde at the MET

The bad luck of last season’s Tristans seems to be edging into the present one — but the curse now finds the house better prepared for trouble.  »

05 Dec 2008

London Philharmonic Orchestra — 75th Anniversary, Vol. 3: 1983-2007.

Released to commemorate the seventy-fifth anniversary of the London Philharmonic Orchestra, the three multi-disc sets of recordings makes available recordings that document the triumphs of the ensemble since its founding in 1932 by Sir Thomas Beecham.  »

05 Dec 2008

Barcelona: Figaro la, Figaro qua

Like Seville’s peripatetic barber, Gran Teatro del Liceu's new Marriage of Figaro is rather all over the place. »

02 Dec 2008

Porgy through a glass lightly

It was, of course, coincidence. When the Chicago Lyric Opera scheduled George Gershwin’s Porgy and Bess for the current season, not even the preludes to the 2008 presidential election had begun.  »

02 Dec 2008

Munich's Christmas Treasures: Massenet and Handel

Not all of Munich's holiday delights are to be found at the just-opened annual Christmas Market filling the Marienplatz and environs.  »

01 Dec 2008

Carmen at the Washington National Opera

From the director’s point of view, there are two ways to approach staging an opera.  »

01 Dec 2008

Verdi's Aida at La Scala

Can this truly be the production of Verdi's Aida that earned world-wide headlines in December 2007? »

01 Dec 2008

GIORDANO: Marcella

Alberto Cantù's booklet essay for the Dynamic release of Umberto Giordano's rare one-act opera Marcella quotes a review from the day after the 1907 premiere, which indicates that the premiere's audience's expectations of "greater originality of melodic invention" went unmet. »

28 Nov 2008

The Tales of Hoffmann at Covent Garden

The opening performance of the ROH’s seventh revival of John Schlesinger’s 1980 production of The Tales of Hoffmann was dedicated to the memory of Richard Hickox.  »

25 Nov 2008

Debussy’s Pelléas - a fine swansong for Independent Opera in London

Pelléas et Mélisande in a 200 seat theatre, with just 35 musicians and no pit?  »

25 Nov 2008

Boris Godunov at ENO

There are two things which, in recent history, English National Opera has consistently done extremely well.  »

25 Nov 2008

La Bohème in San Francisco

The show curtain was an illustration of the typical Parisian skyline.  »

25 Nov 2008

Lulu-Palooza in the Windy City

Marlis Petersen, the much lauded "Lulu-du-jour," brought her well-traveled portrayal of Berg's complex heroine to Chicago Lyric Opera and she alone was almost worth the price of admission.  »

21 Nov 2008

Il Barbiere di Siviglia at Opera House Zürich

This 2001 Zürich performance of Rossini's masterpiece Il Barbiere di Siviglia boasts one of the final performances of the great bass Nicolai Ghiaurov, who passed away in 2004. »

20 Nov 2008

MAYR: L’amor coniugale

Naxos, in conjunction with SWR, has been releasing recordings from the Rossini in Wildbad Festival, which focuses not just on the titular composer but also on his contemporaries. »

19 Nov 2008

Matilde di Shabran at Covent Garden

The rare Rossini opera which brought Juan Diego Flórez to international attention in Pesaro in 1996 was thrown together by the composer at the last minute to meet a deadline in February 1821, with a plot from one source and characters from another, and bits of the score filled in by Pacini.  »

18 Nov 2008

Doctor Atomic and Arjuna’s Dilemma

As Tom Stoppard put it, “There is an art to the building up of suspense.”  »

17 Nov 2008

Opera in Germany

Following a recent visit to Germany, Wes Blomster surveys the vibrant opera scene in Berlin and Magdeburg.  »

17 Nov 2008

La Damnation de Faust at the MET

The Met has not staged La Damnation de Faust in a hundred years, since 1906, when it clocked a mere five performances.  »

16 Nov 2008

La Traviata at the MET

When La Traviata had its first performance, in Venice in 1853, it was a scandal. »

16 Nov 2008

Lucrezia Borgia at the Washington National Opera

After a somewhat shaky start to the season, as my recently posted review of La traviata attests, Washington National Opera has added considerable luster to its roster this November with the infusion of spectacle and star power in two new productions.  »

16 Nov 2008

Wozzeck, Munich

Wozzeck stands ankle deep in water on the flooded stage of the Bavarian State Opera, above him hovers a huge, movable box – the dingy apartment he shares with Marie and their adolescent bastard – and he is surrounded by a freak-show worthy of a George Groszian nightmare and worse. »

16 Nov 2008

Great Operatic Arias with Sir Thomas Allen 2

The "2" in this disc's title indicates that this is the second Chandos recital for Sir Thomas Allen.  »

13 Nov 2008

Jean Baptiste Lully's Persée

At a time when it is the fashion for stage direction, sets, and costumes to have little, if anything to do with the ouvre presented on stage, this production of Jean-Baptiste Lully's Persée (1682) is candy for the eyes and ears, with adherence to what is known of the French Baroque operatic standards.1 »

13 Nov 2008

A powerful, poignant Elektra at the Royal Opera House, London

“This won’t be a total Schlacht of sound” said the director, Charles Edwards, of this production. Instead, it’s a strikingly intelligent interpretation, focusing on the deeper aspects of the drama. »

13 Nov 2008

Aïda – English National Opera, London Coliseum

It is incredibly unfashionable nowadays to stage opera straightforwardly. Welsh National Opera’s recent lavish staging of Otello prompted a dismissive reception from the critics.  »

09 Nov 2008

L’elisir d’amore in San Francisco

There are remnants of snobbery in San Francisco that are happiest when San Francisco Opera associates itself with the likes of Vienna State Opera and Covent Garden, and left positively frightened at the idea of a production from Opera Colorado/Fort Worth Opera/et al. on the War Memorial Opera House stage.  »

09 Nov 2008

Muti's La Traviata

EMI owns this recording, so if pride dictates they repackage it in the "Great Recordings of the Century" series, a dissenter shouldn't moralize. »

09 Nov 2008

Ernani and I Capuletti e I Montecchi on Dynamic DVD

Both these performances come from mid-2005. Teatro Regio di Parma presented the Ernani in May of that year; August saw I Capuletti e I Montecchi on stage at the Festival della Valle d'Itria di Martina Franca.  »

09 Nov 2008

Andrew Lloyd Webber — A Classical Tribute

Countless must be the number of true opera fans who have heard well-meaning acquaintances say, "Oh I just love opera! Especially Phantom of the Opera." »

07 Nov 2008

The Pearl Fishers at Lyric Opera of Chicago

The current revival of Georges Bizet’s The Pearl Fishers at Lyric Opera of Chicago (seen 25 October) brings together an exceptionally strong cast.  »

07 Nov 2008

Houston brushes up its Shakespeare

In 1830, three years after the death of Beethoven and two after Schubert’s untimely demise, Berlioz, 27, dazzled the world with his phantasmagoric — perhaps drug-inspired — Symphonie fantastique.  »

04 Nov 2008

Boris Godunov at San Francisco Opera

As performed just now by the San Francisco Opera Mussorgsky’s initial (1869), seven scene version of Boris Godunov revealed itself a finished masterpiece.  »

04 Nov 2008

Rusalka and La tragedie de Carmen by English Touring Opera

Of their two tours per year, English Touring Opera tends to channel the majority of the budget into the Spring season, and the Autumn tour – despite a focus in recent years on some high-quality Baroque chamber works, which lend themselves well to the size of the venues around the UK which the company visits – can be rather noticeably the poor relation.  »

04 Nov 2008

Elektra at Royal Opera House

“Opera directing is very different to theatre directing”, says Charles Edwards, director of Elektra at the Royal Opera House this season. “It has to be the music that motivates you”. For this production, he works with Mark Elder, “an extraordinarily theatrically-minded conductor who sees theatre in everything he hears”. »

02 Nov 2008

Wagner Duets: Nilsson and Hotter, Polaski and Botha

A few years ago EMI released a recording of Wagner duets with Placido Domingo and Deborah Voigt. »

02 Nov 2008

The Tsar’s Bride by OONY

What opera contains a terrific overture, a wedding sextet, two murderous magical potions, a mad scene for coloratura soprano, a magnificent a cappella aria for contralto, dozens of glorious melodies and lots of nifty choral writing?  »

02 Nov 2008

Blond Leading the Blond: Scandinavia Times Three

I was just itching to experience the new Oslo Opera House ever since I saw the pictures of its grand opening (ahead of schedule, thank-you-very-much) last April.  »

02 Nov 2008

Boston Baroque’s Xerxes shows the way

Is Boston Baroque period performance’s best kept secret?  »

31 Oct 2008

Lucia di Lammermoor at the MET

Mary Zimmerman’s unmusical production of Lucia certainly improves if you give it a cast of singers who know what Donizetti is about. »

31 Oct 2008

Don Giovanni at the MET

The fascination of Don Giovanni lies not only in the bejeweled score but in the interplay of its eight intriguing characters, each based on an ancient type, yet each somehow cut loose from the formula da Ponte molded so well.  »

30 Oct 2008

Portraits of Domingo and Pavarotti

While the tributes and retrospectives continue to appear for the late Luciano Pavarotti, his sometime-colleague (if not rival) Plácido Domingo maintains a top-rank career, even including a contract with Deutsche Grammophon for new studio work.  »

30 Oct 2008

STRAUSS: Die Liebe der Danae

Gala may be a budget label, but more opera sets of vintage live performances deserve a booklet essay as concise yet comprehensive, critically honest and yet fair, as Andrew Palmer's for this set, which preserves a 1980 performance of Richard Strauss and Joseph Grigor's Die Liebe der Danae. »

24 Oct 2008

Falstaff at Pimlico Opera, Cadogan Hall

Pimlico Opera is based at the Grange in Hampshire, home of the Grange Park opera festival, but pre-dates its sister company by a decade and has been giving national tours of popular operas since the 1980s as well as doing some pioneering opera and music theatre projects in UK prisons. »

24 Oct 2008

BACH: Mass in B minor

Bach’s monumental Mass in b minor exists in an abundant quantity of period performances to the point where one might ponder the wisdom of adding yet another to the shelf.  »