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Elsewhere

MOZART 250: the year 1767

Classical Opera’s MOZART 250 project has reached the year 1767. Two years ago, the company embarked upon an epic, 27-year exploration of the music written by Mozart and his contemporaries exactly 250 years previously. The series will incorporate 250th anniversary performances of all Mozart’s important compositions and artistic director Ian Page tells us that as 1767 ‘was the year in which Mozart started to write more substantial works - opera, oratorio, concertos … this will be the first year of MOZART 250 in which Mozart’s own music dominates the programme’.

Monteverdi, Masters and Poets - Imitation and Emulation

‘[T]hey moderated or increased their voices, loud or soft, heavy or light according to the demands of the piece they were singing; now slowing, breaking of sometimes with a gentle sigh, now singing long passages legato or detached, now groups, now leaps, now with long trills, now with short, or again, with sweet running passages sung softly, to which one sometimes heard an echo answer unexpectedly. They accompanied the music and the sentiment with appropriate facial expressions, glances and gestures, with no awkward movements of the mouth or hands or body which might not express the feelings of the song. They made the words clear in such a way that one could hear even the last syllable of every word, which was never interrupted or suppressed by passages or other embellishments.’

Visionary Wagner - The Flying Dutchman, Finnish National Opera

An exceptional Wagner Der fliegende Holländer, so challenging that, at first, it seems shocking. But Kasper Holten's new production, currently at the Finnish National Opera, is also exceptionally intelligent.

Don Quichotte at Chicago Lyric

A welcome addition to Lyric Opera of Chicago’s roster was its recent production of Jules Massenet’s Don Quichotte.

Written on Skin: Royal Opera House

800 years ago, every book was a precious treasure - ‘written on skin’. In George Benjamin’s and Martin Crimp’s 2012 opera, Written on Skin, modern-day archivists search for one such artefact: a legendary 12th-century illustrated vanity project, commissioned by an unnamed Protector to record and celebrate his power.

Madama Butterfly at Staatsoper im Schiller Theater

It was like a “Date Night” at Staatsoper unter den Linden with its return of Eike Gramss’ 2012 production of Puccini’s Madama Butterfly. While I entered the Schiller Theater, the many young couples venturing to the opera together, and emerging afterwards all lovey-dovey and moved by Puccini’s melodramatic romance, encouraged me to think more positively about the future of opera.

It’s the end of the world as we know it: Hannigan & Rattle sing of Death

For the Late Night concert after the Saturday series, fifteen Berliners backed up Barbara Hannigan in yet another adventurous collaboration on a modern rarity with Simon Rattle. I was completely unfamiliar with the French composer, but the performance tonight made me fall in love with Gérard Grisey’s sensually disintegrating soundscape Quatre chants pour franchir le seuil, or “Fours Songs to cross the Threshold”.

A Vocally Extravagant Saturday Night with Berliner Philharmoniker

One of the things I love about the Philharmonie in Berlin, is the normalcy of musical excellence week after week. Very few venues can pull off with such illuminating star wattage. Michael Schade, Anne Schwanewilms, and Barbara Hannigan performed in two concerts with two larger-than-life conductors Thielemann and Rattle. We were taken on three thrilling adventures.

Les Troyens at Lyric Opera of Chicago

Lyric Opera of Chicago’s original and superbly cast production of Hector Berlioz’s Les Troyens has provided the musical public with a treasured opportunity to appreciate one of the great operatic achievements of the nineteenth century.

Merry Christmas, Stephen Leacock

The Little Opera Company opened its 21st season by championing its own, as it presented the world premiere of Winnipeg composer Neil Weisensel’s Merry Christmas, Stephen Leacock.

Bampton Classical Opera 2017

In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press.

The nature of narropera?

How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947).

A Christmas Festival: La Nuova Musica at St John's Smith Square

Now in its 31st year, the 2016 Christmas Festival at St John’s Smith Square has offered sixteen concerts performed by diverse ensembles, among them: the choirs of King’s College, London and Merton College, Oxford; Christchurch Cathedral Choir, Oxford; The Gesualdo Six; The Cardinall’s Musick; The Tallis Scholars; the choirs of Trinity College and Clare College, Cambridge; Tenebrae; Polyphony and the Orchestra of the Age of the Enlightment.

Fleming's Farewell to London: Der Rosenkavalier at the ROH

As 2016 draws to a close, we stand on the cusp of a post-Europe, pre-Trump world. Perhaps we will look back on current times with the nostalgic romanticism of Richard Strauss’s 1911 paean to past glories, comforts and certainties: Der Rosenkavalier.

Loft Opera’s Macbeth: Go for the Singing, Not the Experience

Ah, Loft Opera. It’s part of the experience to wander down many dark streets, confused and lost, in a part of Brooklyn you’ve never been. It is that exclusive—you can’t even find the performance!

A clipped Walküre in Amsterdam

Let’s start by getting a couple of gripes out of the way. First, the final act of Die Walküre does not constitute a full-length concert, even with a distinguished cast and orchestra, and with animated drawings fluttering on a giant screen.

A Leonard Bernstein Delight

When you combine two charismatic New York stage divas with the artistry of Los Angeles Opera, you have a mix that explodes into singing, dancing and an evening of superb entertainment.

An English Winter Journey

Roderick Williams’ and Julius Drake’s English Winter Journey seems such a perfect concept that one wonders why no one had previously thought of compiling a sequence of 24 songs by English composers to mirror, complement and discourse with Schubert’s song-cycle of love and loss.

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.

L’amour de loin at the Metropolitan Opera

Opening night at the Metropolitan is a gleeful occasion even when the composer is long gone, but December 1st was an opening for a living composer who has been making waves around the world and is, gasp, a woman — the second woman composer ever to have an opera presented at the Met.


OPERA TODAY ARCHIVES »

Reviews

Classical Opera Company: MOZART 250
18 Jan 2017

MOZART 250: the year 1767

Classical Opera’s MOZART 250 project has reached the year 1767. Two years ago, the company embarked upon an epic, 27-year exploration of the music written by Mozart and his contemporaries exactly 250 years previously. The series will incorporate 250th anniversary performances of all Mozart’s important compositions and artistic director Ian Page tells us that as 1767 ‘was the year in which Mozart started to write more substantial works - opera, oratorio, concertos … this will be the first year of MOZART 250 in which Mozart’s own music dominates the programme’. »

Recently in Reviews

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02 Aug 2009

Donizetti: Lucrezia Borgia

Of Donizetti's 55 operas, four to five hold on to secure places in the repertory, a much greater number are all but unknown, and in the middle come the titles that see occasional revivals, as flawed but fascinating rarities.  »

02 Aug 2009

Verdi: La Forza del Destino

This looks like a winner, with an esteemed conductor (Zubin Mehta), top-rank cast (Violeta Urmana, Marcello Giordani, Carlo Guelfi), and a production directed by Nicholas Joël that originated at the Opernhaus Zürich, a house that takes some chances and scores some successes.  »

01 Aug 2009

‘Opera Noir’ Entertains at Santa Fe

Can a famously successful movie be made into an effective opera? A quick answer is: yes! »

29 Jul 2009

Schubert bounces along at Wigmore Hall

The performance of lieder is a partnership between singer and pianist. In May I heard Julius Drake redeem an indifferent recital by the sheer beauty of his playing. I’ve been listening to him for more than 15 years. He’s a favorite. So I was completely taken by surprise by this recital »

29 Jul 2009

Busoni: Doktor Faust

The legacy of Ferruccio Busoni (1866-1924) includes some notable compositions, and among them is his unique setting of the Faust story.  »

27 Jul 2009

An Evening at Père Lachaise [Or, Natalie Dessay Attempts Violetta]

A fine-sounding Santa Fe Opera orchestra, excellently conducted by Frédéric Chaslin, was barely into the haunting, delicate prelude to Act I of La traviata, when a funeral procession, wet umbrellas unfurled, arrived to wend its way though a stage full of big grey marble rectangular boxes, handsomely abstracted tomb shapes, soon to be the courtesan Violetta Valéry’s destination. So much for the Prelude to Act I. »

22 Jul 2009

Bought and Paid-for Magic — Bernstein Tahiti in Munich’s Cuvilliès Theater

There she is, in her inch or two of sarong, floating, floating…Oh, excuse me, where was I? »

22 Jul 2009

Mozart: Die Entführung aus dem Serail

The strategies of non-traditional opera directors are becoming as predictable and formulaic as the stuffy, static traditional productions that they work so hard not to emulate.  »

21 Jul 2009

A knock-out Ariadne auf Naxos at Munich’s Bavarian State Opera Festival

There are rare times when a critic can just enjoy, and say “Wow!”  »

21 Jul 2009

Tosca at the Baths of Caracalla, Rome

Tosca is the quintessential Roman opera, with a plot located in three infamous landmarks of Rome, its 1900 premiere in Rome was bound to be enormously successful.  »

20 Jul 2009

Rossini: Il Turco in Italia

If the economic downturn has canceled some opera lovers plans to attend any of the appealing European summer festivals, perhaps a trip online will find a DVD of a production from a recent year.  »

20 Jul 2009

Munich's Re-constructed Lohengrin

Were someone looking to assemble a musical Dream Team to thrill us to the core with Wagner’s Lohengrin, one would need look no further than the assembled forces currently on stage at Munich's Bavarian State Opera. »

19 Jul 2009

Alice Coote stars in the First Night of the BBC Proms 2009

The Proms reach people all over the world, bringing them together for a kind of international street party, celebrating a shared love of music. If the arts make us more human and humane, then the BBC Proms are a force for good.  »

19 Jul 2009

Festival Aix-en-Provence by Stéphan Lissner

The Aix Festival imagines itself one of Europe’s great festivals, defining itself as the crossroads of European culture.  »

19 Jul 2009

Götterdämmerung at Aix-en-Provence — A Human Symphony

This year’s program at the Aix-en-Provence Festival includes Götterdämmerung, the much-anticipated final installment of the Ring co-sponsored by Festival d’Aix-en-Provence and the Osterfestspiele Salzburg.  »

19 Jul 2009

Mozart Mistreated at Aix-en-Provence Festival

At the festival of Aix-en-Provence, now in its sixty-first year, the final installment of Wagner’s “Ring,” with Simon Rattle and the Berlin Philharmonic, has hogged the spotlight.  »

19 Jul 2009

Prom 2 — Haydn: The Creation

‘I never left a theatre more contented, and all night I dreamed of The Creation of the world.’ — the view of one of those at the first performance of The Creation in 1799. »

19 Jul 2009

Amsterdam: Old Wine in New Bull Rings

A roster of exciting young artists supported by the Concertgebouw Orchestra in the pit, ensured that Amsterdam’s Carmen worked its usual spell. »

15 Jul 2009

Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater

Readers may recognize the author of this book, David J. Buch, a specialist on the origins of the libretto to Mozart’s Magic Flute.  »

14 Jul 2009

Il Barbiere di Siviglia at Covent Garden

Music-masters, singing lessons and serenading bands all abound in Rossini’s comic masterpiece, Il Barbiere di Sivilglia, but at this performance it was the medical rather than the musical puns which drew the loudest laughs.  »

12 Jul 2009

Tosca at Royal Opera House

This revival of Jonathan Kent’s 2006 production of Tosca brings to an end the ROH’s ‘Italian Season’ in fine style. »

09 Jul 2009

DONIZETTI: Don Gregorio

Like a baseball player with a low batting average but a propensity for home runs, Gaetano Donizetti composed dozens of operas, among which only a very few get frequent performances today.  »

09 Jul 2009

DVOŘÁK: Král a uhlíř (The King and the Charcoal Burner)

Years before Antonin Dvořák composed his most famous opera Rusalka (1900), he completed a series of works in the genre which contributed to his reputation and skill in this genre.  »

07 Jul 2009

Benjamin Britten: A Time There Was. . .

With its’ title taken from the composer’s Suite of English Folk Tunes, Op. 90, Tony Palmer’s film Benjamin Britten: A Time There Was… is a solid documentary assembled from interviews, rehearsal clips, photographs and other audio-visual materials to create a vivid portrait of the composer.  »

07 Jul 2009

Saariaho’s sumptuous L’amour de loin at the ENO, London

Absence of plot is by no means an impediment in opera.  »

04 Jul 2009

The Ravenna Festival: La scuola napoletana

Ravenna once served as the capital of the Roman Empire in the 5th and 6th centuries C.E.  »

03 Jul 2009

Porgy and Bess in San Francisco

For Americans of older generations Porgy and Bess is surely a primal experience, formed by the 1959 Otto Preminger film with Sammy Davis Jr. as Sportin’ Life, the audio recording derived from the 1952 London production with Leontyne Price as Bess, and a first encounter with Porgy and Bess as an opera in the artistically satisfying, and well traveled 1976 Houston production (was it twenty-five performances in the War Memorial Opera House?).  »

03 Jul 2009

Summer Nights with the Stars — OTSL’s 2009 Season Shines

The success of Opera Theatre of St. Louis’ 2009 festival season reflects the intelligent leadership of both the previous triumvirate (Charles MacKay, Colin Graham, and Stephen Lord) and the new recruits Timothy O’Leary and James Robinson.  »

02 Jul 2009

Carmen Triumphs (Again) at the Opéra Comique

Bizet’s famed heroine Carmen returned this June to the place where it all began, in a critically-heralded new production by Adrian Noble. Frank Cadenhead was on hand to experience the staging held at the opulent newly-renovated Opéra Comique. »

29 Jun 2009

Antonio Pappano and Friends — Royal Opera House, Covent Garden

It’s not often that the accompanist is given top billing in a vocal recital, even when he’s the venue’s musical director.  »

29 Jun 2009

Glyndebourne : a spectacular Purcell The Fairy Queen

Glyndebourne is the epitome of British opera festivals. Seventy-five years ago, John Christie founded the tradition of “country house opera”, where opera can be enjoyed in beautiful settings.  »

29 Jun 2009

Un ballo in maschera at Royal Opera House

On the whole, I’d prefer the conspirators to be sitting on toilets… »

26 Jun 2009

Gőtterdämmerung in Venice and Kőln — Sex and Politics Behind the Berlin Wall

With Götterdämmerung, a co-production with the Köln Opera House created by Robert Carsen (stage direction), Patrick Kinmonth (sets and costumes) and Jeffrey Tate (conductor), La Fenice approaches completion of the Ring cycle.  »

26 Jun 2009

La Traviata at Royal Opera House

Four years have passed since the most celebrated American soprano of recent times, Renée Fleming, graced the stage at Covent Garden, in Elijah Moshinsky’s classic production of Otello.  »

25 Jun 2009

Ligeti’s Le Grand Macabre shocks Rome but only mildly

Le Grand Macabre is the only opera of György Ligéti, one of the major composers of the 20th century.  »

25 Jun 2009

SCHUBERT: Alfonso und Estrella

What is the worst opera with the best music?  »

24 Jun 2009

La Traviata in San Francisco

Much ink has been spilled over the failed Marta Domingo production of La Traviata that San Francisco Opera inexplicably imported for its blatantly audience baiting summer season (Traviata, Tosca, Porgy and Bess). »

24 Jun 2009

MAHLER: Symphony no. 8

The Gala release of Mahler’s Eighth Symphony from Hamburg performances on 29 and 30 November 1954 serves to document further the composer’s presence in the concerto hall prior to the well-known Mahler-renewal in 1960.  »

24 Jun 2009

A Masked Ball by Brooklyn Repertory Opera

Amato Opera went to the netherworld of expired extravaganzas this spring, a one-man operation whose one man was weary. As New York’s oldest down-the-block and semi-pro company, it’s loss was regrettable — though it’s many years since Amato gave up doing interesting repertory. »

24 Jun 2009

Saint Louis: Reliably Excellent

It is quite possible that Opera Theatre of Saint Louis is the leading summer opera destination in the United States. »

22 Jun 2009

Schwanengesang at Wigmore Hall

A performance of sublime authority from Goerne and Eschenbach »

21 Jun 2009

Madam Butterfly - English National Opera, London Coliseum

Following the death of the American film director Anthony Minghella, ENO were left with a gap in the season vacated by the new production which he had been engaged to direct, and what better way to do so than by bringing back his immensely popular 2005 staging of Madam Butterfly? Minghella’s widow, Carolyn Choa (who has worked on the production from its original conception) was charged with resurrecting the production in tribute. »

21 Jun 2009

Madame Says Farewell

Last week (May 27), “without further a-don’t,” as she adorably puts it, Madame Vera Galupe-Borszkh, the world’s reigning traumatic soprano — lately, she says, more of a soprano “spento” — bade a last, lingering, loving farewell to her adoring public in a sold-out concert at the Leonard Nimoy Thalia Theater on Manhattan’s Upper West Side.  »

21 Jun 2009

Alceste by The Collegiate Chorale

The Collegiate Chorale (ably supported by the orchestra of the New York City Opera under George Manahan) chose Gluck’s Alceste, last heard in New York at the City Opera in 1982, for its annual spring concert opera — an excellent choice for a chorus eager to show its stuff. »

21 Jun 2009

Britten’s Midsummer Night’s Dream Charms La Scala

Robert Carsen’s production of Benjamin Britten’s A Midsummer Night’s Dream is not new, as the La Scala playbill suggests.  »

21 Jun 2009

La Cenerentola at the MET

La Cenerentola runs third in popularity among Rossini’s comic operas — the Met didn’t get around to it at all until the present staging was created for Cecilia Bartoli.  »

21 Jun 2009

Claudio Abbado Introduces the Complete Pergolesi

Very little is known about Giovanni Battista Draghi (or Drago, according to certain sources), known as Pergolesi.  »