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Elsewhere

David McVicar's Rigoletto returns to the ROH

This was a rather disconcerting performance of David McVicar’s 2001 production of Rigoletto. Not only because of the portentous murkiness with which Paule Constable’s lighting shrouds designer Michael Vale’s ramshackle scaffolding; nor, the fact that stage and pit frequently seemed to be tugging in different directions. But also, because some of the cast seemed rather out of sorts.

Verdi Otello, Bergen - Stuart Skelton, Latonia Moore, Lester Lynch

Verdi Otello livestream from Norway with the Bergen Philharmonic Orchestra conducted by Edward Garner with a superb cast, led by Stuart Skelton, Latonia Moore, and Lester Lynch and a good cast, with four choirs, the Bergen Philharmonic Chorus, the Edvard Grieg Kor, Collegiûm Mûsicûm Kor, the Bergen pikekor and Bergen guttekor (Children’s Choruses) with chorus master Håkon Matti Skrede. The Bergen Philharmonic Orchestra was founded in 1765, just a few years after the Leipzig Gewandhaus Orchestra : Scandinavian musical culture has very strong roots, and is thriving still. Tucked away in the far north, Bergen may be a hidden treasure, but, as this performance proved, it's world class.

French orientalism : songs and arias, Sabine Devieilhe

Mirages : visions of the exotic East, a selection of French opera arias and songs from Sabine Devieilhe, with Alexandre Tharaud and Les Siècles conducted by François-Xavier Roth, new from Erato

Temple Winter Festival: the Gesualdo Six

‘Gaudete, gaudete!’ - Rejoice, rejoice! - was certainly the underlying spirit of this lunchtime concert at Temple Church, part of the 5th Temple Winter Festival. Whether it was vigorous joy or peaceful contemplation, the Gesualdo Six communicate a reassuring and affirmative celebration of Christ’s birth in a concert which fused medieval and modern concerns, illuminating surprising affinities.

Mark Padmore and Mitsuko Uchida at the Wigmore Hall

The journey is always the same, and never the same. As Ian Bostridge remarks, at the end of his prize-winning book Schubert’s Winter Journey: Anatomy of an Obsession, when the wanderer asks Der Leiermann, “Will you play your hurdy-gurdy to my songs?”, in the final song of Winterreise, the ‘crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again’.

Turandot in San Francisco

San Francisco Opera wrapped up its 95th fall opera season just now with a bang up Turandot. It has been a season of hopeful hints that this venerable company may regain some of its former luster.

Daniel Michieletto's Cav and Pag returns to Covent Garden

It felt rather decadent to be sitting in an opera house at 12pm. Even more so given the passion-fuelled excesses of Pietro Mascagni’s Cavalleria Rusticana and Ruggero Leoncavallo’s Pagliacci, which might seem rather too sensual and savage for mid-day consumption.

Manitoba Opera: Madama Butterfly

Manitoba Opera opened its 45th season with Puccini’s Madama Butterfly proving that the aching heart as expressed through art knows no racial or cultural divide, with the Italian composer’s self-avowed favourite opera still able to spread its poetic wings across time and space since its Milan premiere in 1904.

Ian Bostridge and Julius Drake celebrate 25 years of music-making

In 1992, concert promoter Heinz Liebrecht introduced pianist Julius Drake to tenor Ian Bostridge and an acclaimed, inspiring musical partnership was born. On Wenlock Edge formed part of their first programme, at Holkham Hall in Norfolk; and, so, in this recital at Middle Temple Hall, celebrating their 25 years of music-making, the duo included Vaughan Williams’ Housman settings for tenor, piano and string quartet alongside works with a seventeenth-century origin or flavour.

Girls of the Golden West in San Francisco

Not many (maybe any) of the new operas presented by San Francisco Opera over the past 10 years would lure me to the War Memorial Opera House a second time around. But for Girls of the Golden West just now I would be there again tomorrow night and the next, and I am eagerly awaiting all future productions.

DiDonato is superb in Semiramide at Covent Garden

It’s taken a while for Rossini’s Semiramide to reach the Covent Garden stage. The last of the operas which Rossini composed for Italian theatres between 1810-1823, Semiramide has had only one outing at the Royal Opera House since 1887, and that was a concert version in 1986.

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).

Philippe Jaroussky and Ensemble Artaserse at the Wigmore Hall

‘His master’s masterpiece, the work of heaven’: ‘a common fountain’ from which flow ‘pure silver drops’. At the risk of effulgent hyperbole, I’d suggest that Antonio’s image of the blessed governance and purifying power of the French court - in the opening scene of Webster’s The Duchess of Malfi - is also a perfect metaphor for the voice of French countertenor Philippe Jaroussky, as it slips through Handel’s roulades like a silken ribbon.

La Rondine Takes Flight in San Jose

Kudos to San Jose Opera for offering up a wholly winning, consistently captivating new production of Puccini’s seldom performed La Rondine.

Bettina Smith, Norwegian Mezzo, in Songs by Fauré and Debussy

Here are five complete song sets by two of the greatest masters of French song. The performers are highly competent. I should have known, given the rave reviews that their 2015 recording of modern Norwegian songs received.

Clonter Opera Gala

Clonter’s Opera Gala in the breath-taking beautiful ball-room at the Lansdowne Club in Mayfair was a glamorously glittering smattering of opera – which made me want to run out to every opera in town.  

Étienne-Nicolas Méhul: Uthal

The opera world barely knows how to handle works that have significant amounts of spoken dialogue. Conductors and stage directors will often trim the dialogue to a bare minimum (Magic Flute), have it rendered as sung recitative (Carmen), or have it spoken in the vernacular though the sung numbers may often be performed in the original language (Die Fledermaus).

A New Anna Moffo?: The Debut Disc of Aida Garifullina

Here is the latest CD from a major label promoting a major new soprano. Aida Garifullina is utterly remarkable: a lyric soprano who also can handle coloratura with ease. Her tone has a constant shimmer, with a touch of quick, narrow vibrato even on short notes.

A New Die Walküre at Lyric Opera of Chicago

From the start of Lyric Opera of Chicago’s splendid, new production of Richard Wagner’s Die Walküre conflict and resolution are portrayed throughout with moving intensity. The central character Brünnhilde is sung by Christine Goerke and her father Wotan by Eric Owens.

As One a Haunting Success in San Diego

San Diego Opera has mined solid gold with its mesmerizing and affecting production of As One, a part of their innovative ‘Detour Series.’


OPERA TODAY ARCHIVES »

Reviews

<em>Rigoletto</em>, Royal Opera House, Covent Garden
17 Dec 2017

David McVicar's Rigoletto returns to the ROH

This was a rather disconcerting performance of David McVicar’s 2001 production of Rigoletto. Not only because of the portentous murkiness with which Paule Constable’s lighting shrouds designer Michael Vale’s ramshackle scaffolding; nor, the fact that stage and pit frequently seemed to be tugging in different directions. But also, because some of the cast seemed rather out of sorts. »

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26 May 2009

Haydn’s “Il Ritorno Di Tobia” , Oratorio Or Opera Seria?

Joseph Haydn's place in the history of the oratorio has been secured by his masterpieces The Creation (1798) and The Seasons (1801). His first appearance, however, on the Mount Parnassus of oratorio was a good quarter of a century beforehand with Il ritorno di Tobia.  »

26 May 2009

Zeffirelli’s New “Pagliacci” Without “Cav” But With Motorbikes

The new Franco Zeffirelli’s production of Ruggero Leoncavallo “Pagliacci” reached the Teatro dell’Opera di Rome on May 19 : I will be on stage in the Italian capital every night until May 27th . Then, it will continue a worldwide tour: its debut was in Florence in the 2008 Fall. It has already visited Moscow and Athens. It is rumored to reach the MET next seasons. »

26 May 2009

An Elegant Pique Dame in Turin

“Pique Dame” (“Pivokaja Dama” or “The Queen of Spades”) is one of Pyotr I. Tchaikovsky most difficult, and most expensive, operas to produce.  »

22 May 2009

Norma by English Touring Opera

English Touring Opera continued its 30th anniversary celebrations with six concert performances of Norma, sung — unusually for ETO — in Italian, in a touring footprint which has some common ground with the ongoing staged tour of Katya Kabanova and The Magic Flute, but which is effectively an entirely separate tour. »

22 May 2009

Don Carlos — Opera North, Leeds

Tim Albery’s production was first seen at Opera North in 1993 and has not been revived since 1998, when it was the first production of this opera I ever saw — an English-sung version of the four-act Italian version.  »

21 May 2009

Lieder and Opera meet in Hugo Wolf

Lieder and opera are different worlds. But understanding the differences helps us appreciate what makes each form distinct. Hugo Wolf’s songs come close to bridging the genres. They’ve been described as “miniature operas” where dramas are distilled into compact form. »

21 May 2009

Wolfgang Amadeus Mozart Lieder, Salzburg 1958-1984.

In its recent collection Mozart Lieder, Salzburg 1958-1984 in its series entitled “Festspiel Dokumente,” Orfeo pays homage to the tradition of Liederabend at the Salzburg Festival with selections from a quarter century of performances.  »

17 May 2009

Turandot — Washington National Opera

Bringing Andrei Şerban’s Turandot to the Washington National Opera as a season finale really means finishing the year with a bang.  »

17 May 2009

Athalia — Lincoln Center Great Performers Series

You won’t get much argument nowadays — you won’t get any from me — if you call Handel’s dramatic oratorios operas in all but name.  »

14 May 2009

Weber’s Der Freischütz at Zurich Opera House

On any list of great but seldom-performed operas, Carl Maria von Weber's Der Freischütz must rank high.  »

14 May 2009

L’elisir d’amore at Covent Garden

L’elisir d’amore is perhaps Donizetti’s silliest opera — but also one of his most charming.  »

14 May 2009

Gustav Mahler: Symphony no. 3

Recorded live in concert on 19 August 2007, this performance of Gustav Mahler's Third Symphony by Claudio Abbado is part of the conductor's cycle involving the Lucerne Festival.  »

13 May 2009

Peter Grimes — English National Opera, London Coliseum

In David Alden’s extraordinary new staging of Britten’s masterpiece, with sets by Paul Steinberg, the Borough is populated by stylised grotesques, a clever twist on the opera’s existing ‘Little England’ character stereotypes.  »

13 May 2009

Paris: Mostly Verdi Good Indeed

The Scottish Play’s ability to conduit bad luck is apparently not limited to the spoken stage, witness the new Paris Opéra production of Verdi’s Macbeth. »

12 May 2009

Der Ring des Nibelungen at the MET

It’s the Ring — not just an ordinary evening (or four evenings) of opera — indeed, if you accept its creator’s words on the matter, it’s a music-drama, not an opera at all.  »

12 May 2009

Canadian Opera on the rise

How often does one experience an opera in which everything works — in which there is not one flaw either in the staging or in its musical dimensions? »

12 May 2009

Subtle Previn world premiere in Houston

As far as world premieres go, Houston Grand Opera is in elite company in the United States, having performed thirty-eight new works prior to opening night of André Previn’s new opera Brief Encounter.  »

12 May 2009

Verdi and Boito at the Rome Academy of Santa Cecilia — Angels and Demons in an Unusual Setting

By sheer coincidence, the Academy of Santa Cecilia — one of the most authoritative symphonic orchestras in Europe — planned a rather unusual concert in the same days (May 3-7) when just in the very same auditorium there was the world première of a movie expected to be a Hollywood blockbuster — the thriller titled “Angels & Demons”.  »

12 May 2009

Lady Macbeth of Mtsensk — Opera Australia

For two years following its premiere Shostakovich’s Lady Macbeth of Mtsesnk was one of the most often performed contemporary operas.  »

12 May 2009

Kate Royal at Wigmore Hall

Soprano Kate Royal is reported to have said that singing at the Wigmore Hall is “like a religious experience”.  »

12 May 2009

Janáček: Jenůfa and Kátya Kabanová

Recorded four years apart, these two classic recordings of Leos Janáček's dramatic masterpieces now reappear in Decca's The Originals series, thankfully still with full librettos and excellent booklet essays.  »

12 May 2009

Verdi’s Requiem in Santa Fe

Christine Brewer Commands Performance in Last Minute Appearance »

07 May 2009

Franz Lehár: Das Land des Lächelns

Doris Sennefelder's booklet essay for this CPO recording of Lehar's Das Land des Lächelns details how close the composer was to Puccini.  »

05 May 2009

Opera Atelier does it as it was

It’s an odd day in opera when the bad girl wins, but that is only one thing that makes the Opera Atelier production of Monteverdi’s Coronation of Poppea remarkable — and admirable.  »

03 May 2009

The End of Bewilderment — The New Florence-Valencia Production of “Gőtterdämmerung”

April 29th is Zubin Mehta’s birthday. As a gift to its most beloved musical director, Florence unveiled a new production of Götterdämmerung, a joint Ring Cycle venture with the Valencia Opera started two years ago.  »

29 Apr 2009

Donizetti’s “Maria Stuarda” at La Fenice — Two Women in a Labyrinth

From the word “go”, the audience feels that this “Maria Stuarda” is quite different from the standard fare offered by Italian theatres.  »

29 Apr 2009

Lohengrin at The Royal Opera, London

I first saw this production in Manchester in 1981: I loved it then and love it now, despite the present hero’s un-Heldentenor qualities when compared to the glorious Peter Hoffman of yore. »

26 Apr 2009

Wolf-Ferrari: La vedova scaltra (“The Cunning Widow”).

One of the five operas Ermanno Wolf-Ferrari (1876-1948) based on plays by Carlo Goldoni, La vedova scaltra (1748) is a comedy about a widow’s decision to use deception to choose among her suitors.  »

26 Apr 2009

Don Giovanni at the MET with Peter Mattei

I returned to Don Giovanni firstly because I had never heard Peter Mattei sing, and friends had called him the greatest Don G since Siepi. »

26 Apr 2009

Walter Braunfels’s Die Vögel at Los Angeles Opera

The Recovered Voices series at Los Angeles Opera, in its second season, springs from James Conlon’s fascination and love for the operas of composers whose lives and/or careers came to an end under the Nazi regime.  »

26 Apr 2009

Barbers in Baghdad and Seville

Razor-wielding rascals involve themselves in romantic complications in the two sets considered here, with a fine performance of a rarity and an even finer performance of a classic.  »

26 Apr 2009

Gounod's Roméo et Juliette at Salzburg, 2008

In 2008 the Salzburg Festival intended to bring back the two stars of their triumphant 2005 La Traviata, Rolando Villazón and Anna Netrebko, for Gounod's Roméo et Juliette. »

26 Apr 2009

Il Piccolo Marat

Try to imagine the scenario: You’re an opera company, giving concert performances of neglected, indeed forgotten, hundred-year-old scores (no sets, no costumes, at least you don’t have those headaches), and you give young singers a chance to do their stuff once a year before a paying New York crowd actually eager to hear music they do not know, and you’ve lit on a genuine obscurity, even in the ranks of the obscure; Mascagni’s penultimate stage work, a huge success at the premiere (as his operas usually were), utterly forgotten nowadays (as, but for Cavalleria Rusticana and, on rare occasion, L’Amico Fritz, they pretty much are), and it’s never been performed in North America ever. »

24 Apr 2009

Prokofiev’s Semën Kotko Lands in Sardinia

The Teatro Lirico di Cagliari is a sparkling comparatively new building in what used to be a blighted area near to the city center.  »

22 Apr 2009

Jenůfa at the Bavarian State Opera

The Bavarian State Opera’s new production of Leos Janacek’s Jenufa is a feather in the cap of intendant Nikolaus Bachler.  »

19 Apr 2009

Pfitzner and Strauss by Staatskapelle Dresden

In the continuing series of releases to document the recorded legacy of the Staatskapelle Dresden, vol. 13 collects music by Hans Pfitzner and Richard Strauss with performances from 1939 through 1944.  »

19 Apr 2009

Die Entführung aus dem Serail at Chicago Lyric

In its new production of Mozart’s Die Entführung aus dem Serail (The Abduction from the Seraglio) Lyric Opera of Chicago has achieved a fusion of eighteenth-century sensibilities with a modern adaptation of traditional dramatic and stage techniques.  »

19 Apr 2009

Cavalli’s La Didone at St. Ann’s Warehouse, Brooklyn

Perhaps I’d better just describe what I experienced, Captain.  »

19 Apr 2009

Die Walküre at Los Angeles Opera

The Los Angeles Opera audiences seem to have decided that no matter how they may really feel about Achim Freyer’s “performance art” staging of Richard Wagner’s Der Ring des Nibelungen, the singers and musicians are giving them at long last a chance to hear these monumental works at the Dorothy Chandler. »

19 Apr 2009

Die tote Stadt: The Dead City Livens Up Palermo

Erich Wolfgang Korngold’s music drama Die tote Stadt has had a rather erratic life in major opera houses.  »

19 Apr 2009

Shagimuratova steals show in HGO’s Rigoletto

On a stormy evening in Houston (both in and outside of the house), Houston Grand Opera’s opening night production of Verdi’s Rigoletto went off with a thunderous bang.  »

19 Apr 2009

John Mark Ainsley Sings Schubert at Jerwood Hall, London

Schubert’s music ‘suggests a rippling movement and by the side of the rippling a flowering: it has the variety and unsurprising naturalness of moving water and springing herb’ (Capell) and this same naturalness and sense of flowing ease are the very qualities which make John Mark Ainsley such a special interpreter of this composer. »

19 Apr 2009

Iphigénie en Aulide at Teatro dell’Opera di Roma

Rome’s opera house was built in 1880, in the explosion of building that followed the unification of Italy with Rome as its capital.  »

10 Apr 2009

Rigoletto at the MET with Diana Damrau as Gilda

Rigoletto is the ideal first opera: a taut tale, comprehensible characters, terrific tunes, and not an ounce of fat anywhere.  »

10 Apr 2009

Angels in Frankfurt

Was Tony Kushner’s monumental play Angels in America in need of being musicalized? »

08 Apr 2009

Domingo sings Wagner

This two-CD budget series collection brings together two Placido Domingo Wagner recitals, the first from 2000, with Deborah Voigt receiving co-billing, and the second from 2002. »