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Elsewhere

Sarah Wegener sings Strauss and Jurowski’s shattering Mahler

A little under a month ago, I reflected on Vladimir Jurowski’s tempi in Mahler’s ‘Resurrection’. That willingness to range between extremes, often within the same work, was a very striking feature of this second concert, which also fielded a Mahler symphony - this time the Fifth. But we also had a Wagner prelude and Strauss songs to leave some of us scratching our heads.

Manon Lescaut in San Francisco

Of the San Francisco Opera Manon Lescauts (in past seasons Leontyne Price, Mirella Freni, Karita Mattila among others, all in their full maturity) the latest is Armenian born Parisian finished soprano Lianna Haroutounian in her role debut. And Mme. Haroutounian is surely the finest of them all.

A lukewarm performance of Berlioz’s Roméo et Juliette from the LSO and Tilson Thomas

A double celebration was the occasion for a packed house at the Barbican: the 150th anniversary of Berlioz’s birth, alongside Michael Tilson Thomas’s fifty-year association with the London Symphony Orchestra.

Mahler’s Third Symphony launches Prague Symphony Orchestra's UK tour

The Anvil in Basingstoke was the first location for a strenuous seven-concert UK tour by the Prague Symphony Orchestra - a venue-hopping trip, criss-crossing the country from Hampshire to Wales, with four northern cities and a pit-stop in London spliced between Edinburgh and Nottingham.

From Darkness into Light: Antoine Brumel’s Complete Lamentations of Jeremiah for Good Friday

As a musicologist, particularly when working in the field of historical documents, one is always hoping to discover that unknown score, letter, household account book - even a shopping list or scribbled memo - which will reveal much about the composition, performance or context of a musical work which might otherwise remain embedded within or behind the inscrutable walls of the past.

Rigoletto past, present and future: a muddled production by Christiane Lutz for Glyndebourne Touring Opera

Charlie Chaplin was a master of slapstick whose rag-to-riches story - from workhouse-resident clog dancer to Hollywood legend with a salary to match his status - was as compelling as the physical comedy that he learned as a member of Fred Karno’s renowned troupe.

Rinaldo Through the Looking-Glass: Glyndebourne Touring Opera in Canterbury

Robert Carsen’s production of Rinaldo, first seen at Glyndebourne in 2011, gives a whole new meaning to the phrases ‘school-boy crush’ and ‘behind the bike-sheds’.

Predatory power and privilege in WNO's Rigoletto at the Birmingham Hippodrome

At a party hosted by a corrupt and dissolute political leader, wealthy patriarchal predators bask in excess, prowling the room on the hunt for female prey who seem all too eager to trade their sexual favours for the promise of power and patronage. ‘Questa o quella?’ the narcissistic host sings, (this one or that one?), indifferent to which woman he will bed that evening, assured of impunity.

Virginie Verrez captivates in WNO's Carmen at the Birmingham Hippodrome

Jo Davies’ new production of Carmen for Welsh National Opera presents not the exotic Orientalism of nineteenth-century France, nor a tale of the racial ‘Other’, feared and fantasised in equal measure by those whose native land she has infiltrated.

Die Zauberflöte brings mixed delights at the Royal Opera House

When did anyone leave a performance of Mozart’s Singspiel without some serious head scratching?

Soprano Eleanor Dennis performs Beethoven and Schubert at the 2019 Highgate International Chamber Music Festival

When soprano Eleanor Dennis was asked - by Ashok Klouda, one of the founders and co-directors of the Highgate International Chamber Music Festival - to perform some of Beethoven’s Scottish Songs Op.108 at this year’s Festival, as she leafed through the score to make her selection the first thing that struck her was the beauty of the poetry.

Haydn's La fedeltà premiata impresses at the Guildhall School of Music & Drama

‘Exit, pursued by an octopus.’ The London Underground insignia in the centre of the curtain-drop at the Guildhall School of Music & Drama’s Silk Street Theatre, advised patrons arriving for the performance of Joseph Haydn’s La fedeltà premiata (Fidelity Rewarded, 1780) that their Tube journey had terminated in ‘Arcadia’ - though this was not the pastoral idyll of Polixenes’ Bohemia but a parody of paradise more notable for its amatory anarchy than any utopian harmony.

Giovanni Pacini: Medea

Medea: Melodramma tragico in three acts.

Van Zweden conducts an unforgettable Walküre at the Concertgebouw

When native son Jaap van Zweden conducts in Amsterdam the house sells out in advance and expectations are high. Last Saturday, he returned to conduct another Wagner opera in the NTR ZaterdagMatinee series. The Concertgebouw audience was already cheering the maestro loudly before anyone had played a single note. By the end of this concert version of Die Walküre, the promise implicit in the enthusiastic greeting had been fulfilled. This second installment of Wagner’s The Ring of the Nibelung was truly memorable, and not just because of Van Zweden’s imprint.

Purcell for our time: Gabrieli Consort & Players at St John's Smith Square

Passing the competing Union and EU flags on College Green beside the Palace of Westminster on my way to St John’s Smith Square, where Paul McCreesh’s Gabrieli Consort & Players were to perform Henry Purcell’s 1691 'dramatic opera' King Arthur, the parallels between England now and England then were all too evident.

The Dallas Opera Cockerel: It’s All Golden

I greatly enjoyed the premiere of The Dallas Opera’s co-production with Santa Fe Opera of Rimsky-Korsakov’s The Golden Cockerel when it debuted at the latter in the summer festival of 2018.

Luisa Miller at Lyric Opera of Chicago

For its second production of the current season Lyric Opera of Chicago is featuring Giuseppe Verdi’s Luisa Miller.

Philip Glass: Music with Changing Parts - European premiere of revised version

Philip Glass has described Music with Changing Parts as a transitional work, its composition falling between earlier pieces like Music in Fifths and Music in Contrary Motion (both written in 1969), Music in Twelve Parts (1971-4) and the opera Einstein on the Beach (1975). Transition might really mean aberrant or from no-man’s land, because performances of it have become rare since the very early 1980s (though it was heard in London in 2005).

Time and Space: Songs by Holst and Vaughan Williams

New from Albion, Time and Space: Songs by Holst and Vaughan Williams, with Mary Bevan, Roderick Williams, William Vann and Jack Liebeck, highlighting the close personal relationship between the two composers.

Wexford Festival Opera 2019

The 68th Wexford Festival Opera, which runs until Sunday 3rd November, is bringing past, present and future together in ways which suggest that the Festival is in good health, and will both blossom creatively and stay true to its roots in the years ahead.


OPERA TODAY ARCHIVES »

Reviews

16 Nov 2019

Sarah Wegener sings Strauss and Jurowski’s shattering Mahler

A little under a month ago, I reflected on Vladimir Jurowski’s tempi in Mahler’s ‘Resurrection’. That willingness to range between extremes, often within the same work, was a very striking feature of this second concert, which also fielded a Mahler symphony - this time the Fifth. But we also had a Wagner prelude and Strauss songs to leave some of us scratching our heads.  »

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04 Oct 2009

Il trovatore in San Francisco

SFO general director David Gockley has a mania for developing new audiences — last year The Bonesetter’s Daughter was aimed at enticing the Asian American community into the opera house, and Porgy and Bess encouraged the African American community to cross the threshold.  »

04 Oct 2009

John Gay: The Beggar's Opera

The only thing truly operatic in this work is the use of the word “opera” in the title.  »

04 Oct 2009

Zandonai: Francesca Da Rimini

Besotted admirers of certain lesser-known operas of debatable merit sometimes include conductors, singers and opera house managers with the power to get their cherished rarity on stage.  »

03 Oct 2009

Tristan und Isolde more rooted in tradition than meets the eye

Over 100 years ago, Adolphe Appia sketched designs for Tristan und Isolde that have influenced theatre design from Alfred Roller to Wieland Wagner. Appia's vision came to life on stage at the Royal Opera House this week. This new production has far deeper roots in tradition than its detractors realize.  »

30 Sep 2009

San Francisco Opera: Puccini's Il Trittico and Verdi's Il Trovatore

The complexity of staging Puccini's evening of three one-act operas, Il Trittico, has kept this masterpiece from appearing on opera stages as frequently as, say, Turandot or Tosca.  »

24 Sep 2009

Incomparable Schubert — Goerne at the Wigmore Hall Part 2

This programme of mostly solemn, elevated music based around songs on such themes as Evening, Death and Immutability was part of Matthias Goerne’s ‘Journey with Schubert’ during which he is recording the songs on eleven CDs and presenting the series in recitals all over the world. If the singing on this occasion is anything to go by, these recordings are set to become the standard to which other singers should aspire. »

20 Sep 2009

Goerne sings Schubert at the Wigmore Hall

When Matthias Goerne sings, it’s never superficial. Lieder is a genre that needs almost as much engagement from listeners as from performers. “It's like a church in there”, someone said to me about the Wigmore Hall. “They’re really listening”.  »

20 Sep 2009

Die schöne Müllerin by Mark Padmore, Wigmore Hall

Schubert’s first song-cycle is a perfect choice with which to open a new concert season, and the Wigmore Hall was packed on Friday evening in anticipation of this recital by tenor Mark Padmore, much admired for the focus and concentration of his ‘story-telling’, and Paul Lewis, one of the most expressive and poetic of pianists today. »

20 Sep 2009

Haydn’s Le pescatrici at Bampton Classical Opera

Bampton Classical Opera have two areas of specialism: little-known gems of the late eighteenth-century and ‘opera in adversity’.  »

20 Sep 2009

Cecilia Bartoli: Maria

While the cover of this Decca two-DVD set mirrors that of Cecilia Bartoli's 2007 CD, Maria, the contents are not identical.  »

20 Sep 2009

Humour and horror — Ligeti's Le Grand Macabre at the ENO, London

A massive female figure fills the whole stage at the ENO for Ligeti's Le Grand Macabre, in this amazing production from La Fura del Bas. (Alex Ollé). This production is so inherently dramatic that it brings Ligeti's "anti-opera" onto a new level as theatre.art. .  »

20 Sep 2009

Anna Karenina: An Opera by David Carlson, Libretto by Colin Graham

Reading the articles in the booklet for this set, it becomes clear that librettist Colin Graham was the driving force behind this opera's creation.  »

15 Sep 2009

Return to the Origins — Chamber Opera in Crisis Times

Chamber opera is coming back after a period when it appeared to be confined to experimental works.  »

15 Sep 2009

Gustav Mahler: Symphony no. 4 in G major

The legacy of the late conductor Giuseppe Sinopoli includes a number of fine recordings of Mahler’s music, and among them is his Deutsche Grammophon recording of the composer’s Fourth Symphony with the Philharmonia Orchestra and the soprano Edita Gruberova.  »

15 Sep 2009

Wigmore Hall Song Competition

‘It’s a personal choice’ / ‘Of course he won - he was the only one who sang songs’ / ‘I’ll be happy if anyone but the first one wins’ (he won) / ‘There’s only one possible choice - the third one’ (he came second) »

15 Sep 2009

Handel/arranged by Mendelssohn: Israel in Egypt

If, dear reader, a desire has ever swept over you (a desire such as a pregnant woman's craving for vanilla ice cream with pickles) to hear music reminiscent of both Messiah and the Fingal's Cave overture, CPO is just the musical ice cream parlor/deli for you.  »

10 Sep 2009

Verdi: La battaglia di Legnano

The true opera fan devotes almost as much time, if not more, to the "what might have been" careers as to those of the superstars.  »

10 Sep 2009

Richard Strauss: Elektra

Archival radio recordings of complete operas seldom have ideal sound, but the audio is usually sharper than that of a live performance while still carrying a comparable dramatic immediacy.  »

09 Sep 2009

Mahler: Symphony no. 1

Among the important recent cycles of Mahler’s symphonies is the one underway by Valery Gergiev with the London Symphony Orchestra.  »

09 Sep 2009

Fidelio from Glyndebourne and Medici Arts

Beethoven’s Fidelio is actually several works combined — a rescue opera in the grand style of the French revolution, a sentimental comedy focusing on mistaken identity, and a tragédie bourgeoise involving a husband, a wife, and their efforts to re-unite despite the actions of a relentless and implacable foe.  »

09 Sep 2009

Danielle de Niese: The Mozart Album

After thoroughly enjoying Daneille de Niese’s recording Handel Arias, I jumped at the chance to review her new recording, The Mozart Album. Her Handel interpretation was full of coloratura, clarity and virtuosity, along with an organic fusion of music serving drama. So I was eager to hear her perform Mozart.  »

09 Sep 2009

Franco Corelli: The Tenor as Hero

This 4-CD set gathers together solo recital material and extracts from complete opera sets that Franco Corelli recorded between 1959 and 1968, the prime of his career.  »

06 Sep 2009

Christof Loy speaks about the new Tristan und Isolde at the Royal Opera House, London.

“Opera has so much to give” says Christof Loy, whose new production of Tristan und Isoldeopens at the Royal Opera House on 29th September. This opera is so familiar that everyone assumes they know it. But Loy’s approach involves going straight back to the score, and to the inherent drama in the music. “I don’t like superficial distractions". »

06 Sep 2009

Aspen stages a Don to die for

“Can it be?”“It can’t!”“But it is; he looks just like him…” »

06 Sep 2009

Mahler and Ligeti at the Proms?

On the surface, the theme of this Prom seemed to be Sci Fi movies at the Proms. Both Ligeti's Atmosphères and Richard Strauss's Also sprach Zarathustra became huge hits when Stanley Kubrick used them in 2001 : A Space Odyssey. So how did Mahler's *Kindertotenlieder* fit in ?  »

06 Sep 2009

Bayreuth: Multi-layered, Profound "Parsifal"

The Wagner Festspiel loves to provoke. »

06 Sep 2009

Seattle humanizes Wagner’s Ring

In 2001, when Seattle Opera completed its current production of Wagner’s Ring des Nibelungen, it seemed the company had taken a step backward. In appearance the new Ring — the third full SO staging since Glynn Ross set out to make the city the American counterpart to Germany’s Bayreuth — was traditional.  »

06 Sep 2009

The Dream of Gerontius: Grant Park Music Festival, Chicago

For the eighteenth program of its seventy-fifth anniversary season the Grant Park Music Festival under the direction of its principal conductor Carlos Kalmar gave two performances of Sir Edward Elgar’s monumental oratorio for soloists, chorus, and orchestra, The Dream of Gerontius.  »

30 Aug 2009

Gustav Mahler: Songs from Des Knaben Wunderhorn

Following from the fine collaboration between Stephan Genz and Roger Vignoles on an ambitious collection of various sets of Mahler’s Lieder (Hyperion CD 67392), which includes some of the composer’s early settings of poetry from the anthology Des Knaben Wunderhorn, the present recording contains thirteen later settings from that source.  »

30 Aug 2009

Bellini: Il Pirata

This 1958 RAI broadcast of Bellini's early masterpiece requires the accustomed aural compromise for maximum enjoyment.  »

30 Aug 2009

Central City Opera 2009

Central City stages luminous Lucia There’s the sextet, the greatest “hit” in all of opera when Caruso was in the cast, and there’s the “Mad Scene,” that exercise in vocal acrobatics that brought new glory to bel canto when the opera was new in Naples in 1835.  »

30 Aug 2009

Verdi's Macbeth at the Sferisterio Opera Festival

The opera venue at Macerata shares some features with its famous counterpart in Verona: both are outdoors, with huge stages that can accommodate spectacular productions.  »

30 Aug 2009

Fidelio at the Proms

Fidelio is not just any opera. But then, Beethoven is not just any composer. His only opera — unless one counts Leonore as a work in itself — confounds bureaucratic expectations.  »

30 Aug 2009

Manon Lescaut at the Festival Puccini di Torre del Lago

Each year, the tiny Tuscan village Torre del Lago hosts a festival dedicated to its favorite son, Giacomo Puccini. This year’s Puccini Festival (10 July - 30 August) featured a “new” Manon Lescaut (a co-production with Opera del Nice Theater), its premiere garnering standing ovations for Marcello Giordani and Martina Serafin and accolades for Alberto Veronesi, the artistic director of the Festival.  »

30 Aug 2009

Lehär: Die Blaue Mazur

As the detail-filled booklet essay to this CPO set reminds its readers, Franz Lehär's operettas enjoyed widespread, though rarely lasting, success, with the music theater world of the time eager for each successive work.  »

30 Aug 2009

Franz Schreker : Die Gezeichneten, Salzburg

Franz Schreker’s Die Gezeichneten isn't the easiest opera to produce, with its grand effects, but this production comes close to being a perfect union between stage and music.  »

30 Aug 2009

Louis Andriessen De Staat at the Proms

De Staat is a seminally important work. So much modern music stems from it, not only “serious” classical music but progressive popular music too. It “is” music theatre, for it’s designed to be experienced live, the visual effect part of the action. »

23 Aug 2009

Zelmira in Pesaro

August is when Italians immerse themselves in the primal soup of all life. Hordes swarm to the Mediterranean shores and multitudes arrive in Pesaro on the Adriatic, where just then crowds of Rossinians from around the world arrive to partake of their primal operatic soup.  »

23 Aug 2009

Boito: Mefistofele

The bravura performance by Ferruccio Furlanetto in the title role is spoiled by the kitschy and incoherent staging of this production. Mefistofele is unique among operas based on the Faust legend in that it rather closely adheres to Goethe’s version.  »

23 Aug 2009

Paul Hindemith: Die junge Magd, Op. 23, no. 2; Ernst Toch: Die chinesische Flöte, Op. 29.

Gustav Mahler was not alone in setting verses from Hans Bethge’s collection of Chinese-inspired poetry entitled Die chinesische Flöte, as he did in his symphonic song cycle Das Lied von der Erde.  »

23 Aug 2009

The Full Monteverdi: A Film by John la Bouchardière

Although the cutesy title sounds like something conjured up by a community college marketing intern working for a mid-sized city orchestra’s ticket office—where every concert featuring Wagner and Brahms gets the sobriquet “Teutonic Titans”—don’t be put off by the moniker. This film is a brilliant adaptation of Monteverdi’s Fourth Book of Madrigals that is totally faithful to the composer’s music. »