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Elsewhere

New titles announced for Glyndebourne Open House

Glyndebourne has announced the next two opera titles in its virtual festival, Glyndebourne Open House - Britten’s Billy Budd and Rossini’s The Barber of Seville.

Beethoven’s Choral Symphony and Choral Fantasy from Harmonia Mundi

Beethoven Symphony no 9 (the Choral Symphony) in D minor, Op. 125, and the Choral Fantasy in C minor, Op. 80 with soloist Kristian Bezuidenhout, Pablo Heras-Casado conducting the Freiburger Barockorchester, new from Harmonia Mundi.

A Musical Reunion at Garsington Opera

The hum of bees rising from myriad scented blooms; gentle strains of birdsong; the cheerful chatter of picnickers beside a still lake; decorous thwacks of leather on willow; song and music floating through the warm evening air.

Les Talens Lyriques announces 2020-21 season with first modern performances of Salieri's Armida

Christophe Rousset and Les Talens Lyriques announce their 2020-21 season championing heroines, with the first modern performances of Salieri's breakthrough success Armida, 250 years after the work's premiere. A recording of Armida to be made during the season is complemented by the release of Mozart's Betulia liberate on Aparté this autumn. In June 2021, Les Talens Lyriques join the centennial Mozartfest Würzburg with performances of Idomeneo.

Taking Risks with Barbara Hannigan

A Louise Brooks look-a-like, in bobbed black wig and floor-sweeping leather trench-coat, cheeks purple-rouged and eyes shadowed in black, Barbara Hannigan issues taut gestures which elicit fire-cracker punch from the Mahler Chamber Orchestra.

BBC Proms Announce 2020 Programme

From Bernstein to Benedetti, Haitink to Hvorostovsky, Mackerras to Kanneh-Masons, musical greats, from the past and the present, will be brought together in one extraordinary Proms season, 17 July - 12 September 2020.

Garsington Opera announces 2021 season

Next summer we return to celebrate our 10th Anniversary at Wormsley, in true Garsington style, using our distinctive indoor / outdoor theatre that offers so many opportunities for us to create wonderful performances in a safe environment for all.

UNMUTE: A Musical Reunion - Garsington Opera at Wormsley

Together with members of the Philharmonia Orchestra, Douglas Boyd conducts a programme of Mozart, Tchaikovsky, Beethoven and Strauss with six soloists and readings by Samuel West.

Alfredo Piatti: The Operatic Fantasies (Vol.2) - in conversation with Adrian Bradbury

‘Signor Piatti in a fantasia on themes from Beatrice di Tenda had also his triumph. Difficulties, declared to be insuperable, were vanquished by him with consummate skill and precision. He certainly is amazing, his tone magnificent, and his style excellent. His resources appear to be inexhaustible; and altogether for variety, it is the greatest specimen of violoncello playing that has been heard in this country.’

Live from London: first-ever global online vocal festival announced

Live from London is a new, paid-for online festival from the VOCES8 Foundation, featuring some of the world’s finest vocal ensembles including VOCES8, I Fagiolini, Stile Antico, The Swingles, The Sixteen, Chanticleer and more.

'In my end is my beginning': Mark Padmore and Mitsuko Uchida perform Winterreise at Wigmore Hall

All good things come to an end, so they say. Let’s hope that only the ‘good thing’ part of the adage is ever applied to Wigmore Hall, and that there is never any sign of ‘an end’.

Those Blue Remembered Hills: Roderick Williams sings Gurney and Howells

Baritone Roderick Williams seems to have been a pretty constant ‘companion’, on my laptop screen and through my stereo speakers, during the past few ‘lock-down’ months.

Eboracum Baroque - Heroic Handel

Eboracum Baroque is a flexible period instrument ensemble, comprising singers and instrumentalists, which was founded in York - as its name suggests, Eboracum being the name of the Roman fort on the site of present-day York - while artistic director Chris Parsons was at York University.

Opera Rara at 50: Anniversary talk and Live Q&A

Artistic Dramaturge Roger Parker will be in conversation with musicologist Ditlev Rindom, introduced by Artistic Director Carlo Rizzi, on Thursday 25th June 2020 at 7pm BST.

Iestyn Davies and Elizabeth Kenny bring 'sweet music' to Wigmore Hall

Countertenor Iestyn Davies and lutenist Elizabeth Kenny kicked off the final week of live lunchtime recitals broadcast online and on radio from Wigmore Hall.

Bruno Ganz and Kirill Gerstein almost rescue Strauss’s Enoch Arden

Melodramas can be a difficult genre for composers. Before Richard Strauss’s Enoch Arden the concept of the melodrama was its compact size – Weber’s Wolf’s Glen scene in Der Freischütz, Georg Benda’s Ariadne auf Naxos and Medea or even Leonore’s grave scene in Beethoven’s Fidelio.

Strauss – Ariadne auf Naxos

Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.

Spontini – La Vestale

La Vestale, a tragédie lyrique in three acts.

Longborough Festival Opera launches opera podcast

Longborough Festival Opera is delighted to launch a new podcast, featuring today’s brightest stars for a series of conversations about the world of opera.

100 artists across 14 countries and 4 continents stage Guildhall School of Music & Drama digital opera double bill

This summer, Guildhall School of Music & Drama’s opera double bill has been transformed from the physical to the digital stage, with the creative team and artists from across the School bringing the productions to life from their homes using digital technology. It is now available to stream for free until Wednesday 1 July 2020.


OPERA TODAY ARCHIVES »

Reviews

07 Jul 2020

Beethoven’s Choral Symphony and Choral Fantasy from Harmonia Mundi

Beethoven Symphony no 9 (the Choral Symphony) in D minor, Op. 125, and the Choral Fantasy in C minor, Op. 80 with soloist Kristian Bezuidenhout, Pablo Heras-Casado conducting the Freiburger Barockorchester, new from Harmonia Mundi. »

Recently in Reviews

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17 Apr 2010

Why Can't a Girl Get a Head in Heidelberg?

Had John Carpenter come up with the “beheading” of John the Baptist, it might have not been too much different from the effect we endured in the new Salome produced by the Heidelberg City Theatre. »

11 Apr 2010

Ailish Tynan, Wigmore Hall

Thoughtfully devised by Iain Burnside, this recital juxtaposed ballad with art song, pastoral with love lyric, dark with light, mournful with carefree. An imaginative sequence of songs, woven together according to linking themes, confirmed that Ireland truly is a ‘land of song’. »

11 Apr 2010

Partenope, NYCO

One of the City Opera’s happiest ventures over the years has been their Handel series. »

11 Apr 2010

Covert resistance to Hitler — Hartmann’s Simplicius Simplicissimus

An anti-facist, anti-war opera written in Germany while the Nazis were in power? K A Hartmann’s Des Simplicius Simplicissimus Jugend was a brave act of conscience, even though the opera wasn't publicly performed until 1948. »

06 Apr 2010

LA Opera finishes formidable Ring

The boo’s were boisterous when director/designer Achim Freyer came on stage at the end of Götterdämmerung in Los Angeles’ Dorothy Chandler Pavilion on April 3. »

05 Apr 2010

Il Turco in Londra

It may be possible that there is no more effervescent entertainment on stage in London now than the tirelessly clever revival of Il Turco in Italia now playing at the Royal Opera House. »

03 Apr 2010

Hamlet, New York

Design is rotten in Denmark, evidently — and in every other grand opera locale. “Palace” has come to mean “high school basement,” or that’s what they look like. “Royal” is synonymous with sleazy men in suits.  »

03 Apr 2010

Verdi’s Falstaff (Glyndebourne 2009) on Blu-Ray

Much of the fascination of the new DVD of Verdi’s Falstaff (Glyndebourne 2009) lies in the Richard Jones’s updating: the action takes place in 1946.  »

01 Apr 2010

Otello (Salzburg Festival 2008) on Blu-Ray

There are two reasons why you need to see the new Otello DVD (Salzburg Festival 2008).  »

29 Mar 2010

Madama Butterfly, NYCO

Once again, as in L’Etoile, Mark Lamos’s staging and Robert Wierzel’s lighting nearly steal the show in the City Opera’s revival of Madama Butterfly.  »

28 Mar 2010

A Composer Grows before his Work — The Grapes of Wrath at Carnegie Hall

Many congratulations and thanks are in order to the Collegiate Chorale for bringing Ricky Ian Gordon’s adaptation of The Grapes of Wrath to New York audiences this week.  »

28 Mar 2010

Christianne Stotijn at the Wigmore Hall

Unlike instrumental players, singers “are” their instrument. They aren't machines. Performance is affected by many shifting factors, which need to be understood.  »

28 Mar 2010

Angels in America, Eötvös at the Barbican for the BBC

Angels in America, Peter Eötvös’s opera based on the Tony Kushner plays, received its London premiere. This was very high profile. David Robertson conducted the BBC Symphony Orchestra in a performance that will be broadcast internationally, online on www.bbc.co.uk/radio3.  »

27 Mar 2010

Harrison Birtwistle: The Minotaur

Premiered on 15 April 2008, The Minotaur is Harrison Birtwistle’s latest opera, and it stands well with the composer’s other stage work.  »

26 Mar 2010

L’Etoile, NYCO

Mark Lamos’ production of Chabrier’s L’Etoile is perfectly ridiculous.  »

25 Mar 2010

Eva Marton in Puccini and Strauss

At one point in her career, Eva Marton appeared poised to be the true inheritor of Birgit Nilsson’s legacy roles: Wagner and Strauss’s most dramatic heroines, as well as key Italian roles (Puccini in particular).  »

23 Mar 2010

Genoveva — Schumann at UCL Opera, London

Genoveva and Lohengrin both premiered in the summer of 1850. Wagner disparaged Schumann, as he disparaged Mendelssohn (Schumann’s hero). Wagner’s opinions were influential. Genoveva has been eclipsed, saddled with a reputation for being hard to stage. »

22 Mar 2010

Regieoper with a twist in Dresden Ring

Yes, the complete Ring des Nibelungen currently on stage at Dresden’s Semper Opera qualifies as Regieoper, but it’s Regieoper with a twist.  »

22 Mar 2010

Changing conductors bring color to Dresden Ring

It was a bit of intrigue that recalled the Wagners at home back in Bayreuth’s Haus Wahnfried. »

21 Mar 2010

The Cunning Little Vixen, London

An enchanting evening at Covent Garden:  »

17 Mar 2010

The Saint of Bleecker Street, Marseilles

It takes some courage these days for an opera company to program a Gian Carlo Menotti opera. Nonetheless last month the Opéra de Marseille defied current sensibilities to give us a new production of The Saint of Bleecker Street.  »

17 Mar 2010

Les Troyens at Carnegie Hall

Les Troyens is the noblest grand opera ever composed by a Frenchman, one of those desert-island works of which it is impossible to tire because its depths can never be completely sounded.  »

17 Mar 2010

Concert of Arias by Arizona Opera

Advertised as ‘ A night of powerful music with today’s superstars,’ Arizona Opera’s concert of opera arias definitely lived up to those words.  »

17 Mar 2010

Katya Kabanova, London

Anguished, lacerating, irredeemably tragic, David Alden’s new production of Katya Kabanova presents a drama of unalleviated suffering and unremitting bleakness.  »

17 Mar 2010

Debussy’s Pelléas et Mélisande

Five years after the première of Pelléas et Mélisande, Wilhelm Worringer published the twentieth century’s first great treatise on abstraction in art: »

17 Mar 2010

Karl Böhm: In Rehearsal and Performance

For many, the fine recordings of Richard Strauss’s tone poem Don Juan by the late Karl Böhm seem to have emerged full-spring from the baton of Karl Böhm and the playing of the various orchestras he led.  »

17 Mar 2010

Philip Glass: Satyagraha, ENO, London 2010

Philip Glass's Satyagraha at the English National Opera, at the Coliseum, London, proves that modern minimalism can be extraordinarily moving. The secret is to open your soul, as Gandhi did, when he searched the Baghavad-Gita for inspiration.  »

15 Mar 2010

A Midsummer Night’s Dream by ETO

A silvery tree stretched its gnarled branches across the moonlit stage, and from the briar and bush spiky, feathered fairies wriggled and crept, intent on mischief and malevolence.  »

12 Mar 2010

The Nose, New York

When the orchestra re-tuned itself between the intermissionless acts of the Met premiere of The Nose last week, many in the audience were uncertain whether they were hearing practice or prelude.  »

11 Mar 2010

Verdi’s Attila, New York

The curtain rises on an enormous pile of crumbling reinforced concrete, broken wires sticking out every which way – an image that has replaced (at least in the minds of set designers) the romantic columned or castellated ruins that thrilled our ancestors, especially around the time, 1846, that Verdi composed Attila. »

09 Mar 2010

The Elixir of Love at ENO

As a medic with a keen knowledge of psychology, Jonathan Miller probably knows a thing or two about elixirs and placebos.  »

09 Mar 2010

The Gambler, London

The global credit crunch, with its painful exposure of the moral and literal bankruptcy of our own age, provides the perfect backdrop for this new production of Prokofiev’s The Gambler, the first ever staging of this opera at The Royal Opera House, Covent Garden.  »

08 Mar 2010

Love Triumphs in L’Elisir d’amore at Lyric Opera of Chicago

In its current revival of Donizetti’s L’Elisir d’amore Lyric Opera of Chicago’s production showcases the strengths and foibles of humanity, while assuring the ultimate triumph of love. »

08 Mar 2010

Puccini: La Rondine

Throughout his relatively long and decidedly successful career, Giacomo Puccini returned to those operas of his that had not, immediately or eventually, secured an important place in the standard repertory.  »

08 Mar 2010

Brilliant Schubert programme: Matthias Goerne, Wigmore Hall

This second of two recitals of Schubert songs by Matthias Goerne and Helmut Deutsch at the Wigmore Hall, London was superb, the programme created with exceptional intelligence and insight into the inner dynamics of Schubert’s music.  »

08 Mar 2010

Tamerlano: Handel at the Royal Opera House, London

Handel’s Tamerlano, in the production by Graham Vick, is well known, but its run at the Royal Opera House is unusual because many of the cast are creating the roles for the first time. It isn't a live reprise of the DVD, but more challenging. »

05 Mar 2010

Karlsruhe: Rare Verdi, Well Done

The Baden State Theatre's new mounting of I Masnadieri may not completely be the production of one’s dreams. »

05 Mar 2010

Matthias Goerne at Wigmore Hall, London

In this, the first of two recitals with pianist Helmut Deutsch, baritone Matthias Goerne continued his very personal journey through the landscape of Schubert’s lieder, a passage which is currently being preserved on an outstanding series of discs by Harmonia Mundi.  »

05 Mar 2010

Ariadne auf Naxos, New York

As the first familiar themes of Ariadne came from the pit, I felt myself sinking — sinking from a tense, dreary, daily world into a sort of ecstatic fantasy — a place where all was happy, funny, romantic, inane, fateful and surprising all at once — Sarah Connolly superb, Kathleen Kim charming, Nina Stemme full-throated,  »

04 Mar 2010

Zürich mal Zwei

Zürich Opera’s poster for their new production of Idomeneo is a knockout. »

13 Feb 2010

Otello in Montpellier (version concert)

Concert opera has a long and glorious tradition in Montpellier. Each year the Orchestra National de Montpellier regales us with one or two during the Festival de Radio France et Montpellier (July). »

11 Feb 2010

Armide by Opera Lafayette

Gluck’s Armide, as semi-staged (costumed dancers but no scenery) at the Rose Theater by the Washington-based Opera Lafayette, was exactly what Gluck designed the piece to be: a supremely elegant entertainment. »

10 Feb 2010

Rossini: La Cenerentola

Michael Hampe seems to have been the director of choice in the 1980s for tastefully traditional Rossini productions.  »

07 Feb 2010

Donizetti revealed: Lucia di Lammermoor, ENO, London

Donizetti’s original concept of Lucia di Lammermoor is revealed in its true glory in this ground breaking production by the English National Opera, first heard in 2008. The opera is loved in its familiar form, but the new critical edition reveals the depth of Donizetti’s musical creation. »

07 Feb 2010

Manon Lescaut in Lyon

If you want Italian opera go to Italy and hope for the best — like conductor Daniel Oren’s Manon Lescaut two years ago in Genoa.  »

04 Feb 2010

Heidelberg’s Stumbling Spartaco at Schwetzingen Castle

For those who might be seeking a representational tale of the legendary Roman slave Spartacus, well, Gladiator this ain’t. »

02 Feb 2010

Così fan tutte, Covent Garden

First seen in 1995, and here receiving its seventh revival, Jonathan Miller’s Così fan tutte has lost none of its power to unsettle and discomfort.  »

02 Feb 2010

Parsifal on the Cote d’Azur

Parsifal had its first performances in Bayreuth in 1882 where it was soon seen by Wagner’s soul mate Friedrich Nietzsche. And there the friendship ended.  »

02 Feb 2010

Shohat’s The Child Dreams — A mature work

Gil Shohat, now 35 and Israeli’s top classical composer, was 15 when in the ‘80s he saw Hanoch Levin’s The Child Dream on stage in his native Tel Aviv. Shohat, of course, knew Levin’s work well, for throughout early decades in the history of Israel he — its outstanding dramatist — had served somewhat as the conscience of a nation tormented defining itself within its pain-wrought beginnings.  »

01 Feb 2010

Joyce DiDonato, Wigmore Hall

The Wigmore Hall was bursting its seams in excited anticipation of this recital by the American mezzo-soprano, Joyce DiDonato.  »