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Elsewhere

MOZART 250: the year 1767

Classical Opera’s MOZART 250 project has reached the year 1767. Two years ago, the company embarked upon an epic, 27-year exploration of the music written by Mozart and his contemporaries exactly 250 years previously. The series will incorporate 250th anniversary performances of all Mozart’s important compositions and artistic director Ian Page tells us that as 1767 ‘was the year in which Mozart started to write more substantial works - opera, oratorio, concertos … this will be the first year of MOZART 250 in which Mozart’s own music dominates the programme’.

Monteverdi, Masters and Poets - Imitation and Emulation

‘[T]hey moderated or increased their voices, loud or soft, heavy or light according to the demands of the piece they were singing; now slowing, breaking of sometimes with a gentle sigh, now singing long passages legato or detached, now groups, now leaps, now with long trills, now with short, or again, with sweet running passages sung softly, to which one sometimes heard an echo answer unexpectedly. They accompanied the music and the sentiment with appropriate facial expressions, glances and gestures, with no awkward movements of the mouth or hands or body which might not express the feelings of the song. They made the words clear in such a way that one could hear even the last syllable of every word, which was never interrupted or suppressed by passages or other embellishments.’

Visionary Wagner - The Flying Dutchman, Finnish National Opera

An exceptional Wagner Der fliegende Holländer, so challenging that, at first, it seems shocking. But Kasper Holten's new production, currently at the Finnish National Opera, is also exceptionally intelligent.

Don Quichotte at Chicago Lyric

A welcome addition to Lyric Opera of Chicago’s roster was its recent production of Jules Massenet’s Don Quichotte.

Written on Skin: Royal Opera House

800 years ago, every book was a precious treasure - ‘written on skin’. In George Benjamin’s and Martin Crimp’s 2012 opera, Written on Skin, modern-day archivists search for one such artefact: a legendary 12th-century illustrated vanity project, commissioned by an unnamed Protector to record and celebrate his power.

Madama Butterfly at Staatsoper im Schiller Theater

It was like a “Date Night” at Staatsoper unter den Linden with its return of Eike Gramss’ 2012 production of Puccini’s Madama Butterfly. While I entered the Schiller Theater, the many young couples venturing to the opera together, and emerging afterwards all lovey-dovey and moved by Puccini’s melodramatic romance, encouraged me to think more positively about the future of opera.

It’s the end of the world as we know it: Hannigan & Rattle sing of Death

For the Late Night concert after the Saturday series, fifteen Berliners backed up Barbara Hannigan in yet another adventurous collaboration on a modern rarity with Simon Rattle. I was completely unfamiliar with the French composer, but the performance tonight made me fall in love with Gérard Grisey’s sensually disintegrating soundscape Quatre chants pour franchir le seuil, or “Fours Songs to cross the Threshold”.

A Vocally Extravagant Saturday Night with Berliner Philharmoniker

One of the things I love about the Philharmonie in Berlin, is the normalcy of musical excellence week after week. Very few venues can pull off with such illuminating star wattage. Michael Schade, Anne Schwanewilms, and Barbara Hannigan performed in two concerts with two larger-than-life conductors Thielemann and Rattle. We were taken on three thrilling adventures.

Les Troyens at Lyric Opera of Chicago

Lyric Opera of Chicago’s original and superbly cast production of Hector Berlioz’s Les Troyens has provided the musical public with a treasured opportunity to appreciate one of the great operatic achievements of the nineteenth century.

Merry Christmas, Stephen Leacock

The Little Opera Company opened its 21st season by championing its own, as it presented the world premiere of Winnipeg composer Neil Weisensel’s Merry Christmas, Stephen Leacock.

Bampton Classical Opera 2017

In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press.

The nature of narropera?

How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947).

A Christmas Festival: La Nuova Musica at St John's Smith Square

Now in its 31st year, the 2016 Christmas Festival at St John’s Smith Square has offered sixteen concerts performed by diverse ensembles, among them: the choirs of King’s College, London and Merton College, Oxford; Christchurch Cathedral Choir, Oxford; The Gesualdo Six; The Cardinall’s Musick; The Tallis Scholars; the choirs of Trinity College and Clare College, Cambridge; Tenebrae; Polyphony and the Orchestra of the Age of the Enlightment.

Fleming's Farewell to London: Der Rosenkavalier at the ROH

As 2016 draws to a close, we stand on the cusp of a post-Europe, pre-Trump world. Perhaps we will look back on current times with the nostalgic romanticism of Richard Strauss’s 1911 paean to past glories, comforts and certainties: Der Rosenkavalier.

Loft Opera’s Macbeth: Go for the Singing, Not the Experience

Ah, Loft Opera. It’s part of the experience to wander down many dark streets, confused and lost, in a part of Brooklyn you’ve never been. It is that exclusive—you can’t even find the performance!

A clipped Walküre in Amsterdam

Let’s start by getting a couple of gripes out of the way. First, the final act of Die Walküre does not constitute a full-length concert, even with a distinguished cast and orchestra, and with animated drawings fluttering on a giant screen.

A Leonard Bernstein Delight

When you combine two charismatic New York stage divas with the artistry of Los Angeles Opera, you have a mix that explodes into singing, dancing and an evening of superb entertainment.

An English Winter Journey

Roderick Williams’ and Julius Drake’s English Winter Journey seems such a perfect concept that one wonders why no one had previously thought of compiling a sequence of 24 songs by English composers to mirror, complement and discourse with Schubert’s song-cycle of love and loss.

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.

L’amour de loin at the Metropolitan Opera

Opening night at the Metropolitan is a gleeful occasion even when the composer is long gone, but December 1st was an opening for a living composer who has been making waves around the world and is, gasp, a woman — the second woman composer ever to have an opera presented at the Met.


OPERA TODAY ARCHIVES »

Reviews

Classical Opera Company: MOZART 250
18 Jan 2017

MOZART 250: the year 1767

Classical Opera’s MOZART 250 project has reached the year 1767. Two years ago, the company embarked upon an epic, 27-year exploration of the music written by Mozart and his contemporaries exactly 250 years previously. The series will incorporate 250th anniversary performances of all Mozart’s important compositions and artistic director Ian Page tells us that as 1767 ‘was the year in which Mozart started to write more substantial works - opera, oratorio, concertos … this will be the first year of MOZART 250 in which Mozart’s own music dominates the programme’. »

Recently in Reviews

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20 Jun 2009

Bach's St. Matthew Passion at BAM

To the sorrow of all lovers of baroque opera, J.S. Bach never composed for the stage.  »

19 Jun 2009

Goerne and Eschenbach : Winterreise

When Matthias Goerne was six, he heard Winterreise and was captivated.  »

19 Jun 2009

No Redemption for Munich’s Dutchman

Although there was considerable theatrical imagination on display, redemption was in critically short supply in Peter Konwitschny's production of The Flying Dutchman at Munich’s estimable Bavarian State Opera. »

18 Jun 2009

Martinů’s cheerful Mirandolina, Garsington Opera

“Life is too important to be taken seriously” goes the motto. That could describe this cheerful production, just the right good humored tonic for these difficult times. »

18 Jun 2009

Aldeburgh Festival — New Buildings, New Birtwistle Operas

Sir Harrison Birtwistle’s early opera, Punch and Judy, premiered at Aldeburgh in 1968. Benjamin Britten reportedly walked out. Now Birtwistle is himself the pre-eminent British composer, whose work has long since become part of the Aldeburgh tradition. This year’s Festival opened with two Birtwistle premieres, The Corridor and Semper Dowland, simper dolens. »

17 Jun 2009

Ian Bostridge at the Chicago Symphony Orchestra

In a recent Chicago Symphony Orchestra concert featuring twentieth-century instrumental and vocal compositions Ian Bostridge sang Benjamin Britten’s Les Illuminations under the direction of principal conductor Bernard Haitink.  »

17 Jun 2009

Bostridge trades fey for Kray

Bostridge traded his fey haircut for slicked back Kray brothers look, complete with wrap round dark glasses in this Dreigroschenoper at the Barbican, London.  »

17 Jun 2009

Andreas Scholl at Wigmore Hall

Strikes on the London Underground system may have made this a particularly exhausting and exasperating week for Londoners, but despite these wearing adversities Friday evening saw an eager crowd flock to the Wigmore Hall, in excited anticipation of an inspiring and invigorating blend of the familiar and the unfamiliar — and they were not disappointed. »

17 Jun 2009

Die schöne Müllerin at Wigmore Hall

Matthias Goerne and Christoph Eschenbach unite in a Schöne Müllerin of searing intensity. »

17 Jun 2009

Mozart: Idomeneo

“Mozart's first mature masterpiece,” Sophie Becker calls Idomeneo in the booklet essay of this DVD set of a June 2008 Bayerische Staatsoper staging.  »

15 Jun 2009

Haydn’s Bicentenary : 20 Capitals Salute “The Creation” With Standing Ovations

The Austrian Ministry of Culture and the Committee for the Celebrations of Haydn’s Bicentenary had a brilliant idea: on May 31st , the day of the composer’s death, 20 symphony orchestras and/or opera houses performed one of his greatest and best known oratorios Die Schöpfung (The Creation) .  »

15 Jun 2009

La Scala at the Movies: Donizetti's Maria Stuarda and Wagner's Tristan und Isolde

From the La Scala series of filmed productions come two excellent DVDs, one an incisive and contemporary staging by Patrice Chereau of Wagner's Tristan und Isolde, and the other a rip-roaring, old-fashioned (in the best sense) performance of Donizetti's flawed but entertaining Maria Stuarda.  »

14 Jun 2009

Berlin: City of Three Operas

Where else in the world does one have three opera houses, all playing almost nightly for 10 months of the year? It’s one of the things that makes Berlin paradise for opera buffs. »

12 Jun 2009

Tosca in San Francisco

Like Carmen, Tosca is a constant presence in our operatic lives, frequently revisited like it or not.  »

12 Jun 2009

Otto Nicolai: Die lustigen Weiber von Windsor

Otto Nicolai's Die lustigen Weiber von Windsor belongs to that somewhat purgatorial group of operas best remembered only for their overtures.  »

09 Jun 2009

Così fan tutte, English National Opera

ENO's latest new production of Così — their third this decade — made the arts headlines from the start of its rehearsal period when director Abbas Kiarostami found himself unable to secure a UK visa and was forced to withdraw his direct involvement, leaving colleague Elaine Tyler-Hall to deputise.  »

07 Jun 2009

A shockingly different Lulu at the Royal Opera House, London

The buzz was right — this new Lulu at the Royal Opera House, London is shockingly different. Christof Loy's production is what minimalism should be.  »

07 Jun 2009

Schubert : Winterreise — Middle Temple Hall, London

Julius Drake’s Temple song series is almost a cult secret -not known to the mass market but highly regarded among those who know, much like the Lieder genre itself. »

26 May 2009

Haydn’s “Il Ritorno Di Tobia” , Oratorio Or Opera Seria?

Joseph Haydn's place in the history of the oratorio has been secured by his masterpieces The Creation (1798) and The Seasons (1801). His first appearance, however, on the Mount Parnassus of oratorio was a good quarter of a century beforehand with Il ritorno di Tobia.  »

26 May 2009

Zeffirelli’s New “Pagliacci” Without “Cav” But With Motorbikes

The new Franco Zeffirelli’s production of Ruggero Leoncavallo “Pagliacci” reached the Teatro dell’Opera di Rome on May 19 : I will be on stage in the Italian capital every night until May 27th . Then, it will continue a worldwide tour: its debut was in Florence in the 2008 Fall. It has already visited Moscow and Athens. It is rumored to reach the MET next seasons. »

26 May 2009

An Elegant Pique Dame in Turin

“Pique Dame” (“Pivokaja Dama” or “The Queen of Spades”) is one of Pyotr I. Tchaikovsky most difficult, and most expensive, operas to produce.  »

22 May 2009

Norma by English Touring Opera

English Touring Opera continued its 30th anniversary celebrations with six concert performances of Norma, sung — unusually for ETO — in Italian, in a touring footprint which has some common ground with the ongoing staged tour of Katya Kabanova and The Magic Flute, but which is effectively an entirely separate tour. »

22 May 2009

Don Carlos — Opera North, Leeds

Tim Albery’s production was first seen at Opera North in 1993 and has not been revived since 1998, when it was the first production of this opera I ever saw — an English-sung version of the four-act Italian version.  »

21 May 2009

Lieder and Opera meet in Hugo Wolf

Lieder and opera are different worlds. But understanding the differences helps us appreciate what makes each form distinct. Hugo Wolf’s songs come close to bridging the genres. They’ve been described as “miniature operas” where dramas are distilled into compact form. »

21 May 2009

Wolfgang Amadeus Mozart Lieder, Salzburg 1958-1984.

In its recent collection Mozart Lieder, Salzburg 1958-1984 in its series entitled “Festspiel Dokumente,” Orfeo pays homage to the tradition of Liederabend at the Salzburg Festival with selections from a quarter century of performances.  »

17 May 2009

Turandot — Washington National Opera

Bringing Andrei Şerban’s Turandot to the Washington National Opera as a season finale really means finishing the year with a bang.  »

17 May 2009

Athalia — Lincoln Center Great Performers Series

You won’t get much argument nowadays — you won’t get any from me — if you call Handel’s dramatic oratorios operas in all but name.  »

14 May 2009

Weber’s Der Freischütz at Zurich Opera House

On any list of great but seldom-performed operas, Carl Maria von Weber's Der Freischütz must rank high.  »

14 May 2009

L’elisir d’amore at Covent Garden

L’elisir d’amore is perhaps Donizetti’s silliest opera — but also one of his most charming.  »

14 May 2009

Gustav Mahler: Symphony no. 3

Recorded live in concert on 19 August 2007, this performance of Gustav Mahler's Third Symphony by Claudio Abbado is part of the conductor's cycle involving the Lucerne Festival.  »

13 May 2009

Peter Grimes — English National Opera, London Coliseum

In David Alden’s extraordinary new staging of Britten’s masterpiece, with sets by Paul Steinberg, the Borough is populated by stylised grotesques, a clever twist on the opera’s existing ‘Little England’ character stereotypes.  »

13 May 2009

Paris: Mostly Verdi Good Indeed

The Scottish Play’s ability to conduit bad luck is apparently not limited to the spoken stage, witness the new Paris Opéra production of Verdi’s Macbeth. »

12 May 2009

Der Ring des Nibelungen at the MET

It’s the Ring — not just an ordinary evening (or four evenings) of opera — indeed, if you accept its creator’s words on the matter, it’s a music-drama, not an opera at all.  »

12 May 2009

Canadian Opera on the rise

How often does one experience an opera in which everything works — in which there is not one flaw either in the staging or in its musical dimensions? »

12 May 2009

Subtle Previn world premiere in Houston

As far as world premieres go, Houston Grand Opera is in elite company in the United States, having performed thirty-eight new works prior to opening night of André Previn’s new opera Brief Encounter.  »

12 May 2009

Verdi and Boito at the Rome Academy of Santa Cecilia — Angels and Demons in an Unusual Setting

By sheer coincidence, the Academy of Santa Cecilia — one of the most authoritative symphonic orchestras in Europe — planned a rather unusual concert in the same days (May 3-7) when just in the very same auditorium there was the world première of a movie expected to be a Hollywood blockbuster — the thriller titled “Angels & Demons”.  »

12 May 2009

Lady Macbeth of Mtsensk — Opera Australia

For two years following its premiere Shostakovich’s Lady Macbeth of Mtsesnk was one of the most often performed contemporary operas.  »

12 May 2009

Kate Royal at Wigmore Hall

Soprano Kate Royal is reported to have said that singing at the Wigmore Hall is “like a religious experience”.  »

12 May 2009

Janáček: Jenůfa and Kátya Kabanová

Recorded four years apart, these two classic recordings of Leos Janáček's dramatic masterpieces now reappear in Decca's The Originals series, thankfully still with full librettos and excellent booklet essays.  »

12 May 2009

Verdi’s Requiem in Santa Fe

Christine Brewer Commands Performance in Last Minute Appearance »

07 May 2009

Franz Lehár: Das Land des Lächelns

Doris Sennefelder's booklet essay for this CPO recording of Lehar's Das Land des Lächelns details how close the composer was to Puccini.  »

05 May 2009

Opera Atelier does it as it was

It’s an odd day in opera when the bad girl wins, but that is only one thing that makes the Opera Atelier production of Monteverdi’s Coronation of Poppea remarkable — and admirable.  »

03 May 2009

The End of Bewilderment — The New Florence-Valencia Production of “Gőtterdämmerung”

April 29th is Zubin Mehta’s birthday. As a gift to its most beloved musical director, Florence unveiled a new production of Götterdämmerung, a joint Ring Cycle venture with the Valencia Opera started two years ago.  »

29 Apr 2009

Donizetti’s “Maria Stuarda” at La Fenice — Two Women in a Labyrinth

From the word “go”, the audience feels that this “Maria Stuarda” is quite different from the standard fare offered by Italian theatres.  »

29 Apr 2009

Lohengrin at The Royal Opera, London

I first saw this production in Manchester in 1981: I loved it then and love it now, despite the present hero’s un-Heldentenor qualities when compared to the glorious Peter Hoffman of yore. »

26 Apr 2009

Wolf-Ferrari: La vedova scaltra (“The Cunning Widow”).

One of the five operas Ermanno Wolf-Ferrari (1876-1948) based on plays by Carlo Goldoni, La vedova scaltra (1748) is a comedy about a widow’s decision to use deception to choose among her suitors.  »

26 Apr 2009

Don Giovanni at the MET with Peter Mattei

I returned to Don Giovanni firstly because I had never heard Peter Mattei sing, and friends had called him the greatest Don G since Siepi. »