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Elsewhere

A Winterreise both familiar and revelatory: Ian Bostridge and Thomas Adès at Wigmore Hall

‘“Will you play your hurdy-gurdy to my songs?” the wanderer asks. If the answer were to be a “yes”, then the crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again. This could explore a notion of eternal recurrence: we are trapped in the endless repetition of this existential lament.’

Stars of Lyric Opera at Millennium Park, 2018

Lyric Opera of Chicago’s annual concert, Stars of Lyric Opera at Millennium Park, given during last weekend, was both a tribute to the many facets of opera and a preview of what lies ahead in the upcoming repertoire season.

Classical Opera: Bastien und Bastienne on Signum Classics

Pride and Prejudice, North and South, Antony and Cleopatra, Much Ado About Nothing: literary fiction and drama are strewn with dissembling lovers who display differing degrees of Machiavellian sharpness in matters of amatory strategy. But, there is an artless ingenuousness about Bastien and Bastienne, the eponymous pastoral protagonists of Mozart’s 1768 opera, who pretend not to love in order to seal their shared romantic destiny, but who require a hefty dose of the ‘Magician’ Colas’s conjuring/charlatanry in order to avoid a future of lonely singledom.

A Stunning Semiramide from Opera Rara

In early October 1822, Gioachino Rossini summoned the librettist Gaetano Rossi to a villa (owned by his wife, the soprano Isabella Colbran) in Castenaso, just outside Bologna. Their project: to work on a new opera, which would be premiered during the Carnival in Venice on 3rd February the following year, based on the legend of Queen Semiramide.

Dorothea Röschmann at Wigmore Hall: songs by Schumann, Wolf and Brahms

One should not judge a performance by its audience, but spying Mitsuko Uchida in the audience is unlikely ever to prove a negative sign. It certainly did not here, in a wonderfully involving recital of songs by Schumannn, Wolf, and Brahms from Dorothea Röschmann and Malcolm Martineau.

Two of Garsington Opera's 2018 productions to reach a wider audience

Garsington Opera is delighted to announce that on Saturday 6 October, BBC Radio 3’s ‘Opera on 3’, will broadcast the production of its first festival world premiere - The Skating Rink by David Sawer set to a libretto by Rory Mullarkey based on a novel by Chilean author Roberto Bolaño.

The Path of Life: Ilker Arcayürek sings Schubert at Wigmore Hall

Wigmore Hall’s BBC Radio 3 Lunchtime Concert 2018-19 series opened this week with a journey along The Path of Life as illustrated by the songs of Schubert, and it offered a rare chance to hear the composer’s long, and long-germinating, setting of Johann Baptist Mayrhofer’s philosophical rumination, ‘Einsamkeit’ - an extended eulogy to loneliness which Schubert described, in a letter of 1822, as the best thing he had done, “mein Bestes, was ich gemacht habe”.

Heine through Song: Florian Boesch and Malcolm Martineau open a new Wigmore Hall season

The BBC Proms have now gone into hibernation until July 2019. But, as the hearty patriotic strains rang out over South Kensington on Saturday evening, in Westminster the somewhat gentler, but no less emotive, flame of nineteenth-century lied was re-lit at Wigmore Hall, as baritone Florian Boesch and pianist Malcolm Martineau opened the Hall’s 2018-19 season with a recital comprising song settings of texts by Heinrich Heine.

Elgar Orchestral Songs - SOMM

Edward Elgar's Sea Pictures are extremely well-known, but many others are also worth hearing. From SOMM recordings, specialists in British repertoire, comes this interesting new collection of other Elgar orchestral songs, sponsored by the Elgar Society.

Prom 74: Handel's Theodora

“One of the most insufferable prigs in a literature.” Handel scholar Winton Dean’s dismissal of Theodora, the eponymous heroine of Handel’s 1749 oratorio, may well have been shared by many among his contemporary audience.

Remembering and Representing Dido, Queen of Carthage: an interview with Thomas Guthrie

The first two instalments of the Academy of Ancient Music’s ‘Purcell trilogy’ at the Barbican Hall have posed plentiful questions - creative, cultural and political.

Landmark Productions and Irish National Opera present The Second Violinist

Renaissance madrigals and twentieth-century social media don’t at first seem likely bed-fellows. However, Martin - the protagonist of The Second Violinist, a new opera by composer Donnacha Dennehy and librettist Enda Walsh - is, like the late sixteenth-century composer, Carlo Gesualdo, an artist with homicidal tendencies. And, Dennehy and Walsh bring music, madness and murder together in a Nordic noir thriller that has more than a touch of Stringbergian psychological anxiety, analysis and antagonism.

The Rake's Progress: British Youth Opera

The cautionary tale which W.H. Auden and Chester Kallman fashioned for Igor Stravinsky’s 1951 opera, The Rake’s Progress - recounting the downward course of an archetypal libertine from the faux fulfilment of matrimonial and monetary dreams to the grim reality of madness and death - was, of course, an elaboration of William Hogarth’s 1733 series of eight engravings.

Prom 71: John Eliot Gardiner and the Orchestre Revolutionaire et Romantique play Berlioz

Having recently recorded the role of Dido in Berlioz' Les Troyens on Warner Classics, there was genuine excitement at the prospect of hearing Joyce DiDonato performing Dido's death scene live at the BBC Proms. She joined John Eliot Gardiner and the Orchestre Revolutionaire et Romantique for an all-Berlioz Prom at the Royal Albert Hall on Wednesday 5 September 2018. As well as the scene from Les Troyens, DiDonato sang La mort de Cleopatre and the orchestra performed the overture Le Corsaire and The Royal Hunt and Storm from Les Troyens, and were joined by viola player Antoine Tamestit for Harold in Italy.

ENO Studio Live: Paul Bunyan

“A telegram, a telegram,/ A telegram from Hollywood./ Inkslinger is the name; And I think that the news is good.” The Western Union Boy’s missive, delivered to Johnny Inkslinger in the closing moments of 1941 ‘choral operetta’ Paul Bunyan and directly connecting the American Dream with success in Tinseltown, may have echoed an offer that Benjamin Britten himself received, for the composer had written expectantly to Wulff Scherchen on 7th February 1939, ‘(((Shshshsssh … I may have an offer from Holywood [sic] for a film, but don’t say a word))).’ Ten days later he wrote again: ‘Hollywood seems a bit nearer - I’ve got an interview with the Producer on Monday’.

Young audience embraces Die Zauberflöte at Dutch National Opera

The Dutch National Opera season opens officially on the 7th of September with a third run of Simon McBurney’s production of Mozart’s Die Zauberflöte, an unqualified success at its 2012 premiere. Last Tuesday, however, an audience aged between sixteen and thirty-five got to see a preview of this co-production with English National Opera and the Aix-en-Provence Festival.

Prom 67: The Boston Symphony Orchestra play Mahler’s Third

Mahler and I, at least in the concert hall, parted company over a decade ago - and with his Third Symphony it has been an even longer abandonment, fifteen years. Reviewing can nurture great love for music; but it can also become so obsessive for a single composer it can make one profoundly unresponsive to their music. This was my tragedy with Mahler.

Bampton Classical Opera Goes to the Ball

I wonder if Cinderella realised that when she found her Prince she would also find international fame, becoming not just a Princess but also a global celebrity and icon. The glass slipper, placed loving on her shapely foot, has graced theatres, variety halls, cinema screens and opera houses - even postage stamps - and the perennial popularity of this rags-to-riches fairy-tale, in which innocence and goodness triumph over injustice and oppression, shows no signs of waning.

A Landmark Revival of Sullivan's Haddon Hall

With The Gondoliers of 1889, the main period of Arthur Sullivan's celebrated collaboration with W. S. Gilbert came to an end, and with it the golden age of British operetta. Sullivan was accordingly at liberty to compose more serious and emotional operas, as he had long desired, and turned first to the moribund tradition of "Grand Opera" with Ivanhoe (1891).

Die Meistersinger at Bayreuth

Famously, controversy is the stuff of Bayreuth, be it artistic, philosophic or political. As well occasionally a Bayreuth production can simply be illuminating, as is the Barrie Kosky production of Wagner’s only comedy, Die Meistersinger.


OPERA TODAY ARCHIVES »

Reviews

Ian Bostridge
18 Sep 2018

A Winterreise both familiar and revelatory: Ian Bostridge and Thomas Adès at Wigmore Hall

‘“Will you play your hurdy-gurdy to my songs?” the wanderer asks. If the answer were to be a “yes”, then the crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again. This could explore a notion of eternal recurrence: we are trapped in the endless repetition of this existential lament.’ »

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24 Feb 2016

Theatre of the Ayre, Wigmore Hall

In the 17th century, sacred vocal music was not just for public worship in church but also for private devotion within a secular setting, and this concert at the Wigmore Hall by Theatre of the Ayre under its director Elizabeth Kenny transported us from Chapel Royal to domestic chamber. »

22 Feb 2016

HOT Dream in Honolulu

In a world opera schedule packed with safe bread-and-butter warhorses, Hawaii Opera Theatre gambled on a Britten rarity and came up smelling as sweet as a tuberose lei. »

19 Feb 2016

Arizona Opera Presents an Interesting Carmen

Henri Meilhac and Ludovic Halévy, based their libretto for Georges Bizet’s opera Carmen on a novella of the same title by Prosper Mérimée. On March 3, 1875, Carmen was premiered at the Opéra-Comique in Paris.  »

19 Feb 2016

L'Aiglon in Marseille

Napoleon I (Bonaparte) was known as the Aigle (eagle), his son by Marie Louise (of the Hapsburgs) later became called the Aiglon (eaglet). At birth he was dubbed the King of Rome by his father. Unofficially and very briefly he was Napoleon II. Exiled in Austria he was officially titled the Duke of Reichstadt and the Prince of Parma. »

18 Feb 2016

Norma , ENO

Notable first performance of Bellini's opera by ENO, with a striking assumption of the title role from the young American soprano »

18 Feb 2016

Schubert: The Complete Songs

The Wigmore Hall’s chronological journey through the complete lieder of Franz Schubert continued with this recital by tenor Ian Bostridge and pianist Graham Johnson. The duo gave a thought-provoking performance which was notable for the searching dialectic between simplicity and complexity which it illuminated. »

17 Feb 2016

M is for Man, Music and Mystery

Peter Greenaway’s short film M is for Man, Music and Mozart, for which the Dutch composer Louis Andriessen composed the score, was commissioned to mark the bicentenary anniversary of Mozart’s death in 1791. »

17 Feb 2016

San Diego Opera Presents an Exciting Tosca

Together with fellow playwrights Émile Augier and Alexandre Dumas fils, Victorien Sardou dominated the French stage in the late nineteenth century. Although Sardou was an excellent craftsman who was elected to the Académie Francaise in 1877, his reliance on theatrical devices caused his plays to go out of style after the turn of the twentieth century.  »

15 Feb 2016

Nabucco with a Rare Cast at Lyric Opera of Chicago

The background of Giuseppe Verdi’s Nabucco, currently being presented at Lyric Opera of Chicago, draws on the struggle between Babylonian and Hebrew forces, emphasized in this production graphically by alternating scripts in cuneiform and Hebrew projections.  »

15 Feb 2016

Die Zauberflöte , ENO

Whilst the Arts Council has been doing its best to destroy the English National Opera, ENO has fought back in the best way possible: in the theatre. »

15 Feb 2016

Jamie Barton and Amber Wagner in recital at Tucson

On Saturday, January 23, 2016, at the University of Arizona’s Crowder Hall, mezzo-soprano Jamie Barton and soprano Amber Wagner gave a delightful recital entitled From Baroque to Broadway. The Baroque was Benjamin Britten’s realization of three Henry Purcell songs: Music for a While, Lost is my Quiet, and What Can We Poor Females Do?  »

15 Feb 2016

The Devil Inside, Scottish Opera

The route that Stuart MacRae and Louse Welsh have taken for their first full-length opera is reassuringly traditional in terms of getting experience of the genre, whilst the resulting work shows itself to be admirably anything but. »

08 Feb 2016

Cold Mountain, Philadelphia

Opera Philadelphia deserves congratulations on yet another coup. The company co-commissioned Cold Mountain, an opera by Jennifer Higdon based on Gene Scheer’s adaptation of Charles Frazier’s celebrated Civil War epic.  »

08 Feb 2016

Christian Gerhaher Wolfgang Rihm Wigmore Hall

For their first of two recitals at the Wigmore Hall, Christian Gerhaher and Gerold Huber devised an interesting programme - popular Schubert mixed with songs by Wolfgang Rihm and by Huber himself.  »

08 Feb 2016

Götterdämmerung in Palermo

There are not many opera productions that you would cross oceans to see. Graham Vick’s Götterdämmerung in Sicily however compelled such a voyage. »

05 Feb 2016

Emmanuel Chabrier L’Étoile — Royal Opera House London

Premièred in 1877 at Offenbach’s own Théâtre des Bouffes Parisiens, Emmanuel Chabrier’s L’Étoile has a libretto, by Eugène Leterrier and Albert Vanloo, which stirs the blackly comic, the farcical and the bizarre into a surreal melange, blending contemporary satire with the frankly outlandish.  »

02 Feb 2016

Robert Ashley’s Quicksand at the Kitchen

Robert Ashley’s opera-novel Quicksand makes for a novel experience »

01 Feb 2016

Premiere of Raskatov’s Green Mass

One of the leading Russian composers of his generation, Alexander Raskatov’s reputation in the UK and western Europe derives from several, recent large-scale compositions, such as his reconstruction of Alfred Schnittke’s Ninth Symphony from a barely legible manuscript (the work was first performed in 2007 in the Dresden Frauenkirche by the Dresden Philharmonic under Dennis Russell Davies), and his 2010 opera A Dog’s Heart, based on Mikhail Bulgakov’s satire (which was directed by Simon McBurney at English National Opera in 2010, following the opera’s premiere at Netherlands Opera earlier that year). »

01 Feb 2016

Orpheus in the Underworld, Opera Danube

I’m not sure that St John’s Smith Square was the most appropriate venue for Opera Danube’s latest production: Jacques Offenbach’s satirical frolic, Orpheus in the Underworld. »

31 Jan 2016

Lady Macbeth of Mtsensk in Lyon

This nasty little opera evening in Lyon lived up to the opera’s initial reputation as pure pornophony. This is the erotic Shostakovich of the D minor cello sonata, it is the sarcastic and complicated Shostakovich of The Nose . . . »

26 Jan 2016

Bel Canto: A World Premiere at Lyric Opera of Chicago

During December 2015 and presently in January Lyric Opera of Chicago has featured the world premiere of the opera Bel Canto, with music by Jimmy López and libretto by Nilo Cruz, based on the novel by Ann Patchett.  »

22 Jan 2016

Tosca, Royal Opera

Christmas at the Royal Opera House is all about magic, mystery and miracles: as represented by the conjuror’s exploits in The Nutcracker — with its Kingdom of Sweets and Sugar Plum Fairy — or, as in the Linbury Theatre this year, the fantastical adventures of the Firework-Maker’s Daughter, Lila, and her companions — a lovesick elephant, swashbuckling pirates, tropical beasts and Fire-Fiends.  »

21 Jan 2016

Lianna Haroutounian resplendent in Madama Butterfly at the Concertgebouw

The title role is a deciding factor in Madama Butterfly. Despite a last-minute conductor cancellation, last Saturday’s concert performance at the Concertgebouw was a resounding success, thanks to Lianna Haroutounian’s opulent, heart-stealing Cio-Cio-San. »

21 Jan 2016

Classical Opera: MOZART 250 — 1766: A Retrospective

With this performance of vocal and instrumental works composed by the 10-year-old Mozart and his contemporaries during 1766, Classical Opera entered the second year of their 27-year project, MOZART 250, which is designed to ‘contextualise the development and influences of [sic] the composer’s artistic personality’ and, more audaciously, to ‘follow the path that subsequently led to some of the greatest cornerstones of our civilisation’. »

14 Jan 2016

Benjamin Appl — Schubert, Wigmore Hall London

Luca Pisaroni and Wolfram Rieger were due to give the latest installment in the Wigmore Hall's complete Schubert songs series, but both had to cancel at short notice. Fortunately, the Wigmore Hall rises to such contingencies, and gave us Benjamin Appl and Jonathan Ware. Since there's a huge buzz about Appl, this was an opportunity to hear more of what he can do. »

13 Jan 2016

Ferrier Awards Winners’ Recital

The phrase ‘Sunday afternoon concert’ may suggest light, post-prandial entertainment, but soprano Gemma Lois Summerfield and her accompanist, Simon Lepper, swept away any such conceptions in this demanding programme at St. John’s Smith Square.  »

13 Jan 2016

Pelléas et Mélisande at the Barbican

When, o when, will someone put Peter Sellars and his compendium of clichés out of our misery? »

24 Dec 2015

Samuel Barber: Choral Music

This recording, made in the Adrian Boult Hall at the Birmingham Conservatoire of Music in June 2014, is the fourth disc in SOMM’s series of recordings with Paul Spicer and the Birmingham Conservatoire Chamber Choir. »

22 Dec 2015

L'Arpeggiata: La dama d’Aragó, Wigmore Hall

Having recently followed some by-ways through the music of Purcell, Monteverdi and Cavalli, L’Arpeggiata turned the spotlight on traditional folk music in this characteristically vibrant and high-spirited performance at the Wigmore Hall.  »

22 Dec 2015

Tippett : A Child of Our Time, London

Edward Gardner brought all his experience as a choral and opera conductor to bear in this stirring performance of Michael Tippett’s A Child of Our Time at the Barbican Hall, with a fine cast of soloists, the BBC Symphony Orchestra and BBC Symphony Chorus. »

22 Dec 2015

Taverner and Tavener, Fretwork, London

‘Apt for voices or viols’: eager to maximise sales among the domestic market in Elizabethan England, publishers emphasised that the music contained in collections such as Thomas Morley’s First Book of Madrigals to Four Voices of 1594 was suitable for performance by any combination of singers and players.  »

18 Dec 2015

Fall of the House of Usher in San Francisco

It was a single title but a double bill and there was far more happening than Gordon Getty and Claude Debussy. Starting with Edgar Allen Poe. »

16 Dec 2015

The Merry Widow at Lyric Opera of Chicago

For its latest production of the current season Lyric Opera of Chicago is presenting Franz Lehár’s The Merry Widow (Die lustige Witwe) featuring Renée Fleming /Nicole Cabell as the widow Hanna Glawari and Thomas Hampson as Count Danilo Danilovich.  »

16 Dec 2015

Kindred Spirits: Cecilia Bartoli and Rolando Villazón at the Concertgebouw

Mezzo-soprano Cecilia Bartoli has been a regular favourite at the Concertgebouw in Amsterdam since 1996. Her verastile concerts are always carefully constructed and delivered with irrepressible energy and artistic commitment.  »

10 Dec 2015

Cav/Pag at Royal Opera

When Italian director Damiano Michieletto visited Covent Garden in June this year, he spiced Rossini’s Guillaume Tell with a graphic and, many felt, gratuitous rape scene that caused outrage and protest.  »

09 Dec 2015

Verdi Giovanna d'Arco, Teatro alla Scala, Milan

Verdi Giovanna d'Arco at Teatro alla Scala, Milan, starting the new season. Primas at La Scala are a state occasion, attended by the President of Italy and other dignitaries.  »

06 Dec 2015

Iestyn Davies, Allan Clayton and James Baillieu at Wigmore Hall

This performance by countertenor Iestyn Davies and tenor Allan Clayton was a stirring celebration of the diversity and continuity that characterises vocal settings of English texts by English and American composers, past and present. Imaginatively and intelligently devised by pianist James Baillieu, the programme demonstrated the affective power of music ranging from the simplest to the most sophisticated forms of vocal expression, and encompassed art-song, folk-song, realisations, quasi-operatic mini-drama and spiritual meditation. »

06 Dec 2015

New Songs to English Poetry - Wigmore Hall, BCMG

At the Wigmore Hall, the London premiere of a major new work by Howard Skempton, The Rime of the Ancient Mariner, with Roderick Williams and BCMG, the Birmingham Contemporary Music Group.  »

05 Dec 2015

A Heap of Utterly Brilliant Rubbish: Hänsel und Gretel at Dutch National Opera

A fairy tale that looks like clay animation come to life, terrifies and enchants, and rakes up heaps of middle class guilt—this is Dutch National Opera’s new production of Hänsel und Gretel, set on the most attractive rubbish tip you will ever come across. »