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Elsewhere

New titles announced for Glyndebourne Open House

Glyndebourne has announced the next two opera titles in its virtual festival, Glyndebourne Open House - Britten’s Billy Budd and Rossini’s The Barber of Seville.

Beethoven’s Choral Symphony and Choral Fantasy from Harmonia Mundi

Beethoven Symphony no 9 (the Choral Symphony) in D minor, Op. 125, and the Choral Fantasy in C minor, Op. 80 with soloist Kristian Bezuidenhout, Pablo Heras-Casado conducting the Freiburger Barockorchester, new from Harmonia Mundi.

A Musical Reunion at Garsington Opera

The hum of bees rising from myriad scented blooms; gentle strains of birdsong; the cheerful chatter of picnickers beside a still lake; decorous thwacks of leather on willow; song and music floating through the warm evening air.

Les Talens Lyriques announces 2020-21 season with first modern performances of Salieri's Armida

Christophe Rousset and Les Talens Lyriques announce their 2020-21 season championing heroines, with the first modern performances of Salieri's breakthrough success Armida, 250 years after the work's premiere. A recording of Armida to be made during the season is complemented by the release of Mozart's Betulia liberate on Aparté this autumn. In June 2021, Les Talens Lyriques join the centennial Mozartfest Würzburg with performances of Idomeneo.

Taking Risks with Barbara Hannigan

A Louise Brooks look-a-like, in bobbed black wig and floor-sweeping leather trench-coat, cheeks purple-rouged and eyes shadowed in black, Barbara Hannigan issues taut gestures which elicit fire-cracker punch from the Mahler Chamber Orchestra.

BBC Proms Announce 2020 Programme

From Bernstein to Benedetti, Haitink to Hvorostovsky, Mackerras to Kanneh-Masons, musical greats, from the past and the present, will be brought together in one extraordinary Proms season, 17 July - 12 September 2020.

Garsington Opera announces 2021 season

Next summer we return to celebrate our 10th Anniversary at Wormsley, in true Garsington style, using our distinctive indoor / outdoor theatre that offers so many opportunities for us to create wonderful performances in a safe environment for all.

UNMUTE: A Musical Reunion - Garsington Opera at Wormsley

Together with members of the Philharmonia Orchestra, Douglas Boyd conducts a programme of Mozart, Tchaikovsky, Beethoven and Strauss with six soloists and readings by Samuel West.

Alfredo Piatti: The Operatic Fantasies (Vol.2) - in conversation with Adrian Bradbury

‘Signor Piatti in a fantasia on themes from Beatrice di Tenda had also his triumph. Difficulties, declared to be insuperable, were vanquished by him with consummate skill and precision. He certainly is amazing, his tone magnificent, and his style excellent. His resources appear to be inexhaustible; and altogether for variety, it is the greatest specimen of violoncello playing that has been heard in this country.’

Live from London: first-ever global online vocal festival announced

Live from London is a new, paid-for online festival from the VOCES8 Foundation, featuring some of the world’s finest vocal ensembles including VOCES8, I Fagiolini, Stile Antico, The Swingles, The Sixteen, Chanticleer and more.

'In my end is my beginning': Mark Padmore and Mitsuko Uchida perform Winterreise at Wigmore Hall

All good things come to an end, so they say. Let’s hope that only the ‘good thing’ part of the adage is ever applied to Wigmore Hall, and that there is never any sign of ‘an end’.

Those Blue Remembered Hills: Roderick Williams sings Gurney and Howells

Baritone Roderick Williams seems to have been a pretty constant ‘companion’, on my laptop screen and through my stereo speakers, during the past few ‘lock-down’ months.

Eboracum Baroque - Heroic Handel

Eboracum Baroque is a flexible period instrument ensemble, comprising singers and instrumentalists, which was founded in York - as its name suggests, Eboracum being the name of the Roman fort on the site of present-day York - while artistic director Chris Parsons was at York University.

Opera Rara at 50: Anniversary talk and Live Q&A

Artistic Dramaturge Roger Parker will be in conversation with musicologist Ditlev Rindom, introduced by Artistic Director Carlo Rizzi, on Thursday 25th June 2020 at 7pm BST.

Iestyn Davies and Elizabeth Kenny bring 'sweet music' to Wigmore Hall

Countertenor Iestyn Davies and lutenist Elizabeth Kenny kicked off the final week of live lunchtime recitals broadcast online and on radio from Wigmore Hall.

Bruno Ganz and Kirill Gerstein almost rescue Strauss’s Enoch Arden

Melodramas can be a difficult genre for composers. Before Richard Strauss’s Enoch Arden the concept of the melodrama was its compact size – Weber’s Wolf’s Glen scene in Der Freischütz, Georg Benda’s Ariadne auf Naxos and Medea or even Leonore’s grave scene in Beethoven’s Fidelio.

Strauss – Ariadne auf Naxos

Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.

Spontini – La Vestale

La Vestale, a tragédie lyrique in three acts.

Longborough Festival Opera launches opera podcast

Longborough Festival Opera is delighted to launch a new podcast, featuring today’s brightest stars for a series of conversations about the world of opera.

100 artists across 14 countries and 4 continents stage Guildhall School of Music & Drama digital opera double bill

This summer, Guildhall School of Music & Drama’s opera double bill has been transformed from the physical to the digital stage, with the creative team and artists from across the School bringing the productions to life from their homes using digital technology. It is now available to stream for free until Wednesday 1 July 2020.


OPERA TODAY ARCHIVES »

Reviews

07 Jul 2020

Beethoven’s Choral Symphony and Choral Fantasy from Harmonia Mundi

Beethoven Symphony no 9 (the Choral Symphony) in D minor, Op. 125, and the Choral Fantasy in C minor, Op. 80 with soloist Kristian Bezuidenhout, Pablo Heras-Casado conducting the Freiburger Barockorchester, new from Harmonia Mundi. »

Recently in Reviews

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12 Oct 2010

Promised End — English Touring Opera

In the final scene of Shakespeare’s King Lear, faced with the dreadful sight of the distraught Lear cradling in his arms the body of his dead daughter Cordelia, the Earl of Kent asks: “Is this the promised end?”  »

11 Oct 2010

Marriage of Figaro in San Francisco (and Los Angeles)

No question that Nicola Luisotti is a conducting genius, and no question that genius runs amuck from time to time. In the case of Mo. Luisotti fairly often. »

11 Oct 2010

The Other ‘Marriage of Figaro’

The opening night of Rossini’s The Barber of Seville, in Rome in 1816, was violently disrupted by vociferous protests from supporters loyal to Paisiello, whose own comic interpretation of Beaumarchais’ politically-charged play had appeared in 1782.  »

10 Oct 2010

Anonymous 4: The Cherry Tree

In the popular view, the modern celebration of Christmas seems to have begun with Charles Dickens’s revivifying A Christmas Carol (1843). »

10 Oct 2010

Rossini’s Otello at Rossini in Wildbad Festival, 2008

As good a performance of Rossini’s opera as this disc provides, for some equal entertainment value may potentially arise from the booklet essay by one Bernd-Rüdiger Kern (as translated into English by David Stevens).  »

10 Oct 2010

Schumann: The Complete Symphonies, Mahler Edition

Mahler’s well-known revisions of music he conducted include the four symphonies by Robert Schumann, and while these Retuschen have been performed from time to time, a recording of all four of them is now available from Decca.  »

10 Oct 2010

Technicolour Radamisto at ENO

Handel’s Radamisto came to the ENO at the Coliseum in glorious technicolour.  »

08 Oct 2010

El Gato con Botas: Gotham Chamber Opera

Haven’t you always secretly felt that singers who reach for high notes (and make them) ought to levitate and maintain themselves in mid-air when they do it?  »

08 Oct 2010

Das Rheingold, Metropolitan Opera

It will be no surprise to me, a year or five from now, when someone falls to her or his death from the guy-wires that configure so much of Robert Lepage’s new state-of-the-art (ah! But which art?) production of Der Ring des Nibelung.  »

07 Oct 2010

Bizet Les Pêcheurs de Perles - Royal Opera House

Bizet’s Les Pêcheurs de Perles is notoriously hard to stage. Because the plot’s so grandiose, the imagination works overtime, dwarfing the music, making it seem puny in comparison. There’s a lot to be said in favour of concert performances because they shift the balance back to Bizet. »

06 Oct 2010

Gustav Mahler: Symphony no. 5

Based on performances given on 18 and 21 October 2008 and 16 and 17 January 2009, this recording of the Royal Concertgebouw Orchestra offers its latest release of Mahler’s Fifth Symphony, a work associated with the group since the composer’s lifetime.  »

29 Sep 2010

Faust by ENO

Perhaps because the rather stolidly Victorian character of both its music and its morality, Gounod’s Faust has been out of fashion in the UK in recent decades, and owes a debt to David McVicar and his darkly Gothic production for the Royal Opera in 2004 (now, at last, available on DVD) for the restoration of its footing in the standard repertoire. »

28 Sep 2010

Orpheo ed Eurydice in Minnesota

Minnesota Opera pulled out all the stops for its 2010-2011 season with its production of Gluck’s Orpheo ed Eurydice.  »

27 Sep 2010

Tristan und Isolde at Royal Festival Hall

Almost irrespective of the results, it was quite a statement to open the Philharmonia’s London concert season with a performance of Nietzsche’s ‘opus metaphysicum of all true art,’ Tristan und Isolde.  »

26 Sep 2010

Niobe, Regina di Tebe, Royal Opera

The Royal Opera is hardly renowned for its commitment to baroque opera, and even the great Handel still gets short shrift in his adopted city’s major house.  »

24 Sep 2010

Werther in San Francisco

It has been twenty-five years since San Francisco Opera has staged a Werther. so it was high time that Massenet’s whiney, weepy masterpiece be given another chance.  »

23 Sep 2010

The Makropulos Case at ENO

In their programme note, Christopher Alden and Peter Littlefield explain the concept which informs this dark, dystopian production of Janáček’s penultimate opera, The Makropulos Case — a production first seen at ENO in 2004: »

21 Sep 2010

Aida in San Francisco

Opera as circus. The current San Francisco Aida comes from the English National Opera where an inspired and probably very excited administrator proposed a production by aging London fashionista Zandra Rhodes. »

20 Sep 2010

An experience In the Penal Colony

Kafka's In the Penal Colony set as an opera by Philip Glass? Against all expectations, it was a powerful and deeply moving experience.  »

19 Sep 2010

Gustav Mahler: Das Lied von der Erde

Vocally impressive, Michael Tilson Thomas’s new recording of Gustav Mahler’s symphonic song cycle Das Lied von der Erde merits attention for various reasons.  »

19 Sep 2010

Un ballo in maschera at the Washington National Opera

Verdi’s 1859 hit Un ballo in maschera is an inspired choice to open an operatic season.  »

16 Sep 2010

Hugo Wolf’s Spanisches Liederbuch at Wigmore Hall

In this recital of thirty-four songs selected from Hugo Wolf’s Spanisches Liederbuch, Ian Bostridge and Angelika Kirchschlager revealed the profound emotional intensity of Wolf’s art; the concentrated ardour of their performance intimated the heightened passion and expressive angst which, as well as driving Wolf’s creative spirit, also led to persistent depression and resulted in insanity and finally death in mental asylum at the age of 42. »

15 Sep 2010

Don Pasquale at the Royal Opera House

This show, a revival of Jonathan Miller’s 2004 production (first seen at the Maggio Musicale in Florence) is certainly a feast for the eyes.  »

14 Sep 2010

The Rake’s Progress at Théâtre Royal de la Monnaie

At some point it became a matter of honor for elite composers to have at least one go at a full length opera.  »

14 Sep 2010

Bayreuth’s Lohengrin: A ‘Rat’-ical Re-‘tail’-ing

It doesn’t take long for the summer’s new Lohengrin to reveal its entire bag of tricks as a large chorus of rats (yes, the chorus-as-rodents) scurries on at curtain-rise into the white science laboratory setting. »

13 Sep 2010

Così fan tutte, Royal Opera House

Everyone loves Mozart. The Royal Opera House's 2010-2011 season began with Così fan tutte, and simultaneous live international broadcast.  »

12 Sep 2010

Julius Röntgen: Aus Goethes Faust.

The release of Röntgen’s Faust setting on CPO makes available a recording of yet another composer’s perspective on Goethe’s famous dramatic poem.  »

08 Sep 2010

Unique Rigoletto live from Mantua

Realism never comes more authentic than this RAI Rigoletto filmed live on location in Mantua, Italy and broadcast simultaneously in 148 countries..  »

07 Sep 2010

Diana Damrau in Recital at Salzburg Festival

Recorded live on 13 August 2005, this recent release on the Orfeo label in its Festspiel Dokumente imprint makes available a recital given by soprano Diana Damrau and pianist Stephan Matthias Lademann during the 2005 Salzburg Festival and given at the Mozarteum.  »

01 Sep 2010

Englebert Humperdinck: Hansel und Gretel — BBC Prom 61

The annual visit of Glyndebourne Opera to the BBC Proms has become an eagerly awaited event.  »

30 Aug 2010

Puccini’s Edgar at the Teatro Regio Torino

A world premiere of a new opera holds the promise of an exciting new addition to the fairly calcified collection of masterpieces that comprise the standard repertory.  »

29 Aug 2010

Brahms: Lieder

Like her impressive recording of Lieder by Dvořák (Harmonia Mundi CD 901824), Bernarda Fink’s recording of a selection of Lieder by Brahms not only offers a fine representation of the music, but also demonstrate the singer’s command of this repertoire.  »

29 Aug 2010

David McVicar’s Salome

This high-concept Salome takes place in Nazi Germany.The set has two levels: on top, Herod revels with the banqueters; below, we see a dingy basement, full of kitchen workers, relaxed soldiers, and the prostitutes who help them relax.  »

24 Aug 2010

Aspen makes Corigliano’s Ghosts classic

When it debuted at the Met in 1991 John Corigliano’s overwrought and somewhat all-too comic Ghosts of Versailles was praised largely as a vehicle for the long-celebrated artistry of Teresa Stratas and Marilyn Horne. »

24 Aug 2010

Jean Sibelius: Kullervo, Op. 7.

Sibelius’s 1892 symphonic poem for soloists, chorus, and orchestra is in the tradition of the cantata-like symphonies of the nineteenth century, as found in Mendelssohn’s Lobgesang or Mahler’s Second Symphony.  »

24 Aug 2010

Glimmerglass Rarities Out-Score Hall of Famer

To frame it in nearby-Cooperstown sports metaphors, the enterprising Glimmerglass Opera scored two decisive ‘home runs,’ and a decent enough ‘single’ in its 2010 Festival season.  »

24 Aug 2010

Lulu at Covent Garden

One of the leading lights of Berg’s Vienna was the architect Adolf Loos, the great crusader against ornament.  »

24 Aug 2010

Un ballo in maschera at the Teatro Real

The greatest dramatic tenor and soprano roles have proven irresistible to Marcelo Alvarez, who started primarily as a lyric tenor, and Violeta Urmana, whose first career success came as a mezzo.  »

24 Aug 2010

Sigismondo, La Cenerentola, Demetrio e Polibio at Pesaro

The fourteen year old Rossini composed his first opera Demetrio e Polibio in 1806 though it was not performed for another six years.  »

18 Aug 2010

Tristan und Isolde, Bayreuth 2009

As the prelude plays, we see circles of fluorescent light moving slowly in uncertain black space. Are we seeing flights of flying saucers, as in Close Encounters of the Third Kind?  »

18 Aug 2010

Mozart and Rossini Finales at Grant Park, Chicago

During a recent concert at the Grant Park Music Festival, held on this occasion in the adjacent Harris Theater, members of the Ryan Opera Center of Lyric Opera of Chicago presented ensembles from four operas, two each by Mozart and by Rossini.  »

18 Aug 2010

Schumann’s Genoveva

Robert Schumann’s only opera Genoveva (1850) is best known as a failure in its time and has since fallen into the list of succès d’estime, but with this new release, based on a production intended for television, conductor Nikolaus Harnoncourt champions the work in his second recording of the score.  »

15 Aug 2010

Tales of Hoffmann at Santa Fe

The performances of Jacques Offenbach’s The Tales of Hoffmann at Santa Fe Opera this summer are based on Michael Kaye’s edition of the score.  »

15 Aug 2010

Tristan in Seattle

Seattle, the city of software and Starbucks, is also a summer site for serious Wagnerites.  »

15 Aug 2010

To Loxford with Love

There was a time when the works of Benjamin Britten, one of the 20th-Century’s supreme composers, were not welcome at Santa Fe Opera. »

15 Aug 2010

Marco Polo at Het Muziektheater, Amsterdam

Does this Tan Dun opera prove or disprove that for East and West, the twain shall never meet?  »

15 Aug 2010

Michael Christie conducts Corigliano in Aspen

Michael Christie, now 34, was too young to see John Corigliano’s Ghosts of Versailles when it was new at the Metropolitan Opera in 1991.  »

11 Aug 2010

Rossini’s Mosè in Egitto at Chicago Opera Theater

Although productions of Gioachino Rossini’s Mosè in Egitto are infrequent, the lively debate on successive versions of the work has generally led to questions of priority and to informative discussions on performance history.  »