Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.








Probing Bernstein and MacMillan double bill in Amsterdam

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief.

Macbeth in Lyon

A revival of the Opéra de Lyon’s 2012 Occupy Wall St. production of Verdi’s 1865 Macbeth, transforming naive commentary into strange irony, some high art included.

An Interview with Soprano Lisette Oropesa

Lisette Oropesa sings Eurydice in Los Angeles Opera’s French version of Gluck’s Orpheus and Eurydice that can currently be seen at the Dorothy Chandler Pavilion.

Barber of Seville Is Fun in Tucson

On March 4, 2018, Arizona Opera presented Gioachino Rossini’s The Barber of Seville in Tucson. Allen Moyer designed the bright and happy scenery for performances at Minnesota Opera,

Moody, Mysterious Morel

Long Beach Opera often takes willing audiences on an unexpected journey and such is undeniably the case with its fascinating traversal of The Invention of Morel.

Acis and Galatea: 2018 London Handel Festival

Katie Hawks makes quite a claim for Handel’s Acis and Galatea when, in her programme article, she describes it as the composer’s ‘most perfect work’. Surely, one might feel, this is a somewhat hyperbolic evaluation of a 90-minute pastoral masque, or serenade, based on an episode from Ovid’s Metamorphoses, which has its origins in a private entertainment?

Oriana, Fairest Queen: Stile Antico celebrate the life and times of Elizabeth I

Stile Antico’s lunchtime play-list, celebrating the Virgin Queen’s long reign, shuffled between sacred and secular works, from penitential to patriotic, from sensual to celebratory.

Daniel Kramer's new La traviata at English National Opera

Verdi's La traviata is one of those opera which every opera company needs to have in its repertoire, and productions need to balance intelligent exploration of the issues raised by the work with the need to reach as wide an audience as possible with an opera which is likely to attract audience members who are not regular opera-goers.

Haydn's Applausus: The Mozartists at Cadogan Hall

Continuing their MOZART 250 series, The Mozartists/ Classical Opera began dipping into the operatic offerings of 1768 at Wigmore Hall in January, when they presented numbers from Mozart’s La finta semplice, Jommelli’s Fetonte, Hasse’s Pirano e Tisbe and Haydn’s Lo speziale.

Schubert Schwanengesang revisited—Florian Boesch, Wigmore Hall

Schwanengesang isn't Schubert's Swan Song any more than it is a cycle like Die schöne Müllerin or Winterreise. The title was given it by his publishers Haslingers, after his death, combining settings of two very different poets, Ludwig Rellstab and Heinrich Heine. Wigmore Hall audiences have heard lots of good Schwanengesangs, including Boesch and Martineau performances in the past, but this was something special.

Rinaldo: The English Concert at the Barbican Hall

“After such cruel events, I don’t know if I am dreaming or awake.” So says Almirena, daughter of the Crusader Goffredo, when she is rescued by her beloved warrior-hero, Rinaldo, from the clutches of the evil sorceress, Armida.

Hamlet abridged and enriched in Amsterdam

French grand opera and small opera companies are an unlikely combination. Yet OPERA2DAY, a company of modest means, is currently touring the Netherlands with Hamlet by Ambroise Thomas.

Opera in Amsterdam in 2018-2019

The operatic tradition is not as old in the Netherlands as in other European countries, yet opera is a vital part of the Dutch classical landscape. Both Dutch National Opera & Ballet and the Concertgebouw are in Amsterdam, so the capital gets the lion’s share of the opera on offer.

Lyric Opera of Chicago to Premiere Fellow Travelers—A Preview

On 17 March 2018 Lyric Opera of Chicago will premiere the 2016 opera Fellow Travelers by Gregory Spears (with a libretto by Greg Pierce, based on the novel by Thomas Mallon. Mallon’s 2007 novel offered fresh perspectives on the paranoiac investigations of McCarthy-era Washington, DC, through the lens of a gay relationship.

The ROH's first production of From the House of the Dead

Krzysztof Warlikowski’s production for the ROH of From the House of the Dead is ‘new’ in several regards. It’s (astonishingly) the first time that Janáček’s last opera has been staged at Covent Garden; it’s Warlikowski’s debut at Covent Garden; and the production uses a new 2017 critical edition prepared by John Tyrrell.

Così fan tutte at Lyric Opera of Chicago

With artifice, disguise, and questions on fidelity as the basis of Mozart’s Così fan tutte, the composer’s mature opera has returned to the stage at Lyric Opera of Chicago.

WNO's Wheel of Destiny rolls into Birmingham

Welsh National Opera’s wheel of destiny has rolled into Birmingham this week, with Verdi’s sprawling tragedy, La forza del destino, opening the company’s ‘Rabble Rousing’ triptych at the Hippodrome.

A Midsummer Night's Dream at the Royal College of Music

The gossamer web of Shakespeare’s A Midsummer Night’s Dream is sufficiently insubstantial and ambiguous to embrace multiple interpretative readings: the play can be a charming comic caper, a jangling journey through human pettiness and cruelty, a moonlit fairy fantasy or a shadowy erotic nightmare, and much more besides.

Les Funérailles Royales de Louis XIV recreated at Versailles

Les Funérailles Royales de Louis XIV, with Ensemble Pygmalion, conducted by Raphaël Pichon now on DVD/Blu -ray from Harmonia Mundi. This captures the historic performance at the Chapelle Royale de Versailles in November 2015, on the 300th anniversary of the King's death.

Robert Carsen's A Midsummer Night's Dream returns to ENO

Having given us Christopher Alden's strangely dystopic production of Britten's A Midsummer Night's Dream in 2011, English National Opera (ENO) has opted for Robert Carsen's bed-inspired vision for the latest revival of the opera at the London Coliseum.



Photo courtesy Dutch National Opera & Ballet
23 Mar 2018

Probing Bernstein and MacMillan double bill in Amsterdam

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief. »

Recently in Reviews

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23  |  24  |  25  |  26  |  27  |  28  |  29  |  30  |  31  |  32  |  33  |  34  |  35  |  36  |  37  |  38  |  39  |  40  |  41  |  42  |  43  |  44  |  45  |  46  |  47  |  48  |  49  |  50  |  51  |  52  |  53  |  54  |  55  |  56  |  57  |  58  |  59  |  60  |  61  |  62  |  63  |  64  |  65  |  66  |  67  |  68  |  69  |  70  |  71  |  72  |  73  |  74  |  75  |  76  |  77  |  78  |  79  |  80  |  81  |  82  |  83  |  84  |  85  |  86  |  87  |  88  |  89  |  90  |  91  |  92  |  93  |  94  |  95  |  96  |  97  |  98  |  99  |  100  |  101  |  102  |  103  |  104  |  105  |  106  |  107  |  108  |  109  |  110  |  111  |  112  |  113 
26 May 2009

Haydn’s “Il Ritorno Di Tobia” , Oratorio Or Opera Seria?

Joseph Haydn's place in the history of the oratorio has been secured by his masterpieces The Creation (1798) and The Seasons (1801). His first appearance, however, on the Mount Parnassus of oratorio was a good quarter of a century beforehand with Il ritorno di Tobia.  »

26 May 2009

Zeffirelli’s New “Pagliacci” Without “Cav” But With Motorbikes

The new Franco Zeffirelli’s production of Ruggero Leoncavallo “Pagliacci” reached the Teatro dell’Opera di Rome on May 19 : I will be on stage in the Italian capital every night until May 27th . Then, it will continue a worldwide tour: its debut was in Florence in the 2008 Fall. It has already visited Moscow and Athens. It is rumored to reach the MET next seasons. »

26 May 2009

An Elegant Pique Dame in Turin

“Pique Dame” (“Pivokaja Dama” or “The Queen of Spades”) is one of Pyotr I. Tchaikovsky most difficult, and most expensive, operas to produce.  »

22 May 2009

Norma by English Touring Opera

English Touring Opera continued its 30th anniversary celebrations with six concert performances of Norma, sung — unusually for ETO — in Italian, in a touring footprint which has some common ground with the ongoing staged tour of Katya Kabanova and The Magic Flute, but which is effectively an entirely separate tour. »

22 May 2009

Don Carlos — Opera North, Leeds

Tim Albery’s production was first seen at Opera North in 1993 and has not been revived since 1998, when it was the first production of this opera I ever saw — an English-sung version of the four-act Italian version.  »

21 May 2009

Lieder and Opera meet in Hugo Wolf

Lieder and opera are different worlds. But understanding the differences helps us appreciate what makes each form distinct. Hugo Wolf’s songs come close to bridging the genres. They’ve been described as “miniature operas” where dramas are distilled into compact form. »

21 May 2009

Wolfgang Amadeus Mozart Lieder, Salzburg 1958-1984.

In its recent collection Mozart Lieder, Salzburg 1958-1984 in its series entitled “Festspiel Dokumente,” Orfeo pays homage to the tradition of Liederabend at the Salzburg Festival with selections from a quarter century of performances.  »

17 May 2009

Turandot — Washington National Opera

Bringing Andrei Şerban’s Turandot to the Washington National Opera as a season finale really means finishing the year with a bang.  »

17 May 2009

Athalia — Lincoln Center Great Performers Series

You won’t get much argument nowadays — you won’t get any from me — if you call Handel’s dramatic oratorios operas in all but name.  »

14 May 2009

Weber’s Der Freischütz at Zurich Opera House

On any list of great but seldom-performed operas, Carl Maria von Weber's Der Freischütz must rank high.  »

14 May 2009

L’elisir d’amore at Covent Garden

L’elisir d’amore is perhaps Donizetti’s silliest opera — but also one of his most charming.  »

14 May 2009

Gustav Mahler: Symphony no. 3

Recorded live in concert on 19 August 2007, this performance of Gustav Mahler's Third Symphony by Claudio Abbado is part of the conductor's cycle involving the Lucerne Festival.  »

13 May 2009

Peter Grimes — English National Opera, London Coliseum

In David Alden’s extraordinary new staging of Britten’s masterpiece, with sets by Paul Steinberg, the Borough is populated by stylised grotesques, a clever twist on the opera’s existing ‘Little England’ character stereotypes.  »

13 May 2009

Paris: Mostly Verdi Good Indeed

The Scottish Play’s ability to conduit bad luck is apparently not limited to the spoken stage, witness the new Paris Opéra production of Verdi’s Macbeth. »

12 May 2009

Der Ring des Nibelungen at the MET

It’s the Ring — not just an ordinary evening (or four evenings) of opera — indeed, if you accept its creator’s words on the matter, it’s a music-drama, not an opera at all.  »

12 May 2009

Canadian Opera on the rise

How often does one experience an opera in which everything works — in which there is not one flaw either in the staging or in its musical dimensions? »

12 May 2009

Subtle Previn world premiere in Houston

As far as world premieres go, Houston Grand Opera is in elite company in the United States, having performed thirty-eight new works prior to opening night of André Previn’s new opera Brief Encounter.  »

12 May 2009

Verdi and Boito at the Rome Academy of Santa Cecilia — Angels and Demons in an Unusual Setting

By sheer coincidence, the Academy of Santa Cecilia — one of the most authoritative symphonic orchestras in Europe — planned a rather unusual concert in the same days (May 3-7) when just in the very same auditorium there was the world première of a movie expected to be a Hollywood blockbuster — the thriller titled “Angels & Demons”.  »

12 May 2009

Lady Macbeth of Mtsensk — Opera Australia

For two years following its premiere Shostakovich’s Lady Macbeth of Mtsesnk was one of the most often performed contemporary operas.  »

12 May 2009

Kate Royal at Wigmore Hall

Soprano Kate Royal is reported to have said that singing at the Wigmore Hall is “like a religious experience”.  »

12 May 2009

Janáček: Jenůfa and Kátya Kabanová

Recorded four years apart, these two classic recordings of Leos Janáček's dramatic masterpieces now reappear in Decca's The Originals series, thankfully still with full librettos and excellent booklet essays.  »

12 May 2009

Verdi’s Requiem in Santa Fe

Christine Brewer Commands Performance in Last Minute Appearance »

07 May 2009

Franz Lehár: Das Land des Lächelns

Doris Sennefelder's booklet essay for this CPO recording of Lehar's Das Land des Lächelns details how close the composer was to Puccini.  »

05 May 2009

Opera Atelier does it as it was

It’s an odd day in opera when the bad girl wins, but that is only one thing that makes the Opera Atelier production of Monteverdi’s Coronation of Poppea remarkable — and admirable.  »

03 May 2009

The End of Bewilderment — The New Florence-Valencia Production of “Gőtterdämmerung”

April 29th is Zubin Mehta’s birthday. As a gift to its most beloved musical director, Florence unveiled a new production of Götterdämmerung, a joint Ring Cycle venture with the Valencia Opera started two years ago.  »

29 Apr 2009

Donizetti’s “Maria Stuarda” at La Fenice — Two Women in a Labyrinth

From the word “go”, the audience feels that this “Maria Stuarda” is quite different from the standard fare offered by Italian theatres.  »

29 Apr 2009

Lohengrin at The Royal Opera, London

I first saw this production in Manchester in 1981: I loved it then and love it now, despite the present hero’s un-Heldentenor qualities when compared to the glorious Peter Hoffman of yore. »

26 Apr 2009

Wolf-Ferrari: La vedova scaltra (“The Cunning Widow”).

One of the five operas Ermanno Wolf-Ferrari (1876-1948) based on plays by Carlo Goldoni, La vedova scaltra (1748) is a comedy about a widow’s decision to use deception to choose among her suitors.  »

26 Apr 2009

Don Giovanni at the MET with Peter Mattei

I returned to Don Giovanni firstly because I had never heard Peter Mattei sing, and friends had called him the greatest Don G since Siepi. »

26 Apr 2009

Walter Braunfels’s Die Vögel at Los Angeles Opera

The Recovered Voices series at Los Angeles Opera, in its second season, springs from James Conlon’s fascination and love for the operas of composers whose lives and/or careers came to an end under the Nazi regime.  »

26 Apr 2009

Barbers in Baghdad and Seville

Razor-wielding rascals involve themselves in romantic complications in the two sets considered here, with a fine performance of a rarity and an even finer performance of a classic.  »

26 Apr 2009

Gounod's Roméo et Juliette at Salzburg, 2008

In 2008 the Salzburg Festival intended to bring back the two stars of their triumphant 2005 La Traviata, Rolando Villazón and Anna Netrebko, for Gounod's Roméo et Juliette. »

26 Apr 2009

Il Piccolo Marat

Try to imagine the scenario: You’re an opera company, giving concert performances of neglected, indeed forgotten, hundred-year-old scores (no sets, no costumes, at least you don’t have those headaches), and you give young singers a chance to do their stuff once a year before a paying New York crowd actually eager to hear music they do not know, and you’ve lit on a genuine obscurity, even in the ranks of the obscure; Mascagni’s penultimate stage work, a huge success at the premiere (as his operas usually were), utterly forgotten nowadays (as, but for Cavalleria Rusticana and, on rare occasion, L’Amico Fritz, they pretty much are), and it’s never been performed in North America ever. »

24 Apr 2009

Prokofiev’s Semën Kotko Lands in Sardinia

The Teatro Lirico di Cagliari is a sparkling comparatively new building in what used to be a blighted area near to the city center.  »

22 Apr 2009

Jenůfa at the Bavarian State Opera

The Bavarian State Opera’s new production of Leos Janacek’s Jenufa is a feather in the cap of intendant Nikolaus Bachler.  »

19 Apr 2009

Pfitzner and Strauss by Staatskapelle Dresden

In the continuing series of releases to document the recorded legacy of the Staatskapelle Dresden, vol. 13 collects music by Hans Pfitzner and Richard Strauss with performances from 1939 through 1944.  »

19 Apr 2009

Die Entführung aus dem Serail at Chicago Lyric

In its new production of Mozart’s Die Entführung aus dem Serail (The Abduction from the Seraglio) Lyric Opera of Chicago has achieved a fusion of eighteenth-century sensibilities with a modern adaptation of traditional dramatic and stage techniques.  »

19 Apr 2009

Cavalli’s La Didone at St. Ann’s Warehouse, Brooklyn

Perhaps I’d better just describe what I experienced, Captain.  »

19 Apr 2009

Die Walküre at Los Angeles Opera

The Los Angeles Opera audiences seem to have decided that no matter how they may really feel about Achim Freyer’s “performance art” staging of Richard Wagner’s Der Ring des Nibelungen, the singers and musicians are giving them at long last a chance to hear these monumental works at the Dorothy Chandler. »

19 Apr 2009

Die tote Stadt: The Dead City Livens Up Palermo

Erich Wolfgang Korngold’s music drama Die tote Stadt has had a rather erratic life in major opera houses.  »

19 Apr 2009

Shagimuratova steals show in HGO’s Rigoletto

On a stormy evening in Houston (both in and outside of the house), Houston Grand Opera’s opening night production of Verdi’s Rigoletto went off with a thunderous bang.  »

19 Apr 2009

John Mark Ainsley Sings Schubert at Jerwood Hall, London

Schubert’s music ‘suggests a rippling movement and by the side of the rippling a flowering: it has the variety and unsurprising naturalness of moving water and springing herb’ (Capell) and this same naturalness and sense of flowing ease are the very qualities which make John Mark Ainsley such a special interpreter of this composer. »

19 Apr 2009

Iphigénie en Aulide at Teatro dell’Opera di Roma

Rome’s opera house was built in 1880, in the explosion of building that followed the unification of Italy with Rome as its capital.  »

10 Apr 2009

Rigoletto at the MET with Diana Damrau as Gilda

Rigoletto is the ideal first opera: a taut tale, comprehensible characters, terrific tunes, and not an ounce of fat anywhere.  »

10 Apr 2009

Angels in Frankfurt

Was Tony Kushner’s monumental play Angels in America in need of being musicalized? »

08 Apr 2009

Domingo sings Wagner

This two-CD budget series collection brings together two Placido Domingo Wagner recitals, the first from 2000, with Deborah Voigt receiving co-billing, and the second from 2002. »