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Elsewhere

A Donizetti world premiere: Opera Rara at the Royal Opera House

There may be sixty or so operas by Donizetti to choose from, but if you’ve put together the remnants of another one, why not give everyone a chance to hear it? And so, Opera Rara brought L’Ange de Nisida to the concert stage last night, 180 years after it was composed for the Théâtre de la Renaissance in Paris, conductor Sir Mark Elder leading a team of bel canto soloists and the Choir and Orchestra of the Royal Opera House in a committed and at times stirring performance.

A stellar Ariadne auf Naxos at Investec Opera Holland Park

Strauss’s Ariadne auf Naxos is a strange operatic beast. Originally a Molière-Hofmannsthal-Strauss hybrid, the 1916 version presented in Vienna ditched Le bourgeois gentilhomme, which had preceded an operatic telling of the Greek myth of Ariadne and Theseus, and replaced it with a Prologue in which buffa met seria as competing factions prepared to present an entertainment for ‘the richest man in Vienna’. He’s a man who has ordered two entertainments, to follow an epicurean feast, and he wants these dramatic digestifs served simultaneously.

PROM 5: Debussy’s Pelléas et Mélisande

Stefan Herheim’s production of Debussy’s magnificent 1902 opera for Glyndebourne has not been universally acclaimed. The Royal Albert Hall brought with it, in this semi-staged production, a different set of problems - and even imitated some of the production’s original ones, notably the vast shadow of the organ which somewhat replicates Glyndebourne’s 1920’s Organ Room, and by a huge stretch of the imagination the forest in which so much of the opera’s action is set.

Thought-Provoking Concert in Honor of Bastille Day

Sopranos Elise Brancheau and Shannon Jones, along with pianists Martin Néron and Keith Chambers, presented a thrilling evening of French-themed music in an evening entitled: “Salut à la France,” at the South Oxford Space in Brooklyn this past Saturday, July 14th.

Dido in Deptford: Blackheath Halls Community Opera

Polly Graham’s vision of Dido and Aeneas is earthy, vigorous and gritty. The artistic director of Longborough Festival Opera has overseen a production which brings together professional soloists, students from Trinity Laban Conservatoire of Music and Dance, and a cast of more than 80 south-east London adults and children for this, the 12th, annual Blackheath Halls Community Opera.

Summer madness and madcap high jinxs from the Jette Parker Young Artists

The operatic extracts which comprised this year’s Jette Parker Young Artists Summer Performance seemed to be joined by a connecting thread - madness: whether that was the mischievousness of Zerbinetta’s comedy troupe, the insanity of Tom Rakewell, the metaphysical distress of Hamlet, or the mayhem prompted by Isabella’s arrival at Mustafà’s Ottoman palace, the ‘insanity’ was equally compelling.

Mefistofele at Orange’s Chorégies

This is the one where a very personable devil tells God that mankind is so far gone it isn’t worth his time to bother corrupting it further.

Mascagni's Isabeau rides again at Investec Opera Holland Park

There seemed to me to be something distinctly Chaucerian about Martin Lloyd-Evans’ new production of Mascagni’s Isabeau (the first UK production of the opera) for Investec Opera Holland Park.

The 2018 BBC Proms opens in flamboyant fashion

Anniversaries and commemorations will, as usual, feature significantly during the 2018 BBC Proms, with the works of Leonard Bernstein, Claude Debussy and Lili Boulanger all prominently programmed during the season’s myriad orchestral, vocal and chamber concerts.

Banff’s Hell of an Orphée+

Against the Grain Theatre brought its award winning adaptation of Gluck’s opera to the Banff Festival billed as “an electronic baroque burlesque descent into hell.”

A Choral Trilogy at the Aix Festival

What Seven Stones (the amazing accentus / axe 21), and Dido and Aeneas (the splendid Ensemble Pygmalion) and Orfeo & Majnun (the ensemble [too many to count] of eleven local amateur choruses) share, and virtually nothing else, is spectacular use of chorus.

Vintage Audi — Parsifal, Kaufmann, Pape

From the Bayerisches Staatsoper Munich, Wagner Parsifal with a dream cast - René Pape, Jonas Kaufmann and Nina Stemme, Christian Gerhaher and Wolfgang Koch, conducted by Kirill Petrenko, directed by Pierre Audi. The production is vintage Audi - stylized, austere, but solidly thought-through.

Flight Soars High in Des Moines

Jonathan Dove’s innovative opera Flight is being lavished with an absolutely riveting new production at Des Moines Metro Opera’s resoundingly successful 2018 Festival.

Fledermaus Pops the Cork in Iowa

Like a fizzy bottle of champagne, Des Moines Metro Opera uncorked a zesty tasting of Johan Strauss’s vintage Die Fledermaus (The Bat).

A spritely summer revival of Falstaff at the ROH

Robert Carson’s 2012 ROH Falstaff is a bit of a hotchpotch, but delightful nevertheless. The panelled oak, exuding Elizabethan ambience, of the first Act’s gravy-stained country club reeks of the Wodehouse-ian 1930s, but has also has to serve as the final Act’s grubby stable and the Forest of Windsor, while the central Act is firmly situated in the domestic perfection of Alice Ford’s 1950s kitchen.

Down on the Farm with Des Moines’ Copland

Ingenious Des Moines Metro Opera continued its string of site-specific hits with an endearing production of Aaron Copland’s The Tender Land on the grounds of the Maytag Dairy farm.

Des Moines’ Ravishing Rusalka

Let me get right to the point: This is the Rusalka I have been waiting for all my life.

L'Ange de feu (The Fiery Angel)
in Aix

Prokofiev’s Fiery Angel is rarely performed. This new Aix Festival production to be shared with Warsaw’s Teatr Wielki exemplifies why.

Ariane à Naxos (Ariadne auf Naxos) in Aix

Yes, of course British stage director Katie Mitchell served up Richard Strauss’ uber tragic Ariadne on Naxos at a dinner table. Over the past few years Mme. Mitchell has staged quite a few household tragedies at the Aix Festival, mostly at dinner tables, though some on doorsteps.

The Skating Rink: Garsington Opera premiere

Having premiered Roxanna Panufnik’s opera Silver Birch in 2017 as part of its work with local community groups, Garsington Opera’s 2018 season included its first commission for the main opera season. David Sawer's The Skating Rink premiered at Garsington Opera this week; the opera is based on the novel by Chilean writer Roberto Bolano with a libretto by playwright Rory Mullarkey.


OPERA TODAY ARCHIVES »

Reviews

<em>L’Ange de Nisida</em>: Opera Rara at the Royal Opera House
19 Jul 2018

A Donizetti world premiere: Opera Rara at the Royal Opera House

There may be sixty or so operas by Donizetti to choose from, but if you’ve put together the remnants of another one, why not give everyone a chance to hear it? And so, Opera Rara brought L’Ange de Nisida to the concert stage last night, 180 years after it was composed for the Théâtre de la Renaissance in Paris, conductor Sir Mark Elder leading a team of bel canto soloists and the Choir and Orchestra of the Royal Opera House in a committed and at times stirring performance. »

Recently in Reviews

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13 Jun 2012

Attila in San Francisco

Fanfares that celebrate soldiers with plumed helmets by a composer who donned a helmet (metaphorically) — Verdi the operatic father of the Risorgimento! »

11 Jun 2012

Così fan tutte, Holland Park

Are my expectations too high when it comes to Mozart’s operas in general, and to Così fan tutte in general? Probably. Should they be? Certainly.  »

09 Jun 2012

Nixon in China, San Francisco

John Adams’ Nixon in China is an amazing, riveting piece of music, and compelling theater to boot.  »

09 Jun 2012

L’olimpiade, Venice Baroque Orchestra

Over 60 composers (including Beethoven) wrote music inspired by Metastasio’s L’olimpiade.  »

09 Jun 2012

Don Giovanni, Garsington Opera at Wormsley

The pavilion at Garsington Opera at Wormsley is stunningly beautiful. Just being there is an experience, which is why the social aspect is so rewarding. »

08 Jun 2012

Almira, operamission

There are many different ways to analyze the health of New York City. My personal measurements judge the town thus: How many aspiring artsy kids are forced to share a single apartment in an outer borough while they “find themselves” and how many small but immensely able opera companies are functional at any given time.  »

05 Jun 2012

Bluebeard’s Castle, New World Symphony

“I can guess what you are hiding. Bloodstain on your warrior’s weapons. Blood upon your crown of glory. Red the soil around your flowers. Red the shade your cloud was throwing. Now I know it all, oh, Bluebeard.” »

05 Jun 2012

La Bohème, LA Opera

The Los Angeles opera company ended its 2011-2012 season with Giacomo Puccini’s long-loved La Bohème, in a long-lived production. What is it about this opera that keeps old loves alive?  »

04 Jun 2012

Detlev Glanert’s Caligula, ENO

Detlev Glanert’s Caligula at the ENO shows how powerful modern opera can be. Caligula was a tyrant, but this opera isn’t sensationalist.  »

04 Jun 2012

Don Giovanni, LA Philharmonic

Kudos to the Los Angeles Philharmonic Association and Gustavo Dudamel for their courageous plan to present semi staged performances of the Mozart/Da Ponte trilogy of Italian operas with the assistance of outstanding set and costume designers and directors. »

04 Jun 2012

Salome, Royal Opera

In David McVicar’s staging of Strauss’s disturbing opera, first seen at Covent Garden in 2008 and now enjoying its second revival, Salome’s descent down the Stygian staircase is a literal drop into a subterranean slaughterhouse and an ethical fall into the delights and depravity of her of burgeoning yet deadly sexuality.  »

04 Jun 2012

Maria Padilla: Chelsea Opera Group

Donizetti’s Maria Padilla received a concert performance with the Chelsea Opera Group. »

04 Jun 2012

Handel and the Rival Queens: Lufthansa Baroque Festival

A fascinating evening of arias and readings on the theme of Handel’s “rival queens”, Francesca Cuzzoni and Faustina Bordoni.  »

04 Jun 2012

A Toronto Trilogy

Canadian Opera Company’s diverse May offerings included some superlatively sung Handel, a galvanizing star turn from a rising tenor talent, and a well-matched veristic double bill of tragedy and comedy. »

31 May 2012

Tristan und Isolde, Welsh National Opera

Yannis Kokkos originally directed and designed Tristan und Isolde as a co-production for Welsh National Opera and Scottish Opera nearly 20 years ago. The production’s latest revival, directed by Peter Watson, was premiered at the Wales Millennium Centre on 19 May 2012.  »

30 May 2012

Glyndebourne Janáček The Cunning Little Vixen

Glyndebourne’s 2012 season started in great style with Leoš Janáček’s The Cunning Little Vixen. Its rapturous reception would suggest that this could become a Glyndebourne perennial.  »

25 May 2012

Joan Sutherland and Richard Bonynge: Serate Musicali

Originally released on multiple discs in 1981 this reissue on two CDs is a comprehensive collection of art songs by Italian and French composers from the nineteenth and early twentieth centuries.  »

22 May 2012

History Repeating

Iestyn Davies’ Wigmore Hall recital, ‘History Repeating’, may have explored various composers’ engagement with, and reinterpretation and reinvigoration of, music of the past, but Davies himself is very much the countertenor of the moment, and undoubtedly an exciting and fulfilling future lies ahead. »

21 May 2012

Semele, Canadian Opera Company

You never can tell. I would never have predicted which opera would be my favourite of the seven operas programmed this season by the Canadian Opera Company.  »

19 May 2012

Billy Budd — Metropolitan Opera

The Met saved the best of the season for the end of it, revivals of their first-rate productions of two twentieth-century masterpieces, Jánaček’s Makropoulos Case and Britten’s Billy Budd.  »

19 May 2012

Damrau Dazzles in Geneva

It is not long into Act One of Mignon at Geneva’s Grand Theatre when Diana Damrau glides on stage as Philine, commands our rapt attention, and sweeps all before her. »

17 May 2012

Véronique Gens, Wigmore Hall, London

Véronique Gens’s recital at the Wigmore Hall, London, was an almost ideal distillation of the belle époque in song. »

12 May 2012

Bartók and Szymanowski, Barbican Hall

In this, the second of two LSO concerts in which Péter Eötvös replaced Pierre Boulez, one continued to feel the loss of the latter in his repertoire, yet one equally continued to value his replacement, very much his own man.  »

09 May 2012

My Big Fat American Moustache: A Wartime Così Fan Tutte

An energetic and exceptionally entertaining production of Così fan tutte sung in English and set during World War II, when the Americans often got the girls. »

09 May 2012

Philip Glass: Einstein on the Beach, Barbican, London

Any performance of Philip Glass’ epic Einstein on the Beach (1976) is a major event. The work’s duration is around five hours and it is directed to be performed without interval (although see below — we had one).  »

07 May 2012

The Barber of Seville, San Diego

Pierre Augustin Caron de Beaumarchais’ classic play The Barber of Seville, set by Rossini to perfectly paced and irresistibly comic music, was first performed in Rome in 1816, and remains one of the world’s favorite operas. »

02 May 2012

The Kathleen Ferrier Awards 2012

This year’s Kathleen Ferrier Awards final was both a competition and a celebration, marking as it did the centenary anniversary of the great singer’s birth. »

01 May 2012

Daughter of the Regiment, Manitoba Opera

Manitoba Opera laid aside all stereotypes about opera being stuffy and inaccessible with its feel-good production of Donizetti’s 1840 comic opera Daughter of the Regiment.  »

01 May 2012

Der fliegende Holländer, ENO

ENO’s peculiar decision not to stage any Wagner during its 2012-13 season, that is the season in which the greater part of Wagner’s bicentenary falls, is at least mitigated by a new production of The Flying Dutchman during this preceding season.  »

01 May 2012

Two from Florence

The double bill of Zemlinsky’s A Florentine Tragedy with Puccini’s Gianni Schicchi, currently being presented by the Canadian Opera Company, is a marriage made in heaven, a pair of complementary opposites who seem to belong together. »

26 Apr 2012

Manon, Metropolitan Opera

Massenet’s Manon succeeds in the theater when the soprano has a real sense of the role and how she wants to present it.  »

26 Apr 2012

Zagreb’s Wagner Casts Its Spell

Croatian National Opera, in collaboration with Würzburg’s (Germany) Mainfranken Theater has made quite a forceful case for Parsifal.  »

26 Apr 2012

Manon Lescaut, Philadelphia

It is Manon month in the Mid-Atlantic states. In New York, the Met is presenting Massanet’s take, while Opera Company of Philadelphia has just opened Puccini’s version: his first successful opera, Manon Lescaut. »

26 Apr 2012

Matthias Goerne, Los Angeles

Los Angeles lieder lovers were treated to two extraordinary Schubertian journeys on April 16th and 18th when bass-baritone Matthias Goerne partnered with Christian Eschenbach performed the song cycles, Die schöne Müllerin and Winterreise, as part of the Los Angeles Philharmonic’s celebration of the composer’s 215th birthday.  »

26 Apr 2012

Der Freischütz, London

The unfashionableness of Der Freischütz in England is a little baffling. In its day, not only was the opera celebrated across Germany, it soon conquered other European stages and indeed theatres worldwide.  »

25 Apr 2012

Richard Strauss: Salome

An exciting contribution to the discography of this popular opera, the live performance of Richard Strauss’s Salome from the Festspielhaus at Baden-Baden is a compelling DVD.  »

25 Apr 2012

La Fille du Regiment, Royal Opera

The regiment marches onwards!  »

19 Apr 2012

Show Boat at Lyric Opera of Chicago

Lyric Opera of Chicago has begun with the current season’s production of Show Boat a series of musicals of the American theater to be featured in coming years. »

19 Apr 2012

Wolfgang Rihm’s Jakob Lenz by ENO

When the ENO does really innovative work, it does so with style. Wolfgang Rihm’s Jakob Lenz may have taken 34 years to reach London fully staged, but this ENO production made such a strong impression that it might be years before it will be forgotten.  »

19 Apr 2012

Folk songs that aren’t folk songs

The Wigmore Hall Dvořák series culminated in a concert by Bernarda Fink and Roger Vignoles.  »

19 Apr 2012

Armide, Opera Atelier

I have to rethink my week, because somehow I have to get to see Opera Atelier’s production of Jean-Baptiste Lully’s Armide again.  »

19 Apr 2012

Il Sogno di Scipione

It’s unclear whether Mozart composed this highly undramatic “dramatic action” when he was fifteen, for his kindly master Prince-Archbishop von Schrettenbach of Salzburg, or the following year for the newly-elected successor, Prince-Archbishop Colloredo, who, soon afterwards, had the young man literally kicked out of his service.  »

16 Apr 2012

The Dream of Gerontius, Barbican Hall

Edward Elgar was given a copy of Cardinal Newman’s ‘The Dream of Gerontius’ — a 900-line poem depicting the journey of an old man’s soul after death — as a wedding present in 1889.  »

15 Apr 2012

Opéra Comique’s Muted Auber

Paris’ Opéra Comique has summoned forth a respectable (if spare) set design for Bluebeard’s Castle, but unfortunately the opera they were performing was Auber’s La Muette de Portici. »

13 Apr 2012

Alfredo Catalani — A new perspective on later Italian opera

Assumptions about later Italian opera are dominated by Puccini, but Alfredo Catalani, born in the same town and almost at the same time, was highly regarded by their contemporaries. Two new books on Catalani could change our perceptions. »

13 Apr 2012

Sandrine Piau, Wigmore Hall

Sandrine Paiu and Roger Vignoles teamed up for the latest concert in Vignoles’s “Perspectives” series at the Wigmore Hall, London. »

13 Apr 2012

Lulu by Gran Teatro del Liceu, Barcelona

Released in late 2011, Deutsche Grammophon’s DVD of the new staging of Berg’s Lulu at the Gran Teatro del Liceu, Barcelona is an excellent contribution to the discography of this fascinating opera.  »

13 Apr 2012

Lulu by the Metropolitan Opera

A recent release by the Metropolitan Opera, this two-disc set makes available on DVD the famous performance of Berg’s Lulu that was broadcast on 20 December 1980 as part of the PBS series “Live from the Met.”  »

13 Apr 2012

Sarasota Opera’s 2012 Winter Festival

Opera-goers have come to expect high quality opera as part of Sarasota Opera’s Winter Festival.  »

12 Apr 2012

International HD Broadcast of Rigoletto by Royal Opera House

The Royal Opera House started doing opera and ballet broadcasts before many other houses, and is now expanding its schedule. On April 17th, Verdi’s Rigoletto is being streamed live in over 600 cinemas in 21 countries.  »