Recently in Reviews
13 Jul 2008
Bernd Alois Zimmermann was a sensitive, none too healthy 21-year-old music prodigy in 1939, when he was drafted into the German army. »
13 Jul 2008
For Sir William Walton, the protracted genesis of Troilus and Cressida must have seemed more akin to the agonies of Sisyphus than to the composition of an opera. »
13 Jul 2008
Originating at the Châtelet, where the narration was given in French, Robert Carsen's staging of Bernstein's unique satire worked rather well in its television broadcast from the Parisian house late in 2006. »
13 Jul 2008
The disastrous 1904 La Scala premiere of Giacomo Puccini’s Madame Butterfly is one of those famous annals of opera which tend to leave today’s audiences perplexed about all the uproar. »
13 Jul 2008
At the Rossini Festival held in Pesaro, Italy, Dynamic recorded two Rossini rarities in August 2006. »
13 Jul 2008
The concert “20th-Century Masters,” presented by the Grant Park Music Festival, Chicago on 27 and 28 June 2008 featured several pieces performed for the first time under the auspices of the Festival. »
13 Jul 2008
The late Guiseppe Sinopoli (1946-2001) became established as an estimable conductor of nineteenth-century music, and his legacy includes a number of fine recordings. »
06 Jul 2008
David Gockley heard the cries of many an opera fan that Pamela Rosenberg had denied them their 'stars,' so for his summer season, 2008, he brought them Natalie Dessay, Susan Graham, Ruth Ann Swenson, and Stefan Margita. »
06 Jul 2008
The best thing about this set, a Norma recorded live at the Teatro delle Muse di Ancona in late 2004, is the booklet essay by Marco Beghelli, offered in both English and Italian (no credit to any translator). »
06 Jul 2008
My visit to two rarely mounted pieces at the Opera Festival of St. Louis brought to mind the little girl with the curl, for when it was good, it was very very good and when it was bad, it was, um. . .er. . . »
06 Jul 2008
At one time, Verdi’s Aida figured as the most performed opera. »
23 Jun 2008
In the latter part of last year, the casting for Nicholas Hytner’s new production of Don Carlo — in the five-act Italian version — looked to be on shaky ground. »
23 Jun 2008
No one has ever called Gazzaniga’s Don Giovanni an overlooked masterpiece. »
22 Jun 2008
This Dynamic recording of Meyerbeer's Semiramide, an opera title more familiar with Rossini's name appended, mixes the pleasure of a modestly appealing surprise with regret at key aspects of the performance. »
22 Jun 2008
Pink flamingos, sheep on wheels, and a queen crowned with giant antlers all inhabit the zany world of Opera Theatre of Saint Louis’s Una cosa rara, where the artificial 18th century pastoral commingles with cutesy country colors and 1950s yard art. »
22 Jun 2008
Among the choral music of Anton [Antonin] Dvorak, the familiar Stabat Mater, Op. 58, is known to modern audiences through various live performances and recordings. »
19 Jun 2008
A nostalgic charm permeates these filmed productions from the early 1970s of Lortzing's Zar und Zimmerman and Mozart's Die Zauberflöte, collaborations between the Hamburg State Opera and German TV director Joachim Hess. »
19 Jun 2008
The opera highlights series from Classics for Pleasure continues its recycling of the EMI catalogue with selections from two of Herbert von Karajan's recordings. »
15 Jun 2008
On the barren stage: a few chairs, a dark-gold hectoplasm projected on the wood panels of the acoustic chamber - nothing more. »
15 Jun 2008
For the belated Spanish premiere of Britten’s Death in Venice, 35 years after its creation in Aldeburgh, Barcelona seems a felicitous choice. »
09 Jun 2008
With this recording of songs by Henry & William Lawes, musical brothers who flourished in Caroline England, countertenor Robin Blaze with lutenist Elizabeth Kenny continue their exploration of early English song for Hyperion, and the results are stunning. »
09 Jun 2008
For Bellini’s “I Capuleti e i Montecchi,” Paris Opera peopled its revival with plenty of star power. »
09 Jun 2008
When the Ringling Brothers folded their tents, opera took over. Aïda with elephants, and Walküre with real horses. »
09 Jun 2008
It is a bit hard to know what to make of Olivier Messiaen’s colossal piece “Saint François d’Assise,” beautifully mounted by Netherlands Opera. »
08 Jun 2008
If you are going to produce Jacques Fromental Halevy’s forgotten opera “Clari,” I urge you to first make sure you have a signature on the contact from a superstar with the firepower of Cecilia Bartoli. »
04 Jun 2008
The title of this recording “Joy: the Laments of Gilles Binchois” introduces a seeming contradiction, one that plays on a contemporaneous description of the composer as "pére de joyeusetè"—the father of joy—in tension with an affinity for melancholy in his works. »
04 Jun 2008
Even though it is one of the important operas of the twentieth century, Arnold Schoenberg’s Moses und Aron is, perhaps, more esteemed than performed. »
04 Jun 2008
It is worth remembering that prior to the première of Strauss’s opera in 1911, the working title was ‘Ochs auf Lerchenau’. »
04 Jun 2008
Opera producers in quest of headlines, unable to make them from the limited number of Mozart operas available (all of them far too familiar) but equipped with the flood of attractive young singers trained to sing Mozart in conservatories (because singing Mozart does not harm young voices, and
singing Verdi and Wagner before 30 — better yet, 40 — often will), sometimes turn to Mozart’s contemporary, Cimarosa, and his Il Matrimonio Segreto, to get attention. »
04 Jun 2008
Handel’s Rodrigo, subtitled ‘Vincer se stesso è la maggior vittoria’ (Self-conquest is the greater victory) is one of the composer’s earliest operatic works, and rarely heard. »
28 May 2008
Chicago Opera Theater scored a resounding success with its area premiere of John Adams’ newest stage piece, “A Flowering Tree.” »
28 May 2008
Upon its premiere at Chicago’s Lyric Opera in 1997 Anthony Davis’ Amistad found little critical favor. Its undisciplined excesses led one writer to compare it to a high-school pageant. »
27 May 2008
Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009. »
27 May 2008
In these days of 'concept' productions, it is rare that the curtain goes up on the first act of an opera and it looks exactly as one might reasonably expect it to. »
27 May 2008
I can still remember my first ever “Pelleas et Melisande” in my first ever outing at San Francisco Opera during my first ever visit to that beautiful town. »
25 May 2008
A recent visit to Berlin’s three opera houses yielded decidedly, nay wildly varying outcomes. »
25 May 2008
Premiered in 1926, Paul Hindemith’s opera Cardillac is a three-act work based on E. T. A. Hoffmann’s short story Das Fräulein von Scuderi. »
25 May 2008
In the 1983 production designed, staged, and directed by Jean-Pierre Ponnelle, this recording of Richard Wagner’s Tristan und Isolde is a solid and well-thought performance that has much to offer. »
15 May 2008
Recorded between 1938 and 1942, the excerpts from performances of Der Rosenkavalier, Die Frau ohne Schatten, Arabella, and Daphne at the Dresden Staatsoper are all conducted by Karl Böhm. »
15 May 2008
The Gotham Chamber Opera has been delighting opera fans on the Lower East Side for seven years now, one small audience at a time. »
13 May 2008
Thirty-six years after Sarah Caldwell and the Opera Company of Boston presented the first complete staged performances in the United States, Hector Berlioz’ Les Troyens returned to Boston in triumph in a series of concert performances presented by the Boston Symphony Orchestra under the baton of James Levine to close the BSO’s 2007-2008 season. »
13 May 2008
Opera companies should practice historic preservation, keeping certain productions forever in the repertory because of their quality and aesthetic value. »
13 May 2008
Prometeo is so radically different that it’s almost incomprehensible heard from preconceived assumptions of what music “ought” to be. »
13 May 2008
Claudio Monteverdi. Il Ritorno d’Ulisse in patria. Edited by Rinaldo Alessandrini. Urtext. Kassel: Bärenreiter, 2007. BA 8791. A vocal score is available as 8791a. »
12 May 2008
John Brown might have been a’mouldering in his grave since he was hanged in 1859, but he was resurrected — in body and spirit — on May 3, when the Lyric Opera of Kansas City staged the world premiere of Kirke Mechem’s John Brown. »
09 May 2008
When Toronto’s Opera Atelier asked her to sing Elettra in Mozart’s Idomeneo Measha Brueggergosman hesitated. »
09 May 2008
In 2007 it was an experiment; now it’s a new summer festival firmly rooted in fertile Texas turf with a bright view of its second season and of the more distant future as well. »
09 May 2008
Operas do not often get a second chance. A new work is premiered and — if it’s a co-commission — it moves on to another company or two. »
07 May 2008
Die Entführung aus dem Serail is too light to be a grand opera, but it makes rather grander demands of its singers than operetta could possibly bear. »
06 May 2008
At the centenary of the birth of the conductor Herbert von Karajan various commemorations are occurring, an among them is the concise CD and DVD release by Deutsche Grammophon, with both discs bound into a booklet that includes a short prose tribute to the man illustrated with some well-chosen photographs from various parts of his career. »
