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Elsewhere

Garsington Opera Announces Extended Season: 1 June to 30 July 2017

For the first time in its history, this summer Garsington Opera will present four productions as well as a large community opera. 2017 also sees the arrival of the Philharmonia Orchestra for one opera production each season for the next five years.

Glyndebourne Festival 2017: White Cube artist Rachel Kneebone to exhibit new work

New work by the English artist Rachel Kneebone will be exhibited at Glyndebourne Festival 2017, which opens for public booking on 5 March. The London-based artist has created three new sculptures inspired by two of the operas being staged at the Festival this summer - Cavalli’s Hipermestra and a new opera based on Hamlet by composer Brett Dean and librettist Matthew Jocelyn.

Bartoli a dream Cenerentola in Amsterdam

With her irresistible cocktail of spontaneity and virtuosity, Cecilia Bartoli is a beloved favourite of Amsterdam audiences. In triple celebratory mode, the Italian mezzo-soprano chose Rossini’s La Cenerentola, whose bicentenary is this year, to mark twenty years of performing at the Concertgebouw, and her twenty-fifth performance at its Main Hall.

Winterreise : a parallel journey

Matthew Rose and Gary Matthewman Winterreise: a Parallel Journey at the Wigmore Hall, a recital with extras. Schubert's winter journey reflects the poetry of Wilhelm Müller, where images act as signposts mapping the protagonist's psychological journey.

Anna Bolena in Lisbon

Donizetti’s Anna Bolena, composed in 1830, didn’t make it to Lisbon until 1843 when there were 14 performances at its magnificent Teatro São Carlos (opened 1793), and there were 17 more performances spread over the next two decades. The entire twentieth century saw but three (3) performances in this European capital.

Oh, What a Night in San Jose

It is difficult to know where to begin to praise the stunning achievement of Opera San Jose’s West Coast premiere of Silent Night.

Billy Budd in Madrid

Like Carmen, Billy Budd is an operatic personage of such breadth and depth that he becomes unique to everyone. This signals that there is no Billy Budd (or Carmen) who will satisfy everyone. And like Carmen, Billy Budd may be indestructible because the opera will always mean something to someone.

A riveting Nixon in China at the Concertgebouw

American composer John Adams turns 70 this year. By way of celebration no less than seven concerts in this season’s NTR ZaterdagMatinee series feature works by Adams, including this concert version of his first opera, Nixon in China.

English song: shadows and reflections

Despite the freshness, passion and directness, and occasional wry quirkiness, of many of the works which formed this lunchtime recital at the Wigmore Hall - given by mezzo-soprano Kathryn Rudge, pianist James Baillieu and viola player Guy Pomeroy - a shadow lingered over the quiet nostalgia and pastoral eloquence of the quintessentially ‘English’ works performed.

A charming Pirates of Penzance revival at ENO

'Nobody does Gilbert and Sullivan anymore.’ This was the comment from many of my friends when I mentioned the revival of Mike Leigh's 2015 production of The Pirates of Penzance at English National Opera (ENO). Whilst not completely true (English Touring Opera is doing Patience next month), this reflects the way performances of G&S have rather dropped out of the mainstream. That Leigh's production takes the opera on its own terms and does not try to send it up, made it doubly welcome.

A Relevant Madama Butterfly

On Feb 3, 2017, Arizona Opera presented Giacomo Puccini’s dramatic opera Madama Butterfly. Sandra Lopez was the naive fifteen-year-old who falls hopelessly in love with the American Naval Officer.

Johan Reuter sings Brahms with Wiener Philharmoniker

In the last of my three day adventure, I headed to Vienna for the Wiener Philharmoniker at the Musikverein (my first time!) for Mahler and Brahms.

Gatti and the Royal Concertgebouw Orchestra Head to Asia

In Amsterdam legend Janine Jansen and the seventh Principal Conductor of the Royal Concertgebouw, Daniele Gatti, came together for their first engagement in a ravishing performance of Berg’s Violin Concerto.

Verdi’s Requiem with the Berliner Philharmoniker

I extravagantly scheduled hearing the Berliner, Concertgebouw Orchestra, and Wiener Philharmoniker, to hear these three top orchestra perform their series programmes opening the New Year.

Jeanne d'Arc au bûcher in Lyon

There is no bigger or more prestigious name in avant-garde French theater than Romeo Castellucci (b. 1960), the Italian metteur en scène of this revival of Arthur Honegger’s mystère lyrique, Joan of Arc at the Stake (1938) at the Opéra Nouvel in Lyon.

A New Look at Mozart’s Abduction from the Seraglio

On January 28, 2017, Los Angeles Opera premiered James Robinson’s nineteen twenties production of Mozart’s The Abduction from the Seraglio, which places the story on the Orient Express. Since Abduction is a work with spoken dialogue like The Magic Flute, the cast sang their music in German and spoke their lines in English.

Giasone in Geneva

Fecund Jason, father of his wife Isifile’s twins and as well father of his seductress Medea’s twins, does indeed have a problem — he prefers to sleep with and wed Medea. In this resurrection of the most famous opera of the seventeenth century he evidently also sleeps with Hercules.

Falstaff in Genoa

A Falstaff that raised-the-bar ever higher, this was a posthumous resurrection of Luca Ronconi’s masterful staging of Verdi’s last opera, the third from last of the 83 operas Ronconi staged during his lifetime (1933-2015). And his third staging of Falstaff following Salzburg in 1993 and Florence in 2006.

Traviata in Seattle

One of Aidan Lang’s first initiatives as artistic director of Seattle Opera was to encourage his board to formulate a “mission statement” for the fifty-year old company. The document produced was clear, simple, and anodyne. Seattle Opera would aim above all to create work appealing both to the emotions and reason of the audience.

When Performance Gets Political: A Brooklyn Concert Benefiting the ACLU

What’s an artist’s place in politics? That’s the question many were asking after actress Meryl Streep made a pointed speech criticizing President Trump at the Golden Globes. Trump responded directly to Streep, using his preferred communication medium of Twitter to call Streep “overrated.”


OPERA TODAY ARCHIVES »

Reviews

25 Feb 2017

Boris Godunov in Marseille

There has been much reconstruction of Marseille’s magnificent Opera Municipal since it opened in 1787. Most recently a huge fire in 1919 provoked a major, five-year renovation of the hall and stage that reopened in 1924.  »

Recently in Reviews

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20 Mar 2007

Teseo — Handel by the Sea

Nice Opera, on the French Cote d’Azur, seemed a most suitable place for this early work by Handel. »

20 Mar 2007

Das Gänsebuch (The Geesebook): German Medieval Chant

In their attempt to recreate a combination of musical styles typical of fifteenth- and sixteenth-century Nürnberg, Schola Hungarica and its directors László Dobszay & Janka Szendrei have chosen selections from the Gänsebuch, described as the “only complete extant source for the pre-Reformation liturgy of the mass in Nürnberg.” [CD liner-notes, p. 3] »

20 Mar 2007

PAISIELLO: Gli Astrologi immaginari

I never heard the 1966 live recording with Margherita Rinaldi and Paolo Montarsolo and I don’t have a clue what the sound picture is like. »

19 Mar 2007

Angela Gheorghiu, Los Angeles

A near-capacity audience, expectant and enthusiastic, streamed into the Dorothy Chandler for an old-fashioned evening of operatic glamour, as Angela Gheorghiu, with the Los Angeles Opera Orchestra in support, flew into town for a one night concert. »

19 Mar 2007

The Tempest at Covent Garden

This year is Thomas Adés’ annus mirabilis. He’s the subject of a major, six-week retrospective at the Barbican, and, of course, will be a major presence at the Aldeburgh Festival. »

13 Mar 2007

The Gondoliers — English National Opera

Speaking to a trusted chorus-member friend after this performance, I was told that I had benefited from not having seen this production when new three months ago. »

13 Mar 2007

LA Opera “Recovered Voices”

Just about halfway though his first season as music director of Los Angeles Opera, James Conlon has already made himself an endearing and appreciated figure. »

13 Mar 2007

Native-American Drama at Opera Omaha

Perhaps the gestation period for “Wakonda’s Dream,” premiered by Opera Omaha on March 7, was too long. »

13 Mar 2007

WAGNER: Die Walküre; Götterdämmerung

Two weeks before viewing these DVD’s, I attended a performance of the same opera at De Vlaamse Opera in a new production by Ivo van Hove; Flemish boss of the most important Amsterdam theatre company. »

08 Mar 2007

PUCCINI: La Bohème

With the distance of time, is it allowable to feel affection for Herbert von Karajan, beyond any respect — grudging or otherwise — for his long, starry career? »

08 Mar 2007

WAGNER: Die Meistersinger von Nürnberg

Recorded between 18 and 29 June 1984 at the Bayreuth Festspielhaus, this production of Richard Wagner's Die Meistersinger von Nűrnberg makes a classic presentation of the opera available in a two-DVD set issued in 2006 by Deutsche Grammophon. »

08 Mar 2007

Verdi Gala from Berlin

This concert was given on New Year’s eve in the year 2000, and the frail Claudio Abbado who comes out to conduct makes for an alarming sight. »

08 Mar 2007

Berlin “Ring” remains a sterling achievement

It was in the “Orwell year” 1984 that Götz Friedrich, general manager — Intendant — of the Deutsche Oper Berlin (DOB) from 1983 until his death in 2000, staged the first half of Wagner’s “Ring des Nibelungen” in the 1900-seat house on Berlin’s Bismarckstrasse. »

06 Mar 2007

OONY Performs Cilèa’s L’Arlesiana

It is well known that the Opera Orchestra of New York’s performances are required events for opera aficionados to hear the the most exciting performances of the season. »

06 Mar 2007

Adams/Sellars “Tree” blossoms sublimely at SFS

Compared with Pamina and Tamino, Kumudha and her Prince, the central figures in “A Flowering Tree,” the John Adams and Peter Sellars collaboration given its American premiere on March 1 by the San Francisco Symphony, walk a rock-strewn road. »

28 Feb 2007

La Bohème – English National Opera

The death this month of director Stephen Pimlott could have cast a shadow over this revival of his 1993 production, but a hugely affectionate pre-show tribute by colleague Nicholas Hytner ensured that the performance only served to do great honour to the memory of a man who was clearly loved and cherished by many. »

28 Feb 2007

KÁLMÁN : Die Csárdásfürstin

The booklet essay writer effuses passionately about this filmed Kalman operetta, Die Csárdásfürstin. Jürgen Otten gushes over the "immortal melodies," Anna Moffo's "precious jewel" of a voice, and Rene Kollo's "innate nobility." »

28 Feb 2007

Nicole Cabell, St John’s Smith Square, London

The Rosenblatt Recital Series, which presents concerts around London from artists ranging from the well-known to the brand-new, last week showcased Nicole Cabell, the glamorous 29-year-old winner of the 2005 Cardiff Singer of the World competition. »

27 Feb 2007

Rachmaninov and Glinka: Lieder • Songs • Chants

Originally released by Deutsche Grammophon in 1976, this recording of selected songs by Sergei Rachmaninov (1873-1943) and Mikhail Glinka (1804-57) make available some fine examples of Russian art song to Western audiences. »

27 Feb 2007

ADAM: Le Postillon de Longjumeau

Why should anyone buy a German language broadcast of a delicious French opéra-comique? »

27 Feb 2007

Bach Cantatas, Volume 21

John Eliot Gardiner’s Bach Cantata Pilgrimage continues to echo with the release of concert recordings of this historic millennial tour. »

27 Feb 2007

WAGNER: Tannhäuser

As familiar Richard Wagner’s Tannhäuser is, the opera benefits from solid performances that bring together fine singing, exquisite orchestral playing, and effective staging, and the Metropolitan Opera’s 1982 production conducted by James Levine gave audiences an exemplary performance that remains a touchstone for this work. »

27 Feb 2007

Matthias Goerne at the Wigmore Hall

This wasn’t an “easy” program for dilettantes. »

26 Feb 2007

Cori Spezzati: Venetian Polychoral Music

If there ever was a moment where architecture and music became passionately tied to one another, it would be when the polychoral music of the 16th century was tied to St. Mark’s cathedral in Venice. »

22 Feb 2007

MUSSORGSKY: Khovanshchina

At the curtain call for the first night of WNO’s new production of the infrequently performed Khovanshchina director David Pountney wore a simple Russian shirt. »

21 Feb 2007

Victoria de los Angeles performs Ravel, Debussy & Duparc

Carmen was one of Victoria de los Angeles’ favorite roles and she brought to it much that we hear on this recording of French songs: a winsome voice without heavy vibrato, a close attention to musical detail, and an evident understanding of the French words that she conveys, if not with an impeccable accent, at least with a convincingly understandable pronunciation. »

20 Feb 2007

MOZART: Die Hochzeit des Figaro

Yes, the German title must be employed for this filmed Nozze en Deutsch from 1967. »

20 Feb 2007

WAGNER: Parsifal

Recorded on 28 March 1970 in Rome, this recording of Parsifal makes available a live performance conducted by Wolfgang Sawallisch, one of the foremost interpreters of Wagner’s works in his day. »

18 Feb 2007

HAYDN: Les Sept Dernières Paroles du Christ

Franz Joseph Haydn’s Seven Last Words is well known, both as a familiar part of modern Lenten devotions and also as something of a stylistic oddity, I suspect. »

18 Feb 2007

WAGNER: Parsifal

From the 2005 season of the “reborn” La Fenice comes this Dynamic DVD of Wagner’s Parsifal. »

18 Feb 2007

Opera North: Breathing new life into “Orfeo”

Friday night in Leeds, in the North of England, at the city’s marvellously restored Grand Theatre, with the pavements outside shining wet and a tidal wave of umbrellas surging past, was an exciting place to be. »

16 Feb 2007

BRAHMS: Ein deutsches Requiem

In dedicating much of his creative life to the Thomaskirche, the German musician Günther Ramin left his mark on the musical life of Leipzig, and his legacy includes a fine recording of Johannes Brahms’ Ein deutsches Requiem, op. 45. »

16 Feb 2007

BRUCKNER: Symphony no. 4

Perhaps the best-known of Anton Bruckner’s symphonies, the Fourth also benefits from a number of fine recordings. »

16 Feb 2007

Jean-Baptiste Lully, Armide (Opera Lafayette)

The Opera Lafayette of Washington DC has been engaged in a new project this season – the Armide Project, as the group dubbed its ambitious plan, in collaboration with the University of Maryland Opera Studio, to present two great operas set to the same celebrated Philippe Quinault libretto. »

14 Feb 2007

SAMMARTINI: Della Passione di Gesú Cristo; L'addolorata Divina Madre.

Giovanni Battista Sammartini (c.1700-1775) belongs to that shadowy generation of Italian composers who no longer composed in the high Baroque style, but had adopted the clarity, simplicity and regularity that would serve as the building blocks for the Viennese masters of the late eighteenth century, and thus were tagged with the rather pejorative label “pre-classic” (a plague on all those music historians who can only see musical style in terms of progress leading to their particular figure of veneration!). »

13 Feb 2007

Dust-bowl opera overwhelming at Minnesota premiere

The great American opera? Ricky Ian Gordon’s “Grapes of Wrath” might be it. »

09 Feb 2007

HANDEL: Agrippina

An expressionist portrait of the Roman she-wolf was the first, striking image of this production, originally devised for Théâtre Royal de la Monnaie, by the fashionable British director David McVicar. »

09 Feb 2007

The Devil’s Dream

The duo of gambist Vittorio Ghielmi and lutenist Luca Pianca even has its own domain name (www.pianca-ghielmi.com), as well as several previous releases, of which the first has perhaps my favorite CD title ever (Bagpipes from Hell). »

09 Feb 2007

ARNE: Six cantatas for a voice and instruments; Advice to Cloe

The English, though fundamental to the early music revival of the last half-century, have been rather remiss in exploring their native music dating from after the death of Purcell, and particularly that produced after the death of Handel. »

08 Feb 2007

VERDI: Rigoletto

Sorry my friends, but this rich-looking DVD has a feature that disqualifies it for me. »

08 Feb 2007

Houston stages a provocative “Faust”

A literary critic once recalled the day when a German could not clear his throat “without finding pithy precedent in Goethe.” »

08 Feb 2007

Houston takes fresh approach to Cenerentola

In opera, Rossini, born in 1892- the year after Mozart died, is the successor of the great master and, when performed as perceptively as in the “Cenerentola” that debuted at the Houston Grand Opera on January 27, his rightful heir. »

07 Feb 2007

Jaume Aragall en Vivo

During any recital by an aging divo there comes a moment of truth when he sings an operatic aria (usually E lucevan le stelle , as the highest note is an A). That is the defining moment when he no longer can hide behind idiosyncratic interpretation, expressive breathing and a lot of clever transpositions. »

07 Feb 2007

PURCELL: Dido and Aeneas

This disc is a reissue of a 1993 recording made at Skywalker Sound in Marin County, California, but new to me. »

06 Feb 2007

PROKOFIEV: Peter and the Wolf

I suppose you will find this quite an addition to the Melchior legacy if you are a collector of every sound Melchior ever uttered. »

06 Feb 2007

SHOSTAKOVICH: Lady Macbeth of Mtensk District (Kirov Opera)

The Kirov Opera and Orchestra concluded their annual residency at the Kennedy Center in Washington DC last week with a Sunday matinee concert performance of Dmitri Shostakovich’s 1932 Lady Macbeth of Mtsensk District. »

06 Feb 2007

CHARPENTIER: Judicium Salomonis, H. 422; Motet pour une longue offrande, H. 434

Neither of these late works (the Judicium Salomonis is from 1702) is new to disc – the former has two recent recordings, from ten and from twenty years ago, and the latter one, by Herreweghe, released in 1985. »

06 Feb 2007

Walewska i przjaciele: Najpiękniejsze pieśnie, arie i. piosenki

The title Walewska i przjaciele, “Walewska and friends,” reflects the intention of the mezzo soprano Małgorzata Walewska, one of the foremost contemporary Polish singers to present herself and some of her colleagues in recording of various kinds of music. »