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Elsewhere

New titles announced for Glyndebourne Open House

Glyndebourne has announced the next two opera titles in its virtual festival, Glyndebourne Open House - Britten’s Billy Budd and Rossini’s The Barber of Seville.

Beethoven’s Choral Symphony and Choral Fantasy from Harmonia Mundi

Beethoven Symphony no 9 (the Choral Symphony) in D minor, Op. 125, and the Choral Fantasy in C minor, Op. 80 with soloist Kristian Bezuidenhout, Pablo Heras-Casado conducting the Freiburger Barockorchester, new from Harmonia Mundi.

A Musical Reunion at Garsington Opera

The hum of bees rising from myriad scented blooms; gentle strains of birdsong; the cheerful chatter of picnickers beside a still lake; decorous thwacks of leather on willow; song and music floating through the warm evening air.

Les Talens Lyriques announces 2020-21 season with first modern performances of Salieri's Armida

Christophe Rousset and Les Talens Lyriques announce their 2020-21 season championing heroines, with the first modern performances of Salieri's breakthrough success Armida, 250 years after the work's premiere. A recording of Armida to be made during the season is complemented by the release of Mozart's Betulia liberate on Aparté this autumn. In June 2021, Les Talens Lyriques join the centennial Mozartfest Würzburg with performances of Idomeneo.

Taking Risks with Barbara Hannigan

A Louise Brooks look-a-like, in bobbed black wig and floor-sweeping leather trench-coat, cheeks purple-rouged and eyes shadowed in black, Barbara Hannigan issues taut gestures which elicit fire-cracker punch from the Mahler Chamber Orchestra.

BBC Proms Announce 2020 Programme

From Bernstein to Benedetti, Haitink to Hvorostovsky, Mackerras to Kanneh-Masons, musical greats, from the past and the present, will be brought together in one extraordinary Proms season, 17 July - 12 September 2020.

Garsington Opera announces 2021 season

Next summer we return to celebrate our 10th Anniversary at Wormsley, in true Garsington style, using our distinctive indoor / outdoor theatre that offers so many opportunities for us to create wonderful performances in a safe environment for all.

UNMUTE: A Musical Reunion - Garsington Opera at Wormsley

Together with members of the Philharmonia Orchestra, Douglas Boyd conducts a programme of Mozart, Tchaikovsky, Beethoven and Strauss with six soloists and readings by Samuel West.

Alfredo Piatti: The Operatic Fantasies (Vol.2) - in conversation with Adrian Bradbury

‘Signor Piatti in a fantasia on themes from Beatrice di Tenda had also his triumph. Difficulties, declared to be insuperable, were vanquished by him with consummate skill and precision. He certainly is amazing, his tone magnificent, and his style excellent. His resources appear to be inexhaustible; and altogether for variety, it is the greatest specimen of violoncello playing that has been heard in this country.’

Live from London: first-ever global online vocal festival announced

Live from London is a new, paid-for online festival from the VOCES8 Foundation, featuring some of the world’s finest vocal ensembles including VOCES8, I Fagiolini, Stile Antico, The Swingles, The Sixteen, Chanticleer and more.

'In my end is my beginning': Mark Padmore and Mitsuko Uchida perform Winterreise at Wigmore Hall

All good things come to an end, so they say. Let’s hope that only the ‘good thing’ part of the adage is ever applied to Wigmore Hall, and that there is never any sign of ‘an end’.

Those Blue Remembered Hills: Roderick Williams sings Gurney and Howells

Baritone Roderick Williams seems to have been a pretty constant ‘companion’, on my laptop screen and through my stereo speakers, during the past few ‘lock-down’ months.

Eboracum Baroque - Heroic Handel

Eboracum Baroque is a flexible period instrument ensemble, comprising singers and instrumentalists, which was founded in York - as its name suggests, Eboracum being the name of the Roman fort on the site of present-day York - while artistic director Chris Parsons was at York University.

Opera Rara at 50: Anniversary talk and Live Q&A

Artistic Dramaturge Roger Parker will be in conversation with musicologist Ditlev Rindom, introduced by Artistic Director Carlo Rizzi, on Thursday 25th June 2020 at 7pm BST.

Iestyn Davies and Elizabeth Kenny bring 'sweet music' to Wigmore Hall

Countertenor Iestyn Davies and lutenist Elizabeth Kenny kicked off the final week of live lunchtime recitals broadcast online and on radio from Wigmore Hall.

Bruno Ganz and Kirill Gerstein almost rescue Strauss’s Enoch Arden

Melodramas can be a difficult genre for composers. Before Richard Strauss’s Enoch Arden the concept of the melodrama was its compact size – Weber’s Wolf’s Glen scene in Der Freischütz, Georg Benda’s Ariadne auf Naxos and Medea or even Leonore’s grave scene in Beethoven’s Fidelio.

Strauss – Ariadne auf Naxos

Ariadne auf Naxos, Oper with a prologue and one act. Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal.

Spontini – La Vestale

La Vestale, a tragédie lyrique in three acts.

Longborough Festival Opera launches opera podcast

Longborough Festival Opera is delighted to launch a new podcast, featuring today’s brightest stars for a series of conversations about the world of opera.

100 artists across 14 countries and 4 continents stage Guildhall School of Music & Drama digital opera double bill

This summer, Guildhall School of Music & Drama’s opera double bill has been transformed from the physical to the digital stage, with the creative team and artists from across the School bringing the productions to life from their homes using digital technology. It is now available to stream for free until Wednesday 1 July 2020.


OPERA TODAY ARCHIVES »

Reviews

07 Jul 2020

Beethoven’s Choral Symphony and Choral Fantasy from Harmonia Mundi

Beethoven Symphony no 9 (the Choral Symphony) in D minor, Op. 125, and the Choral Fantasy in C minor, Op. 80 with soloist Kristian Bezuidenhout, Pablo Heras-Casado conducting the Freiburger Barockorchester, new from Harmonia Mundi. »

Recently in Reviews

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23 Apr 2016

San Diego Opera Presents a Tragic Madama Butterfly

On April 16, 2016, San Diego Opera presented Giacomo Puccini’s sixth opera, Madama Butterfly, in an intriguing production by Garnett Bruce. Roberto Oswald’s scenery included the usual Japanese styled house with many sliding doors and walls. On either side, however, were blooming cherry trees with rough trunks and gnarled branches that looked as though they had been growing on the property for a hundred years.  »

23 Apr 2016

Simon Rattle conducts Tristan und Isolde

New Co-Production Tristan und Isolde with Metropolitan: Simon Rattle and Westbroek electrify Treliński’s Opera-Noir. »

20 Apr 2016

San Jose’s Smooth Streetcar Ride

In an operatic world crowded with sure-fire bread and butter repertoire, Opera San Jose has boldly chosen to lavish a new production on a dark horse, Andre Previn’s A Streetcar Named Desire. »

18 Apr 2016

Roméo et Juliette: Dutch National Opera and Ballet seal merger with leaden Berlioz

Choral symphony, oratorio, symphonic poem — Berlioz’s Roméo et Juliette does not fit into any mould. It has the potential to work as an opera-ballet, but incoherent storytelling and uninspired conducting undermined this production.  »

14 Apr 2016

Donizetti : Lucia di Lammermoor, Royal Opera House

When Kasper Holten took the precaution of pre-warning ticket-holders that the Royal Opera House’s new production of Lucia di Lammermoor featured scene portraying ‘sexual acts’ and ‘violence’, one assumed that he was aiming to avert a re-run of the jeering and hectoring that accompanied last season’s Guillaume Tell. He even went so far as to offer concerned patrons a refund.  »

12 Apr 2016

Five Reviews of Regina at Maryland Opera Studio

These are five very different reviews by students at the University of Maryland on its Opera Studio production of Regina — an interesting, informative and entertaining read . . .  »

10 Apr 2016

Three Cheers for the English Touring Opera

‘Remember me, the one who is Pia;/ Siena made me, Maremma undid me.’ The speaker is Pia de’ Tolomei. She appears in a brief episode of Dante’s Divine Comedy (Purgatorio V, 130-136) which was the source for Gaetano Donizetti’s Pia de’ Tolomei - by way of Bartolomeo Sestini’s verse-novella of 1825.  »

10 Apr 2016

Andriessen's De Materie at the Park Avenue Armory

"The large measure of formalism which forms the basis of De Materie does not in itself offer any guarantee that the work will be beautiful," says Dutch composer Louis Andriessen of his four-movement opera. »

07 Apr 2016

Falstaff Makes a Big Splash in Phoenix

On April 1, 2016, Arizona Opera presented Falstaff by Giuseppe Verdi (1813-1901) and Arrigo Boito (1842-1918) in Phoenix. Although Boito based most of his libretto on Shakespeare’s The Merry Wives of Windsor, he used material from Henry IV as well. Verdi wrote the music when he was close to the age of eighty. He was concerned about his ability at that advanced age, but he was immensely pleased with Boito’s text and decided to compose his second comedy, despite the fact that his first, Un giorno di regno, had not been successful.  »

06 Apr 2016

Svadba in San Francisco

The brand new SF Opera Lab opened last month with artist William Kentridge’s staged Schubert Winterreise. Its second production just now, Svadba-Wedding — an a cappella opera for six female voices — unabashedly exposes the space in a different, non-theatrical configuration. »

05 Apr 2016

Benvenuto Cellini in Rome

One may think of Tosca as the most Roman of all operas, after all it has been performed at the Teatro Costanzi (Rome’s opera house) well over a thousand times since 1900. Though equally, maybe even more Roman is Hector Berlioz’ Benvenuto Cellini that has had only a dozen or so performances in Rome since 1838. »

02 Apr 2016

New from Opera Rara : Gounod La Colombe and Donizetti Le Duc d'Albe

Two new recordings from highly acclaimed specialists Opera Rara - Gounod La Colombe and Donizetti Le Duc d'Albe.  »

02 Apr 2016

Handel : Elpidia - Opera Settecento

Roll up! A new opera by Handel is to be performed, L’Elpidia overo li rivali generosi. It is based upon a libretto by Apostolo Zeno with music by Leonardo Vinci - excepting a couple of arias by Giuseppe Orlandini and, additionally, two from Antonio Lotti’s Teofane (which the star bass, Giuseppe Maria Boschi , on bringing with him from the Dresden production of 1719).  »

02 Apr 2016

Roberto Devereux in Genova

Radvanovsky in New York, Devia in Genoa — Donizetti queens are indeed in the news! Just now in Genoa Mariella Devia was the Elizabeth I for her beloved Roberto Devereux in a new trilogy of Donizetti queens (Maria Stuarda and Anne Bolena) directed by baritone Alfonso Antoniozzi. »

31 Mar 2016

The Importance of Being Earnest: Royal Opera House at the Barbican Theatre

‘All men become like their mothers. That is their tragedy. No man does. That is his.’ ‘Is that clever?’ ‘It is perfectly phrased!’ »

26 Mar 2016

Mahler’s Third, Concertgebouw

Evolving in Mahler’s Third: Dudamel and L.A. Philharmonic’s impressive adaption to the Concertgebouw »

22 Mar 2016

La Juive in Lyon

Though all big opera is called grand opera, French grand opera itself is a very specific genre. It is an ephemeral style not at all easy to bring to life. For example . . . »

21 Mar 2016

Benjamin, Dernière Nuit in Lyon

That’s Walter Benjamin of the Frankfort School [philosophers in the interwar period (WW’s I and II) who were at home neither with capitalism, fascism or communism]. »

21 Mar 2016

Handel’s Berenice, London

1737 was Handel’s annus horribilis. His finances were in disarray and his opera company was struggling in the face of the challenge presented by the rival Opera of the Nobility. The strain and over-work led to a stroke, as the Earl of Shaftesbury reported: »

20 Mar 2016

Nocturnal Visions and Reveries at the Barbican

Nocturnal visions and reveries dominated this concert by the BBC Symphony Orchestra at the Barbican Hall, part of a two-day celebration of the music of George Benjamin which also includes a concert performance of the composer’s opera Written on Skin.  »

18 Mar 2016

Ferruccio Furlanetto at San Diego

On March 5, 2016, San Diego Opera presented it’s star bass, Ferruccio Furlanetto, in a concert of arias with the San Diego Symphony Orchestra at the orchestra’s home, Copley Symphony Hall. »

18 Mar 2016

Madama Butterfly, LA Opera

On March 12, 2016, Los Angeles Opera presented the local premiere of Lee Blakeley’s staging of Giacomo Puccini’s Madama Butterfly which had been seen in 2010 at Santa Fe Opera. When Blakeley’s Geisha, played magnificently by Ana Maria Martinez, forsakes her traditional religion and breaks the rules of her culture, she eventually faces a choice between total loss of honor and suicide. Everything that happened on the stage Saturday night pointed toward the tragedy. Puccini’s unforgettable music and exquisite singing by Los Angeles Opera’s top-notch cast kept audience members on the edges of their seats all evening. »

16 Mar 2016

Boris Godunov, Covent Garden

‘And therefore never send to know for whom the bell tolls; it tolls for thee.’ John Donne’s metaphysical meditation might have made a fitting sub-title for Richard Jones’s new production of Musorgky’s Boris Godunov at the Royal Opera House — the first performance in the house of the original 1869 score. »

14 Mar 2016

Ariodante, London Handel Festival

By the time that he composed Ariodante, which was first performed in January 1735, Handel had more than three decades of opera-composing experience behind him. It’s surely one of his greatest music dramas not least because, adapted from Ludovico Ariosto’s epic poem Orlando Furioso, it is a very ‘human’ drama, telling of love and lust, betrayal and healing. »

14 Mar 2016

AZ Opera Presents Young Singers in Memorable Don Giovanni

Don Giovanni is Mozart at his mature zenith. He makes his musical statements directly with optimum economy and, even after more than two centuries, the dramatic scope of his work remains a source of wonder to operagoers. Charles Gounod called Don Giovanni “an unequalled and immortal masterpiece, the pinnacle of lyrical drama.” »

10 Mar 2016

Rimsky-Korsakov’s May Night, London

Descending into the concrete cavern that is Ambika P3, at the University of Westminster, I reflected that the bunker-like milieu was a fitting venue for Royal Academy Opera’s production of Rimsky-Korsakov’s May Night, which updated the original early-19th century locale to the beginning of the Soviet era. »

10 Mar 2016

Entrancing Orlando at the Concertgebouw

The English Concert’s travelling Orlando has been collecting rave reviews. Here’s another one from Amsterdam, the last stop on their tour before Carnegie Hall. »

03 Mar 2016

Orlando at the Barbican

In 1728 Handel was down on his luck, following the demise of his ‘Royal Academy’. Ever the entrepreneur, the following year he made a scouting tour of Italy in search of the best singing talent and, returning with seven new virtuosos — including the castrato Senesino.  »

02 Mar 2016

Heroique flashes at Wigmore Hall

Bryan Hymel, Irene Roberts & Julius Drake at Rosenblatt Recitals »

02 Mar 2016

Il trittico, Royal Opera

Strong revival for Richard Jones 2011 production with cast mixing returnees and débutantes »

02 Mar 2016

A trip with Captain Haitink into Bruckner’s Cosmos

Last year for his 60th anniversary as conductor, Bernard Haitink celebrated with one of his first orchestra’s the Dutch Radio Philharmonic. That performance of Mahler’s Fourth turned out such a success, he returned for another round at the NTR Saturday Matinee at the Concertgebouw.  »

02 Mar 2016

Félicien David: Herculanum

It is not often that a major work by a forgotten composer gets rediscovered and makes an enormously favorable impression on today’s listeners. That has happened, unexpectedly, with Herculanum, a four-act grand opera by Félicien David, which in 2014 was recorded for the first time.  »

01 Mar 2016

Music and the Exotic from the Renaissance to Mozart

In Musical Exoticism (Cambridge 2011) Ralph P. Locke undertook an extensive appraisal of the portrayal of the ‘Other’ in works dating from 1700 to the present day, an enquiry that embraced a wide range of genres from Baroque opera to Algerian rap, and which was at once musical, cultural, historical, political and ethical.  »

29 Feb 2016

Khovanshchina at Dutch National Opera convinces musically, less so theatrically

Dutch National Opera’s Khovanshchina’s finest asset was Anita Rachvelishvili’s vocally ravishing Marfa. The darkly opalescent Netherlands Philharmonic Orchestra came in a close second. »

29 Feb 2016

Sophie Bevan, Wigmore Hall

The meaning of the term cantata (literally, ‘sung’ from the Italian verb, cantare) may have changed over time, but whether sacred or secular, the form — with its combination of declamatory narration and emotive arias — is undoubtedly a dramatic one, as this performance by Dunedin at the Wigmore Hall of cantatas by J.S. Bach and Handel confirmed. »

29 Feb 2016

Extraordinary Pelléas et Mélisande

With its City of Light presentations, honoring Paris and French inspired music, the Los Angeles Philharmonic offered its public an extraordinary concert performance of a unique opera — Pelléas et Mélisande by Claude Debussy. »

29 Feb 2016

Fascinating Magic Flute in Los Angeles

Barrie Kosky, intendant of the Komische Oper in Berlin, initially thought of combining live performance with animation when he saw British theater company 1927’s production of Between the Devil and the Deep Blue Sea. For that presentation, Suzanne Andrade and Paul Barritt mixed the worlds of silent film and music hall theater, a combination that Kosky wanted for his production of Mozart’s The Magic Flute.  »