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Elsewhere

A Winterreise both familiar and revelatory: Ian Bostridge and Thomas Adès at Wigmore Hall

‘“Will you play your hurdy-gurdy to my songs?” the wanderer asks. If the answer were to be a “yes”, then the crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again. This could explore a notion of eternal recurrence: we are trapped in the endless repetition of this existential lament.’

Stars of Lyric Opera at Millennium Park, 2018

Lyric Opera of Chicago’s annual concert, Stars of Lyric Opera at Millennium Park, given during last weekend, was both a tribute to the many facets of opera and a preview of what lies ahead in the upcoming repertoire season.

Classical Opera: Bastien und Bastienne on Signum Classics

Pride and Prejudice, North and South, Antony and Cleopatra, Much Ado About Nothing: literary fiction and drama are strewn with dissembling lovers who display differing degrees of Machiavellian sharpness in matters of amatory strategy. But, there is an artless ingenuousness about Bastien and Bastienne, the eponymous pastoral protagonists of Mozart’s 1768 opera, who pretend not to love in order to seal their shared romantic destiny, but who require a hefty dose of the ‘Magician’ Colas’s conjuring/charlatanry in order to avoid a future of lonely singledom.

A Stunning Semiramide from Opera Rara

In early October 1822, Gioachino Rossini summoned the librettist Gaetano Rossi to a villa (owned by his wife, the soprano Isabella Colbran) in Castenaso, just outside Bologna. Their project: to work on a new opera, which would be premiered during the Carnival in Venice on 3rd February the following year, based on the legend of Queen Semiramide.

Dorothea Röschmann at Wigmore Hall: songs by Schumann, Wolf and Brahms

One should not judge a performance by its audience, but spying Mitsuko Uchida in the audience is unlikely ever to prove a negative sign. It certainly did not here, in a wonderfully involving recital of songs by Schumannn, Wolf, and Brahms from Dorothea Röschmann and Malcolm Martineau.

Two of Garsington Opera's 2018 productions to reach a wider audience

Garsington Opera is delighted to announce that on Saturday 6 October, BBC Radio 3’s ‘Opera on 3’, will broadcast the production of its first festival world premiere - The Skating Rink by David Sawer set to a libretto by Rory Mullarkey based on a novel by Chilean author Roberto Bolaño.

The Path of Life: Ilker Arcayürek sings Schubert at Wigmore Hall

Wigmore Hall’s BBC Radio 3 Lunchtime Concert 2018-19 series opened this week with a journey along The Path of Life as illustrated by the songs of Schubert, and it offered a rare chance to hear the composer’s long, and long-germinating, setting of Johann Baptist Mayrhofer’s philosophical rumination, ‘Einsamkeit’ - an extended eulogy to loneliness which Schubert described, in a letter of 1822, as the best thing he had done, “mein Bestes, was ich gemacht habe”.

Heine through Song: Florian Boesch and Malcolm Martineau open a new Wigmore Hall season

The BBC Proms have now gone into hibernation until July 2019. But, as the hearty patriotic strains rang out over South Kensington on Saturday evening, in Westminster the somewhat gentler, but no less emotive, flame of nineteenth-century lied was re-lit at Wigmore Hall, as baritone Florian Boesch and pianist Malcolm Martineau opened the Hall’s 2018-19 season with a recital comprising song settings of texts by Heinrich Heine.

Elgar Orchestral Songs - SOMM

Edward Elgar's Sea Pictures are extremely well-known, but many others are also worth hearing. From SOMM recordings, specialists in British repertoire, comes this interesting new collection of other Elgar orchestral songs, sponsored by the Elgar Society.

Prom 74: Handel's Theodora

“One of the most insufferable prigs in a literature.” Handel scholar Winton Dean’s dismissal of Theodora, the eponymous heroine of Handel’s 1749 oratorio, may well have been shared by many among his contemporary audience.

Remembering and Representing Dido, Queen of Carthage: an interview with Thomas Guthrie

The first two instalments of the Academy of Ancient Music’s ‘Purcell trilogy’ at the Barbican Hall have posed plentiful questions - creative, cultural and political.

Landmark Productions and Irish National Opera present The Second Violinist

Renaissance madrigals and twentieth-century social media don’t at first seem likely bed-fellows. However, Martin - the protagonist of The Second Violinist, a new opera by composer Donnacha Dennehy and librettist Enda Walsh - is, like the late sixteenth-century composer, Carlo Gesualdo, an artist with homicidal tendencies. And, Dennehy and Walsh bring music, madness and murder together in a Nordic noir thriller that has more than a touch of Stringbergian psychological anxiety, analysis and antagonism.

The Rake's Progress: British Youth Opera

The cautionary tale which W.H. Auden and Chester Kallman fashioned for Igor Stravinsky’s 1951 opera, The Rake’s Progress - recounting the downward course of an archetypal libertine from the faux fulfilment of matrimonial and monetary dreams to the grim reality of madness and death - was, of course, an elaboration of William Hogarth’s 1733 series of eight engravings.

Prom 71: John Eliot Gardiner and the Orchestre Revolutionaire et Romantique play Berlioz

Having recently recorded the role of Dido in Berlioz' Les Troyens on Warner Classics, there was genuine excitement at the prospect of hearing Joyce DiDonato performing Dido's death scene live at the BBC Proms. She joined John Eliot Gardiner and the Orchestre Revolutionaire et Romantique for an all-Berlioz Prom at the Royal Albert Hall on Wednesday 5 September 2018. As well as the scene from Les Troyens, DiDonato sang La mort de Cleopatre and the orchestra performed the overture Le Corsaire and The Royal Hunt and Storm from Les Troyens, and were joined by viola player Antoine Tamestit for Harold in Italy.

ENO Studio Live: Paul Bunyan

“A telegram, a telegram,/ A telegram from Hollywood./ Inkslinger is the name; And I think that the news is good.” The Western Union Boy’s missive, delivered to Johnny Inkslinger in the closing moments of 1941 ‘choral operetta’ Paul Bunyan and directly connecting the American Dream with success in Tinseltown, may have echoed an offer that Benjamin Britten himself received, for the composer had written expectantly to Wulff Scherchen on 7th February 1939, ‘(((Shshshsssh … I may have an offer from Holywood [sic] for a film, but don’t say a word))).’ Ten days later he wrote again: ‘Hollywood seems a bit nearer - I’ve got an interview with the Producer on Monday’.

Young audience embraces Die Zauberflöte at Dutch National Opera

The Dutch National Opera season opens officially on the 7th of September with a third run of Simon McBurney’s production of Mozart’s Die Zauberflöte, an unqualified success at its 2012 premiere. Last Tuesday, however, an audience aged between sixteen and thirty-five got to see a preview of this co-production with English National Opera and the Aix-en-Provence Festival.

Prom 67: The Boston Symphony Orchestra play Mahler’s Third

Mahler and I, at least in the concert hall, parted company over a decade ago - and with his Third Symphony it has been an even longer abandonment, fifteen years. Reviewing can nurture great love for music; but it can also become so obsessive for a single composer it can make one profoundly unresponsive to their music. This was my tragedy with Mahler.

Bampton Classical Opera Goes to the Ball

I wonder if Cinderella realised that when she found her Prince she would also find international fame, becoming not just a Princess but also a global celebrity and icon. The glass slipper, placed loving on her shapely foot, has graced theatres, variety halls, cinema screens and opera houses - even postage stamps - and the perennial popularity of this rags-to-riches fairy-tale, in which innocence and goodness triumph over injustice and oppression, shows no signs of waning.

A Landmark Revival of Sullivan's Haddon Hall

With The Gondoliers of 1889, the main period of Arthur Sullivan's celebrated collaboration with W. S. Gilbert came to an end, and with it the golden age of British operetta. Sullivan was accordingly at liberty to compose more serious and emotional operas, as he had long desired, and turned first to the moribund tradition of "Grand Opera" with Ivanhoe (1891).

Die Meistersinger at Bayreuth

Famously, controversy is the stuff of Bayreuth, be it artistic, philosophic or political. As well occasionally a Bayreuth production can simply be illuminating, as is the Barrie Kosky production of Wagner’s only comedy, Die Meistersinger.


OPERA TODAY ARCHIVES »

Reviews

Ian Bostridge
18 Sep 2018

A Winterreise both familiar and revelatory: Ian Bostridge and Thomas Adès at Wigmore Hall

‘“Will you play your hurdy-gurdy to my songs?” the wanderer asks. If the answer were to be a “yes”, then the crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again. This could explore a notion of eternal recurrence: we are trapped in the endless repetition of this existential lament.’ »

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09 Jun 2010

Valencia Ring: Siegfried.

Siegfried is a challenging opera to stage effectively, and the presentation by La Fura dels Baus in Zubin Mehta’s new Ring cycle merits attention on various counts.  »

08 Jun 2010

Festive Concert with Jessye Norman

It was more the ruins than the remnants of a once-great voice that Jessye Norman brought to Israel’s new, 6500-seat outdoor opera theater at the foot of historic Masada Mountain.  »

08 Jun 2010

Nabucco at Masada

Israel Opera Nabucco includes three Va pensiero’s It’s apocrypha, of course, but legend has it that since its 1843 premiere at La Scala audiences have wanted an encore of the chorus Va pensiero when Verdi’s Nabucco is on stage.  »

08 Jun 2010

Faust in San Francisco

Faust has long since left the French repertory to enter the international repertory, meaning that, like Disneyland, it has been absorbed into diverse cultures where it discovers new resonances.  »

08 Jun 2010

Le Nozze di Figaro, Royal Opera House

Detailed and precise, but never fussy, David McVicar’s thought-provoking production of Le Nozze di Figaro is ‘busy’ from the opening rushing semi-quavers of the overture.  »

07 Jun 2010

I Gioielli della Madonna, New York

Ermanno Wolf-Ferrari, son of an Italian mother and a German father, was born in Venice but acclaimed only when he took his operas to Germany, where he became quite popular during the first decades of the twentieth century.  »

07 Jun 2010

Bliss, Tosca and La Sonnambula at Opera Australia

Opera Australia regularly commission new work. Usually serious subjects drawn from notable Australian literature or dealing with an event or hero from Australian history. »

07 Jun 2010

La Damnation de Faust in Modern Guise at Lyric Opera of Chicago

During its recently concluded season Lyric Opera of Chicago presented two musical pieces based on the theme of “Faust.”  »

07 Jun 2010

First Opera in 3D — Carmen, Royal Opera House

Everyone knows the tunes from Bizet's Carmen even if they don't know it's an opera. Now the Royal Opera House, London, is making the world's best known opera into the world's first 3D opera film. »

07 Jun 2010

Tchaikowsky Trilogy in Lyon

In Europe only a few theater stage directors are operatically more famous than Peter Stein (pronounced Pay-tear), to mention Sir Peter Hall, Patrice Chereau and Giorgio Strehler as examples.  »

07 Jun 2010

Tosca, ENO

Seeing Tosca at the Coliseum brings back happy memories, as it was a performance of Tosca (in a revival of the Keith Warner production in the 1990s) which occasioned my very first trip to the ENO. That also happens to have been the first time I ever saw Tosca. »

06 Jun 2010

Bostridge and Pappano at Wigmore Hall

Bringing their recent recording of Schubert’s late songs to the concert stage, Ian Bostridge and Antonio Pappano swept through a sequence which ranged from bitter-sweet regret to angry self-reproach, from hesitant hope to turbulent despair, in this the second of two performances at the Wigmore Hall. »

05 Jun 2010

Lulu, New York

Alban Berg died in 1935, but his music was generations ahead of his time – as one could not help but conclude during the recent revival of Lulu at the Met whenever the vibraphone played “doorbell” music, reminding us of the intrusion of cell phones into theaters.  »

01 Jun 2010

Ian Bostridge at the Wigmore Hall

One very tall and gaunt,one short and stocky, one introspective, one effusive : Ian Bostridge and Antonio Pappano, Music Director of the Royal Opera house make an odd couple, but they've partnered each other musically for many years. It's a good relationship, as this recital at the Wigmore Hall demonstrated. »

27 May 2010

Valencia Ring: Die Walküre

The second of Zubin Mehta’s new Ring cycle on DVD, the staging of Die Walküre by La Fura dels Baus, is as engaging as the production of Das Rheingold in its innovative presentation and effective performance of one of Wagner’s most popular operas.  »

22 May 2010

Imbrailo stars as Billy Budd in Glyndebourne

Star born through stutter? It’s immediately obvious that Jacques Imbrailo’s Billy Budd at Glyndebourne is an extraordinary portrayal. His stammer is more expressive than speech. »

20 May 2010

Great Operatic Arias with Gerald Finley

Listeners who have appreciated Gerald Finley’s stylish and moving singing of baritone roles in operas by Mozart and other composers will be pleased with the recent CD release of Great Operatic Arias in English. »

20 May 2010

La Fille du régiment, Royal Opera

Expectations were running high for the opening night of Elaine Kidd’s revival of Laurent Pelly’s production of Donizetti’s mad-cap romp, La Fille du regiment — almost as high as Tonio’s infamous top Cs.  »

19 May 2010

Florian Boesch, Wigmore Hall

At the Wigmore Hall, performers can chose daring repertoire, because audiences there are unusually receptive.  »

18 May 2010

Bellini's Norma at Gran Teatre del Liceu

Some fortunate operas have any number of fine live versions available on DVD.  »

17 May 2010

Valencia Ring: Das Rheingold

Recorded live at the Palau de les Arts “Reina Sofia”, Valencia, this new video of Richard Wagner’s Das Rheingold is based on the staging of La Fura dels Baus, with Carlus Padrissa, stage director, and featuring an international cast conducted by Zubin Mehta.  »

17 May 2010

Mefistofele in Montpellier

Back in 1989 Ken Russell opened his Genovese Mefistofele with heavenly choirs contemplating the divinity of a praying mantis.  »

17 May 2010

Michel van der Aa : After Life at the Barbican, London

“If you could take any one memory with you to eternity, which one would you choose?” In Michel van der Aa’s After Life several people meet in a waiting room.  »

15 May 2010

Tristan und Isolde in Genoa

Tristan has been a fairly frequent visitor in Genoa over the past sixty years (post WW II). Tullio Serafin conducted the Isolde of Maria Callas there in 1948. »

12 May 2010

La traviata in May, Royal Opera House, London

Richard Eyre’s production of La traviata is so beautiful that it can be watched repeatedly, yet still yield pleasure. But appearances, however splendid, aren’t quite enough to make a completely satisfying evening.  »

10 May 2010

Heggie’s Moby-Dick a whale of an opera

It’s glorious and it’s gripping; it’s grand — and it’s good! Indeed, Jake Heggie’s Moby Dick, premiered by Dallas Opera in its handsome new Winspear Opera House on April 30, is a work that restores meaning to basic vocabulary made banal by overuse through the decades. »

10 May 2010

Modern English Song Alive and Well

London’s Wigmore Hall is one of the world’s great centres for art song. This recital, by Susan Bickley and Iain Burnside, specialists in the genre, showed that English language art song is alive and thriving. »

02 May 2010

Rossini’s Armida, New York

Armida is fabulous. That is to say, the story is a fable. Rinaldo, the very type of Christian warrior, is torn between his duty to lead the First Crusade and the sensual ecstasies offered by the beautiful sorceress Armida. »

02 May 2010

No Elephants — Aida at the Royal Opera House, London

It’s time Verdi got attention in Aida, not elephants. »

28 Apr 2010

The Power of Powder: Thomas Adès at the Royal Opera House, London

Thomas Adès’s Powder Her Face is back at the Linbury Studio Theatre at the Royal Opera House. It's a classic. Once again, Joan Rodgers sings the Duchess, supported by Alan Ewing, Iain Paton and the incomparable Rebecca Bottone, all in multiple roles. »

27 Apr 2010

Floyd’s Susannah in Boston

Fifty-five years after its premiere, composer and creator reunite for a new production at Boston University »

27 Apr 2010

Il barbiere di Siviglia, Arizona Opera

The story of Gioachino Rossini’s Il barbiere di Siviglia (The Barber of Seville) is based on Pierre-Augustin Caron de Beaumarchais’ 1775 play, Le barbier de Séville.  »

27 Apr 2010

Towards the light: Juilliard students present Poulenc’s Dialogues

It started with a bang and ended with a whimper. Juilliard’s production of Francis Poulenc’s opera Dialogues des Carmélites opened on Wednesday, April 21 and the performance started out strong.  »

26 Apr 2010

Der Fliegende Holländer, New York

Pick the word: soupçon? snippet? tidbit? quark? to describe the infinitesimal bite of Wagner bestowed upon us by the Met this year — and we had to wait till the end of April, to boot!  »

26 Apr 2010

Wagner’s Götterdämmerung and Schreker’s Die Gezeichneten

Chaos and disorder rule at Los Angeles Opera of late, and not just in the fervid imagination of director Achim Freyer, the artistic force behind the controversial staging of Richard Wagner’s four-evening glorification of chaos and disorder.  »

24 Apr 2010

Shadowboxer, the opera

The Clarice Smith Performing Arts Center at the University of Maryland — College Park is presenting Shadowboxer, an opera based on the life of Joe Louis, with music composed by Frank Proto to a libretto by John Chenault. »

24 Apr 2010

Shadowboxer — A Tormented Joe Louis

From the Maryland Opera Studio comes a riveting new opera that transforms the life of American boxing legend Joe Louis (“The Brown Bomber”) into an epic tale of human struggle, triumph, and failure.  »

24 Apr 2010

Shadowboxer’s Left Jab

This month, the Maryland Opera Studio (MOS) at the University of Maryland, College Park, marked its spot in opera history with the world premiere of Shadowboxer, a jazz-infused opera based on the life of iconic American boxer Joe Louis.  »

24 Apr 2010

Shadowboxer — The Rise and Fall of an American Hero

The Shadowboxer project, an opera about the life of heavyweight boxing champion Joe Louis, began as an idea in director Leon Major’s mind twenty years ago.  »

24 Apr 2010

A “CNN Opera” — Shadowboxer at UMD

The University of Maryland Opera Studio premiered a new commission this week: Shadowboxer, composed by Frank Proto, and based on the life of boxing champion Joe Louis.  »

24 Apr 2010

Shadowboxer — The Inner Life of Joe Louis

An opera about boxer Joe Louis might seem like a futile undertaking: according to 1930s New York Times reporter Meyer Berger, “Joe Louis avoids meeting people, hates conversation (even fight talk) and says less than any man in sports…”  »

23 Apr 2010

Christopher Maltman, Wigmore Hall, London

The abiding elegance and beauty of Christopher Maltman’s baritone, complemented by the interpretative wisdom and experience of Graham Johnson, one of the finest vocal accompanists of recent times, made this an evening of assured musicianship and expressive poise. »

20 Apr 2010

Lady Macbeth of Mtsensk on Blu-Ray

Previously released on DVD, the Netherlands Opera recording of Shostakovich’s Lady Macbeth of Mtsensk  »

20 Apr 2010

Aaron Copland's score for The City

This disc neatly captures a central dichotomy of the career of composer Aaron Copland.  »

19 Apr 2010

Christoph Prégardien, London

‘Come sweet death … for I am weary of the world’: thus, the opening lines of Bach’s aria, ‘Komm Süßer Tod’, from the Schemelli Liederbuch, led us into the realms of the afterlife, and encapsulated the central sentiment of this evening of songs meditating on, and calling for, release from toilsome human cares. »

19 Apr 2010

Tosca at Torre del Lago, 2007

Opera festival DVDs often seem to be produced as tempting advertisements meant to induce viewers to consider a trip to that festival for the next season.  »

19 Apr 2010

Mark Morris Dance Group: L’Allegro, il Penseroso ed il Moderato

‘Each action will derive new grace From order, measure, time and place;’ (Milton, Il Penseroso) »