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Probing Bernstein and MacMillan double bill in Amsterdam

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief.

Macbeth in Lyon

A revival of the Opéra de Lyon’s 2012 Occupy Wall St. production of Verdi’s 1865 Macbeth, transforming naive commentary into strange irony, some high art included.

An Interview with Soprano Lisette Oropesa

Lisette Oropesa sings Eurydice in Los Angeles Opera’s French version of Gluck’s Orpheus and Eurydice that can currently be seen at the Dorothy Chandler Pavilion.

Barber of Seville Is Fun in Tucson

On March 4, 2018, Arizona Opera presented Gioachino Rossini’s The Barber of Seville in Tucson. Allen Moyer designed the bright and happy scenery for performances at Minnesota Opera,

Moody, Mysterious Morel

Long Beach Opera often takes willing audiences on an unexpected journey and such is undeniably the case with its fascinating traversal of The Invention of Morel.

Acis and Galatea: 2018 London Handel Festival

Katie Hawks makes quite a claim for Handel’s Acis and Galatea when, in her programme article, she describes it as the composer’s ‘most perfect work’. Surely, one might feel, this is a somewhat hyperbolic evaluation of a 90-minute pastoral masque, or serenade, based on an episode from Ovid’s Metamorphoses, which has its origins in a private entertainment?

Oriana, Fairest Queen: Stile Antico celebrate the life and times of Elizabeth I

Stile Antico’s lunchtime play-list, celebrating the Virgin Queen’s long reign, shuffled between sacred and secular works, from penitential to patriotic, from sensual to celebratory.

Daniel Kramer's new La traviata at English National Opera

Verdi's La traviata is one of those opera which every opera company needs to have in its repertoire, and productions need to balance intelligent exploration of the issues raised by the work with the need to reach as wide an audience as possible with an opera which is likely to attract audience members who are not regular opera-goers.

Haydn's Applausus: The Mozartists at Cadogan Hall

Continuing their MOZART 250 series, The Mozartists/ Classical Opera began dipping into the operatic offerings of 1768 at Wigmore Hall in January, when they presented numbers from Mozart’s La finta semplice, Jommelli’s Fetonte, Hasse’s Pirano e Tisbe and Haydn’s Lo speziale.

Schubert Schwanengesang revisited—Florian Boesch, Wigmore Hall

Schwanengesang isn't Schubert's Swan Song any more than it is a cycle like Die schöne Müllerin or Winterreise. The title was given it by his publishers Haslingers, after his death, combining settings of two very different poets, Ludwig Rellstab and Heinrich Heine. Wigmore Hall audiences have heard lots of good Schwanengesangs, including Boesch and Martineau performances in the past, but this was something special.

Rinaldo: The English Concert at the Barbican Hall

“After such cruel events, I don’t know if I am dreaming or awake.” So says Almirena, daughter of the Crusader Goffredo, when she is rescued by her beloved warrior-hero, Rinaldo, from the clutches of the evil sorceress, Armida.

Hamlet abridged and enriched in Amsterdam

French grand opera and small opera companies are an unlikely combination. Yet OPERA2DAY, a company of modest means, is currently touring the Netherlands with Hamlet by Ambroise Thomas.

Opera in Amsterdam in 2018-2019

The operatic tradition is not as old in the Netherlands as in other European countries, yet opera is a vital part of the Dutch classical landscape. Both Dutch National Opera & Ballet and the Concertgebouw are in Amsterdam, so the capital gets the lion’s share of the opera on offer.

Lyric Opera of Chicago to Premiere Fellow Travelers—A Preview

On 17 March 2018 Lyric Opera of Chicago will premiere the 2016 opera Fellow Travelers by Gregory Spears (with a libretto by Greg Pierce, based on the novel by Thomas Mallon. Mallon’s 2007 novel offered fresh perspectives on the paranoiac investigations of McCarthy-era Washington, DC, through the lens of a gay relationship.

The ROH's first production of From the House of the Dead

Krzysztof Warlikowski’s production for the ROH of From the House of the Dead is ‘new’ in several regards. It’s (astonishingly) the first time that Janáček’s last opera has been staged at Covent Garden; it’s Warlikowski’s debut at Covent Garden; and the production uses a new 2017 critical edition prepared by John Tyrrell.

Così fan tutte at Lyric Opera of Chicago

With artifice, disguise, and questions on fidelity as the basis of Mozart’s Così fan tutte, the composer’s mature opera has returned to the stage at Lyric Opera of Chicago.

WNO's Wheel of Destiny rolls into Birmingham

Welsh National Opera’s wheel of destiny has rolled into Birmingham this week, with Verdi’s sprawling tragedy, La forza del destino, opening the company’s ‘Rabble Rousing’ triptych at the Hippodrome.

A Midsummer Night's Dream at the Royal College of Music

The gossamer web of Shakespeare’s A Midsummer Night’s Dream is sufficiently insubstantial and ambiguous to embrace multiple interpretative readings: the play can be a charming comic caper, a jangling journey through human pettiness and cruelty, a moonlit fairy fantasy or a shadowy erotic nightmare, and much more besides.

Les Funérailles Royales de Louis XIV recreated at Versailles

Les Funérailles Royales de Louis XIV, with Ensemble Pygmalion, conducted by Raphaël Pichon now on DVD/Blu -ray from Harmonia Mundi. This captures the historic performance at the Chapelle Royale de Versailles in November 2015, on the 300th anniversary of the King's death.

Robert Carsen's A Midsummer Night's Dream returns to ENO

Having given us Christopher Alden's strangely dystopic production of Britten's A Midsummer Night's Dream in 2011, English National Opera (ENO) has opted for Robert Carsen's bed-inspired vision for the latest revival of the opera at the London Coliseum.



Photo courtesy Dutch National Opera & Ballet
23 Mar 2018

Probing Bernstein and MacMillan double bill in Amsterdam

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief. »

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15 Jul 2009

Magic Flutes & Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater

Readers may recognize the author of this book, David J. Buch, a specialist on the origins of the libretto to Mozart’s Magic Flute.  »

14 Jul 2009

Il Barbiere di Siviglia at Covent Garden

Music-masters, singing lessons and serenading bands all abound in Rossini’s comic masterpiece, Il Barbiere di Sivilglia, but at this performance it was the medical rather than the musical puns which drew the loudest laughs.  »

12 Jul 2009

Tosca at Royal Opera House

This revival of Jonathan Kent’s 2006 production of Tosca brings to an end the ROH’s ‘Italian Season’ in fine style. »

09 Jul 2009

DONIZETTI: Don Gregorio

Like a baseball player with a low batting average but a propensity for home runs, Gaetano Donizetti composed dozens of operas, among which only a very few get frequent performances today.  »

09 Jul 2009

DVOŘÁK: Král a uhlíř (The King and the Charcoal Burner)

Years before Antonin Dvořák composed his most famous opera Rusalka (1900), he completed a series of works in the genre which contributed to his reputation and skill in this genre.  »

07 Jul 2009

Benjamin Britten: A Time There Was. . .

With its’ title taken from the composer’s Suite of English Folk Tunes, Op. 90, Tony Palmer’s film Benjamin Britten: A Time There Was… is a solid documentary assembled from interviews, rehearsal clips, photographs and other audio-visual materials to create a vivid portrait of the composer.  »

07 Jul 2009

Saariaho’s sumptuous L’amour de loin at the ENO, London

Absence of plot is by no means an impediment in opera.  »

04 Jul 2009

The Ravenna Festival: La scuola napoletana

Ravenna once served as the capital of the Roman Empire in the 5th and 6th centuries C.E.  »

03 Jul 2009

Porgy and Bess in San Francisco

For Americans of older generations Porgy and Bess is surely a primal experience, formed by the 1959 Otto Preminger film with Sammy Davis Jr. as Sportin’ Life, the audio recording derived from the 1952 London production with Leontyne Price as Bess, and a first encounter with Porgy and Bess as an opera in the artistically satisfying, and well traveled 1976 Houston production (was it twenty-five performances in the War Memorial Opera House?).  »

03 Jul 2009

Summer Nights with the Stars — OTSL’s 2009 Season Shines

The success of Opera Theatre of St. Louis’ 2009 festival season reflects the intelligent leadership of both the previous triumvirate (Charles MacKay, Colin Graham, and Stephen Lord) and the new recruits Timothy O’Leary and James Robinson.  »

02 Jul 2009

Carmen Triumphs (Again) at the Opéra Comique

Bizet’s famed heroine Carmen returned this June to the place where it all began, in a critically-heralded new production by Adrian Noble. Frank Cadenhead was on hand to experience the staging held at the opulent newly-renovated Opéra Comique. »

29 Jun 2009

Antonio Pappano and Friends — Royal Opera House, Covent Garden

It’s not often that the accompanist is given top billing in a vocal recital, even when he’s the venue’s musical director.  »

29 Jun 2009

Glyndebourne : a spectacular Purcell The Fairy Queen

Glyndebourne is the epitome of British opera festivals. Seventy-five years ago, John Christie founded the tradition of “country house opera”, where opera can be enjoyed in beautiful settings.  »

29 Jun 2009

Un ballo in maschera at Royal Opera House

On the whole, I’d prefer the conspirators to be sitting on toilets… »

26 Jun 2009

Gőtterdämmerung in Venice and Kőln — Sex and Politics Behind the Berlin Wall

With Götterdämmerung, a co-production with the Köln Opera House created by Robert Carsen (stage direction), Patrick Kinmonth (sets and costumes) and Jeffrey Tate (conductor), La Fenice approaches completion of the Ring cycle.  »

26 Jun 2009

La Traviata at Royal Opera House

Four years have passed since the most celebrated American soprano of recent times, Renée Fleming, graced the stage at Covent Garden, in Elijah Moshinsky’s classic production of Otello.  »

25 Jun 2009

Ligeti’s Le Grand Macabre shocks Rome but only mildly

Le Grand Macabre is the only opera of György Ligéti, one of the major composers of the 20th century.  »

25 Jun 2009

SCHUBERT: Alfonso und Estrella

What is the worst opera with the best music?  »

24 Jun 2009

La Traviata in San Francisco

Much ink has been spilled over the failed Marta Domingo production of La Traviata that San Francisco Opera inexplicably imported for its blatantly audience baiting summer season (Traviata, Tosca, Porgy and Bess). »

24 Jun 2009

MAHLER: Symphony no. 8

The Gala release of Mahler’s Eighth Symphony from Hamburg performances on 29 and 30 November 1954 serves to document further the composer’s presence in the concerto hall prior to the well-known Mahler-renewal in 1960.  »

24 Jun 2009

A Masked Ball by Brooklyn Repertory Opera

Amato Opera went to the netherworld of expired extravaganzas this spring, a one-man operation whose one man was weary. As New York’s oldest down-the-block and semi-pro company, it’s loss was regrettable — though it’s many years since Amato gave up doing interesting repertory. »

24 Jun 2009

Saint Louis: Reliably Excellent

It is quite possible that Opera Theatre of Saint Louis is the leading summer opera destination in the United States. »

22 Jun 2009

Schwanengesang at Wigmore Hall

A performance of sublime authority from Goerne and Eschenbach »

21 Jun 2009

Madam Butterfly - English National Opera, London Coliseum

Following the death of the American film director Anthony Minghella, ENO were left with a gap in the season vacated by the new production which he had been engaged to direct, and what better way to do so than by bringing back his immensely popular 2005 staging of Madam Butterfly? Minghella’s widow, Carolyn Choa (who has worked on the production from its original conception) was charged with resurrecting the production in tribute. »

21 Jun 2009

Madame Says Farewell

Last week (May 27), “without further a-don’t,” as she adorably puts it, Madame Vera Galupe-Borszkh, the world’s reigning traumatic soprano — lately, she says, more of a soprano “spento” — bade a last, lingering, loving farewell to her adoring public in a sold-out concert at the Leonard Nimoy Thalia Theater on Manhattan’s Upper West Side.  »

21 Jun 2009

Alceste by The Collegiate Chorale

The Collegiate Chorale (ably supported by the orchestra of the New York City Opera under George Manahan) chose Gluck’s Alceste, last heard in New York at the City Opera in 1982, for its annual spring concert opera — an excellent choice for a chorus eager to show its stuff. »

21 Jun 2009

Britten’s Midsummer Night’s Dream Charms La Scala

Robert Carsen’s production of Benjamin Britten’s A Midsummer Night’s Dream is not new, as the La Scala playbill suggests.  »

21 Jun 2009

La Cenerentola at the MET

La Cenerentola runs third in popularity among Rossini’s comic operas — the Met didn’t get around to it at all until the present staging was created for Cecilia Bartoli.  »

21 Jun 2009

Claudio Abbado Introduces the Complete Pergolesi

Very little is known about Giovanni Battista Draghi (or Drago, according to certain sources), known as Pergolesi.  »

20 Jun 2009

Bach's St. Matthew Passion at BAM

To the sorrow of all lovers of baroque opera, J.S. Bach never composed for the stage.  »

19 Jun 2009

Goerne and Eschenbach : Winterreise

When Matthias Goerne was six, he heard Winterreise and was captivated.  »

19 Jun 2009

No Redemption for Munich’s Dutchman

Although there was considerable theatrical imagination on display, redemption was in critically short supply in Peter Konwitschny's production of The Flying Dutchman at Munich’s estimable Bavarian State Opera. »

18 Jun 2009

Martinů’s cheerful Mirandolina, Garsington Opera

“Life is too important to be taken seriously” goes the motto. That could describe this cheerful production, just the right good humored tonic for these difficult times. »

18 Jun 2009

Aldeburgh Festival — New Buildings, New Birtwistle Operas

Sir Harrison Birtwistle’s early opera, Punch and Judy, premiered at Aldeburgh in 1968. Benjamin Britten reportedly walked out. Now Birtwistle is himself the pre-eminent British composer, whose work has long since become part of the Aldeburgh tradition. This year’s Festival opened with two Birtwistle premieres, The Corridor and Semper Dowland, simper dolens. »

17 Jun 2009

Ian Bostridge at the Chicago Symphony Orchestra

In a recent Chicago Symphony Orchestra concert featuring twentieth-century instrumental and vocal compositions Ian Bostridge sang Benjamin Britten’s Les Illuminations under the direction of principal conductor Bernard Haitink.  »

17 Jun 2009

Bostridge trades fey for Kray

Bostridge traded his fey haircut for slicked back Kray brothers look, complete with wrap round dark glasses in this Dreigroschenoper at the Barbican, London.  »

17 Jun 2009

Andreas Scholl at Wigmore Hall

Strikes on the London Underground system may have made this a particularly exhausting and exasperating week for Londoners, but despite these wearing adversities Friday evening saw an eager crowd flock to the Wigmore Hall, in excited anticipation of an inspiring and invigorating blend of the familiar and the unfamiliar — and they were not disappointed. »

17 Jun 2009

Die schöne Müllerin at Wigmore Hall

Matthias Goerne and Christoph Eschenbach unite in a Schöne Müllerin of searing intensity. »

17 Jun 2009

Mozart: Idomeneo

“Mozart's first mature masterpiece,” Sophie Becker calls Idomeneo in the booklet essay of this DVD set of a June 2008 Bayerische Staatsoper staging.  »

15 Jun 2009

Haydn’s Bicentenary : 20 Capitals Salute “The Creation” With Standing Ovations

The Austrian Ministry of Culture and the Committee for the Celebrations of Haydn’s Bicentenary had a brilliant idea: on May 31st , the day of the composer’s death, 20 symphony orchestras and/or opera houses performed one of his greatest and best known oratorios Die Schöpfung (The Creation) .  »

15 Jun 2009

La Scala at the Movies: Donizetti's Maria Stuarda and Wagner's Tristan und Isolde

From the La Scala series of filmed productions come two excellent DVDs, one an incisive and contemporary staging by Patrice Chereau of Wagner's Tristan und Isolde, and the other a rip-roaring, old-fashioned (in the best sense) performance of Donizetti's flawed but entertaining Maria Stuarda.  »

14 Jun 2009

Berlin: City of Three Operas

Where else in the world does one have three opera houses, all playing almost nightly for 10 months of the year? It’s one of the things that makes Berlin paradise for opera buffs. »

12 Jun 2009

Tosca in San Francisco

Like Carmen, Tosca is a constant presence in our operatic lives, frequently revisited like it or not.  »

12 Jun 2009

Otto Nicolai: Die lustigen Weiber von Windsor

Otto Nicolai's Die lustigen Weiber von Windsor belongs to that somewhat purgatorial group of operas best remembered only for their overtures.  »

09 Jun 2009

Così fan tutte, English National Opera

ENO's latest new production of Così — their third this decade — made the arts headlines from the start of its rehearsal period when director Abbas Kiarostami found himself unable to secure a UK visa and was forced to withdraw his direct involvement, leaving colleague Elaine Tyler-Hall to deputise.  »

07 Jun 2009

A shockingly different Lulu at the Royal Opera House, London

The buzz was right — this new Lulu at the Royal Opera House, London is shockingly different. Christof Loy's production is what minimalism should be.  »

07 Jun 2009

Schubert : Winterreise — Middle Temple Hall, London

Julius Drake’s Temple song series is almost a cult secret -not known to the mass market but highly regarded among those who know, much like the Lieder genre itself. »