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Probing Bernstein and MacMillan double bill in Amsterdam

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief.

Macbeth in Lyon

A revival of the Opéra de Lyon’s 2012 Occupy Wall St. production of Verdi’s 1865 Macbeth, transforming naive commentary into strange irony, some high art included.

An Interview with Soprano Lisette Oropesa

Lisette Oropesa sings Eurydice in Los Angeles Opera’s French version of Gluck’s Orpheus and Eurydice that can currently be seen at the Dorothy Chandler Pavilion.

Barber of Seville Is Fun in Tucson

On March 4, 2018, Arizona Opera presented Gioachino Rossini’s The Barber of Seville in Tucson. Allen Moyer designed the bright and happy scenery for performances at Minnesota Opera,

Moody, Mysterious Morel

Long Beach Opera often takes willing audiences on an unexpected journey and such is undeniably the case with its fascinating traversal of The Invention of Morel.

Acis and Galatea: 2018 London Handel Festival

Katie Hawks makes quite a claim for Handel’s Acis and Galatea when, in her programme article, she describes it as the composer’s ‘most perfect work’. Surely, one might feel, this is a somewhat hyperbolic evaluation of a 90-minute pastoral masque, or serenade, based on an episode from Ovid’s Metamorphoses, which has its origins in a private entertainment?

Oriana, Fairest Queen: Stile Antico celebrate the life and times of Elizabeth I

Stile Antico’s lunchtime play-list, celebrating the Virgin Queen’s long reign, shuffled between sacred and secular works, from penitential to patriotic, from sensual to celebratory.

Daniel Kramer's new La traviata at English National Opera

Verdi's La traviata is one of those opera which every opera company needs to have in its repertoire, and productions need to balance intelligent exploration of the issues raised by the work with the need to reach as wide an audience as possible with an opera which is likely to attract audience members who are not regular opera-goers.

Haydn's Applausus: The Mozartists at Cadogan Hall

Continuing their MOZART 250 series, The Mozartists/ Classical Opera began dipping into the operatic offerings of 1768 at Wigmore Hall in January, when they presented numbers from Mozart’s La finta semplice, Jommelli’s Fetonte, Hasse’s Pirano e Tisbe and Haydn’s Lo speziale.

Schubert Schwanengesang revisited—Florian Boesch, Wigmore Hall

Schwanengesang isn't Schubert's Swan Song any more than it is a cycle like Die schöne Müllerin or Winterreise. The title was given it by his publishers Haslingers, after his death, combining settings of two very different poets, Ludwig Rellstab and Heinrich Heine. Wigmore Hall audiences have heard lots of good Schwanengesangs, including Boesch and Martineau performances in the past, but this was something special.

Rinaldo: The English Concert at the Barbican Hall

“After such cruel events, I don’t know if I am dreaming or awake.” So says Almirena, daughter of the Crusader Goffredo, when she is rescued by her beloved warrior-hero, Rinaldo, from the clutches of the evil sorceress, Armida.

Hamlet abridged and enriched in Amsterdam

French grand opera and small opera companies are an unlikely combination. Yet OPERA2DAY, a company of modest means, is currently touring the Netherlands with Hamlet by Ambroise Thomas.

Opera in Amsterdam in 2018-2019

The operatic tradition is not as old in the Netherlands as in other European countries, yet opera is a vital part of the Dutch classical landscape. Both Dutch National Opera & Ballet and the Concertgebouw are in Amsterdam, so the capital gets the lion’s share of the opera on offer.

Lyric Opera of Chicago to Premiere Fellow Travelers—A Preview

On 17 March 2018 Lyric Opera of Chicago will premiere the 2016 opera Fellow Travelers by Gregory Spears (with a libretto by Greg Pierce, based on the novel by Thomas Mallon. Mallon’s 2007 novel offered fresh perspectives on the paranoiac investigations of McCarthy-era Washington, DC, through the lens of a gay relationship.

The ROH's first production of From the House of the Dead

Krzysztof Warlikowski’s production for the ROH of From the House of the Dead is ‘new’ in several regards. It’s (astonishingly) the first time that Janáček’s last opera has been staged at Covent Garden; it’s Warlikowski’s debut at Covent Garden; and the production uses a new 2017 critical edition prepared by John Tyrrell.

Così fan tutte at Lyric Opera of Chicago

With artifice, disguise, and questions on fidelity as the basis of Mozart’s Così fan tutte, the composer’s mature opera has returned to the stage at Lyric Opera of Chicago.

WNO's Wheel of Destiny rolls into Birmingham

Welsh National Opera’s wheel of destiny has rolled into Birmingham this week, with Verdi’s sprawling tragedy, La forza del destino, opening the company’s ‘Rabble Rousing’ triptych at the Hippodrome.

A Midsummer Night's Dream at the Royal College of Music

The gossamer web of Shakespeare’s A Midsummer Night’s Dream is sufficiently insubstantial and ambiguous to embrace multiple interpretative readings: the play can be a charming comic caper, a jangling journey through human pettiness and cruelty, a moonlit fairy fantasy or a shadowy erotic nightmare, and much more besides.

Les Funérailles Royales de Louis XIV recreated at Versailles

Les Funérailles Royales de Louis XIV, with Ensemble Pygmalion, conducted by Raphaël Pichon now on DVD/Blu -ray from Harmonia Mundi. This captures the historic performance at the Chapelle Royale de Versailles in November 2015, on the 300th anniversary of the King's death.

Robert Carsen's A Midsummer Night's Dream returns to ENO

Having given us Christopher Alden's strangely dystopic production of Britten's A Midsummer Night's Dream in 2011, English National Opera (ENO) has opted for Robert Carsen's bed-inspired vision for the latest revival of the opera at the London Coliseum.



Photo courtesy Dutch National Opera & Ballet
23 Mar 2018

Probing Bernstein and MacMillan double bill in Amsterdam

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief. »

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18 Apr 2006

The Rake's Progress at Opera Australia

In March the Glyndebourne Opera production of Jonathan Dove’s Flight played at the 2006 Adelaide Festival. Barely a week later a second Glyndebourne production presented by Opera Australia opened at the Sydney Opera House with further performances in Melbourne at the State Theatre. »

18 Apr 2006

Acis and Galatea at NYCO

This season, the New York City Opera presents Handel's Acis and Galatea. "When it comes to Handel, he not only lives but thrives at City Opera. Here Ovid’s Metamorphoses is both the source and the inspiration for Acis and Galatea, one of Handel’s most elegant and sensual works." Here are two reviews. »

18 Apr 2006

Lawrence Brownlee: Lieder & Song Recital

A few years ago I picked up a buzz among those close to the Seattle Opera Young Artists’ Program that there would be a truly remarkable young tenor in the program’s production of La Cenerentola that year. »

13 Apr 2006

Andreas Scholl at Zankel Hall

On 11 April 2006, Andreas Scholl appeared at Zankel Hall, one of the performance venues in New York's famous Carnegie Hall. According to Carnegie Hall: "On this program, we span a wonderfully diverse variety of music from a variety of places, sung by one of the world’s leading countertenors. »

10 Apr 2006

The Rose, the Lily & the Whortleberry: Medieval Gardens

Holding “The Rose, the Lily & the Whortleberry” in my hands, I pondered for a moment whether it belonged on my bookshelf or in the CD cabinet. »

10 Apr 2006

VERDI: Nabucco

This 2001 Vienna State Opera production of Verdi’s first smash hit, Nabucco, serves as a textbook example of the “modern dress” production style, for better or worse – and probably, for both. »

07 Apr 2006


No exact date is given for this performance and there is good reason for it. The sleeve notes clearly state that baritone Enzo Sordello (of the 15 minutes of world fame when the Met fired him for clinging to a high note longer than Callas) sings the role of Silvio. »

04 Apr 2006

ROSSINI: Il signor Bruschino

“A jewel box of a theater”: that great cliché of the opera world comes to mind when viewing a production from the Schwetzinger Festspiele held at the Rokokotheater Schwetzingen. »

04 Apr 2006

Alice Coote Sings Mahler and Schubert

The British mezzo, Alice Coote, will make her Met Opera debut as Cherubino in Le nozze di Figaro later this month. On the first of April, she gave a recital of Mahler and Schubert lieder, accompanied by Julius Drake. Here are two reviews. »

03 Apr 2006

Nine German Arias—An Urban Baroque Film

It’s always interesting when one’s own opinion about a work varies violently from others’ views, even if they are to date minimal in number. In this case, it is not the music per se that is under discussion but the way it is represented, or in my opinion, mis-represented by this film. »

03 Apr 2006

Don Pasquale at the Met

Don Pasquale is generally considered one of Donizetti's greatest works. Yet, "[o]f the three Donizetti operas being performed at The Met this season, the comedy Don Pasquale has been out of the repertoire for the longest time." This season the opera returns with bass Simone Alaimo (Don Pasquale), soprano Anna Netrebko (Norina) and tenor Juan Diego Flórez (Ernesto). Here are four reviews. »

01 Apr 2006

Gala Concert—50th Anniversary of the Reopening of the Vienna State Opera

Tuxes and gowns, a marathon of trotting on and offstage by renowned singers, a ritzy audience abusing their palms with ritual clapping—yes, EuroArts has another opera gala event available on DVD in this two-disc Vienna State Opera Gala concert. »

31 Mar 2006

RACHMANINOV: Piano concerti nos. 1 and 2

This is a wonderful, recent recording of these popular piano concertos by Rachmaninov. The Piano concerto no. 1 is a studio recording, while the Piano concerto no. 2 is a live version. »

31 Mar 2006


New recordings of complete operas lumber into view these days as the dinosaurs trod painfully into a dying sun in an animated depiction of their extinction. »

30 Mar 2006

OFFENBACH: La Grande-Duchesse de Gerolstein

Los Angeles Opera opened the 2005-6 season with a staging of Offenbach’s La Grande-Duchesse de Gerolstein, directed by Hollywood’s Garry Marshall. »

30 Mar 2006

Jumalaa kiittää sieluni—Hymns in Finnish

In 2001, Finland observed the 300th anniversary of the Finnish Hymnal. As a part of the celebration, YLE (the Finnish public broadcasting company) launched a project to record a substantial portion of the hymnal in performance by soloists or ensembles. »

30 Mar 2006

Darkling by American Opera Projects

The East Thirteenth Street Theatre is so unprepossessing that it would be easy to miss it altogether. From the street the entrance looks like an ice cream shop more so than a theatre. The crowded foyer has chairs around little tables and a food service counter. »

29 Mar 2006

Franz Schubert: The Trout • The Greatest Love and The Greatest Sorrow

In this compelling documentary, Christopher Nupen has captured rare and wondrous collaborations by some of the greatest twentieth century performers as they pay tribute to an early nineteenth century musical treasure, Franz Schubert. »

29 Mar 2006

The Jessye Norman Collection from Philips

Jessye Norman’s long-time label, Philips, celebrates the artist’s sizeable recorded heritage with an expansive series of double CDs of re-releases, under the sobriquet The Jessye Norman Collection. »

29 Mar 2006

Hit and miss in Amsterdam’s Cavalleria and Pagliacci

Guy Joosten, who recently directed the Met’s new Roméo et Juliette, reworked an attempt of Cav and Pag presented at the Essen Opera for the Nederlandse Opera in Amsterdam. I cannot say he succeeded or to put it more plainly: Cav was bad and Pagliacci suffered too. »

28 Mar 2006

"Lysistrata, Or the Nude Goddess" at NYC Opera

Having missed the first 10 minutes of Lysistrata, Or the Nude Goddess, I foolishly crept into my seat where I saw what appeared to be four raging Lainie Kazan’s protesting war by Athenian ruins. »

24 Mar 2006

PUCCINI: Turandot

Here is a Turandot to watch with the sound off—not because the singers misfire so badly, although no one really impresses. »

23 Mar 2006

FAURÉ: The Complete Songs 3 — Chanson d’amour.

The theme of the third volume of Hyperion’s set of the Complete Songs of Gabriel Fauré (1845-1924) is Chanson d’amour, which takes its name from a piece in the composer’s opus 27 set – a compilation devoted to the love song. »

22 Mar 2006

WHITACRE: Cloudburst and other choral works

There is little doubt about the popularity of Eric Whitacre’s music among North American choral ensembles. With the release of this Hyperion disc, the international choral scene may soon become enamored as well. »

21 Mar 2006

ROSSINI: Maometto Secondo

Before you watch this DVD, the best thing you can do is read the sleeve notes. They are brief but to the point; and they succinctly tell you the differences between this Venice version and the traditional one. »

21 Mar 2006

VERDI: La forza del destino

After issuing recordings of Les Vêpres Siciliennes, Simon Boccanegra, and Macbeth, Opera Rara continues it series of Verdi Originals—first versions of operas the composer later revised—with La forza del destino. »

21 Mar 2006

MOZART: Don Giovanni and Cosi fan tutte

This is an absolutely wonderful, live performance recording of two of Mozart’s best operas, Don Giovanni and Cosi fan tutte. »

21 Mar 2006

City Opera’s Production of The Most Happy Fella

The New York City Opera opened its spring 2006 season with a new production of Frank Loesser’s The Most Happy Fella, which premiered on Broadway fifty years ago in 1956. »

20 Mar 2006

SCHUBERT: Symphony no. 9

This is an absolutely fabulous recording of Schubert’s final symphony, which is often compared as his closest composition to the style of Beethoven. »

20 Mar 2006


In the 1990’s Pierre Audi staged productions of Monteverdi’s three surviving operas (L’Orfeo, Il ritorno d’Ulisse in patria, and L’incoronazione di Poppea) with De Nederlandse Opera in Amsterdam. »

20 Mar 2006

Maria Callas — Three Remastered Releases from EMI

Of all opera singers of the last century, no one better dominated the genre’s star power than Maria Callas. During her thirty-four years onstage, she came to embody the essence of the term “diva,” both in her stormy personal life and her equally tempestuous stage career. »

17 Mar 2006

My Name is Barbara

Barbara Bonney’s discography is extensive and wide-ranging, including opera and oratorio, as well as lieder recitals from Mozart and Mendelssohn through the major Romantics to Zemlinsky. »

17 Mar 2006

Hercules at the Barbican — Five Reviews

Hercules (HWV 60) was first performed on 5 January 1745 at King's Theatre, Haymarket, London. Categorized as a drama, it traditionally has been performed in the oratorio style (i.e., a concert performance). Following its performance as an opera at the Brooklyn Academy of Music, this production by William Christie now appears at the Barbican in London. "This extraordinary opera recounts the tragic tale of a hero literally poisoned by the jealousy of his misguided wife. In this modern-dress production, punctuated by Greek references, the action takes place on a sand-covered, amphitheatre-style arena where the chorus is used as Handel originally intended, to embody the people of Trachis and comment on the action." Here are five reviews. »

16 Mar 2006

Songs for Ariel

Of the countertenors coming to the fore in the generation following Alfred Deller, few, if any, have achieved the prominence or performance longevity of James Bowman. »

16 Mar 2006

TCHAIKOVSKY: The Nutcracker

The Nutcracker is one of the most popular ballets. Tchaikovsky’s score alone is synonymous with Christmas—one can even say that it is what keeps this ballet alive. »

16 Mar 2006

MAHLER: Symphony no. 4
BERG: Sieben Frühe Lieder

A critical aspect of Mahler’s music is the way the composer often juxtaposed the familiar and the new, and this dichotomy is reflected strongly in his Fourth Symphony. »

14 Mar 2006


Producer Robert Carsen, together with his set designer Tobias Hoheisel, is taking a big risk with their new production of Glück’s 1762 version for alto of “Orfeo ed Euridice” at Chicago Lyric Opera. »

13 Mar 2006


Some opera sets are meant to be an introduction to the work presented. They contain a booklet which tells you about the life of the composer, the history of the work, some analysis, a synopsis of the story, and maybe (if you're lucky) the libretto translated into your language. »

10 Mar 2006

Gabriela Montero — Piano Recital

This recording features piano works by the pillars of nineteenth-century Romantic piano composition (Chopin and Liszt), the Spanish-speaking musical nationalists (Granados, Ginastera, and de Falla), and the Russian composer-pianists (Scriabin and Rachmaninov) who reinterpreted the Romantic spirit in new and innovative ways for the piano. »

10 Mar 2006

MOZART: Requiem

Mozart’s Requiem has become widely-known and popular since the 1984 movie Amadeus. Left incomplete at his death, his student and assistant Franz Xaver Sussmayr (1766-1803) completed the work from Mozart’s notes. »

10 Mar 2006

VERDI: La Traviata

Could La Traviata be the opera with the most versions available on DVD? The appetite for the doomed heroine never wavers. »

09 Mar 2006

Wagnerian Songs

If Richard Wagner’s music may be seen to pervade the late nineteenth century, an area that is rarely discussed is his influence on song. »