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Probing Bernstein and MacMillan double bill in Amsterdam

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief.

Macbeth in Lyon

A revival of the Opéra de Lyon’s 2012 Occupy Wall St. production of Verdi’s 1865 Macbeth, transforming naive commentary into strange irony, some high art included.

An Interview with Soprano Lisette Oropesa

Lisette Oropesa sings Eurydice in Los Angeles Opera’s French version of Gluck’s Orpheus and Eurydice that can currently be seen at the Dorothy Chandler Pavilion.

Barber of Seville Is Fun in Tucson

On March 4, 2018, Arizona Opera presented Gioachino Rossini’s The Barber of Seville in Tucson. Allen Moyer designed the bright and happy scenery for performances at Minnesota Opera,

Moody, Mysterious Morel

Long Beach Opera often takes willing audiences on an unexpected journey and such is undeniably the case with its fascinating traversal of The Invention of Morel.

Acis and Galatea: 2018 London Handel Festival

Katie Hawks makes quite a claim for Handel’s Acis and Galatea when, in her programme article, she describes it as the composer’s ‘most perfect work’. Surely, one might feel, this is a somewhat hyperbolic evaluation of a 90-minute pastoral masque, or serenade, based on an episode from Ovid’s Metamorphoses, which has its origins in a private entertainment?

Oriana, Fairest Queen: Stile Antico celebrate the life and times of Elizabeth I

Stile Antico’s lunchtime play-list, celebrating the Virgin Queen’s long reign, shuffled between sacred and secular works, from penitential to patriotic, from sensual to celebratory.

Daniel Kramer's new La traviata at English National Opera

Verdi's La traviata is one of those opera which every opera company needs to have in its repertoire, and productions need to balance intelligent exploration of the issues raised by the work with the need to reach as wide an audience as possible with an opera which is likely to attract audience members who are not regular opera-goers.

Haydn's Applausus: The Mozartists at Cadogan Hall

Continuing their MOZART 250 series, The Mozartists/ Classical Opera began dipping into the operatic offerings of 1768 at Wigmore Hall in January, when they presented numbers from Mozart’s La finta semplice, Jommelli’s Fetonte, Hasse’s Pirano e Tisbe and Haydn’s Lo speziale.

Schubert Schwanengesang revisited—Florian Boesch, Wigmore Hall

Schwanengesang isn't Schubert's Swan Song any more than it is a cycle like Die schöne Müllerin or Winterreise. The title was given it by his publishers Haslingers, after his death, combining settings of two very different poets, Ludwig Rellstab and Heinrich Heine. Wigmore Hall audiences have heard lots of good Schwanengesangs, including Boesch and Martineau performances in the past, but this was something special.

Rinaldo: The English Concert at the Barbican Hall

“After such cruel events, I don’t know if I am dreaming or awake.” So says Almirena, daughter of the Crusader Goffredo, when she is rescued by her beloved warrior-hero, Rinaldo, from the clutches of the evil sorceress, Armida.

Hamlet abridged and enriched in Amsterdam

French grand opera and small opera companies are an unlikely combination. Yet OPERA2DAY, a company of modest means, is currently touring the Netherlands with Hamlet by Ambroise Thomas.

Opera in Amsterdam in 2018-2019

The operatic tradition is not as old in the Netherlands as in other European countries, yet opera is a vital part of the Dutch classical landscape. Both Dutch National Opera & Ballet and the Concertgebouw are in Amsterdam, so the capital gets the lion’s share of the opera on offer.

Lyric Opera of Chicago to Premiere Fellow Travelers—A Preview

On 17 March 2018 Lyric Opera of Chicago will premiere the 2016 opera Fellow Travelers by Gregory Spears (with a libretto by Greg Pierce, based on the novel by Thomas Mallon. Mallon’s 2007 novel offered fresh perspectives on the paranoiac investigations of McCarthy-era Washington, DC, through the lens of a gay relationship.

The ROH's first production of From the House of the Dead

Krzysztof Warlikowski’s production for the ROH of From the House of the Dead is ‘new’ in several regards. It’s (astonishingly) the first time that Janáček’s last opera has been staged at Covent Garden; it’s Warlikowski’s debut at Covent Garden; and the production uses a new 2017 critical edition prepared by John Tyrrell.

Così fan tutte at Lyric Opera of Chicago

With artifice, disguise, and questions on fidelity as the basis of Mozart’s Così fan tutte, the composer’s mature opera has returned to the stage at Lyric Opera of Chicago.

WNO's Wheel of Destiny rolls into Birmingham

Welsh National Opera’s wheel of destiny has rolled into Birmingham this week, with Verdi’s sprawling tragedy, La forza del destino, opening the company’s ‘Rabble Rousing’ triptych at the Hippodrome.

A Midsummer Night's Dream at the Royal College of Music

The gossamer web of Shakespeare’s A Midsummer Night’s Dream is sufficiently insubstantial and ambiguous to embrace multiple interpretative readings: the play can be a charming comic caper, a jangling journey through human pettiness and cruelty, a moonlit fairy fantasy or a shadowy erotic nightmare, and much more besides.

Les Funérailles Royales de Louis XIV recreated at Versailles

Les Funérailles Royales de Louis XIV, with Ensemble Pygmalion, conducted by Raphaël Pichon now on DVD/Blu -ray from Harmonia Mundi. This captures the historic performance at the Chapelle Royale de Versailles in November 2015, on the 300th anniversary of the King's death.

Robert Carsen's A Midsummer Night's Dream returns to ENO

Having given us Christopher Alden's strangely dystopic production of Britten's A Midsummer Night's Dream in 2011, English National Opera (ENO) has opted for Robert Carsen's bed-inspired vision for the latest revival of the opera at the London Coliseum.



Photo courtesy Dutch National Opera & Ballet
23 Mar 2018

Probing Bernstein and MacMillan double bill in Amsterdam

The Opera Forward Festival (OFF) in Amsterdam is about new things: new compositions, rediscovered works and new faces. This year’s program included a double bill produced by Dutch National Opera’s talent development wing. Leonard Bernstein’s portrait of a miserable marriage in affluent suburbia, Trouble in Tahiti, was the contrasting companion piece to James McMillan’s Clemency, a study of the sinister side of religious belief. »

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03 May 2007

Cesare Siepi: The Salzburg Recital of 1956; Arias from Norma, Faust, Don Carlo

For those who didn’t long ago purchased or exchanged this Salzburg recital via the pirate connections, this is a fine opportunity to get maybe the best testimonial of this artist. »

03 May 2007

American Choral Music

The commitment of Naxos to American music is substantial and admirable. »

02 May 2007

OFFENBACH: Orpheus in der Unterwelt (Orphée aux enfers)

Filmed for television in 1971, this performance of the German translation of Orphée aux enfers (1858) as Orpheus in der Unterwelt breaks the conventional wisdom that some espouse about the weaknesses of opera or opera when conceived for the small screen. »

02 May 2007

BACH: Cantatas, Vol. 26 (Whit Sunday and Whit Monday)

Among the virtues of hearing Bach cantatas performed in liturgical order—one of the hallmarks of John Eliot Gardiner’s stunning Cantata Pilgrimage of 2000—is the chance to savor Bach’s range of approach to unified text themes. »

02 May 2007

Delightful Organ at St Margaret’s Palm Desert

Who says an organ recital cannot be jolly good fun? »

01 May 2007

ROSSINI: Bianca e Falliero

Dynamic brought its cameras to the Rossini Opera Festival in Pesaro, Italy, in August 2005 to record Bianca e Falliero, one of Rossini's so-called “serious” operas, and one that had only been rescued from many decades of neglect by the festival itself, in 1986. »

01 May 2007

Miami “Karenina” a dream come true

Colin Graham’s dream of an opera based on Tolstoi’s “Anna Karenina” extends far into the past. »

01 May 2007

In Barcelona, a Wagner debut without scandals for Àlex Rigola, the rising star in the Catalan school of direction

At Barcelona’s Gran Teatre del Liceu, a sold-out house marked, for two nights in a row, the weekend introducing la diada de Sant Jordi, the big fiesta celebrated on April 23 in honor of the city’s patron St George. »

01 May 2007

Tristan und Isolde: Total Immersion

The Los Angeles Philharmonic in April and May brought back its Tristan Project for the benefit of audiences in California and New York City. »

25 Apr 2007

MAHLER: Symphony no. 2

Over a century after its premiere, Mahler's Second Symphony continues to be a compelling work and is as relevant now as it was when the work was conceived. »

25 Apr 2007

Beverly Sills & Placido Domingo

More than ever, compilations of previously released material fill the shelves of those stores still selling classical music. »

25 Apr 2007

Handel Singing Competition Final – London April 23rd

Once again, George Frederick Handel’s old stamping ground of St. George’s Hanover Square, London, resounded last night to the sound of his music as aspiring young singers from all over the world fought out the Final of the London Handel Singing Competition. »

23 Apr 2007

Wozzeck at San Diego Opera

“What drives a man to insanity and murder?” asks the poster for San Diego Opera’s new production of Wozzeck, which closed this Sunday after a run of four performances. »

22 Apr 2007

Satyagraha at ENO

Philip Glass’s 1980 work, new to the London stage, gives an illustrated account of Mahatma Gandhi’s early years in South Africa, viewed through the eyes of his satyagraha philosophy of peaceful resistance. »

19 Apr 2007

PENDERECKI: Symphony no. 7

Krzyzstof Penderecki (b. 1933) has contributed a body of works to the modern repertoire, and his Symphony no. 7, which he composed 1996 (premiere 1997 in Jerusalem), is an impressive composition. »

16 Apr 2007

MAHLER: Des Knaben Wunderhorn

The orchestral songs of Gustav Mahler remain an important contribution to the genre, and stand well alongside similar works by Berlioz, Wolf, and Strauss. »

16 Apr 2007

City Opera Presents La Donna del Lago

The New York City Opera continued its tradition of championing works that are less frequently performed with this season’s production of La Donna del Lago. »

15 Apr 2007


This sumptuous 2006 release was recorded live in the Mariinsky Theater in St. Petersburg in late 1993 for European TV broadcast the following year. »

15 Apr 2007

Handel's Flavio at NYCO

Incongruity was the rule of the day in the New York City Opera’s production of Handel’s Flavio, which opened on Wednesday, April 4. »

12 Apr 2007

Passion, pain paired in Berlin

It was, of course, a coincidence; on the other hand, on Berlin’s vital, vibrant and all-encompassing arts scene one is continually overwhelmed by new perspectives on the creative process and its product. »

11 Apr 2007

L’invitation au voyage: Mélodies from La belle époque

“Linvitation au voyage” is an appropriate title for this collection of French song, which makes available a number of fine performances of both familiar and rare works. »

11 Apr 2007

WAGNER: Lohengrin

With a label such as Gala, a purveyor of live recordings of various provenance, some adjustment to compromised sound quality can be expected. »

07 Apr 2007

A bride for sale at the Baltimore Lyric

The latest offering from the Baltimore Lyric Opera was Bedrich Smetana’s sparkling comedy Prodana Nevesta (“Bartered Bride”), a little gem of Czech Romantic nationalism that one does not see live very often these days. »

07 Apr 2007

BERNSTEIN: Fancy Free; Dybbuk

This excellent disc brings together two ballet scores from the far ends of Leonard Bernstein’s compositional career. »

06 Apr 2007

Kurt Weill on Broadway: Songs and Orchestrations by Kurt Weill

Kurt Weill’s perennial appeal can be attributed to various factors, not the least of which is the genuine craft of his stage works. »

06 Apr 2007

Perfume: The Story of a Murderer

Film music has become a sort of refuge for some music lovers turned off by the work of those serious music composers who have turned increasingly away from attempting an encounter with a broader public, retreating into an insular word of academic composition. »

04 Apr 2007

The Metropolitan Opera on DVD: Elektra, Luisa Miller and Tosca

With some deliberation the Metropolitan Opera releases DVD versions of live television broadcasts from its heyday as a PBS mainstay. »

02 Apr 2007

San Diego Opera — Il Trovatore

Verdi's magnificent melodrama Il Trovatore may be the most masculine of his creations, but the production that San Diego Opera presented as the third opera of its 2007 season was a triumph for the ladies. »

30 Mar 2007

José Carreras Collection

A classic Seinfeld episode revolved around a brush with the “third” of the Three Tenors - the one whom no one could quite put a name to. »

30 Mar 2007

HANDEL: Poro, Re dell’Indie

Let’s face it, Handel’s “Poro, Re dell’Indie” (in English “Porus, King of India”) isn’t exactly a household name in any but the most dedicated baroque opera circles. »

28 Mar 2007

Camacho’s Wedding (Die Hochzeit des Camacho)

UC Opera now have a half-century’s reputation to live up to; they were responsible for the UK premieres of such works as Das Liebesverbot, The Maid of Orleans, Alzira, Oberto and the 1847 version of Macbeth. »

27 Mar 2007

BRUCKNER: Lateinische Motetten — Latin Motets

Known almost iconically for his symphonies, Anton Bruckner devoted a great deal of his compositional output to vocal music, including choral works in both German and Latin. »

26 Mar 2007

RAMEAU: Platée, Pigmalion, Dardanus Ballet Suites

In the seventeenth and eighteenth centuries, French instrumental music was closely identified with dance and dance suites. »

26 Mar 2007

GRÉTRY: Pierre le Grand

Although milestones in the history of opéra-comique, Grétry’s operas are infrequently revived and rarely recorded. »

25 Mar 2007

MOZART: Die Entführung aus dem Serail

With the trials and tribulations of a multicultural society currently at the forefront of the British media, Gavin Quinn’s production placed a light-hearted focus on the bizarreness of a group of foreigners being thrown together in an unfamiliar situation. »

25 Mar 2007

MOZART: Don Giovanni

This 2005 production of the Mozart-Da Ponte masterpiece Don Giovanni makes for a frustrating experience. »

25 Mar 2007

Eugene Onegin — English Touring Opera

London is fortunate to have played host to several productions of Tchaikovsky’s best-known opera in the last three years alone, most recently British Youth Opera’s heartbreakingly fresh account last September – so it was a risky decision on ETO’s part to stage yet another. »

21 Mar 2007

ROSSINI: Matilde di Shabran

When Matilde di Shabran was premiered in Rome on Feb. 24, 1821, it was billed as a “melodrama giocoso” (which is the equivalent of an opera semiseria), somewhere between an opera buffa and an opera seria in character. »

21 Mar 2007

DONIZETTI: Roberto Devereux

Asked in an interview by Opera News on his opinion on updating, James Levine replied that it often intensified one or another aspect of the story but that in general it was not possible to update without distorting the story and the equilibrium in the whole opera. »

21 Mar 2007

TELEMANN: Komm Geist des Herrn — Late Cantatas

Our modern sense of the eighteenth-century Lutheran cantata derives in large part from the works of J. S. Bach—works that have been foundational in the early music movement, works that have much shaped our understanding of Bach, and works that we now know in an impressive array of different recordings. »

21 Mar 2007

DONIZETTI: Linda di Chamounix

I am surely not the only one who doesn’t understand why this sparkling score is not performed more often. »

21 Mar 2007

Große Opernchöre — Great Opera Choirs

In setting the scene or furthering the action on stage, the opera chorus often provides some memorable aural scenery in works by composers from Claudio Monteverdi to Arnold Schoenberg, and this collection offers a representative selection of examples from both those composers, and well as a number of others. Recorded on 14 January 2004, this concert of the Stuttgart Staatsopernchor and Staatsorchester offered a program devoted to memorable choruses. »

21 Mar 2007

MAHLER: Symphony no. 6

Based from concerts given on 22 August, 7 September, and 8 September 2005, this recording of Mahler’s Sixth Symphony is the latest release of the Concertgebouw’s own RCO Live label. »

20 Mar 2007

Teseo — Handel by the Sea

Nice Opera, on the French Cote d’Azur, seemed a most suitable place for this early work by Handel. »

20 Mar 2007

Das Gänsebuch (The Geesebook): German Medieval Chant

In their attempt to recreate a combination of musical styles typical of fifteenth- and sixteenth-century Nürnberg, Schola Hungarica and its directors László Dobszay & Janka Szendrei have chosen selections from the Gänsebuch, described as the “only complete extant source for the pre-Reformation liturgy of the mass in Nürnberg.” [CD liner-notes, p. 3] »

20 Mar 2007

PAISIELLO: Gli Astrologi immaginari

I never heard the 1966 live recording with Margherita Rinaldi and Paolo Montarsolo and I don’t have a clue what the sound picture is like. »

19 Mar 2007

Angela Gheorghiu, Los Angeles

A near-capacity audience, expectant and enthusiastic, streamed into the Dorothy Chandler for an old-fashioned evening of operatic glamour, as Angela Gheorghiu, with the Los Angeles Opera Orchestra in support, flew into town for a one night concert. »

19 Mar 2007

The Tempest at Covent Garden

This year is Thomas Adés’ annus mirabilis. He’s the subject of a major, six-week retrospective at the Barbican, and, of course, will be a major presence at the Aldeburgh Festival. »

13 Mar 2007

The Gondoliers — English National Opera

Speaking to a trusted chorus-member friend after this performance, I was told that I had benefited from not having seen this production when new three months ago. »

13 Mar 2007

LA Opera “Recovered Voices”

Just about halfway though his first season as music director of Los Angeles Opera, James Conlon has already made himself an endearing and appreciated figure. »