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Elsewhere

Cooperstown and the Hood

Glimmerglass Festival continues its string of world premiere youth operas with a wholly enchanting production of Ben Moore and Kelly Rourke’s Robin Hood.

Glimmerglass Oklahoma: Yeow!

Director Molly Smith knew just how to best succeed at staging the evergreen classic Oklahoma! for Glimmerglass Festival.

An Invitation to Travel: Christiane Karg and Malcolm Martineau at the Proms

German soprano Christiane Karg invited us to accompany her on a journey during this lunchtime chamber music Prom at Cadogan Hall as she followed the voyages of French composers in Europe and beyond, and their return home.

Schoenberg's Gurrelieder at the Proms - Sir Simon Rattle

Prom 46: Schoenberg's Gurrelieder with Simon Rattle and the London Symphony Orchestra, Simon O'Neill, Eva-Maria Westbroek, Karen Cargill, Peter Hoare, Christopher Purves and Thomas Quasthoff. And three wonderful choirs - the CBSO Chorus, the London Symphony Chorus and Orfeó Català from Barcelona, with Chorus Master Simon Halsey, Rattle's close associate for 35 years.

Le Siège de Corinthe in Pesaro

That of Rossini (in French) and that of Lord Byron (in English, Russian, Italian and Spanish), the battles of both Negroponte (1470) and of Missolonghi (1826) re-enacted amidst massive piles of plastic water bottles (thousands of them) that collapsed onto the heroine at Mahomet II's destruction of Corinth.

Dunedin Consort perform Bach's St John Passion at the Proms

John Butt and the Dunedin Consort's 2012 recording of Bach's St John Passion was ground-breaking for it putting the passion into the context of a reconstruction of the original Lutheran Vespers service.

Collision: Spectra Ensemble at the Arcola Theatre

‘Asteroid flyby in October: A drill for the end of the world?’ So shouted a headline in USA Today earlier this month, as journalist Doyle Rice asked, ‘Are we ready for an asteroid impact?’ in his report that in October NASA will conduct a drill to see how well its planetary defence system would work if an actual asteroid were heading straight for Earth.

Joshua Bell offers Hispanic headiness at the Proms

At the start of the 20th century, French composers seemed to be conducting a cultural love affair with Spain, an affair initiated by the Universal Exposition of 1889 where the twenty-five-year old Debussy and the fourteen-year-old Ravel had the opportunity to hear new sounds from East Asia, such as the Javanese gamelan, alongside gypsy flamenco from Granada.

John Joubert's Jane Eyre

Librettists have long mined the literature shelves for narratives that are ripe for musico-dramatic embodiment. On the whole, it’s the short stories and poems - The Turn of the Screw, Eugene Onegin or Death in Venice, for example - that best lend themselves to operatic adaptation.

Hibiki: a European premiere by Mark-Anthony Turnage at the Proms

Hibiki: sound, noise, echo, reverberation, harmony. Commissioned by the Suntory Hall in Tokyo to celebrate the Hall’s 30th anniversary in 2016, Mark-Anthony Turnage’s 50-minute Hibiki, for two female soloists, children’s chorus and large orchestra, purports to reflect on the ‘human reverberations’ of the Tohoku earthquake in 2011 and the devastation caused by the subsequent tsunami and radioactive disaster.

Through Life and Love: Louise Alder sings Strauss

Soprano Louise Alder has had an eventful few months. Declared ‘Young Singer of the Year’ at the 2017 International Opera Awards in May, the following month she won the Dame Joan Sutherland Audience Prize at the BBC Cardiff Singer of the World.

Janáček: The Diary of One Who Disappeared, Grimeborn

A great performance of Janáček’s song cycle The Diary of One Who Disappeared can be, allowing for the casting of a superb tenor, an experience on a par with Schoenberg’s Erwartung. That Shadwell Opera’s minimalist, but powerful, staging in the intimate setting of Studio 2 of the Arcola Theatre was a triumph was in no small measure to the magnificent singing of the tenor, Sam Furness.

Khovanshchina: Mussorgsky at the Proms

Remembering the centenary of the Russian Revolution, this Proms performance of Mussorgsky’s mighty Khovanshchina (all four and a quarter hours of it) exceeded all expectations on a musical level. And, while the trademark doorstop Proms opera programme duly arrived containing full text and translation, one should celebrate the fact that - finally - we had surtitles on several screens.

Santa Fe: Entertaining If Not Exactly (R)evolutionary

You know what I loved best about Santa Fe Opera’s world premiere The (R)evolution of Steve Jobs?

Longborough Young Artists in London: Gluck's Orfeo ed Euridice

For the last three years, Longborough Festival Opera’s repertoire of choice for their Young Artist Programme productions has been Baroque opera seria, more specifically Handel, with last year’s Alcina succeeding Rinaldo in 2014 and Xerxes in 2015.

A Master Baritone in Recital: Sesto Bruscantini, 1981

This is the only disc ever devoted to the art of Sesto Bruscantini (1919–2003). Record collectors value his performance of major baritone roles, especially comic but also serious ones, on many complete opera recordings, such as Il barbiere di Siviglia (with Victoria de los Angeles). He continued to perform at major houses until at least 1985 and even recorded Mozart's Don Alfonso in 1991, when he was 72.

Emalie Savoy: A Portrait

Since 1952, the ARD—the organization of German radio stations—has run an annual competition for young musicians. Winners have included Jessye Norman, Maurice André, Heinz Holliger, and Mitsuko Uchida. Starting in 2015, the CD firm GENUIN has offered, as a separate award, the chance for one of the prize winners to make a CD that can serve as a kind of calling card to the larger musical and music-loving world. In 2016, the second such CD award was given to the Aris Quartett (second-prize winner in the “string quartet” category).

Full-throated Cockerel at Santa Fe

A tale of a lazy, befuddled world leader that ‘has no clothes on’ and his two dimwit sons, hmmmm, what does that remind me of. . .?

Santa Fe’s Trippy Handel

If you don’t like a given moment in Santa Fe Opera’s staging of Alcina, well, just like the volatile mountain weather, wait two minutes and it will surely change.

Santa Fe’s Crowd-Pleasing Strauss

With Die Fledermaus’ thrice familiar overture still lingering in our ears, it didn’t take long for the assault of hijinks to reduce the audience into guffaws of delight.


OPERA TODAY ARCHIVES »

Reviews

Francesca Zambello, Glimmerglass Festival Artistic & General Director
22 Aug 2017

Cooperstown and the Hood

Glimmerglass Festival continues its string of world premiere youth operas with a wholly enchanting production of Ben Moore and Kelly Rourke’s Robin Hood. »

Recently in Reviews

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19 Jul 2006

BEETHOVEN: Missa Solemnis

This excellent performance of Beethoven's mammoth sacred work, Missa Solemnis, served as part of the celebration of the reopening (after reconstruction) of the Dresden Frauenkirche, which suffered devastating damage in the same bombing raid that destroyed much of the city and so many of its inhabitants near the end of WWII. »

19 Jul 2006

GUERRERO: Missa Surge Propera

The composers Morales, Guerrero, and Victoria form a holy trinity of sorts, dominating Spanish church music in what we have come to see as a “Golden Age,” a time in which sixteenth-century liturgical polyphony assumed a classical perfection. »

19 Jul 2006

CHAUSSON: Le Roi Arthus

I belong to the happy few (some would say ‘unhappy’ few) who ever witnessed a stage production of this rarely performed opera. »

19 Jul 2006

MOZART: Die Entführung aus dem Serail

Glyndebourne’s recent DVD release of it’s 1980 production of Die Entführung aus dem Serail is quite an exceptional performance of this particular work. »

18 Jul 2006

CINDERELLA GLITTERS

JULES MASSENET'S 'BROADWAY HIT,' the 1899 Cendrillon, billed as Cinderella but sung in French, was given top notch treatment at its Santa Fe Opera debut Saturday night (July 15). »

10 Jul 2006

HAYDN: Arias & Cantatas

In a room filled with music scholars, conversations surrounding the name Franz Joseph Haydn would be synonymous with symphonic music, keyboard works, operas, string quartets, and vocal music. »

08 Jul 2006

Dmitri Shostakovich: A Portrait

2006 is a centenary year of Dmitri Shostakovich (1906-1975) - a great Russian composer of the 20th century, and a complicated and tortured soul whose posthumous legacy has been a subject of heated ideological debates in recent years. »

05 Jul 2006

GESUALDO DA VENOSA: Quarto Libro di Madrigali
MONTEVERDI: Madrigals Book 4

Two sets of madrigals, each the fourth book published by its composer, give complementary views of the state of madrigal composition in Italy in the years either side of 1600. »

05 Jul 2006

Ana María Sánchez: Zarzuela

During the fifties and sixties, it was almost impossible (or horrendously expensive) to collect the hundreds of recordings of zarzuela outside Spain and some Latin American countries. »

05 Jul 2006

PUCCINI: Il Tabarro
LEONCAVALLO: I Pagliacci

The recent Deutsche Grammaphone release of an insightful Metropolitan Opera double bill from 1994 provides a fascinating comparison of contrasting verismo worlds. »

05 Jul 2006

Three Sopranos: Elena Obraztsova, Ileana Cotrubas, Renata Scotto

Even with a magnifying glass you won’t be able to find a date of this concert on either the DVD itself or in the sleeve notes. »

27 Jun 2006

Belcanto: The Tenors of the 78 Era, vols. 1 and 2

Second only to soprano divas, history’s great tenors have received the most retrospective scrutiny. »

26 Jun 2006

Puccini: Sogno d’or

Anyone who knows Giacomo Puccini only for his operas is in for a treat. Puccini: Sogno d’or presents Puccini the songwriter, and what is fascinating about this little-known repertory is that it prefigures many of the delightful melodies that later appeared in his works for the stage. »

24 Jun 2006

Vier letzte Lieder in Sofia and Varna

On June 9th in Sofia and 16th at the Varna Summer Festival, celebrated soprano Krassimira Stoyanova made her Richard Strauss debut in Vier letzte Lieder in her native Bulgaria. »

23 Jun 2006

GLUCK: Orfeo ed Euridice

All the excitement and activity in the classical recording company world now seems to be in the budget area. »

23 Jun 2006

"Castrato" — In Search of a Lost Voice

Nestling artistically in a bowl, carefully arranged and lit to suit the camera early in the programme, the testicles seemed to glow softly with their hidden history, their inherent potential and, now, their very lack of future. »

23 Jun 2006

Gypsy Melodies

“Gypsies! Filthy, dirty, thieving gypsies!” cried Amy Sedaris as Jerri Blank from one delightful Strangers With Candy episode years back. For those who have experienced a forced ‘chance’ meeting with one of these colorful characters in say, Granada, Spain, they may have espoused a similar belief in recent years. »

23 Jun 2006

Renato Bruson — Live in Concert

One sign that a media market has really come into its own, economically speaking, is the appearance of items previously released in other formats, items that one struggles to imagine a wide market for. DVDs must be doing fairly well, then, in the classical market. »

17 Jun 2006

HURWITZ: Exploring Haydn—A Listener’s Guide to Music’s Boldest Innovator

The world of J.S. Haydn is one gravely underappreciated and undervalued. He never earned the right to a 1980’s bio pic like Mozart or was appreciated and saluted in pop culture through early rock n’ roll like Beethoven. »

15 Jun 2006

BACH: Cantatas, vol. 14

This installment in the remarkable Bach Cantata Pilgrimage series presents four Christmas cantatas: “Gelobet seist du, Jesus Christ,” BWV 91; “Unser Mund sei voll Lachens,” BWV 110; “Dazu ist erschienen,” BWV 40; and “Christum wir sollen loben schon,” BWV 121, all recorded live in St. Bartholomew’s Church, New York City. »

14 Jun 2006

Piero Cappuccilli: Recital

Can you believe it? With all the profound knowledge of my 24 years, I first visited the Verona Arena in 1968. On was Trovatore with Bergonzi, Gencer and, as Luna, Piero Cappuccilli. »

14 Jun 2006

PUCCINI: Gianni Schicchi

Glyndebourne’s 2004 live recording of Gianni Schicchi, produced by Opus Arte, is quite possibly the most electric and riveting performance of this Puccini one-act opera. »

12 Jun 2006

WOLF: Prometheus — Orchesterlieder

Like other nineteenth-century composers, Hugo Wolf (1860-1903) orchestrated some of his Lieder, and his contributions to the genre of Orchesterlieder are impressive. »

01 Jun 2006

MAHLER: Lieder

Among the interpreters of Mahler’s music in the late twentieth century, Dietrich Fischer-Dieskau and Daniel Barenboim stand out for their various contributions. »

01 Jun 2006

BERNHARD: Geistliche Harmonien

The composer Christoph Bernhard (born Kolberg, Pomerania, 1628, died, Dresden 1692) embodies the problematic nature of German musical culture in the seventeenth century. »

01 Jun 2006

MONTEVERDI: Il ritorno d'Ulisse in patria

This Opus Arte set not only captures a mostly satisfying performance of Monteverdi's opera based on the last books of Homer's Odyssey, but features something even rarer: a booklet essay by the musical director (Glen Wilson) of remarkable lucidity. »

01 Jun 2006

LE JEUNE: Autant en emporte le vent — French Chansons

In spite of the religious warfare that consumed France during the second half of the sixteenth century (which claimed the life of one eminent Catholic composer, Antoine de Bertrand, who was murdered by Protestants)*, musical life continued unabated. »

31 May 2006

PFITZNER: Das Christelflein

Dubbed a “spieloper,” Hans Pfitzner’s Das Christelflein (“The Christmas Elf”) casts a magical, yet appropriately cool, spell, even in the warm days of late May, the time of this review. »

31 May 2006

Delectatio angeli — Music of love, longing & lament

Catherine Bott is an English soprano in her fifties with decades of career and an extensive discography, but even in the world of early music, where she has spent most of her time, one could not say she is a marquee name. »

31 May 2006

BÖHM: Cantatas

“A little learning is a dangerous thing; drink deep, or taste not the Pierian spring”, quoth the great poet Alexander Pope in 1709. »

31 May 2006

JONES: The Geisha

Should Opera Today readers want to test where they would place themselves on a spectrum ranging from “completely politically incorrect” to “utterly politically correct,” the Hyperion Helios re-release of Sidney Jones “Japanese musical play” The Geisha surely will do the trick. »

31 May 2006

MANFREDINI: 12 Concerti op. 3

The general aversion of the listening public to vocal music can nowhere be more easily seen than in the comparative success of the operatic and instrumental works of the Italian baroque. »

31 May 2006

DONIZETTI: Marino Faliero

There was a great northward swing of composers from Italy to Paris and London in the 1820s and 1830s. Actually, this has been going on for a long time, but was temporarily halted by the Napoleonic wars. »

31 May 2006

BACH: Cantatas, vol. 10

Few works seem more seminal to our understanding of J. S. Bach than the church cantatas, written over a wide chronological swath of his career, sometimes as part of occasional duties, other times in what was clearly a frenzy of steady prolificity. »

31 May 2006

MASSENET: Le Roi de Lahore

Sergio Seggalini, former editor of Opéra International (now Opéra Magazine), is the artistic director of both La Fenice and the Festival of Martina Franca. »

30 May 2006

BOITO: Nerone

“What a difference a sound makes” goes the song (or something like that). »

25 May 2006

DONIZETTI: Maria Stuarda

By sheer coincidence I attended a concert performance of this opera at the Vlaamse Opera in Antwerp at the same moment I received these CD’s. »

25 May 2006

DONIZETTI: Roberto Devereux

When asked whether he believed Rossini had composed Il Barbiere di Siviglia in thirteen days, nineteen-year-old Donizetti is supposed to have replied, »

25 May 2006

NICOLAI: Die lustigen Weiber von Windsor

Klaus-Edgar Wichmann, in the booklet essay to this Capriccio recording from 2002 of Otto Nicolai's Die lustigen Weiber von Windsor, describes the work as having "asserted itself in the opera repertoire for more than a hundred years." »

25 May 2006

Flights of Madness — Munich’s New “Orlando”

Returning from Munich’s new production of Handel’s “Orlando” at thirty thousand feet above clouds which might have done service as props for that opera when first staged in 1733, it occurred that the great man himself could have had things to say about what might be director David Alden’s valedictory baroque piece for the Bayerische Staatsoper. »

24 May 2006

BACH: Alles mit Gott

A little over a year ago Bach scholar Michael Maul found himself in the exceedingly unusual position of having discovered a hitherto unknown Bach composition, a birthday ode for Duke Wilhelm Ernst of Weimar, entitled “Alles mit Gott und nichts ohn’ ihn. »

24 May 2006

SCHUBERT: Die schöne Müllerin

Franz Schubert's song cycle Die schöne Müllerin has received, in recent years, frequent attention with several fine recordings having been issued during this period. »

24 May 2006

Orchestral Excerpts from Wagner Operas

Among the plentiful selections of orchestral music from the operas of Richard Wagner, it is rare to find recordings that truly stand out, and this recent release of performances conducted by the late Klaus Tennstedt merits distinction. »

24 May 2006

Turn of the Screw at Kennedy Center

On May 22, the Kennedy Center's Fortas Chamber Music Series and the Chateauville Foundation co-presented a fully staged production of Benjamin Britten's haunting chamber opera The Turn of the Screw, conducted by Lorin Maazel. Here are three reviews: »

24 May 2006

Rolando Villazón — Opera Recital

I’ve carefully listened several times to this new solo album (his third) by Rolando Villazón and it grows on you, though there are a few weaknesses. »

24 May 2006

PUCCINI: Turandot

This must be the first Turandot that has in the sleeve notes three photographs of the soprano who sings Liu compared to two of the lady in the title role. »

22 May 2006

Glyndebourne opens with Così fan tutte

Glyndebourne opened this year's festival with "a new production of Mozart’s Così fan tutte, subtitled ‘The school for lovers’, will open the 2006 Festival. This masterpiece includes some of Mozart’s most exquisite music, and Così’s now established popularity, following comparative neglect in the 19th century, is partly due to Glyndebourne’s championing of the work since the opening of the Festival in 1934." Here are some initial reviews: »

19 May 2006

Placido Domingo — Great Scenes

Domingo-fans probably have all complete performances from which these scenes were culled, as they were widely broadcast in Europe during the eighties. »