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Elsewhere

A Donizetti world premiere: Opera Rara at the Royal Opera House

There may be sixty or so operas by Donizetti to choose from, but if you’ve put together the remnants of another one, why not give everyone a chance to hear it? And so, Opera Rara brought L’Ange de Nisida to the concert stage last night, 180 years after it was composed for the Théâtre de la Renaissance in Paris, conductor Sir Mark Elder leading a team of bel canto soloists and the Choir and Orchestra of the Royal Opera House in a committed and at times stirring performance.

A stellar Ariadne auf Naxos at Investec Opera Holland Park

Strauss’s Ariadne auf Naxos is a strange operatic beast. Originally a Molière-Hofmannsthal-Strauss hybrid, the 1916 version presented in Vienna ditched Le bourgeois gentilhomme, which had preceded an operatic telling of the Greek myth of Ariadne and Theseus, and replaced it with a Prologue in which buffa met seria as competing factions prepared to present an entertainment for ‘the richest man in Vienna’. He’s a man who has ordered two entertainments, to follow an epicurean feast, and he wants these dramatic digestifs served simultaneously.

PROM 5: Debussy’s Pelléas et Mélisande

Stefan Herheim’s production of Debussy’s magnificent 1902 opera for Glyndebourne has not been universally acclaimed. The Royal Albert Hall brought with it, in this semi-staged production, a different set of problems - and even imitated some of the production’s original ones, notably the vast shadow of the organ which somewhat replicates Glyndebourne’s 1920’s Organ Room, and by a huge stretch of the imagination the forest in which so much of the opera’s action is set.

Thought-Provoking Concert in Honor of Bastille Day

Sopranos Elise Brancheau and Shannon Jones, along with pianists Martin Néron and Keith Chambers, presented a thrilling evening of French-themed music in an evening entitled: “Salut à la France,” at the South Oxford Space in Brooklyn this past Saturday, July 14th.

Dido in Deptford: Blackheath Halls Community Opera

Polly Graham’s vision of Dido and Aeneas is earthy, vigorous and gritty. The artistic director of Longborough Festival Opera has overseen a production which brings together professional soloists, students from Trinity Laban Conservatoire of Music and Dance, and a cast of more than 80 south-east London adults and children for this, the 12th, annual Blackheath Halls Community Opera.

Summer madness and madcap high jinxs from the Jette Parker Young Artists

The operatic extracts which comprised this year’s Jette Parker Young Artists Summer Performance seemed to be joined by a connecting thread - madness: whether that was the mischievousness of Zerbinetta’s comedy troupe, the insanity of Tom Rakewell, the metaphysical distress of Hamlet, or the mayhem prompted by Isabella’s arrival at Mustafà’s Ottoman palace, the ‘insanity’ was equally compelling.

Mefistofele at Orange’s Chorégies

This is the one where a very personable devil tells God that mankind is so far gone it isn’t worth his time to bother corrupting it further.

Mascagni's Isabeau rides again at Investec Opera Holland Park

There seemed to me to be something distinctly Chaucerian about Martin Lloyd-Evans’ new production of Mascagni’s Isabeau (the first UK production of the opera) for Investec Opera Holland Park.

The 2018 BBC Proms opens in flamboyant fashion

Anniversaries and commemorations will, as usual, feature significantly during the 2018 BBC Proms, with the works of Leonard Bernstein, Claude Debussy and Lili Boulanger all prominently programmed during the season’s myriad orchestral, vocal and chamber concerts.

Banff’s Hell of an Orphée+

Against the Grain Theatre brought its award winning adaptation of Gluck’s opera to the Banff Festival billed as “an electronic baroque burlesque descent into hell.”

A Choral Trilogy at the Aix Festival

What Seven Stones (the amazing accentus / axe 21), and Dido and Aeneas (the splendid Ensemble Pygmalion) and Orfeo & Majnun (the ensemble [too many to count] of eleven local amateur choruses) share, and virtually nothing else, is spectacular use of chorus.

Vintage Audi — Parsifal, Kaufmann, Pape

From the Bayerisches Staatsoper Munich, Wagner Parsifal with a dream cast - René Pape, Jonas Kaufmann and Nina Stemme, Christian Gerhaher and Wolfgang Koch, conducted by Kirill Petrenko, directed by Pierre Audi. The production is vintage Audi - stylized, austere, but solidly thought-through.

Flight Soars High in Des Moines

Jonathan Dove’s innovative opera Flight is being lavished with an absolutely riveting new production at Des Moines Metro Opera’s resoundingly successful 2018 Festival.

Fledermaus Pops the Cork in Iowa

Like a fizzy bottle of champagne, Des Moines Metro Opera uncorked a zesty tasting of Johan Strauss’s vintage Die Fledermaus (The Bat).

A spritely summer revival of Falstaff at the ROH

Robert Carson’s 2012 ROH Falstaff is a bit of a hotchpotch, but delightful nevertheless. The panelled oak, exuding Elizabethan ambience, of the first Act’s gravy-stained country club reeks of the Wodehouse-ian 1930s, but has also has to serve as the final Act’s grubby stable and the Forest of Windsor, while the central Act is firmly situated in the domestic perfection of Alice Ford’s 1950s kitchen.

Down on the Farm with Des Moines’ Copland

Ingenious Des Moines Metro Opera continued its string of site-specific hits with an endearing production of Aaron Copland’s The Tender Land on the grounds of the Maytag Dairy farm.

Des Moines’ Ravishing Rusalka

Let me get right to the point: This is the Rusalka I have been waiting for all my life.

L'Ange de feu (The Fiery Angel)
in Aix

Prokofiev’s Fiery Angel is rarely performed. This new Aix Festival production to be shared with Warsaw’s Teatr Wielki exemplifies why.

Ariane à Naxos (Ariadne auf Naxos) in Aix

Yes, of course British stage director Katie Mitchell served up Richard Strauss’ uber tragic Ariadne on Naxos at a dinner table. Over the past few years Mme. Mitchell has staged quite a few household tragedies at the Aix Festival, mostly at dinner tables, though some on doorsteps.

The Skating Rink: Garsington Opera premiere

Having premiered Roxanna Panufnik’s opera Silver Birch in 2017 as part of its work with local community groups, Garsington Opera’s 2018 season included its first commission for the main opera season. David Sawer's The Skating Rink premiered at Garsington Opera this week; the opera is based on the novel by Chilean writer Roberto Bolano with a libretto by playwright Rory Mullarkey.


OPERA TODAY ARCHIVES »

Reviews

<em>L’Ange de Nisida</em>: Opera Rara at the Royal Opera House
19 Jul 2018

A Donizetti world premiere: Opera Rara at the Royal Opera House

There may be sixty or so operas by Donizetti to choose from, but if you’ve put together the remnants of another one, why not give everyone a chance to hear it? And so, Opera Rara brought L’Ange de Nisida to the concert stage last night, 180 years after it was composed for the Théâtre de la Renaissance in Paris, conductor Sir Mark Elder leading a team of bel canto soloists and the Choir and Orchestra of the Royal Opera House in a committed and at times stirring performance. »

Recently in Reviews

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22 Jun 2008

Choral Music by Dvořák and Brahms

Among the choral music of Anton [Antonin] Dvorak, the familiar Stabat Mater, Op. 58, is known to modern audiences through various live performances and recordings. »

19 Jun 2008

Mozart and Lortzing from Hamburg Opera on film

A nostalgic charm permeates these filmed productions from the early 1970s of Lortzing's Zar und Zimmerman and Mozart's Die Zauberflöte, collaborations between the Hamburg State Opera and German TV director Joachim Hess. »

19 Jun 2008

Karajan opera highlights on Classics for Pleasure

The opera highlights series from Classics for Pleasure continues its recycling of the EMI catalogue with selections from two of Herbert von Karajan's recordings. »

15 Jun 2008

Plácido Domingo’s miraculous autumn

On the barren stage: a few chairs, a dark-gold hectoplasm projected on the wood panels of the acoustic chamber - nothing more. »

15 Jun 2008

See Venice and then die

For the belated Spanish premiere of Britten’s Death in Venice, 35 years after its creation in Aldeburgh, Barcelona seems a felicitous choice. »

09 Jun 2008

Songs by Henry & William Lawes

With this recording of songs by Henry & William Lawes, musical brothers who flourished in Caroline England, countertenor Robin Blaze with lutenist Elizabeth Kenny continue their exploration of early English song for Hyperion, and the results are stunning. »

09 Jun 2008

Star Power in Paris “Capuleti”

For Bellini’s “I Capuleti e i Montecchi,” Paris Opera peopled its revival with plenty of star power. »

09 Jun 2008

Opera with a human heart

When the Ringling Brothers folded their tents, opera took over. Aïda with elephants, and Walküre with real horses. »

09 Jun 2008

St. Francis in Amsterdam

It is a bit hard to know what to make of Olivier Messiaen’s colossal piece “Saint François d’Assise,” beautifully mounted by Netherlands Opera. »

08 Jun 2008

Zurich Has Malibran to Thank

If you are going to produce Jacques Fromental Halevy’s forgotten opera “Clari,” I urge you to first make sure you have a signature on the contact from a superstar with the firepower of Cecilia Bartoli. »

04 Jun 2008

Joye: Les plaintes de Gilles de Bins dit Binchois

The title of this recording “Joy: the Laments of Gilles Binchois” introduces a seeming contradiction, one that plays on a contemporaneous description of the composer as "pére de joyeusetè"—the father of joy—in tension with an affinity for melancholy in his works. »

04 Jun 2008

SCHOENBERG: Moses und Aron

Even though it is one of the important operas of the twentieth century, Arnold Schoenberg’s Moses und Aron is, perhaps, more esteemed than performed. »

04 Jun 2008

Der Rosenkavalier at ENO

It is worth remembering that prior to the première of Strauss’s opera in 1911, the working title was ‘Ochs auf Lerchenau’. »

04 Jun 2008

Il Matrimonio Segreto in Brooklyn

Opera producers in quest of headlines, unable to make them from the limited number of Mozart operas available (all of them far too familiar) but equipped with the flood of attractive young singers trained to sing Mozart in conservatories (because singing Mozart does not harm young voices, and singing Verdi and Wagner before 30 — better yet, 40 — often will), sometimes turn to Mozart’s contemporary, Cimarosa, and his Il Matrimonio Segreto, to get attention. »

04 Jun 2008

Handel's Rodrigo — Ensemble San Felice, St John’s Smith Square, London

Handel’s Rodrigo, subtitled ‘Vincer se stesso è la maggior vittoria’ (Self-conquest is the greater victory) is one of the composer’s earliest operatic works, and rarely heard. »

28 May 2008

Tree-mendous in Chicago

Chicago Opera Theater scored a resounding success with its area premiere of John Adams’ newest stage piece, “A Flowering Tree.” »

28 May 2008

Revised Amistad makes its mark

Upon its premiere at Chicago’s Lyric Opera in 1997 Anthony Davis’ Amistad found little critical favor. Its undisciplined excesses led one writer to compare it to a high-school pageant. »

27 May 2008

Books 'n Things

Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009.  »

27 May 2008

Merry Widow at ENO

In these days of 'concept' productions, it is rare that the curtain goes up on the first act of an opera and it looks exactly as one might reasonably expect it to. »

27 May 2008

Masterpiece Masterfully Rendered in Toronto

I can still remember my first ever “Pelleas et Melisande” in my first ever outing at San Francisco Opera during my first ever visit to that beautiful town. »

25 May 2008

A Berlin Sampler

A recent visit to Berlin’s three opera houses yielded decidedly, nay wildly varying outcomes. »

25 May 2008

HINDEMITH: Cardillac

Premiered in 1926, Paul Hindemith’s opera Cardillac is a three-act work based on E. T. A. Hoffmann’s short story Das Fräulein von Scuderi. »

25 May 2008

WAGNER: Tristan und Isolde

In the 1983 production designed, staged, and directed by Jean-Pierre Ponnelle, this recording of Richard Wagner’s Tristan und Isolde is a solid and well-thought performance that has much to offer. »

15 May 2008

STRAUSS: Opernszenen | Scenes of Operas.

Recorded between 1938 and 1942, the excerpts from performances of Der Rosenkavalier, Die Frau ohne Schatten, Arabella, and Daphne at the Dresden Staatsoper are all conducted by Karl Böhm. »

15 May 2008

Gotham Chamber Opera: Ariadne Unhinged

The Gotham Chamber Opera has been delighting opera fans on the Lower East Side for seven years now, one small audience at a time. »

13 May 2008

Les Troyens in Boston

Thirty-six years after Sarah Caldwell and the Opera Company of Boston presented the first complete staged performances in the United States, Hector Berlioz’ Les Troyens returned to Boston in triumph in a series of concert performances presented by the Boston Symphony Orchestra under the baton of James Levine to close the BSO’s 2007-2008 season. »

13 May 2008

Ponnelle Clemenza remains a masterpiece

Opera companies should practice historic preservation, keeping certain productions forever in the repertory because of their quality and aesthetic value. »

13 May 2008

Nono's Prometeo at Royal Festival Hall

Prometeo is so radically different that it’s almost incomprehensible heard from preconceived assumptions of what music “ought” to be. »

13 May 2008

On Venetian Opera: a new edition of Monteverdi's Ritorno, and Eleanor Selfridge-Field on Time and Opera in Venice.

Claudio Monteverdi. Il Ritorno d’Ulisse in patria. Edited by Rinaldo Alessandrini. Urtext. Kassel: Bärenreiter, 2007. BA 8791. A vocal score is available as 8791a. »

12 May 2008

John Brown lives again in Kansas City

John Brown might have been a’mouldering in his grave since he was hanged in 1859, but he was resurrected — in body and spirit — on May 3, when the Lyric Opera of Kansas City staged the world premiere of Kirke Mechem’s John Brown. »

09 May 2008

Canada’s Brueggergosman makes the most of Mozart

When Toronto’s Opera Atelier asked her to sing Elettra in Mozart’s Idomeneo Measha Brueggergosman hesitated. »

09 May 2008

Fort Worth Opera Festival features “Angels in America”

In 2007 it was an experiment; now it’s a new summer festival firmly rooted in fertile Texas turf with a bright view of its second season and of the more distant future as well. »

09 May 2008

Spoleto USA revives opera, hall

Operas do not often get a second chance. A new work is premiered and — if it’s a co-commission — it moves on to another company or two. »

07 May 2008

Die Entführung aus dem Serail

Die Entführung aus dem Serail is too light to be a grand opera, but it makes rather grander demands of its singers than operetta could possibly bear. »

06 May 2008

Karajan: The Music, the Legend.

At the centenary of the birth of the conductor Herbert von Karajan various commemorations are occurring, an among them is the concise CD and DVD release by Deutsche Grammophon, with both discs bound into a booklet that includes a short prose tribute to the man illustrated with some well-chosen photographs from various parts of his career. »

06 May 2008

Punch & Judy at ENO

English National Opera’s production of Harrison Birtwistle’s ‘Punch and Judy’ is the company’s second collaboration with the Young Vic Theatre — following the premiere of Neuwirth’s ‘Lost Highway’ a few weeks earlier — and remarkably, also the second London production of this early Birtwistle work within a month, the previous one having been at the Linbury Studio Theatre, a collaboration between Music Theatre Wales and the Royal Opera. »

06 May 2008

The Collegiate Chorale: Jupiter in Argos

Over the years, one tried and true method of packing audiences in to the concerts of Robert Bass’s Collegiate Chorale has been to present concert opera with impressive soloists. »

06 May 2008

French Opera highlights on Classics for Pleasure

Consumers might opt for a highlights set instead of a full recording of an opera for many reasons. »

06 May 2008

THOMSON: The Plow that Broke the Plains

Naxos's DVD division has already released the performances on this disc of Virgil Thomson's scores for The Plow that Broke the Plains and The River, as soundtracks for a re-release of the original films. That DVD (Naxos 2.110521) contained, as... »

04 May 2008

Ned Rorem's Our Town

Martha Graham used to say, “In order for there to be dance, there must be something that needs to be danced.” »

04 May 2008

La Fille du Régiment at the Met

When the Met presented La Fille du Régiment for Lily Pons during World War II, she sought permission to wave the Cross of Lorraine, symbol of Charles de Gaulle’s Free French, during the Salut à la France in Act II. »

04 May 2008

Minnesota Opera makes strong case for Rusalka’s greatness

Why does one so seldom encounter Dvořák’s Rusalka on stage? »

27 Apr 2008

Bruckner: Symphony no. 8 in C minor, WAB 108 (1890 [Second Version])

As difficult as it is to identify a single score as representative of its composer, Symphony no. 8 in C minor by Anton Bruckner is an essential work that may be regarded as the quintessence of his accomplishments in the form. »

25 Apr 2008

Satyagraha at the MET

Satyagraha is an odd duck to encounter if you are seeking a traditional opera-going experience or anything like it. »

23 Apr 2008

Sarasota rises above the regional

Victor DeRenzi is a man of convictions — and of courage. Given his commitment to tradition, you might call DeRenzi, artistic director of Sarasota Opera since 1982, conservative. »

22 Apr 2008

A Cut Too Far…..the new Giulio Cesare in Lausanne

With what might (if one were risking facetiousness) be termed a “false-set” of four countertenors in the cast, this was always going to be an intriguing production of Handel’s Giulio Cesare for aficionados of a voice type which has revolutionised the perception (and popularity) of baroque opera over the past 15 years. »

21 Apr 2008

The Minotaur — Royal Opera, Covent Garden

Harrison Birtwistle’s new full-scale opera, commissioned by the Royal Opera House, Covent Garden, is a study of isolation and imprisonment. »

21 Apr 2008

OONY Performs Puccini's Edgar

It was one of Queler’s good nights. »

21 Apr 2008

BELLINI: Norma

This production offers a different view of Norma. As Stage Director Guy Joosten explains in the introduction on the first of a 2-disc set, he wanted to give the audience “more” of what he believes the modern audience expects. »

21 Apr 2008

Berlin’s “other” opera often stellar

It is, you might say, the little opera that can. True, if it’s size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlin’s opera houses. »