Recently in Reviews
28 Oct 2007
For some seasons now, ENO has expressed a commitment to reinforce the role of dance within opera. »
24 Oct 2007
Do you remember a moment when a piece, new to you, so engaged you that you immediately wanted to know more. . .or all about it? »
24 Oct 2007
I doubt many admirers of Leontyne Price will be tempted to buy this issue. »
22 Oct 2007
Birgit Nilsson probably never heard of “the Protestant work ethic,” but she didn’t need to know it. »
22 Oct 2007
The Roman composer Mazzocchi is one of those figures known only to musicologists, and it is a pity, for this disc contains first-rate music. »
22 Oct 2007
An expedition against the famed warring women, the Amazons, ranking as Hercules’ ninth labor out the canonic twelve, provided the subject for the libretto by Antonio Salvi (not Giacomo Francesco Bussani, as hitherto misattributed) that Vivaldi set to music in 1723 as his own sixteenth operatic labor. »
22 Oct 2007
Glyndebourne Festival Opera’s guest appearance is an annual fixture at the Proms, and this year the work of choice was Verdi’s Macbeth, in a semi-staged performance on July 24th based on Richard Jones’s new production for this year’s Festival. »
16 Oct 2007
At this point in his career David Gockley has no need to prove himself. He did that with awesome success as general director of Houston Grand Opera for 33 years, during which he made that company a front runner both on the American and international opera scenes. »
16 Oct 2007
Mirella Freni’s 1993 triumph in the lead of Umberto Giordani’s Fedora at La Scala has made it to DVD. In his booklet essay, Werner Pfister (translated by Stewart Spencer) admits the opera “does not enjoy the best of reputations.” »
16 Oct 2007
Okay, okay, I freely admit this up front: I am not inordinately fond of operetta. Just thought you should know. All the more remarkable then that I found myself listening to this new recording several times over. »
15 Oct 2007
Whatever you do, don't give this DVD as a gift to people you don't want to alienate. »
15 Oct 2007
SAN FRANCISCO — “My subject is war and the pity of war, and the poetry is in the pity.” »
15 Oct 2007
A remarkably quick turnaround from only last May when the first run of Handel’s “Radamisto” was blessed with a consistently high level of vocal performance may have been the reason for sparser houses this time round at the Hamburg Staatsoper (October 6th). »
09 Oct 2007
Of Donizetti’s fifty or so “serious” operas, Lucia di Lammermoor was the only one to survive his heyday almost unscathed by change of fashion; today, when a dozen of his other worthy works have been restored to the repertory, Lucia easily hangs on. »
09 Oct 2007
Recorded in August 2001 at the Salzburg Festival, less than a month before the tragic events of 11 September, the presentation of songs and readings of music by American composers and texts by American authors seems aimed at a different world. Without venturing into political or social dimensions of the event, the concept of America in August 2001 suggested at times a sense of being impermeable, if not invincible. »
09 Oct 2007
Thomas Stoltzer represents German composition in the wake of the Reformation yet still immersed in the contrapuntal richness of the Josquin tradition. »
09 Oct 2007
With its fine engineering, the rich score of Mahler’s Sixth Symphony and the superb playing of the Philadelpha Orchestra conducted by Christoph Eschenbach emerge well in this recently released recording. »
09 Oct 2007
This must be one of the most interesting collectors’ collections to have appeared in many a year. Personally I’ve always liked any singer from Fernando De Lucia to Rolando Villazon but I never was tempted to collect shellac and therefore didn’t have to contact Yves Becko. »
08 Oct 2007
René Jacobs’s beautiful 1996 production of Francesco Cavalli’s Calisto has garnered many enthusiastic fans over the years. »
04 Oct 2007
Once upon a time, there was something known as early music. This was not so much a repertoire, a musico-historical epoch, as an attitude, a counter-cultural group. »
02 Oct 2007
There is a certain onerous responsibility in developing a new production of Carmen at a major house. »
01 Oct 2007
Across the country from Los Angeles, the Metropolitan Opera has opened its 2007-08 season with big stars (Netrebko, Alagna, Dessay, Giordani) in juicy, melodic operas by Donizetti and Gounod. »
28 Sep 2007
This is a recording that glories in iconicity. »
28 Sep 2007
Masterpiece? The term rather depends on whether the artist in question was indeed a master and it might come as a surprise to learn that this little-known composer of the brief, but significant, German Baroque Opera period is regarded by many as just that. »
26 Sep 2007
The New York City Opera’s production of Richard Danielpour’s and Toni Morrison’s opera, Margaret Garner, boldly faces the ugly history of slavery in the United States, and the racism inherent in the institution of opera. »
23 Sep 2007
There are a number of signs of the popularity of the King’s Singers—their longevity as an ensemble, the huge success of their public concerts, and their sizable discography all come immediately to mind. »
23 Sep 2007
Westminster Abbey is surely many things to many people. »
23 Sep 2007
The 2004 DVD "Playing Elizabeth’s Tune," originating in a BBC television production, features concert performances of Byrd’s sacred music sung by the Tallis Scholars along with documentary material treating the composer and his time. »
23 Sep 2007
It is not surprising that it was Beethoven’s Fidelio that was chosen to reconsecrate rebuilt opera houses in Vienna and Berlin in the years after World War Two. »
23 Sep 2007
If the swift downpour that hit Pesaro, moments before the Prima of G. Rossini’s Otello on August 8th, seemed like a bad omen, that was nothing compared to the two major cast changes that could have weakened the foundation of the Rossini Opera Festival’s new production of the opera and washed it away. »
23 Sep 2007
Of the operas composed in the latter half of the twentieth century, Krzysztof Penderecki’s Die Teufel von Loudon is a significant contribution to the repertoire. »
19 Sep 2007
For those who can’t (or won’t) see the forest of an opera for the trees of performance minutiae, here’s the word about the San Francisco Opera’s new production of Wagner’s “Tannhauser” that opened tonight: »
19 Sep 2007
The liturgy of Compline marks the end of the monastic day, as the community seeks peaceful repose for the night ahead. »
19 Sep 2007
Psalmody, be it in the form of chanted recitations or anthem settings, lies close to the heart of liturgical singing, and this collection, “Psalms for the Spirit” brings together an engaging variety of both long familiar and recent psalms that celebrates the traditions and explores new directions. »
19 Sep 2007
What’s outstanding about this Lohengrin is the orchestral playing. »
18 Sep 2007
Name this stage piece if you can: »
18 Sep 2007
Before the age of computers, CDs. DVDs and Apple i-Phones, there was television. »
18 Sep 2007
Los Angeles Opera opened its 2007 season with Fidelio on September 8th, and on the following day held a gala performance of Verdi’s Requiem. »
16 Sep 2007
One of the glories of a well-executed performance of Richard Wagner's Ring cycle is the sonic dimension of the work, with the dramatic contrasts between the larger musical canvasses and the more intimate ensembles that occur between several voices and within the orchestra itself. »
16 Sep 2007
Often overshadowed by its composer's Requiem, the Te Deum, Op. 22 (1849) by Hector Berlioz deserves attention for its own merits, and this recent release by Hänssler in its series of live recordings of the Staatskapelle Dresden is a solid reading of this work. »
16 Sep 2007
The courtly instrumental music of the Halle composer, Samuel Scheidt, is preserved in the printed collection "Ludi musici" (1620), giving congenial suggestion of both the richness of the court practice and the virtuosic abilities of the ensemble players there, including the cornettist, Zacharias Härtel. »
16 Sep 2007
The quarter century of work by the French medieval ensemble, Ensemble Organum, and their director, Marcel Pérès has positioned them as leading interpreters of early liturgical repertories; among interpreters, their renditions assert a high degree of distinctiveness and character. »
12 Sep 2007
On stages all over the world, most any night of the year, poor Parisian Mimi hacks her way into oblivion, while her sometime lover cries out her name in hysterical despair. »
11 Sep 2007
In 2005 the Australian musicologist Janice Stockigt made the case that several works attributed to Baldassare Galuppi in the Saxon State and University Library (Dresden) were really the works of Antonio Vivaldi. »
10 Sep 2007
This installment in the ongoing series of Monteverdi madrigal recordings from Marco Longhini and Naxos presents distinctive performances of works that lie close to the heart of the early baroque style. »
10 Sep 2007
There is much to admire in Masaaki Suzuki’s Bach performances with the Bach Collegium Japan, and this recording of excerpts from the St. Matthew Passion will remind the listener of the diverse ways in which this is so. »
07 Sep 2007
As an audio-recording, Supraphon's set of Bedrich Smetana's The Bartered Bride conducted by Zdeněk Košler deserves the highest recommendation. »
07 Sep 2007
A series of historic recordings comes from Profil/Edition: Günter Hänssler, and from those a subset of Staatskapelle Dresden performances brings opera fans a remarkable document. »
07 Sep 2007
Here's another in a series of televised recitals from Lugano, Switzerland to have appeared on DVD. »
07 Sep 2007
Alban Berg's Wozzeck takes almost two hours to induce a sense of soul-crushing nausea and despondency. Kiri Sings Karl achieved that for your reviewer in a couple minutes, and then went on with terrifying, torturous efficiency for almost another hour. »
