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Elsewhere

Glyndebourne’s first production of Dialogues des Carmélites to open Glyndebourne Festival 2020

Glyndebourne’s first production of Poulenc’s Dialogues des Carmélites will open Glyndebourne Festival 2020, it was announced today. The opera house unveiled its 2020 plans at an event in its recently built Production Hub, hosted by Glyndebourne’s new senior leadership team, Artistic Director Stephen Langridge and Managing Director Sarah Hopwood, who jointly replace the former position of General Director.

Peter Sellars' kinaesthetic vision of Lasso's Lagrime di San Pietro

On 24th May 1594 just a few weeks before his death on 14 June, the elderly Orlando di Lasso signed the dedication of his Lagrime di San Pietro - an expansive cycle of seven-voice penitential madrigale spirituali, setting vernacular poetry on the theme of Peter’s threefold denial of Christ - to Pope Clement VIII.

Garsington Opera Announces 2020 season and 2019 Paris Performance

Garsington Opera is delighted to announce the 2020 season that will open on 28 May, featuring three new productions - Verdi’s Un giorno di regno, Mozart’s Mitridate, re di Ponto, Dvořák’s Rusalka and a revival of John Cox’s legendary production of Beethoven’s Fidelio.

Karlheinz Stockhausen: Donnerstag aus Licht

Stockhausen was one of the most visionary of composers, and no more so than in his Licht operas, but what you see can often get in the way of what you hear. I’ve often found fully staged productions of his operas a distraction to the major revelation in them - notably the sonorities he explores, of the blossoming, almost magical acoustical chrysalis, between voices and instruments.

David McVicar's Andrea Chénier returns to Covent Garden

Is Umberto’s Giordano’s Andrea Chenier a verismo opera? Certainly, he is often grouped with Mascagni, Cilea, Leoncavallo and Puccini as a representative of this ‘school’. And, the composer described his 1876 opera as a dramma de ambiente storico.

Glyndebourne presents Richard Jones's new staging of La damnation de Faust

Oratorio? Opera? Cantata? A debate about the genre to which Berlioz’s ‘dramatic legend’, La damnation de Faust, should be assigned could never be ‘resolved’.

Jean Sibelius: Kullervo

Why did Jean Sibelius suppress Kullervo (Op. 7, 1892)? There are many theories why he didn’t allow it to be heard after its initial performances, though he referred to it fondly in private. This new recording, from Hyperion with Thomas Dausgaard conducting the BBC Scottish Symphony Orchestra, soloists Helena Juntunen and Benjamin Appl and the Lund Male Chorus, is a good new addition to the ever-growing awareness of Kullervo, on recording and in live performance.

Hampstead Garden Opera presents Partenope-on-sea

“Oh! I do like to be beside the seaside! I do like to be beside the sea!” And, it was off to the Victorian seaside that we went for Hampstead Garden Opera’s production of Handel’s Partenope - not so much for a stroll along the prom, rather for boisterous battles on the beach and skirmishes by the shore.

Henze's Phaedra: Linbury Theatre, ROH

A song of love and death, loss and renewal. Opera was born from the ambition of Renaissance humanists to recreate the oratorical and cathartic power of Greek tragedy, so it is no surprise that Greek myths have captivated composers of opera, past and present, offering as they do an opportunity to engage with the essential human questions in contexts removed from both the sacred and the mundane.

Un ballo in maschera at Investec Opera Holland Park: in conversation with Alison Langer

“Sop. Page, attendant on the King.” So, reads a typical character description of the loyal page Oscar, whose actions, in Verdi’s Un ballo in maschera, unintentionally lead to his monarch’s death. He reveals the costume that King Gustavo is wearing at the masked ball, thus enabling the monarch’s secretary, Anckarstroem, to shoot him. The dying King falls into the faithful Oscar’s arms.

Martin Duncan directs the first UK staging of Offenbach's Fantasio at Garsington

A mournful Princess forced by her father into an arranged marriage. A Prince who laments that no-one loves him for himself, and so exchanges places with his aide-de-camp. A melancholy dreamer who dons a deceased jester’s motley and finds himself imprisoned for impertinence.

Thomas Larcher's The Hunting Gun at the Aldeburgh Festival: in conversation with Peter Schöne

‘Aloneness’ does not immediately seem a likely or fruitful subject for an opera. But, loneliness and isolation - an individual’s inner sphere, which no other human can truly know or enter - are at the core of Yasushi Inoue’s creative expression.

Actress x Stockhausen Sin {x} II - a world premiere

Is it in any sense aspirational to imitate - or even to try to create something original - based on one of Stockhausen’s works? This was a question I tried to grapple with at the world premiere of Actress x Stockhausen Sin {x} II.

The London Handel Festival and The Royal Opera announce a co-production of Handel’s Susanna starring members of The Royal Opera’s Jette Parker Young Artists Programme

The London Handel Festival and The Royal Opera today [14 May 2019] announced a co-production of Handel’s oratorio Susanna as part of the 2020 London Handel Festival. The new production, performed in English in the Linbury Theatre [5 - 14 March 2020], will star members and Link Artists from The Royal Opera’s Jette Parker Young Artists Programme. Handel’s Susanna was written for Covent Garden and had its premiere on the site in 1749, but has not been performed at Covent Garden since.

Royal Opera House announces 17 new productions for its 2019/20 Season

The Royal Opera House today launches its 2019/20 Season, unveiling an exciting range of new commissions, world premieres and much-loved revivals, supported by a diverse range of ticketed and free daytime events, activities and festivals for people of all ages. In the first full Season since the completion of the Royal Opera House’s three-year Open Up renovation, The Royal Opera Company unveils a host of innovative new work, with 13 new productions, including two world premieres, in the Season ahead.

The BBC Singers and the Academy of Ancient Music join forces for Handel's Israel in Egypt

The biblical account of the Exodus of the Israelites from Egypt is the defining event of Jewish history. By contrast, Handel’s oratorio Israel in Egypt has struggled to find its ‘identity’, hampered as it is by what might be termed the ‘Part 1 conundrum’, and the oratorio has not - despite its repute and the scholarly respect bestowed upon it - consistently or fully satisfied audiences, historic or modern.

Measha Brueggergosman: The Art of Song – Ravel to John Cage

A rather charming story recently appeared in the USA of a nine-year old boy who, at a concert given by Boston’s Handel and Haydn Society, let out a very audible “wow” at the end of Mozart’s Masonic Funeral Music. I mention this only because music – whether you are neurotypical or not – leads to people, of any age, expressing themselves in concerts relative to the extraordinary power of the music they hear. Measha Brueggergosman’s recital very much had the “wow” factor, and on many distinct levels.

In interview with Polly Graham, Artistic Director of Longborough Festival Opera

What links Wagner’s Das Rheingold, Donizetti’s Anna Bolena, Mozart’s Don Giovanni and Cavalli’s La Calisto? It sounds like the sort of question Paul Gambaccini might pose to contestants on BBC Radio 4’s music quiz, Counterpoint.

World premiere of Cecilia McDowall's Da Vinci Requiem

The quincentennial of the death Leonardo da Vinci is one of the major events this year – though it doesn’t noticeably seem to be acknowledged in new music being written for this.

Mahler: Titan, Eine Tondichtung in Symphonieform – François-Xavier Roth, Les Siècles

Not the familiar version of Mahler's Symphony no 1, but the “real” Mahler Titan at last, as it might have sounded in Mahler's time! François-Xavier Roth and Les Siècles present the symphony in its second version, based on the Hamburg/Weimar performances of 1893-94. This score is edited by Reinhold Kubik and Stephen E.Hefling for Universal Edition AG. Wien.


OPERA TODAY ARCHIVES »

Reviews

24 May 2019

Peter Sellars' kinaesthetic vision of Lasso's Lagrime di San Pietro

On 24th May 1594 just a few weeks before his death on 14 June, the elderly Orlando di Lasso signed the dedication of his Lagrime di San Pietro - an expansive cycle of seven-voice penitential madrigale spirituali, setting vernacular poetry on the theme of Peter’s threefold denial of Christ - to Pope Clement VIII.  »

Recently in Reviews

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19 Jun 2010

Orpheus & Euridice at Long Beach Opera

Early Greek writings say that Orpheus was the son of the muse Calliope and either Apollo, the god of prophecy and music or Oeagrus, the river god.  »

18 Jun 2010

Revivals Sparkle in the City of Lights

Paris Opéra recently served up two past productions in vibrant performances that were fresh-as-new. »

18 Jun 2010

Valencia Ring: Götterdämmerung

Recorded in May and June 2008, this new Unitel Classica Blu-Ray disc of Götterdämmerung is the final opera in the staging of Richard Wagner’s Ring der Nibelungen staged at the Palau de les Arts “Reina Sofia”, Valencia, by La Fura dels Baus, Valencia, conducted by Zubin Mehta, and directed by Carlus Padrissa.  »

18 Jun 2010

Verdi's Falstaff at The Metropolitan Opera, 1992

A Franco Zeffirelli production for The Metropolitan Opera typically prompts the use of adjectives such as “grandiose,” or “gorgeous” on the positive end or “gaudy” and “gratuitous” on the negative.  »

10 Jun 2010

Musically Astute Armida, Garsington

Garsington has become a distinctive part of the English summer opera season. »

09 Jun 2010

Le Grand Macabre, Avery Fisher Hall, NY

György Ligeti (1923-2006) was a naughty boy, and he reveled in it.  »

09 Jun 2010

Pearl Fishers, ENO

The opening tableau of Penny Woolcock’s new production depicts deep waters with rays of sun hitting the surface; in the murky blue depths, three harnessed acrobats glide down to the sea bed and back up again.  »

09 Jun 2010

Valencia Ring: Siegfried.

Siegfried is a challenging opera to stage effectively, and the presentation by La Fura dels Baus in Zubin Mehta’s new Ring cycle merits attention on various counts.  »

08 Jun 2010

Festive Concert with Jessye Norman

It was more the ruins than the remnants of a once-great voice that Jessye Norman brought to Israel’s new, 6500-seat outdoor opera theater at the foot of historic Masada Mountain.  »

08 Jun 2010

Nabucco at Masada

Israel Opera Nabucco includes three Va pensiero’s It’s apocrypha, of course, but legend has it that since its 1843 premiere at La Scala audiences have wanted an encore of the chorus Va pensiero when Verdi’s Nabucco is on stage.  »

08 Jun 2010

Faust in San Francisco

Faust has long since left the French repertory to enter the international repertory, meaning that, like Disneyland, it has been absorbed into diverse cultures where it discovers new resonances.  »

08 Jun 2010

Le Nozze di Figaro, Royal Opera House

Detailed and precise, but never fussy, David McVicar’s thought-provoking production of Le Nozze di Figaro is ‘busy’ from the opening rushing semi-quavers of the overture.  »

07 Jun 2010

I Gioielli della Madonna, New York

Ermanno Wolf-Ferrari, son of an Italian mother and a German father, was born in Venice but acclaimed only when he took his operas to Germany, where he became quite popular during the first decades of the twentieth century.  »

07 Jun 2010

Bliss, Tosca and La Sonnambula at Opera Australia

Opera Australia regularly commission new work. Usually serious subjects drawn from notable Australian literature or dealing with an event or hero from Australian history. »

07 Jun 2010

La Damnation de Faust in Modern Guise at Lyric Opera of Chicago

During its recently concluded season Lyric Opera of Chicago presented two musical pieces based on the theme of “Faust.”  »

07 Jun 2010

First Opera in 3D — Carmen, Royal Opera House

Everyone knows the tunes from Bizet's Carmen even if they don't know it's an opera. Now the Royal Opera House, London, is making the world's best known opera into the world's first 3D opera film. »

07 Jun 2010

Tchaikowsky Trilogy in Lyon

In Europe only a few theater stage directors are operatically more famous than Peter Stein (pronounced Pay-tear), to mention Sir Peter Hall, Patrice Chereau and Giorgio Strehler as examples.  »

07 Jun 2010

Tosca, ENO

Seeing Tosca at the Coliseum brings back happy memories, as it was a performance of Tosca (in a revival of the Keith Warner production in the 1990s) which occasioned my very first trip to the ENO. That also happens to have been the first time I ever saw Tosca. »

06 Jun 2010

Bostridge and Pappano at Wigmore Hall

Bringing their recent recording of Schubert’s late songs to the concert stage, Ian Bostridge and Antonio Pappano swept through a sequence which ranged from bitter-sweet regret to angry self-reproach, from hesitant hope to turbulent despair, in this the second of two performances at the Wigmore Hall. »

05 Jun 2010

Lulu, New York

Alban Berg died in 1935, but his music was generations ahead of his time – as one could not help but conclude during the recent revival of Lulu at the Met whenever the vibraphone played “doorbell” music, reminding us of the intrusion of cell phones into theaters.  »

01 Jun 2010

Ian Bostridge at the Wigmore Hall

One very tall and gaunt,one short and stocky, one introspective, one effusive : Ian Bostridge and Antonio Pappano, Music Director of the Royal Opera house make an odd couple, but they've partnered each other musically for many years. It's a good relationship, as this recital at the Wigmore Hall demonstrated. »

27 May 2010

Valencia Ring: Die Walküre

The second of Zubin Mehta’s new Ring cycle on DVD, the staging of Die Walküre by La Fura dels Baus, is as engaging as the production of Das Rheingold in its innovative presentation and effective performance of one of Wagner’s most popular operas.  »

22 May 2010

Imbrailo stars as Billy Budd in Glyndebourne

Star born through stutter? It’s immediately obvious that Jacques Imbrailo’s Billy Budd at Glyndebourne is an extraordinary portrayal. His stammer is more expressive than speech. »

20 May 2010

Great Operatic Arias with Gerald Finley

Listeners who have appreciated Gerald Finley’s stylish and moving singing of baritone roles in operas by Mozart and other composers will be pleased with the recent CD release of Great Operatic Arias in English. »

20 May 2010

La Fille du régiment, Royal Opera

Expectations were running high for the opening night of Elaine Kidd’s revival of Laurent Pelly’s production of Donizetti’s mad-cap romp, La Fille du regiment — almost as high as Tonio’s infamous top Cs.  »

19 May 2010

Florian Boesch, Wigmore Hall

At the Wigmore Hall, performers can chose daring repertoire, because audiences there are unusually receptive.  »

18 May 2010

Bellini's Norma at Gran Teatre del Liceu

Some fortunate operas have any number of fine live versions available on DVD.  »

17 May 2010

Valencia Ring: Das Rheingold

Recorded live at the Palau de les Arts “Reina Sofia”, Valencia, this new video of Richard Wagner’s Das Rheingold is based on the staging of La Fura dels Baus, with Carlus Padrissa, stage director, and featuring an international cast conducted by Zubin Mehta.  »

17 May 2010

Mefistofele in Montpellier

Back in 1989 Ken Russell opened his Genovese Mefistofele with heavenly choirs contemplating the divinity of a praying mantis.  »

17 May 2010

Michel van der Aa : After Life at the Barbican, London

“If you could take any one memory with you to eternity, which one would you choose?” In Michel van der Aa’s After Life several people meet in a waiting room.  »

15 May 2010

Tristan und Isolde in Genoa

Tristan has been a fairly frequent visitor in Genoa over the past sixty years (post WW II). Tullio Serafin conducted the Isolde of Maria Callas there in 1948. »

12 May 2010

La traviata in May, Royal Opera House, London

Richard Eyre’s production of La traviata is so beautiful that it can be watched repeatedly, yet still yield pleasure. But appearances, however splendid, aren’t quite enough to make a completely satisfying evening.  »

10 May 2010

Heggie’s Moby-Dick a whale of an opera

It’s glorious and it’s gripping; it’s grand — and it’s good! Indeed, Jake Heggie’s Moby Dick, premiered by Dallas Opera in its handsome new Winspear Opera House on April 30, is a work that restores meaning to basic vocabulary made banal by overuse through the decades. »

10 May 2010

Modern English Song Alive and Well

London’s Wigmore Hall is one of the world’s great centres for art song. This recital, by Susan Bickley and Iain Burnside, specialists in the genre, showed that English language art song is alive and thriving. »

02 May 2010

Rossini’s Armida, New York

Armida is fabulous. That is to say, the story is a fable. Rinaldo, the very type of Christian warrior, is torn between his duty to lead the First Crusade and the sensual ecstasies offered by the beautiful sorceress Armida. »

02 May 2010

No Elephants — Aida at the Royal Opera House, London

It’s time Verdi got attention in Aida, not elephants. »

28 Apr 2010

The Power of Powder: Thomas Adès at the Royal Opera House, London

Thomas Adès’s Powder Her Face is back at the Linbury Studio Theatre at the Royal Opera House. It's a classic. Once again, Joan Rodgers sings the Duchess, supported by Alan Ewing, Iain Paton and the incomparable Rebecca Bottone, all in multiple roles. »

27 Apr 2010

Floyd’s Susannah in Boston

Fifty-five years after its premiere, composer and creator reunite for a new production at Boston University »

27 Apr 2010

Il barbiere di Siviglia, Arizona Opera

The story of Gioachino Rossini’s Il barbiere di Siviglia (The Barber of Seville) is based on Pierre-Augustin Caron de Beaumarchais’ 1775 play, Le barbier de Séville.  »

27 Apr 2010

Towards the light: Juilliard students present Poulenc’s Dialogues

It started with a bang and ended with a whimper. Juilliard’s production of Francis Poulenc’s opera Dialogues des Carmélites opened on Wednesday, April 21 and the performance started out strong.  »

26 Apr 2010

Der Fliegende Holländer, New York

Pick the word: soupçon? snippet? tidbit? quark? to describe the infinitesimal bite of Wagner bestowed upon us by the Met this year — and we had to wait till the end of April, to boot!  »

26 Apr 2010

Wagner’s Götterdämmerung and Schreker’s Die Gezeichneten

Chaos and disorder rule at Los Angeles Opera of late, and not just in the fervid imagination of director Achim Freyer, the artistic force behind the controversial staging of Richard Wagner’s four-evening glorification of chaos and disorder.  »

24 Apr 2010

Shadowboxer, the opera

The Clarice Smith Performing Arts Center at the University of Maryland — College Park is presenting Shadowboxer, an opera based on the life of Joe Louis, with music composed by Frank Proto to a libretto by John Chenault. »

24 Apr 2010

Shadowboxer — A Tormented Joe Louis

From the Maryland Opera Studio comes a riveting new opera that transforms the life of American boxing legend Joe Louis (“The Brown Bomber”) into an epic tale of human struggle, triumph, and failure.  »

24 Apr 2010

Shadowboxer’s Left Jab

This month, the Maryland Opera Studio (MOS) at the University of Maryland, College Park, marked its spot in opera history with the world premiere of Shadowboxer, a jazz-infused opera based on the life of iconic American boxer Joe Louis.  »

24 Apr 2010

Shadowboxer — The Rise and Fall of an American Hero

The Shadowboxer project, an opera about the life of heavyweight boxing champion Joe Louis, began as an idea in director Leon Major’s mind twenty years ago.  »

24 Apr 2010

A “CNN Opera” — Shadowboxer at UMD

The University of Maryland Opera Studio premiered a new commission this week: Shadowboxer, composed by Frank Proto, and based on the life of boxing champion Joe Louis.  »