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Elsewhere

A Donizetti world premiere: Opera Rara at the Royal Opera House

There may be sixty or so operas by Donizetti to choose from, but if you’ve put together the remnants of another one, why not give everyone a chance to hear it? And so, Opera Rara brought L’Ange de Nisida to the concert stage last night, 180 years after it was composed for the Théâtre de la Renaissance in Paris, conductor Sir Mark Elder leading a team of bel canto soloists and the Choir and Orchestra of the Royal Opera House in a committed and at times stirring performance.

A stellar Ariadne auf Naxos at Investec Opera Holland Park

Strauss’s Ariadne auf Naxos is a strange operatic beast. Originally a Molière-Hofmannsthal-Strauss hybrid, the 1916 version presented in Vienna ditched Le bourgeois gentilhomme, which had preceded an operatic telling of the Greek myth of Ariadne and Theseus, and replaced it with a Prologue in which buffa met seria as competing factions prepared to present an entertainment for ‘the richest man in Vienna’. He’s a man who has ordered two entertainments, to follow an epicurean feast, and he wants these dramatic digestifs served simultaneously.

PROM 5: Debussy’s Pelléas et Mélisande

Stefan Herheim’s production of Debussy’s magnificent 1902 opera for Glyndebourne has not been universally acclaimed. The Royal Albert Hall brought with it, in this semi-staged production, a different set of problems - and even imitated some of the production’s original ones, notably the vast shadow of the organ which somewhat replicates Glyndebourne’s 1920’s Organ Room, and by a huge stretch of the imagination the forest in which so much of the opera’s action is set.

Thought-Provoking Concert in Honor of Bastille Day

Sopranos Elise Brancheau and Shannon Jones, along with pianists Martin Néron and Keith Chambers, presented a thrilling evening of French-themed music in an evening entitled: “Salut à la France,” at the South Oxford Space in Brooklyn this past Saturday, July 14th.

Dido in Deptford: Blackheath Halls Community Opera

Polly Graham’s vision of Dido and Aeneas is earthy, vigorous and gritty. The artistic director of Longborough Festival Opera has overseen a production which brings together professional soloists, students from Trinity Laban Conservatoire of Music and Dance, and a cast of more than 80 south-east London adults and children for this, the 12th, annual Blackheath Halls Community Opera.

Summer madness and madcap high jinxs from the Jette Parker Young Artists

The operatic extracts which comprised this year’s Jette Parker Young Artists Summer Performance seemed to be joined by a connecting thread - madness: whether that was the mischievousness of Zerbinetta’s comedy troupe, the insanity of Tom Rakewell, the metaphysical distress of Hamlet, or the mayhem prompted by Isabella’s arrival at Mustafà’s Ottoman palace, the ‘insanity’ was equally compelling.

Mefistofele at Orange’s Chorégies

This is the one where a very personable devil tells God that mankind is so far gone it isn’t worth his time to bother corrupting it further.

Mascagni's Isabeau rides again at Investec Opera Holland Park

There seemed to me to be something distinctly Chaucerian about Martin Lloyd-Evans’ new production of Mascagni’s Isabeau (the first UK production of the opera) for Investec Opera Holland Park.

The 2018 BBC Proms opens in flamboyant fashion

Anniversaries and commemorations will, as usual, feature significantly during the 2018 BBC Proms, with the works of Leonard Bernstein, Claude Debussy and Lili Boulanger all prominently programmed during the season’s myriad orchestral, vocal and chamber concerts.

Banff’s Hell of an Orphée+

Against the Grain Theatre brought its award winning adaptation of Gluck’s opera to the Banff Festival billed as “an electronic baroque burlesque descent into hell.”

A Choral Trilogy at the Aix Festival

What Seven Stones (the amazing accentus / axe 21), and Dido and Aeneas (the splendid Ensemble Pygmalion) and Orfeo & Majnun (the ensemble [too many to count] of eleven local amateur choruses) share, and virtually nothing else, is spectacular use of chorus.

Vintage Audi — Parsifal, Kaufmann, Pape

From the Bayerisches Staatsoper Munich, Wagner Parsifal with a dream cast - René Pape, Jonas Kaufmann and Nina Stemme, Christian Gerhaher and Wolfgang Koch, conducted by Kirill Petrenko, directed by Pierre Audi. The production is vintage Audi - stylized, austere, but solidly thought-through.

Flight Soars High in Des Moines

Jonathan Dove’s innovative opera Flight is being lavished with an absolutely riveting new production at Des Moines Metro Opera’s resoundingly successful 2018 Festival.

Fledermaus Pops the Cork in Iowa

Like a fizzy bottle of champagne, Des Moines Metro Opera uncorked a zesty tasting of Johan Strauss’s vintage Die Fledermaus (The Bat).

A spritely summer revival of Falstaff at the ROH

Robert Carson’s 2012 ROH Falstaff is a bit of a hotchpotch, but delightful nevertheless. The panelled oak, exuding Elizabethan ambience, of the first Act’s gravy-stained country club reeks of the Wodehouse-ian 1930s, but has also has to serve as the final Act’s grubby stable and the Forest of Windsor, while the central Act is firmly situated in the domestic perfection of Alice Ford’s 1950s kitchen.

Down on the Farm with Des Moines’ Copland

Ingenious Des Moines Metro Opera continued its string of site-specific hits with an endearing production of Aaron Copland’s The Tender Land on the grounds of the Maytag Dairy farm.

Des Moines’ Ravishing Rusalka

Let me get right to the point: This is the Rusalka I have been waiting for all my life.

L'Ange de feu (The Fiery Angel)
in Aix

Prokofiev’s Fiery Angel is rarely performed. This new Aix Festival production to be shared with Warsaw’s Teatr Wielki exemplifies why.

Ariane à Naxos (Ariadne auf Naxos) in Aix

Yes, of course British stage director Katie Mitchell served up Richard Strauss’ uber tragic Ariadne on Naxos at a dinner table. Over the past few years Mme. Mitchell has staged quite a few household tragedies at the Aix Festival, mostly at dinner tables, though some on doorsteps.

The Skating Rink: Garsington Opera premiere

Having premiered Roxanna Panufnik’s opera Silver Birch in 2017 as part of its work with local community groups, Garsington Opera’s 2018 season included its first commission for the main opera season. David Sawer's The Skating Rink premiered at Garsington Opera this week; the opera is based on the novel by Chilean writer Roberto Bolano with a libretto by playwright Rory Mullarkey.


OPERA TODAY ARCHIVES »

Reviews

<em>L’Ange de Nisida</em>: Opera Rara at the Royal Opera House
19 Jul 2018

A Donizetti world premiere: Opera Rara at the Royal Opera House

There may be sixty or so operas by Donizetti to choose from, but if you’ve put together the remnants of another one, why not give everyone a chance to hear it? And so, Opera Rara brought L’Ange de Nisida to the concert stage last night, 180 years after it was composed for the Théâtre de la Renaissance in Paris, conductor Sir Mark Elder leading a team of bel canto soloists and the Choir and Orchestra of the Royal Opera House in a committed and at times stirring performance. »

Recently in Reviews

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08 Feb 2007

Houston stages a provocative “Faust”

A literary critic once recalled the day when a German could not clear his throat “without finding pithy precedent in Goethe.” »

08 Feb 2007

Houston takes fresh approach to Cenerentola

In opera, Rossini, born in 1892- the year after Mozart died, is the successor of the great master and, when performed as perceptively as in the “Cenerentola” that debuted at the Houston Grand Opera on January 27, his rightful heir. »

07 Feb 2007

Jaume Aragall en Vivo

During any recital by an aging divo there comes a moment of truth when he sings an operatic aria (usually E lucevan le stelle , as the highest note is an A). That is the defining moment when he no longer can hide behind idiosyncratic interpretation, expressive breathing and a lot of clever transpositions. »

07 Feb 2007

PURCELL: Dido and Aeneas

This disc is a reissue of a 1993 recording made at Skywalker Sound in Marin County, California, but new to me. »

06 Feb 2007

PROKOFIEV: Peter and the Wolf

I suppose you will find this quite an addition to the Melchior legacy if you are a collector of every sound Melchior ever uttered. »

06 Feb 2007

SHOSTAKOVICH: Lady Macbeth of Mtensk District (Kirov Opera)

The Kirov Opera and Orchestra concluded their annual residency at the Kennedy Center in Washington DC last week with a Sunday matinee concert performance of Dmitri Shostakovich’s 1932 Lady Macbeth of Mtsensk District. »

06 Feb 2007

CHARPENTIER: Judicium Salomonis, H. 422; Motet pour une longue offrande, H. 434

Neither of these late works (the Judicium Salomonis is from 1702) is new to disc – the former has two recent recordings, from ten and from twenty years ago, and the latter one, by Herreweghe, released in 1985. »

06 Feb 2007

Walewska i przjaciele: Najpiękniejsze pieśnie, arie i. piosenki

The title Walewska i przjaciele, “Walewska and friends,” reflects the intention of the mezzo soprano Małgorzata Walewska, one of the foremost contemporary Polish singers to present herself and some of her colleagues in recording of various kinds of music. »

05 Feb 2007

BERLIOZ: La damnation de Faust

Why do some conductors make it and others don’t? »

28 Jan 2007

ROSSINI: Il Viaggio a Reims

Rossini’s last Italian opera, staged in 1825 as a part of Charles X’s coronation festivities, is a bizarre creation — a sassy little farce capped with a coronation cantata in the best traditions of staged court entertainment, from 16th-century Italian intermedi through their Baroque and Classic operatic progeny. »

28 Jan 2007

EDER: Musik für die Felsenreitschule

While many associate it with traditional music, the Salzburg Festival is also a venue for new productions and, to a degree, new compositions. »

28 Jan 2007

ROSSINI: Semiramide

The reason for being of this set is Gruberova’s wish to record as much as possible of her repertory (on her own label as most of the majors were either not interested in recording belcanto operas or had their own stars like Decca’s Joan Sutherland). »

28 Jan 2007

VERDI: Aida

Who is the potential consumer for this DVD release of a 1953 Italian film version of Verdi's Aida, featuring Sophia Loren's stunning physical presence and Renata Tebaldi's stunning vocalism in the title role? »

24 Jan 2007

RAMEAU: In Convertendo Dominus

Let it be said at the outset that, at least to my eyes, the packaging and marketing of this DVD is somewhat misleading. »

24 Jan 2007

MAHLER: Songs of a Wayfarer; Symphony no. 1 in D

A welcome addition to the London Philharmonic Orchestra’s own line of releases, this CD is a compilation of two works by Gustav Mahler that the late Klaus Tennstedt performed with the ensemble and which have not been issued previously. »

24 Jan 2007

JANACEK: Káťa Kabanová

I saw my first Káťa 37 years ago during the Flanders Festival. At the time it was still an almost complete novelty on the scene and the Czech company performed it according to the composer’s intentions. »

23 Jan 2007

BROSSARD: Grands Motets

Sébastien de Brossard (1655-1730) was, until recently, known to the musical world (if he was known at all) as a lexicographer (he prepared the first French musical dictionary, published in 1703) and collector, whose collection went entire, together with a catalogue he prepared, to the National Library in Paris, something which must have been almost unheard of in early eighteenth-century Europe, though commonplace today (imagine if Bach had managed to do the same with his scores!). »

23 Jan 2007

OONY Gives Rare Performance of Rossini's Otello

There are three reasons often cited for the paucity of performances of Rossini’s Otello: the horrible hack job of the Shakespearean drama by librettist Francesco Maria Berio, the difficulties in casting an opera requiring at least three top-rate tenor voices, and comparisons with Verdi’s popular opera of the same title. »

23 Jan 2007

Gustav Mahler. Letters to His Wife

True to the title of this collection, the present volume of correspondence edited by Henry-Louis de La Grange and Günther Weiss — here translated, revised , and supplemented by Antony Beaumont — offers, to date, the most complete body of letters of Gustav Mahler to his wife Alma. »

21 Jan 2007

CUYÁS: La Fattucchiera

The sleeve notes of this interesting issue state that “ any comparison between La Fattucchiera and Italian bel canto models by Bellini or Donizetti would be too easy though it became commonplace to describe him (= Cuyàs) as the continuator of the school of Bellini. »

21 Jan 2007

MARTIN Y SOLER: La Madrilena

Although the name of Vicente Martin y Soler is no longer obscure, most opera lovers still know him best due to Mozart quoting his opera ‘Una cosa rara’ during the Don’s last meal in Don Giovanni. »

21 Jan 2007

DEBUSSY: Pelléas et Melissande

I was impressed by Karajan’s intense conducting, which seems so right in the wake of the unavoidable tragedy that is going to happen. »

21 Jan 2007

STRAUSS: Die Fledermaus

Record companies are dominated by accountants and short term cost structure seems to be more important than artistic results or even sale figures. This is a prime example. »

21 Jan 2007

DITTERSDORF: Il barone di rocca antica

For those OperaToday readers prone to fantasies about being a member of royalty with one's own cozy opera house tucked away on the hereditary estate, this Hungaroton DVD will enable that desire. Filmed in August 2005 at the royal palace at Gödölló, Il barone di rocca antica, an operetta giocosa from Karl Ditters von Dittersdorf, requires only four singers. »

21 Jan 2007

Montserrat Caballé: Französische Opernarien

There is a (no doubt apocryphal) story that if one listens carefully to Caballé’s recordings there is a slight sshhh-sound in the background; the sound of the knife she uses to cut open her scores while recording. »

21 Jan 2007

Giuseppe di Stefano: Opera Recital

This issue from DG’s own classic recital series is a copy of the 1963 LP. »

21 Jan 2007

Die Göttliche Liturgie

Serge Jaroff and his Don Cossacks Choir were for many decades legendary performers of Russian choral music, ranging from the liturgical works of Orthodoxy to beloved regional folk melodies. »

21 Jan 2007

HANDEL: Giulio Cesare

This Sellars production had its origins at the 1985 Pepsico Summerfare Festival in Purchase NY. »

19 Jan 2007

WAGNER: Lohengrin

These recordings prove decisively a well-known thesis: more or less realistic productions always age better than so called innovative modern productions which often only aggrandize the clichés of the time of their conception if one views them a few decades after their première. »

17 Jan 2007

SILVER: The Thief of Love

If the audience for new American art music seems small and is (supposedly) shrinking, then the audience for new American operas is even more exclusive. »

17 Jan 2007

Opera Night

Some interesting repertory choices and the participation of some of today's most attractive singers make this particular "gala" evening of "walk on-sing-walk off" entertainment more consistently enjoyable than these affairs often are. »

16 Jan 2007

WAGNER: Tannhäuser

The ever-busy Brian Large directed the 1989 filming (for TV) of a Wolfgang Wagner Tannhäuser production which had debuted at Bayreuth in 1985. »

16 Jan 2007

SHOSTAKOVICH: The Complete Symphonies

Recording a Shostakovich cycle has become de rigueur in recent years — a conductor’s mandatory right of passage, like recording a Beethoven or a Mahler cycle. »

15 Jan 2007

Era La Notte

“Era la notte” presents four highly emotional, seventeenth-century Italian works, sung with commanding theatricality by Anna Caterina Antonacci. »

12 Jan 2007

WAGNER: The Ring Cycle

It is a mystery as complex as the Kirov’s Ring Cycle staging and equally inexplicable. »

12 Jan 2007

ARBOS: El Centro de la Tierra

Most heroes in costume drama movies speak lines directly from our own time. I’ve yet to see a cinematic Roman general, being a serious hero, look at an animal’s liver and says: “ this smells bad; no battle today”. »

12 Jan 2007

Le Donne di Puccini

The recording date is given as November the 12th 1994. Since recording sessions usually last more than one day, and as a radio orchestra is playing, we may safely assume this CD to be derived from a public broadcasted concert by the ‘4 sopranos’ capitalizing on the concept made popular by Domingo, Carreras, and Pavarotti. »

10 Jan 2007

MOZART: Così fan tutte

The booklet essay by Gottfried Kraus (translated from the German by Stewart Spencer) for this TDK release of the 1983 Salzburg Così fan tutte presents an intriguing history of the opera, with the Austrian festival taking in a central role in the work’s return to the standard repertory. »

10 Jan 2007

MARTINŮ: Peach Blossom; The Orphan and Other Songs

The artsong in the twentieth century benefits from the efforts of national composers, like Bohuslav Martinů (1890–1959), who stimulated the genre by incorporating regional folk elements into their music. »

07 Jan 2007

PUCCINI: Tosca

Decca loves to repackage this set. Your reviewer first acquired it as a low-price "Double Decca" release, with no libretto. Just a couple years ago saw another incarnation, with a great cover pic of Price and Karajan locked in an embrace - Karajan as Scarpia? Or Cavaradossi - take one's pick. »

07 Jan 2007

WAGNER: Siegfried

The cover art for the Opus Arts DVD of Wagner's Siegfried, from the Nederlandse Opera in 1999, features Mime, as impersonated by Graham Clark, in amazing make-up and costume: a bald, bulging head almost split down the middle by a furrow of anxiety, and clad in a ghastly green insect-like carapace, including wire-like hair and a bobbing tail-sack. »

07 Jan 2007

NIELSEN: Complete Symphonies

Notable among recent releases, the set of the Complete Symphonies by Carl Nielsen (1865-1931) on DVD makes available some fine performances of the composer’s important contributions to the genre. »

29 Dec 2006

VERDI: Aida

A luminous blue backdrop, sliding columns, a solitary iconic prop (an over-sized falcon head in the opening scene, for example), singers frozen in stiff, awkward poses — yes, it's a Robert Wilson spectacular! »

28 Dec 2006

MOZART: The Glyndebourne Collection

What kind of opera lovers will appreciate this big DVD box the most? »

28 Dec 2006

MUSSORGSKY: Boris Godunov

One of the best opera DVDs released in 2006 was the Salzburg La Traviata, with Rolando Villazon and Anna Netrebko able to make full use of their vocal charisma and acting skills in Willy Decker's sharp, sexy production. »