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Elsewhere

Moshinsky's Simon Boccanegra returns to Covent Garden

Despite the flaming torches of the plebeian plotters which, in the Prologue, etched chiaroscuro omens within the Palladian porticos of Michael Yeargan’s imposing and impressive set, this was a rather slow-burn revival of Elijah Moshinsky’s 1991 production of Simon Boccanegra.

Royal Academy's Semele offers 'endless pleasures'

Self-adoring ‘celebrities’ beware. That smart-phone which feeds your narcissism might just prove your nemesis.

The Eternal Flame: Debussy, Lindberg, Stravinsky and Janáček - London Philharmonic, Vladimir Jurowski

Although this concert was ostensibly, and in some respects a little tenuously, linked to the centenary of the Armistice, it did create some challenging assumptions about the nature of war. It was certainly the case in Magnus Lindberg’s new work, Triumf att finnas till… (‘Triumph to Exist…’) that he felt able to dislocate from the horror of the trenches and slaughter by using a text by the wartime poet Edith Södergran which gravitates towards a more sympathetic, even revisionist, expectation of this period.

François-Xavier Roth conducts the London Symphony Orchestra and Chorus in Works by Ligeti, Bartók and Haydn

For the second of my armistice anniversary concerts, I moved across town from the Royal Festival Hall to the Barbican.

The Silver Tassie at the Barbican Hall

‘Serious sport has nothing to do with fair play. It is bound up with hatred, jealousy, boastfulness, disregard of all rules and sadistic pleasure in witnessing violence: in other words it is war minus the shooting.’ The words of George Orwell, expressed in a Tribune article, ‘The Sporting Spirit’, published in 1945.

The Last Letter: the Britten Sinfonia at Milton Court

The Barbican Centre’s For the Fallen commemorations continued with this varied and thought-provoking programme, The Last Letter, which interweaved vocal and instrumental music with poems and prose, and focused on relationships - between husband and wife, fellow soldiers, young men and their homelands - disrupted by war.

Fiona Shaw's Cendrillon casts a spell: Glyndebourne Tour 2018

Fiona Shaw’s new production of Massenet’s Cendrillon (1899) for this year’s Glyndebourne Tour makes one feel that the annual Christmas treat at the ballet or the panto has come one month early.

The Rake’s Progress: Vladimir Jurowski and the London Philharmonic

Stravinsky’s The Rake’s Progress is not, in many ways, a progressive opera; it doesn’t seek to radicalise, or even transform, opera and yet it is indisputably one of the great twentieth-century operas.

Bampton Classical Opera to perform Gian Carlo Menotti's Amahl and the Night Visitors

Gian Carlo Menotti’s much-loved Christmas opera, Amahl and the Night Visitors was commissioned in America by the National Broadcasting Company and was broadcast in 1951 - the first-ever opera composed specifically for television. Menotti said that it “is an opera for children because it tries to recapture my own childhood”.

A raucous Così fan tutte at the Guildhall School of Music and Drama

Precisely where and when Così fan tutte takes place should be a matter of sublime indifference - or at least of individual taste. It is ‘about’ many things, but eighteenth-century Naples - should that actually be the less exotic yet still ‘othered’ neāpolis of Wiener Neustadt? - is not among them.

For the Fallen: James Macmillan's All the Hills and Vales Along at Barbican Hall

‘He has clothed his attitude in fine words: but he has taken the sentimental attitude.’ So, wrote fellow war poet Charles Hamilton Sorley of the last sonnets of Rupert Brooke.

Kings College, Cambridge launches as curator on Apple Music

November 5, 2018, Los Angeles, CA: Today, King’s College Cambridge announces the launch of the College as a curator on Apple Music.

Royal Opera House’s Music Director Sir Antonio Pappano extends tenure to 2023

Sir Antonio Pappano, Music Director of the Royal Opera House, has confirmed that he will remain in position until at least the end of the 2022/23 Season.

English Touring Opera: Troubled fidelities and faiths

‘Can engaging with contemporary social issues save the opera?’ asked M. Sophia Newman last week, on the website, News City, noting that many commentators believe that ‘public interest in stuffy, intimidating, expensive opera is inevitably dwindling’, and that ‘several recent opera productions suggest that interest in a new kind of urban, less formally-staged, socially-engaged opera is emerging and drawing in new audiences to the centuries-old art form’.

Himmelsmusik: L'Arpeggiata bring north and south together at Wigmore Hall

Johann Theile, Crato Bütner, Franz Tunder, Christian Ritter, Giovanni Felice Sances … such names do not loom large in the annals of musical historiography. But, these and other little-known seventeenth-century composers took their place alongside Bach and Biber, Schütz and Monteverdi during L’Arpeggiata’s most recent exploration of musical cross-influences and connections.

Boston Early Music Festival Chamber Opera to Present Caccini’s Alcina

The GRAMMY-Winning Boston Early Music Festival Chamber Opera Series presents Francesca Caccini’s Alcina on Thanksgiving weekend – November 24 & 25 in Boston and November 26 & 27 in New York City

Complementary Josquin masses from The Tallis Scholars

This recording on the Gimell label, the seventh of nine in a series by the Tallis Scholars which will document Josquin des Prés’ settings of the Mass (several of these and other settings are of disputed authorship), might be titled ‘Sacred and Profane’, or ‘Heaven and Earth’.

Piotr Beczała – Polish and Italian art song, Wigmore Hall London

Can Piotr Beczała sing the pants off Jonas Kaufmann ? Beczała is a major celebrity who could fill a big house, like Kaufmann does, and at Kaufmann prices. Instead, Beczała and Helmut Deutsch reached out to that truly dedicated core audience that has made the reputation of the Wigmore Hall : an audience which takes music seriously enough to stretch themselves with an eclectic evening of Polish and Italian song.

Soloists excel in Chelsea Opera Group's Norma at Cadogan Hall

“Let us not be ashamed to be carried away by the simple nobility and beauty of a lucid melody of Bellini. Let us not be ashamed to shed a tear of emotion as we hear it!”

Handel's Serse: Il Pomo d'Oro at the Barbican Hall

Sadly, and worryingly, there are plenty of modern-day political leaders - both dictators and the democratically elected - whose petulance, stubbornness and egoism threaten the safety of their own subjects as well as the stability and security of other nations.


OPERA TODAY ARCHIVES »

Reviews

16 Nov 2018

Royal Academy's Semele offers 'endless pleasures'

Self-adoring ‘celebrities’ beware. That smart-phone which feeds your narcissism might just prove your nemesis. »

Recently in Reviews

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12 Feb 2011

Parsifal in Brussels

Romeo Castellucci is the cat’s whisker of current avant-garde theater directors. Thus it has simply been a matter of time before he would be invited to the Monnaie to stage an opera.  »

11 Feb 2011

Egyptian Queen in Parisian Rubble

Although Paris Opéra's Dream Team of soprano Natalie Dessay and director Laurent Pelly promised much for the SRO run of Giulio Cesare in Egitto, for the moment we will have to keep dreaming of what might have been.  »

08 Feb 2011

Don Pasquale, New York

Witty and airy as an after-dinner anecdote over biscuits and cognac, Don Pasquale (1844) is, unlikely as it may seem, almost the last opera Donizetti completed before his descent into the madness of tertiary syphilis. »

07 Feb 2011

Turandot, Florida Grand Opera

In 2010, Florida Grand Opera held a gala to honor Robert Heuer on his 25th anniversary as general director. »

07 Feb 2011

Nixon in China, New York

Preparing for the Met premier of Nixon in China, I resolved to forget—or place on hold—everything I remembered, or thought I remembered, about the real persons who are characters in this opera,  »

07 Feb 2011

Turandot, San Diego

The original story that formed the basis for the libretto of Puccini’s opera Turandot told of a Mongolian princess who insisted that any prospective husband endeavor to win a wrestling match with her.  »

06 Feb 2011

Magdalena Kozená, Wigmore Hall

It’s a rare recital that can be at one and the same time intensely intimate and extravagantly exuberant, but that’s just what Magdalena Kozená and the eight-piece Austrian ensemble Private Musicke achieved in this fascinating and exhilarating concert, which brought a thrill of passion, spontaneity and excitement to the usually more restrained and rarified atmosphere of the Wigmore Hall. »

06 Feb 2011

Les Contes d’Hoffmann, Florida Grand Opera

If you are ever lucky enough to have the opportunity to catch a great exponent of just one of two major roles — the heroines or villains — in Offenbach’s Les Contes d’Hoffmann, you should secure a seat maintenant.  »

06 Feb 2011

Randy Rossini Romp in Z-Town

If proof were needed, the Swiss capital’s heady new Le Comte Ory cements the notion that super-star Cecelia Bartoli certainly seems to have found an ideal home at Zurich Opera. »

06 Feb 2011

Jurowski, Das klagende Lied

Vladimir Jurowski and the London Philharmonic have repeated their success with Mahler’s Das klagende Lied at the Royal Festival Hall.  »

06 Feb 2011

Die Zauberflöte, Covent Garden

Premiered in 2003, and aired again in 2005 and 2008, this current revival of David McVicar’s Die Zauberflöte brings many ‘old hands’ back together to re-visit oft-frequented roles on familiar ground. »

06 Feb 2011

Heggie’s Dead Man Walking triumphs at HGO

The production of Jake Heggie’s Dead Man Walking currently on stage at the Houston Grand Opera is marvelously celebratory in its success. »

06 Feb 2011

Der Freischütz, Toulon

Carl Marie von Weber’s magical masterpiece has had a hard time of it in France.  »

04 Feb 2011

Lucrezia Borgia, ENO

Donizetti’s Lucrezia Borgia at the English National Opera, London, is an interesting hybrid. The opera is performed “straight” so to speak, but encased in a frame of short filmed passages that add background and depth. These films don’t intrude, but enhance. »

03 Feb 2011

Mosheh, a VideOpera

Yoav Gal, an Israeli-born composer-in-residence at the HERE arts complex in Manhattan’s South Village, calls Mosheh a “VideOpera,” rightly giving as much place to what is seen (electronic projections) as to what is heard (from four sopranos playing the women in the prophet’s life and an orchestra of nine musicians). »

02 Feb 2011

Bérénice, Carnegie Hall

Albéric Magnard, inspired to abandon the law for music by a visit to Bayreuth in 1886, was wealthy enough to ignore the public and go off on his own to compose.  »

02 Feb 2011

I Puritani, Glyndebourne 1960

It’s a joy to watch an athlete finding her legs, especially when you know she’ll achieve her feat superbly, matchlessly, with supreme grace. I first heard Sutherland sing I Puritani (three times) during the famous Met run of 1976. »

02 Feb 2011

Jurowski conducts Zemlinsky

This looked an enticing programme before Vladimir Jurowski, in conversation with the Southbank Centre’s Head of Music, Marshall Marcus, divulged its secrets.  »

02 Feb 2011

La Fanciulla in its Anniversary at Lyric Opera of Chicago

In its current production of Giacomo Puccini’s La fanciulla del West Lyric Opera of Chicago celebrates the centenary of the first performances of the opera.  »

01 Feb 2011

Maria Stuarda, Minnesota Opera

The 2010-2011 season for Minnesota Opera is steeped in Bel Canto opera selections, starting with Rossini’s Cenerentola this fall, currently featuring Donizetti’s Maria Stuarda, and for the spring, a production of Verdi’s La Traviata with acclaimed Violetta, Elizabeth Futral.  »

01 Feb 2011

Simon Boccanegra, New York

A few years ago, a certain major newspaper boasted a music critic who could not bring himself either to take opera seriously or to deny himself the opportunity to review it.  »

01 Feb 2011

Gustav Mahler: Symphonies nos. 1 & 9

Issued together, this set includes recordings from two different times, with Mahler’s First Symphony based on performances from 10, 11, and 23 March 2003, and the Ninth from performances between 1 and 3 June 2006.  »

31 Jan 2011

Mark Adamo, Little Women

Mark Adamo’s opera, based on the famous novel by Louisa May Alcott, contains one extraordinary scene, a model of how to adapt fiction into opera. »

28 Jan 2011

Mehta conducts Verdi’s La Forza del Destino on Blu-Ray

A recent news report on entertainment technology noted that sales of “regular” DVDs had plummeted in recent years, while the newer Blu-Ray format has seen substantial increases.  »

24 Jan 2011

Nabucco, Palm Beach Opera

Appearing on Palm Beach Opera’s website video player General Director Daniel Biaggi points out among the reasons to attend the first show of the company’s 2010-2011 season, “fantastic artists whose voices will blow you away.”  »

24 Jan 2011

Il barbiere di Siviglia, Covent Garden

In my July 2009 review of the first revival of Moshe Leiser’s and Patrice Caurier’s 2005 production of Il barbiere di Siviglia I commented that the directors, aided by conductor, Antonio Pappano, had reinvigorated this operatic ‘old friend’, injecting freshness and spontaneity into familiar material.  »

19 Jan 2011

Mahler: Symphony no. 7

Based on performances give between 3 and 5 November 2005 at Philharmonic Hall, Liverpool, the recent release of Mahler’s Seventh Symphony is an excellent addition to the discography of this work.  »

19 Jan 2011

La Bohème at Covent Garden, 2009

The Royal Opera at Covent Garden has hit on a way to revitalize a vintage production — hire a fresh cast of virtually unknown singers.  »

19 Jan 2011

James Gilchrist, Wigmore Hall

Arms swinging loosely at his side, a relaxed smile and bright eyes conveying his confident ease, James Gilchrist’s young wanderer bounded nimbly onto the stage at the Wigmore Hall, radiating and embodying the fresh optimism of spring, at the start of this technically assured and dramatically coherent performance of Schubert’s song cycle, Die schöne Müllerin. »

18 Jan 2011

Mahler: Symphony No. 3.

A recent addition to Valery Gergiev’s Mahler cycle with the London Symphony Orchestra, the SACD recording of the Third Symphony has much to recommend.  »

16 Jan 2011

The Magic Flute and La Traviata, New York

The dust on 65th Street is clearing up and the reviews for the renovated Lincoln Center for the Performing Arts are in — the piazza is being hailed as newly “inviting” by architects and arts critics alike, and rightly so.  »

16 Jan 2011

Tosca, Metropolitan Opera

They have been fiddling with Luc Bondy’s staging of Tosca. Scarpia doesn’t masturbate on the Madonna; he just sort of pinches her erotically.  »

16 Jan 2011

The Art of the Countertenor

Since he first came to notice a few years ago — in Messiah in this very hall, as Creonte at Covent Garden, and as Arsace in Partenope at New York City Opera, to name by a few recently acclaimed performances — many a starry accolade has been heaped upon young Welsh countertenor, Iestyn Davies: “achingly beautiful tone”,“unforgettable focus and poignancy” and “compelling sense of rhetoric” are typical of the bountiful superlatives.  »

11 Jan 2011

Simon Boccanegra, Bologna 2007

This beautifully realized production of Verdi’s somber masterpiece of political intrigue and father/daughter reconciliation could be a complete success except for one missing element — memorable singing.  »

11 Jan 2011

Il barbiere di Siviglia in Montpellier

There is more than one way to skin a cat.  »

09 Jan 2011

King Roger at Bregenz Festival 2009

Long-dormant operas sometimes rise to meet a new dawn only to then slink away like the creatures of the night they were doomed to be — seductive but dangerous to approach.  »

09 Jan 2011

Operatic Advice and Counsel…A Welcome New Reference Book

Vincent Giroud’s valuable new French Opera, a Short History, is in hand and very welcome it is.  »

07 Jan 2011

Rienzi on DVD

Wagner and Verdi were born within 6 months of each other. Rienzi, der letzte der Tribunen comes from 1840, and could in some ways be Wagner’s Simon Boccanegra. »

05 Jan 2011

Un ballo in maschera at its roots

In its production this season of Verdi’s Un ballo in maschera Lyric Opera of Chicago has staged the work in its original locale at the royal court of Sweden.  »

31 Dec 2010

Aida at Bregenz Festival 2009

Some years ago a witty soul coined the term “jumping the shark” to identify the point at which any long-running television program had exploited all its innate story/character development possibilities and had to resort to ridiculous plot contrivances and spectacle to keep the episodes — and paychecks — coming.  »

31 Dec 2010

Adriana Lecouvreur at Teatro Regio Torino 2009

The Royal Opera at Covent Garden just made something of a splash in international opera news with a star-encrusted revival of an opera once quite popular and yet in recent years — Francesco Cilea’s Adriana Lecouvreur.  »

31 Dec 2010

December at Los Angeles Opera: Lohengrin and Rigoletto

At the end of November Los Angeles Opera brought two productions to the stage of the Dorothy Chandler Pavilion.  »

31 Dec 2010

Pelléas et Mélisande, New York

Pelléas et Mélisande, Debussy’s impressionist drama closely based on Maeterlinck’s eerie, symbolist play, is not a terribly vocal opera; it calls more for the subtlety of art song style than the belting of great divas and divos. »

28 Dec 2010

Mozart at Salzburg Festival: Don Giovanni and Così fan tutte

Once a preserve of opulent traditional productions, the summer Salzburg Festival has become a destination for viewing more cutting edge stagings.  »

27 Dec 2010

100 Best Verdi from EMI Classics

New recordings of classical music don’t appear from the “big labels” very often these days, but those companies have enormous libraries from which to extract selections for compilation discs.  »

19 Dec 2010

Susan Bullock, Wigmore Hall

It may have been five years since Susan Bullock last performed at the Wigmore Hall, as her prominence on the world operatic stage has taken her away from the recital hall, but she wasted no time getting into her stride in this charming and musically varied concert.  »

19 Dec 2010

La Fanciulla del West, New York

La Fanciulla del West is Puccini’s love letter to an America that had acclaimed him joyously on his triumphant visit of 1907 to attend the Met premieres of Manon Lescaut and Madama Butterfly.  »