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Elsewhere

David McVicar's Rigoletto returns to the ROH

This was a rather disconcerting performance of David McVicar’s 2001 production of Rigoletto. Not only because of the portentous murkiness with which Paule Constable’s lighting shrouds designer Michael Vale’s ramshackle scaffolding; nor, the fact that stage and pit frequently seemed to be tugging in different directions. But also, because some of the cast seemed rather out of sorts.

Verdi Otello, Bergen - Stuart Skelton, Latonia Moore, Lester Lynch

Verdi Otello livestream from Norway with the Bergen Philharmonic Orchestra conducted by Edward Garner with a superb cast, led by Stuart Skelton, Latonia Moore, and Lester Lynch and a good cast, with four choirs, the Bergen Philharmonic Chorus, the Edvard Grieg Kor, Collegiûm Mûsicûm Kor, the Bergen pikekor and Bergen guttekor (Children’s Choruses) with chorus master Håkon Matti Skrede. The Bergen Philharmonic Orchestra was founded in 1765, just a few years after the Leipzig Gewandhaus Orchestra : Scandinavian musical culture has very strong roots, and is thriving still. Tucked away in the far north, Bergen may be a hidden treasure, but, as this performance proved, it's world class.

French orientalism : songs and arias, Sabine Devieilhe

Mirages : visions of the exotic East, a selection of French opera arias and songs from Sabine Devieilhe, with Alexandre Tharaud and Les Siècles conducted by François-Xavier Roth, new from Erato

Temple Winter Festival: the Gesualdo Six

‘Gaudete, gaudete!’ - Rejoice, rejoice! - was certainly the underlying spirit of this lunchtime concert at Temple Church, part of the 5th Temple Winter Festival. Whether it was vigorous joy or peaceful contemplation, the Gesualdo Six communicate a reassuring and affirmative celebration of Christ’s birth in a concert which fused medieval and modern concerns, illuminating surprising affinities.

Mark Padmore and Mitsuko Uchida at the Wigmore Hall

The journey is always the same, and never the same. As Ian Bostridge remarks, at the end of his prize-winning book Schubert’s Winter Journey: Anatomy of an Obsession, when the wanderer asks Der Leiermann, “Will you play your hurdy-gurdy to my songs?”, in the final song of Winterreise, the ‘crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again’.

Turandot in San Francisco

San Francisco Opera wrapped up its 95th fall opera season just now with a bang up Turandot. It has been a season of hopeful hints that this venerable company may regain some of its former luster.

Daniel Michieletto's Cav and Pag returns to Covent Garden

It felt rather decadent to be sitting in an opera house at 12pm. Even more so given the passion-fuelled excesses of Pietro Mascagni’s Cavalleria Rusticana and Ruggero Leoncavallo’s Pagliacci, which might seem rather too sensual and savage for mid-day consumption.

Manitoba Opera: Madama Butterfly

Manitoba Opera opened its 45th season with Puccini’s Madama Butterfly proving that the aching heart as expressed through art knows no racial or cultural divide, with the Italian composer’s self-avowed favourite opera still able to spread its poetic wings across time and space since its Milan premiere in 1904.

Ian Bostridge and Julius Drake celebrate 25 years of music-making

In 1992, concert promoter Heinz Liebrecht introduced pianist Julius Drake to tenor Ian Bostridge and an acclaimed, inspiring musical partnership was born. On Wenlock Edge formed part of their first programme, at Holkham Hall in Norfolk; and, so, in this recital at Middle Temple Hall, celebrating their 25 years of music-making, the duo included Vaughan Williams’ Housman settings for tenor, piano and string quartet alongside works with a seventeenth-century origin or flavour.

Girls of the Golden West in San Francisco

Not many (maybe any) of the new operas presented by San Francisco Opera over the past 10 years would lure me to the War Memorial Opera House a second time around. But for Girls of the Golden West just now I would be there again tomorrow night and the next, and I am eagerly awaiting all future productions.

DiDonato is superb in Semiramide at Covent Garden

It’s taken a while for Rossini’s Semiramide to reach the Covent Garden stage. The last of the operas which Rossini composed for Italian theatres between 1810-1823, Semiramide has had only one outing at the Royal Opera House since 1887, and that was a concert version in 1986.

Hans Werner Henze Choral Music

Hans Werner Henze works for mixed voice and chamber orchestra with SWR Vokalensemble and Ensemble Modern, conducted by Marcus Creed. Welcome new recordings of important pieces like Lieder von einer Insel (1964), Orpheus Behind the Wire (1984) plus Fünf Madrigale (1947).

Philippe Jaroussky and Ensemble Artaserse at the Wigmore Hall

‘His master’s masterpiece, the work of heaven’: ‘a common fountain’ from which flow ‘pure silver drops’. At the risk of effulgent hyperbole, I’d suggest that Antonio’s image of the blessed governance and purifying power of the French court - in the opening scene of Webster’s The Duchess of Malfi - is also a perfect metaphor for the voice of French countertenor Philippe Jaroussky, as it slips through Handel’s roulades like a silken ribbon.

La Rondine Takes Flight in San Jose

Kudos to San Jose Opera for offering up a wholly winning, consistently captivating new production of Puccini’s seldom performed La Rondine.

Bettina Smith, Norwegian Mezzo, in Songs by Fauré and Debussy

Here are five complete song sets by two of the greatest masters of French song. The performers are highly competent. I should have known, given the rave reviews that their 2015 recording of modern Norwegian songs received.

Clonter Opera Gala

Clonter’s Opera Gala in the breath-taking beautiful ball-room at the Lansdowne Club in Mayfair was a glamorously glittering smattering of opera – which made me want to run out to every opera in town.  

Étienne-Nicolas Méhul: Uthal

The opera world barely knows how to handle works that have significant amounts of spoken dialogue. Conductors and stage directors will often trim the dialogue to a bare minimum (Magic Flute), have it rendered as sung recitative (Carmen), or have it spoken in the vernacular though the sung numbers may often be performed in the original language (Die Fledermaus).

A New Anna Moffo?: The Debut Disc of Aida Garifullina

Here is the latest CD from a major label promoting a major new soprano. Aida Garifullina is utterly remarkable: a lyric soprano who also can handle coloratura with ease. Her tone has a constant shimmer, with a touch of quick, narrow vibrato even on short notes.

A New Die Walküre at Lyric Opera of Chicago

From the start of Lyric Opera of Chicago’s splendid, new production of Richard Wagner’s Die Walküre conflict and resolution are portrayed throughout with moving intensity. The central character Brünnhilde is sung by Christine Goerke and her father Wotan by Eric Owens.

As One a Haunting Success in San Diego

San Diego Opera has mined solid gold with its mesmerizing and affecting production of As One, a part of their innovative ‘Detour Series.’


OPERA TODAY ARCHIVES »

Reviews

<em>Rigoletto</em>, Royal Opera House, Covent Garden
17 Dec 2017

David McVicar's Rigoletto returns to the ROH

This was a rather disconcerting performance of David McVicar’s 2001 production of Rigoletto. Not only because of the portentous murkiness with which Paule Constable’s lighting shrouds designer Michael Vale’s ramshackle scaffolding; nor, the fact that stage and pit frequently seemed to be tugging in different directions. But also, because some of the cast seemed rather out of sorts. »

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09 Mar 2006

DOVE: Flight

For most of its 40 plus years the Adelaide Festival of Arts has had as its central attraction the Australian premieres of a landmark European opera like Wozzeck, Lady Macbeth of Mtsensk, The Fiery Angel or landmark contemporary works like Death in Venice, Nixon in China or El Nino presented within a few years of their world premieres. »

08 Mar 2006

Karajan Performs Strauss Waltzes and Polkas

Everyone is familiar with the waltzes and polkas of the “Waltz King,” Johan Strauss II, along with his father Johann I and his brother Josef. »

08 Mar 2006

VERDI: Ernani

Verdi’s smash hit of 1844 is a relative rarity these days. As Stefano Olcese notes in his booklet essay for a new Dynamic recording, the opera calls for daunting vocal display from tenor, soprano, baritone, and bass. »

08 Mar 2006

Mazeppa at the Met — Three Reviews

This season the Metropolitan Opera presents Tchaikovsky's infrequently performed opera, Mazeppa. Acording to the Met, "[a]lthough Tchaikovsky is best known for Eugene Onegin and several great ballet scores, he wrote many other wonderful operas including Mazeppa, which receives its premiere at The Met this season. Premiered in Moscow in 1884, it was first seen in St Petersburg just three days later, and has remained in the repertoire of The Mariinsky Theatre from that time. Based on a poem by Pushkin, it tells the story of a 17th century Ukrainian separatist, who falls in love with a friend’s daughter. The opera is full of tuneful episodes (similar to those in The Queen of Spades) and this is a very rare chance to see the opera in New York." Here are three reviews. »

05 Mar 2006

HILLIARD ENSEMBLE: Thy Kiss of a Divine Nature — The Contemporary Perotin

The richness of the Ars Antiqua flourishing in Paris in the twelfth and thirteenth centuries marks the time as one of high cultural achievement, drawing nurture from the contemporaneous rise of the Cathedral of Notre Dame and the University of Paris. »

05 Mar 2006

MOZART: The Magic Flute

It would be presumptuous of me to go through the entire plot of The Magic Flute, given its historical and popular significance with all classical music devotees. »

05 Mar 2006

GALLO: Opera — The Basics

Is it possible to say something new and fresh about opera? While many books have been written about the artform, it is rare to find an introductory text that serves its subject well. »

28 Feb 2006

Les Violons du Roy and Magdalena Kožená at Carnegie Hall

On Sunday, 28 February 2006, Carnegie Hall presented Les Violons du Roy, Bernard Labadie, Music Director and Conductor, with Magdalena Kožená, Mezzo-Soprano, featuring works by Rameau and Gluck. Here are two reviews. »

28 Feb 2006

BACH: Works for Trumpet

This recording is a grouping of various compositions by J.S. Bach, which are not solely dedicated to the trumpet, but provide some of the most demanding repertoire for the instrument prior to the nineteenth century. »

28 Feb 2006

Ewa Podles in New York — Two Reviews

On 26 February, Constantine Orbelian led the Moscow Chamber Orchestra, marking its 50th anniversary this season, in works by Haydn, Prokofiev, Rossini, Shostakovich, and Mussorgsky, with the renowned contralto Ewa Podlés. Here are two reviews. »

23 Feb 2006

La Forza del Destino at the Met — Four Reviews

METROPOLITAN OPERA: "Commissioned for St Petersburg (the premiere was in 1862), La Forza del Destino was based on a play by the Duke of Rivas, and was at first only a moderate success. Although Verdi revised it for Milan in 1869, it took a long time for audiences to come to appreciate the sprawling drama; several years take place between the first and last scenes, and the number of coincidences in the plot stretches credulity to the limit. But the overture, the arias for Leonora (including “Pace!”), and the duets for tenor and baritone have ensured that the opera remains popular whenever it is revived." Here are four reviews. »

22 Feb 2006

VIVALDI: Concerti con molti strumenti, vol. 2

Vivaldi was very impressed with the sound and performances of the Dresden court orchestra when they visited Venice in 1716. »

22 Feb 2006

SCHÜTZ: Symphoniae Sacrae III

The tragic ravages of the Thirty Years’ War explicitly shaped the musical output of Heinrich Schütz. »

21 Feb 2006

ARIOSTI: “The Flowering and Fading of Love”

Musicologists should be eager to welcome the “first modern recordings” of any work; surely having the opportunity to hear a long-lost musical treasure, rather than having it stare off the page in black-and-white, is something to be celebrated. »

21 Feb 2006

VIVALDI: Concerti e Cantate da Camera III

As the Vivaldi edition continues, Opus 111 is releasing a series of individual volumes dedicated to cantatas interspersed with other chamber works. »

20 Feb 2006

WNO's The Flying Dutchman — Three Reviews

WELSH NATIONAL OPERA: "Welsh National Opera's The Flying Dutchman promises to be a focused, powerful and intense experience. This early Wagnerian masterpiece signalled the composer's fascination with combining epic myths and dramatic music." Here are three reviews. »

17 Feb 2006

VIVALDI: Arie d’Opera

This recording is another gem from the Complete Vivaldi Edition, a collaboration of Naïve (opus 111) and various Piedmontese institutions [see this author’s review of Vivaldi’s Orlando in that series]. »

16 Feb 2006

Hercules in Brooklyn — Two Reviews

The Brooklyn Academy of Music is presenting Handel's Hercules with Les Arts Florissants, conducted by William Christie and directed by Luc Bondy. Here are two reviews: »

15 Feb 2006

BARRY: The Intelligence Park

Irish composer Gerald Barry insists that “Really, my music is very straightforward. »

13 Feb 2006

WAGNER: Parsifal

Nikolaus Lehnhoff’s Parsifal, first staged by English National Opera in 1999, is given on this Opus Arte DVD in a 2004 performance led by Kent Nagano at the Baden-Baden summer festival. »

11 Feb 2006

GÓRECKI: Symphony no. 3

Henryk Górecki’s Symphony no. 3 (1976), his “Symphony of Sorrowful Songs,” as it is called, is one of the most popular recordings of late twentieth-century music. »

11 Feb 2006

CIMAROSA: Il Matrimonio Segreto

Premiered in 1792 (just months after the death of Mozart), Il Matrimonio Segreto won over Vienna from the start, and Domenico Cimarosa’s opera would remain his most popular work. »

10 Feb 2006

LEE: The Great Instrumental Works

This book is for any aficionado or lover of classical instrumental music. »

09 Feb 2006

BYRD: The Great Service

The religious turmoil of sixteenth-century England was characterized not only by factionalism and polarity, but also famously by the charting of a via media, a middle path, through opposing views. »

05 Feb 2006

MAHLER: Symphonies 1-10 • Das Lied von der Erde

The late Gary Bertini (1927-2005) was noted for his fine interpretations of Mahler’s work, and his cycle with EMI was esteemed highly. An accomplished musician, Bertini founded the Israeli Chamber Orchestra in 1965, and later become chief conductor of the Jerusalem Symphony. »

05 Feb 2006

Body and Soul - A New “Poppea” in London

Monteverdi’s great work, “L’Incoronazione di Poppea” in a “semi-staged” format, has been chosen to showcase the talents of some exciting young singers and musicians in London recently as the first part of an ambitious project aimed at a more holistic approach to singing opera. »

04 Feb 2006

TCHAIKOVSKY: Swan Lake

This 2005 release was filmed at a performance in La Scala’s temporary home, Milan’s Teatro degli Arcimboldi, in April 2004. It is based on the Burmeister version of the ballet of some 50 years ago, first introduced in the West by the Paris Opera. »

04 Feb 2006

Le Nozze di Figaro at ROH — Four Reviews

ROYAL OPERA HOUSE: "To mark the 250th anniversary of the birth of Wolfgang Amadeus Mozart, The Royal Opera mounts a new production of his setting of the second of Beaumarchais' domestic but politically charged 'Figaro' comedies, as adapted by librettist Lorenzo da Ponte. " »

03 Feb 2006

WAGNER: Der Ring des Nibelungen

It has been nearly thirty years since the centenary production of the Ring at Bayreuth, and the controversy and even scandal that it generated have long since faded into memory. »

02 Feb 2006

BRUCKNER: Symphonie no. 6

The symphonies of Anton Bruckner deserve excellent performances to convey the intensity that the composer intended for them, and sometimes an individual performance can offer the opportunity to understand them more clearly. »

02 Feb 2006

DAVIES & JAHN: Care of the Professional Voice

This second edition, co-authored by D. Garfield Davies, Consultant Emeritus Otolaryngologist to The Middlesex and University College Hospitals, and Anthony F. Jahn, Professor of Clinical Otolaryngology, Columbia University College of Physicians and Surgeons, was published by Routledge in 2004. »

01 Feb 2006

HANDEL: Radamisto

Handel went to London as a free-lance musician – i.e., “on his own bottom” – in autumn 1710. His Rinaldo of February 1711, with its dazzling arias and scenic spectacles, was resoundingly successful. »

01 Feb 2006

Turandot at Carnegie Hall

On 30 January, the Collegiate Chorale presented Puccini: A Composer's Journey. Here are two reviews. »

29 Jan 2006

DEBUSSY: La Mer

Inspired by the elitist poets of late nineteenth century Paris, Debussy was eager to join their ranks by developing musical ideas that evoked the same emotional response as the poetry he admired. Originally, Prélude à l’après-midi d’un faune was a collaborative project between Debussy and Stéphane Mallarmé, a poet highly regarded by the composer. »

29 Jan 2006

PETITGIRARD: The Elephant Man

Perhaps instead of waiting for the next great new opera, focus should be on finding the next great opera composer. »

27 Jan 2006

ROSSINI: Il Turco in Italia

Clearly someone at Naxos loves Rossini. The label only recently released a good Cenerentola with the most excellent Joyce Di Donato, and the back catalog contains many titles, including highly praised sets of Barbieri (with Ramon Vargas) and Tancredi (featuring Ewa Podles). »

26 Jan 2006

KÁLMÁN: Lieder

I wonder if a record company, any record company, would have taken the trouble of recording these songs if the composer had been Zoltan Kocsis or Deszö Ranki instead of Imre (his real first name) Kálmán? »

26 Jan 2006

PADEREWSKI: Manru

Known for his virtuosity as a pianist, Ignacy Paderewski (1860-1941) is also known as a composer. While most of his works involve piano, he left a single opera, Manru, a three-act work that he composed between 1892 and 1901. »

26 Jan 2006

SALLINEN: Barabbas Dialogues

Two of Finland’s greatest artistic luminaries—composer Aulis Sallinen (b. 1935) and poet Lassi Nummi (b. 1928)—came together to produce a fine new work, The Barabbas Dialogues (2004), which has been recently recorded and released on CD on the CPO label. »

25 Jan 2006

BRITTEN: Serenade for Tenor, Horn and Strings etc.

In an era where new studio recordings by major orchestras have dwindled to a pathetic dribble, leaving many fine institutions to start their own in-house labels, the Berlin Philharmonic still has an active contract with a major company (its conductor’s label of many years, EMI) and releases come on a regular basis. A recent one features some of Benjamin Britten’s great work for instruments and tenor. »

25 Jan 2006

Norma in Munich — Two Reviews

Bellini's Norma is the story of a love triangle involving Norma, the Druid high priestess, Pollione, the Roman proconsul and father of Norma's two children, and Adalgisa, a Druid acolyte and Pollione's new conquest whom he intends to take to Rome. The role of Norma is generally considered one of the most difficult in opera literature. Few have succeeded in mastering it. Now Edita Gruberova, has taken on the role at the Bayerische Staatsoper. Here are two reviews. »